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		<title>In the Mood</title>
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		<updated>2025-10-26T21:54:21Z</updated>

		<summary type="html">&lt;p&gt;2600:1700:8650:EC30:6D3D:8329:1D49:54B: /* Other versions */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{short description|Song popularized by Glenn Miller}}&lt;br /&gt;
{{About|the big band-era song popularized by Glenn Miller|other uses|In the Mood (disambiguation)}}&lt;br /&gt;
{{Use mdy dates|date=December 2022}}&lt;br /&gt;
{{Infobox song&lt;br /&gt;
| name          = In the Mood&lt;br /&gt;
| cover         = Inmood2-1-.JPG&lt;br /&gt;
| alt           = &lt;br /&gt;
| published     = {{Start date|1939|11|27}} Shapiro, Bernstein &amp;amp; Co., Inc., New York&amp;lt;ref&amp;gt;{{Cite book|last=Library of Congress. Copyright Office.|url=https://archive.org/details/catalogofcopyrig353libr|title=Catalog of Copyright Entries 1940 Musical Compositions New Series Vol 35 Pt 3 For the Year 1940|date=1940|publisher=U.S. Govt. Print. Off.|others=United States Copyright Office|language=English}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
| type          = single&lt;br /&gt;
| artist        = [[Glenn Miller]] and [[Glenn Miller Orchestra|His Orchestra]]&lt;br /&gt;
| album         = &lt;br /&gt;
| B-side        = [[I Want to Be Happy]]&lt;br /&gt;
| released      = September 15, 1939&lt;br /&gt;
| recorded      = August 1, 1939&lt;br /&gt;
| studio        = [[RCA Studios New York#24th St|RCA Victor]], [[New York City]]&lt;br /&gt;
| venue         = &lt;br /&gt;
| genre         = [[Big band]], [[Swing music|swing]]&lt;br /&gt;
| length        = 3:40&lt;br /&gt;
| label         = [[Bluebird Records|Bluebird]] (US), [[His Master&#039;s Voice (British record label)|His Master&#039;s Voice]] (UK)&lt;br /&gt;
| writer        = [[Wingy Manone]] (c), [[Andy Razaf]] (w), [[Joe Garland]] (a)&lt;br /&gt;
}}&lt;br /&gt;
{{Infobox song&lt;br /&gt;
| name          = In the Mood&lt;br /&gt;
| cover         = In the Mood Ernie Fields.jpg&lt;br /&gt;
| alt           = &lt;br /&gt;
| type          = single&lt;br /&gt;
| artist        = [[Ernie Fields]]&lt;br /&gt;
| album         = &lt;br /&gt;
| B-side        = Christopher Columbus&lt;br /&gt;
| released      = [[1959 in music|June 1959]]&lt;br /&gt;
| recorded      = &lt;br /&gt;
| studio        = &lt;br /&gt;
| venue         = &lt;br /&gt;
| genre         = [[Jazz]], [[instrumental]]&lt;br /&gt;
| length        = 2:29&lt;br /&gt;
| label         = [[Rendezvous Records|Rendezvous]]&lt;br /&gt;
| writer        = [[Wingy Manone]] (c), [[Andy Razaf]] (w), [[Joe Garland]] (a)&lt;br /&gt;
| producer      = &lt;br /&gt;
| prev_title    = &lt;br /&gt;
| prev_year     = &lt;br /&gt;
| next_title    = Begin the Beguine&lt;br /&gt;
| next_year     = 1960&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&amp;quot;&#039;&#039;&#039;In the Mood&#039;&#039;&#039;&amp;quot; is a popular [[big band]]-era [[jazz standard]] recorded by American bandleader [[Glenn Miller]]. &amp;quot;In the Mood&amp;quot; is based on the composition &amp;quot;[[Tar Paper Stomp]]&amp;quot; by [[Wingy Manone]]. The first recording under the name &amp;quot;In the Mood&amp;quot; was released by [[Edgar Hayes]] &amp;amp; His Orchestra in 1938.&lt;br /&gt;
&lt;br /&gt;
In 1983, the Glenn Miller recording from 1939 was inducted into the [[Grammy Hall of Fame]]. In 2004, the recording was inducted into the Library of Congress [[National Recording Registry]] which consists of recordings that are &amp;quot;culturally, historically, or aesthetically significant.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
In 1999, [[National Public Radio]] (NPR) included the 1939 Glenn Miller recording in its list of &amp;quot;The 100 most important American musical works of the 20th century&amp;quot;.&amp;lt;ref name=&amp;quot;important&amp;quot;&amp;gt;{{cite web |title=NPR 100 |url=https://www.npr.org/programs/specials/vote/list100.html |website=www.npr.org |access-date=November 10, 2018}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;[https://www.npr.org/programs/specials/vote/list100.html NPR 100. The 100 most important American musical works of the 20th century.]&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Miller&#039;s &amp;quot;In the Mood&amp;quot;, with &amp;quot;[[I Want to Be Happy]]&amp;quot; on the B-side, became the best-selling [[swing (music)|swing]] instrumental.&amp;lt;ref name=pc2a/&amp;gt;&amp;lt;ref name=&amp;quot;standards&amp;quot;&amp;gt;{{cite book |last1=Gioia |first1=Ted |title=The Jazz Standards: A Guide to the Repertoire |date=2012 |publisher=Oxford University Press |location=New York City |isbn=978-0-19-993739-4 |pages=185–186}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Arrangement==&lt;br /&gt;
&amp;quot;In the Mood&amp;quot; starts with a saxophone section theme based on repeated [[arpeggio]]s that are rhythmically displaced; trumpets and trombones add accent riffs. The arrangement has two solo sections: a &amp;quot;tenor fight&amp;quot; or chase solo—in one recording between [[Tex Beneke]] and [[Al Klink]]—and a 16-bar trumpet solo by [[Clyde Hurley]].&amp;lt;ref name=&amp;quot;Oliphant&amp;quot;&amp;gt;{{cite web |last1=Oliphant |first1=Dave |title=Hurley, Clyde Lanham, Jr. |url=https://tshaonline.org/handbook/online/articles/fhu91 |website=tshaonline.org |access-date=November 11, 2018 |date=June 15, 2010 |quote=With Miller Hurley was recorded playing perhaps the orchestra&#039;s most famous solo, the one for trumpet on Miller&#039;s &#039;In the Mood&#039;.}}&amp;lt;/ref&amp;gt; At the end of the song, a coda climbs triumphantly, then sounds a sustained unison tonic pitch with a [[rim shot]].&amp;lt;ref name=pc2a&amp;gt;{{Pop Chronicles 40s|2|A}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==History==&lt;br /&gt;
&amp;quot;In the Mood&amp;quot; was an arrangement by [[Joe Garland]] based on an existing melody. Lyrics were added by [[Andy Razaf]]. The main theme with repeated [[arpeggio]]s rhythmically displaced appeared under the title &amp;quot;[[Tar Paper Stomp]]&amp;quot; and was credited to trumpeter [[Wingy Manone]].&amp;lt;ref name=&amp;quot;Updike2009&amp;quot;&amp;gt;{{cite book|last=Updike|first=John |title=The Widows of Eastwick |url=https://archive.org/details/widowsofeastwick00updi_0 |url-access=registration|access-date=November 10, 2018 |year=2009 |publisher=Ballantine Books |isbn=978-0-345-51751-7 |pages=[https://archive.org/details/widowsofeastwick00updi_0/page/262 262]– }}&amp;lt;/ref&amp;gt; Manone recorded &amp;quot;Tar Paper Stomp&amp;quot; on August 28, 1930, in [[Richmond, Indiana]], and released it as a 78 single for [[Champion Records (1925)|Champion Records]] under the name Barbecue Joe and his Hot Dogs. It was re-released in 1935 by Wingy Manone&#039;s Orchestra.&amp;lt;ref name=&amp;quot;barbecue&amp;quot;&amp;gt;{{cite web |title=Barbecue Joe and his Hot Dogs |url=http://www.redhotjazz.com/hotdogs.html |website=www.redhotjazz.com |access-date=November 10, 2018}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Horace Henderson]] used the same riff in &amp;quot;Hot and Anxious&amp;quot;, which was recorded by his brother [[Fletcher Henderson]] on March 19, 1931, for [[Columbia Records|Columbia]] under the name the Baltimore Bell Hops. [[Don Redman]] recorded &amp;quot;Hot and Anxious&amp;quot; for [[Brunswick Records|Brunswick]] in 1932.&lt;br /&gt;
&lt;br /&gt;
Under copyright laws, a tune that had not been written down and registered with the copyright office could be appropriated by any musician with a good ear. Manone raised the similarity between &amp;quot;Tar Paper Stomp&amp;quot; and &amp;quot;In the Mood&amp;quot; to Joe Garland and to the publisher Shapiro, Bernstein, and Company of New York.&amp;lt;ref name=&amp;quot;Sullivan&amp;quot;&amp;gt;{{cite book|last=Sullivan|first=Steve |title=Encyclopedia of Great Popular Song Recordings|url=https://books.google.com/books?id=QWBPAQAAQBAJ&amp;amp;pg=PA50|access-date=November 10, 2018|date=October 4, 2013|publisher=Scarecrow Press|location=Lanham, Maryland|isbn=978-0-8108-8296-6|pages=50–}}&amp;lt;/ref&amp;gt; Manone also discussed the issue in &#039;&#039;[[DownBeat]]&#039;&#039; magazine.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Tar Paper Stomp&amp;quot; was copyrighted on November 6, 1941, as a pianoforte version by Peer International.&amp;lt;ref&amp;gt;{{cite book|title=Catalog of Copyright Entries: Musical compositions|url=https://archive.org/details/bub_gb_ojJjAAAAIAAJ|access-date=November 10, 2018|year=1942|publisher=Library of Congress, Copyright Office|pages=[https://archive.org/details/bub_gb_ojJjAAAAIAAJ/page/n1060 112]–}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The first recording of Joe Garland&#039;s version of &amp;quot;In the Mood&amp;quot; was made by [[Edgar Hayes]] and his Orchestra in 1938 with Garland participating. It was released as a B side to their recording of &amp;quot;[[Stardust (1927 song)|Stardust]]&amp;quot; for [[Decca Records|Decca]]. On this recording there was a baritone saxophone duet rather than a tenor saxophone battle. The riff had appeared in a 1935 recording by the Mills Blue Rhythm Band entitled &amp;quot;There&#039;s Rhythm in Harlem&amp;quot;, which had been composed and arranged by Garland. Before offering it to Miller, Garland sold it in 1938 to [[Artie Shaw]], who chose not to record it because the original arrangement was too long, but he did perform it in concert.&amp;lt;ref name=&amp;quot;Rickert&amp;quot;&amp;gt;{{cite web |last1=Rickert |first1=David |title=Glenn Miller: In the Mood |url=https://www.allaboutjazz.com/glenn-miller-in-the-mood-glenn-miller-by-david-rickert.php |website=All About Jazz |access-date=November 10, 2018 |date=December 27, 2005}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Artie Shaw&#039;s version was over six minutes long and met a lackluster audience response.&amp;lt;ref name=&amp;quot;Sullivan&amp;quot; /&amp;gt; [[Jerry Gray (arranger)|Jerry Gray]] arranged Shaw&#039;s version. The band later performed a shorter version. The Hayes recording was over three minutes in length to fit on one side of a 78 record.&lt;br /&gt;
&lt;br /&gt;
The song was sold in 1939 to Glenn Miller, who experimented with the arrangement. The author of the final arrangement is unknown. One possibility is [[Eddie Durham]] because he wrote other arrangements on the same day that &amp;quot;In the Mood&amp;quot; was recorded. Other possibilities include pianist [[Chummy MacGregor]], who was Miller&#039;s chief arranger, John Chalmers, and Miller himself. According to an account by MacGregor, &amp;quot;all they used of the original arrangement were the two front saxophone strains and another part that occurred later on in the arrangement.&amp;quot;&amp;lt;ref name=&amp;quot;Flower&amp;quot;&amp;gt;{{cite book |last1=Flower |first1=John |title=Moonlight Serenade: A Bio-discography of the Glenn Miller Civilian Band |date=1972 |publisher=Arlington House |location=New Rochelle, New York |isbn=0-87000-161-2 |pages=79–81}}&amp;lt;/ref&amp;gt; Both MacGregor and Miller were involved in creating the final arrangement: &amp;quot;MacGregor mentioned that additional solos were added to the original arrangement and he wrote the finishing coda. Miller probably edited some of the arrangement along with MacGregor.&amp;quot;&amp;lt;ref name=&amp;quot;Flower&amp;quot; /&amp;gt;&amp;lt;ref name=&amp;quot;Grudens&amp;quot;&amp;gt;{{cite book|last=Grudens|first=Richard |title=Chattanooga Choo Choo: The Life and Times of the World Famous Glenn Miller Orchestra|url=https://archive.org/details/chattanoogachooc00grud|url-access=registration|access-date=November 10, 2018|year=2004|publisher=Celebrity Profiles Publishing|location=Stonybrook, New York|isbn=978-1-57579-277-4|pages=[https://archive.org/details/chattanoogachooc00grud/page/198 198]–}}&amp;lt;/ref&amp;gt;  In its final form, it is an example of [[Hemiola]] rhythm.&lt;br /&gt;
&lt;br /&gt;
Two copyrights were filed by Joseph Copeland Garland on June 8 and November 26, 1938,&amp;lt;ref&amp;gt;{{Cite book|last=Library of Congress. Copyright Office.|url=https://archive.org/details/catalogofcopyrig333libr|title=Catalog of Copyright Entries 1938 Musical Compositions New Series Vol 33 Pt3 For the Year 1938|date=1938|publisher=U.S. Govt. Print. Off.|others=United States Copyright Office|language=English}}&amp;lt;/ref&amp;gt; before the song was published by Lewis Music Pub. Co., Inc. on October 31, 1939, with Joe Garland the lone songwriter.&amp;lt;ref&amp;gt;{{Cite book|last=Library of Congress. Copyright Office.|url=https://archive.org/details/catalogofcopyrig344libr|title=Catalog of Copyright Entries 1939 Musical Compositions New Series Vol 34 Pt 3 For the Year 1939|date=1939|publisher=U.S. Govt. Print. Off.|others=United States Copyright Office|language=English}}&amp;lt;/ref&amp;gt; Then on November 27, a copyright was filed with both Garland and Razaf by Shapiro, Bernstein &amp;amp; Co., Inc. of New York. A final copyright was filed by Shapiro, Bernstein on December 11, 1939, worded as follows: &amp;quot;In the mood; fox-trot, Andy Razaf &amp;amp; Joe Garland, arr. Joe Garland as suggested by Glenn Miller; orch. pts., with w.&amp;quot;&amp;lt;ref&amp;gt;{{Cite book|last=Library of Congress. Copyright Office.|url=https://archive.org/details/catalogofcopyrig353libr|title=Catalog of Copyright Entries 1940 Musical Compositions New Series Vol 35 Pt 3 For the Year 1940|date=1940|publisher=U.S. Govt. Print. Off.|others=United States Copyright Office|language=English}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Two editions of the sheet music are in circulation. The 1939 publication credited to Garland and Razaf is in A♭ and has lyrics beginning: &amp;quot;Mister What-cha-call-em, what-cha doin&#039; tonight?&amp;quot;  These lyrics were used in the 1952 recording by [[the Andrews Sisters]], which is perhaps the best-known vocal version of the number. The 1960 reprint credited only to Garland (with piano arrangement by [[Bob Haring|Robert C. Haring]]) is in G and has lyrics beginning: &amp;quot;Who&#039;s the livin&#039; dolly with the beautiful eyes?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
On August 1, 1939, Miller&#039;s version was recorded at the [[RCA Studios New York#24th St|RCA Victor Studios]] at 155 East 24th Street in New York City. The personnel on Miller&#039;s recording included Al Mastren and [[Paul Tanner]] on trombone; [[Clyde Hurley]], Legh Knowles, and Dale McMickle on trumpet; [[Wilbur Schwartz]] on clarinet; [[Hal McIntyre]] on alto saxophone; [[Tex Beneke]], [[Al Klink]], and Harold Tennyson on tenor saxophone; [[Chummy MacGregor]] on piano; Richard Fisher on guitar; Rowland Bundock on double bass; and [[Moe Purtill]] on drums.&amp;lt;ref name=&amp;quot;Jasen&amp;quot;&amp;gt;{{cite book|last=Jasen|first=David A. |title=Tin Pan Alley: An Encyclopedia of the Golden Age of American Song |url=https://books.google.com/books?id=cd-SAgAAQBAJ&amp;amp;pg=RA1-PA1898 |access-date=November 10, 2018|date=June 1, 2004|publisher=Routledge|location=New York, New York |isbn=1-135-94900-X |pages=1–}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Other versions==&lt;br /&gt;
[[File:In the mood sheet music glenn miller.jpg|thumb|1939 sheet music cover, &amp;quot;Introduced by Glenn Miller&amp;quot;, Shapiro, Bernstein, and Co., New York]]&lt;br /&gt;
Miller and band perform a version of the song in the 1941 film &#039;&#039;[[Sun_Valley_Serenade |Sun Valley Serenade]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
In February 1944, the Glenn Miller RCA Victor Bluebird 1939 studio recording of &amp;quot;In the Mood&amp;quot; was released as a [[V-Disc]], one of a series of recordings sent free by the U.S. War Department to overseas military personnel during World War II. A second version recorded by Glenn Miller&#039;s Overseas Band in 1945, was released in May 1948. A new recording by Glenn Miller with the American Band of the Allied Expeditionary Forces (AEF) was broadcast to Germany in 1944 on the radio program &#039;&#039;The Wehrmacht Hour&#039;&#039;.&amp;lt;ref&amp;gt;[https://web.archive.org/web/20150623094816/http://www.learnnc.org/lp/multimedia/13517 In the Mood (U.S. government German-language broadcast recording). learnnc.com.]&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
This piece of music was not new in Europe. The first Swiss record of &amp;quot;In the Mood&amp;quot; were released in April 1940 by &#039;&#039;[[Teddy Stauffer]] und seine Original Teddies&#039;&#039; in Zurich.&amp;lt;ref&amp;gt;Heiner Bontrup, E. Dieter Fränzel: &#039;&#039;Wiederentdeckung einer Swing-Legende. Die Ernst Höllerhagen Story. Ein Jazzmusiker zwischen Nationalsozialismus und Wirtschaftswunder. Mit Diskographie 1934−1955&#039;&#039;. Nordpark, Wuppertal 2011, {{ISBN|978-3-935421-42-3}}, p.&amp;amp;nbsp;141.&amp;lt;/ref&amp;gt; Another interpretation was made by [[Ernst van &#039;t Hoff]] in February 1941 in Berlin.&amp;lt;ref&amp;gt;&amp;quot;In the Mood&amp;quot;, Orchester Ernst van&#039;t Hoff, Polydor 47522, Matrix number 8925 GD-2, produced in Berlin, February 1941&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In 1951 a [[Ferranti Mark 1]] computer at the [[University of Manchester]] played &amp;quot;In the Mood&amp;quot;, one of the first songs to be played by a computer, and the oldest known recording of digitally generated music.&amp;lt;ref&amp;gt;[https://news.bbc.co.uk/2/hi/technology/7458479.stm BBC World] June 17, 2008, &amp;quot;Oldest computer music unveiled&amp;quot;&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In December 1959, the rendition of &amp;quot;In the Mood&amp;quot; that [[Ernie Fields]] and his Orchestra recorded peaked at number 4 by means of the &#039;&#039;Billboard&#039;&#039; popular hit parade and number 7 by means of both the Rhythm and Blues&amp;lt;ref&amp;gt;{{cite book |title= Top R&amp;amp;B/Hip-Hop Singles: 1942-2004|last=Whitburn |first=Joel |author-link=Joel Whitburn |year=2004 |publisher=Record Research |page=201}}&amp;lt;/ref&amp;gt; and the &#039;&#039;Cash Box&#039;&#039; hit parades.&lt;br /&gt;
&lt;br /&gt;
[[Bette Midler]] covered the song on her album &amp;quot;The Divine Miss M&amp;quot; in 1973, with additional lyrics by herself and [[Barry Manilow]].  It was released as a single in 1974 and reached #51 on the Billboard Hot 100 chart.{{cn|date=July 2024}}&lt;br /&gt;
&lt;br /&gt;
[[Jonathan King]], under the name Sound 9418 released his version in 1976 which reached No. 46 on the UK Singles Chart.&amp;lt;ref&amp;gt;{{cite web | url=https://www.officialcharts.com/artist/15632/sound-9418/ | title=SOUND 9418 &amp;amp;#124; full Official Chart History &amp;amp;#124; Official Charts Company | website=[[Official Charts Company|Official Charts]] }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In the winter of 1977, a novelty version by the Henhouse Five Plus Too (a [[Ray Stevens]] project) employing the sounds of clucking chickens entered the U.S. Pop Top 40: (&#039;&#039;Billboard&#039;&#039; No. 40,&amp;lt;ref&amp;gt;&#039;&#039;Joel Whitburn&#039;s Top Pop Singles 1955–1990&#039;&#039; - {{ISBN|0-89820-089-X}}&amp;lt;/ref&amp;gt; &#039;&#039;Cash Box&#039;&#039; #37&amp;lt;ref&amp;gt;{{Cite web |url=http://tropicalglen.com/Archives/70s_files/19770219.html |title=Cash Box Top 100 Singles, February 19, 1977 |access-date=December 29, 2017 |archive-url=https://web.archive.org/web/20181020124014/http://tropicalglen.com/Archives/70s_files/19770219.html |archive-date=October 20, 2018 |url-status=dead }}&amp;lt;/ref&amp;gt;).&lt;br /&gt;
&lt;br /&gt;
[[John Lee Hooker]] said that &amp;quot;In the Mood&amp;quot; was the inspiration for his song &amp;quot;I&#039;m in the Mood&amp;quot; which became a No. 1 hit on the [[Hot R&amp;amp;B/Hip-Hop Songs|R&amp;amp;B Singles]] chart.&amp;lt;ref name=&amp;quot;linernotes&amp;quot;&amp;gt;&#039;&#039;The Very Best of John Lee Hooker&#039;&#039;. [[Rhino Entertainment|Rhino Records]] R2 71915. Liner Notes, Pg.7&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In 2025, [[Pentatonix]] covered the song as a mashup with &amp;quot;[[Run Rudolph Run]]&amp;quot; entitled &amp;quot;Moody Rudy&amp;quot; for their Christmas album &#039;&#039;Christmas in the City&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
[[File:V Disc 123B In the Mood Glenn Miller.jpg|thumb|V-Disc release.]]&lt;br /&gt;
&lt;br /&gt;
==See also==&lt;br /&gt;
*[[List of 1930s jazz standards]]&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
* [https://www.loc.gov/rr/record/nrpb/registry/essays/IN%20THE%20MOOD-FINAL.pdf Library of Congress essay] on the [[National Recording Registry]]&lt;br /&gt;
{{Glenn Miller|state=collapsed}}&lt;br /&gt;
{{The Andrews Sisters}}&lt;br /&gt;
&lt;br /&gt;
{{authority control}}&lt;br /&gt;
&lt;br /&gt;
[[Category:United States National Recording Registry recordings]]&lt;br /&gt;
[[Category:1939 songs]]&lt;br /&gt;
[[Category:1939 singles]]&lt;br /&gt;
[[Category:Glenn Miller songs]]&lt;br /&gt;
[[Category:The Andrews Sisters songs]]&lt;br /&gt;
[[Category:Jonathan King songs]]&lt;br /&gt;
[[Category:Grammy Hall of Fame Award recipients]]&lt;br /&gt;
[[Category:Songs written by Andy Razaf]]&lt;br /&gt;
[[Category:American jazz songs]]&lt;br /&gt;
[[Category:1930s jazz standards]]&lt;br /&gt;
[[Category:Swing jazz standards]]&lt;br /&gt;
[[Category:Benny Goodman songs]]&lt;br /&gt;
[[Category:Bluebird Records singles]]&lt;br /&gt;
[[Category:Jazz compositions in A-flat major]]&lt;/div&gt;</summary>
		<author><name>2600:1700:8650:EC30:6D3D:8329:1D49:54B</name></author>
	</entry>
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