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		<id>https://wiki.sarg.dev/index.php?title=Hybrid_genre&amp;diff=242310</id>
		<title>Hybrid genre</title>
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		<updated>2025-10-30T23:55:12Z</updated>

		<summary type="html">&lt;p&gt;78.149.122.181: /* List of named hybrid genres */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{short description|Genre that blends themes and elements from two or more different genres}}&lt;br /&gt;
{{use dmy dates|date=July 2023}}&lt;br /&gt;
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A &#039;&#039;&#039;hybrid genre&#039;&#039;&#039; is a [[literary genre|literary]] or [[film genre]] that blends themes and elements from two or more different genres. Hybrid genre works are also referred to as &#039;&#039;&#039;cross-genre&#039;&#039;&#039;, &#039;&#039;&#039;multi-genre&#039;&#039;&#039;, &#039;&#039;&#039;mixed genre&#039;&#039;&#039;, or &#039;&#039;&#039;fusion genre&#039;&#039;&#039;. Some hybrid genres have acquired their own specialised names, such as [[comedy drama]] (&amp;quot;dramedy&amp;quot;), [[romantic comedy]] (&amp;quot;rom-com&amp;quot;), [[horror Western]], and [[docudrama]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;A Dictionary of Media and Communication&#039;&#039; describes hybrid genre as &amp;quot;the combination of two or more genres&amp;quot;, which may combine elements of more than one genre and/or which may &amp;quot;cut across categories such as fact and fiction&amp;quot;.&amp;lt;ref name=&amp;quot;oxford&amp;quot;&amp;gt;{{cite book|last1=Chandler |first1=Daniel |last2=Munday |first2=Rod |title=A Dictionary of Media and Communication |date=2020 |edition=3rd |chapter=hybrid genre |publisher=[[Oxford University Press]] |location=Oxford, England |isbn=978-0198841838 |url=https://www.oxfordreference.com/display/10.1093/oi/authority.20111108103413377 |access-date=21 July 2023 |via=Oxford Reference}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Hybrid genres are a longstanding element in the fictional process. An early literature example is [[William Blake]]&#039;s &#039;&#039;[[Marriage of Heaven and Hell]]&#039;&#039;, with its blend of poetry, prose, and engravings.&amp;lt;ref&amp;gt;M. Singer/W. Walker, &#039;&#039;Bending Genre&#039;&#039; (2013) p. 21-2&amp;lt;/ref&amp;gt;  In cinema, the merging of two or more separate genres attracts a broader range of audience type.&amp;lt;ref name=&amp;quot;Aldredge&amp;quot;&amp;gt;{{cite web|last1=Aldredge |first1=Jourdan |title=A Guide to the Basic Film Genres (and How to Use Them) |url=https://www.premiumbeat.com/blog/guide-to-basic-film-genres/ |website=PremiumBeat |publisher=[[Shutterstock]] |date=August 29, 2022 |access-date=3 December 2024}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;Stylesphere&amp;quot;&amp;gt;{{cite web |title=The Psychology of Jumping Genres: Why Audiences Love Hybrid Films |url=https://stylespheresource.com.in/the-psychology-of-jumping-genres-why-audiences-love-hybrid-films/ |website=Stylesphere Source |date=May 8, 2024 |access-date=3 December 2024}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Examples==&lt;br /&gt;
===Literature===&lt;br /&gt;
In contemporary literature, [[Dimitris Lyacos]]&#039;s trilogy &#039;&#039;[[Dimitris Lyacos#Poena Damni|Poena Damni]]&#039;&#039; combines fictional prose with drama and poetry in a multilayered narrative developing through the different characters of the work.&amp;lt;ref&amp;gt;{{cite web|date=2011-03-14|title=Reviews: Z213: Exit by Dimitris Lyacos|website= Write From Wrong Literary Magazine|url=http://writefromwrongmag.wordpress.com/2011/03/14/reviews-march/|access-date=2015-11-07|publisher=Writefromwrongmag.wordpress.com}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Many contemporary women of color have published cross-genre works, including [[Theresa Hak Kyung Cha]], [[Giannina Braschi]], [[Guadalupe Nettel]], and [[Bhanu Kapil]].&amp;lt;ref&amp;gt;{{Cite web|title=How I Learned To Love Experimental Fiction As A Brown Girl By Seeking Out Books By Women Of Color|url=https://www.bustle.com/p/how-i-learned-to-love-experimental-fiction-as-a-brown-girl-by-seeking-out-books-by-women-of-color-15863937|access-date=2020-10-11|website=Bustle|date=25 January 2019 |language=en}}&amp;lt;/ref&amp;gt; [[Giannina Braschi]] creates linguistic and structural hybrids of comic fantasy and tragic comedy in Spanish, [[Spanglish]], and English prose and poetry.&amp;lt;ref&amp;gt;{{Cite web|date=2012-08-06|title=&amp;quot;What to Read Now: Mixed-Genre Literature,&amp;quot; Giannina Braschi|url=https://www.worldliteraturetoday.org/2012/september/what-read-now-mixed-genre-literature-giannina-braschi|access-date=2020-10-11|website=World Literature Today|language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite journal|last=Marting|first=Diane E.|date=2010|title=New/Nueva York in Giannina Braschi&#039;s &amp;quot;Poetic Egg&amp;quot;: Fragile Identity, Postmodernism, and Globalization|url=https://www.jstor.org/stable/10.2979/gso.2010.4.1.167|journal=The Global South|volume=4|issue=1|pages=167–182|doi=10.2979/gso.2010.4.1.167|jstor=10.2979/gso.2010.4.1.167 |issn=1932-8648|url-access=subscription}}&amp;lt;/ref&amp;gt; [[Carmen Maria Machado]] mixes [[Psychological fiction|psychological realism]] and [[science fiction]] with both humor and elements of [[Gothic fiction|gothic horror]].&amp;lt;ref&amp;gt;{{Cite web|date=2019-01-09|title=13 Latina Fantasy Books For the Sci-Fi Lover in Your Life|url=https://fierce.wearemitu.com/things-that-matter/these-13-latinx-sci-fi-books-make-the-most-magical-christmas-gifts/|access-date=2020-10-11|website=Fierce|language=en-US}}&amp;lt;/ref&amp;gt; &lt;br /&gt;
&lt;br /&gt;
[[Dean Koontz]] considers himself a cross-genre writer, not a [[Horror fiction|horror]] writer: &amp;quot;I write cross-genre books-suspense mixed with love story, with humor, sometimes with two tablespoons of science fiction, sometimes with a pinch of horror, sometimes with a sprinkle of paprika...&amp;quot;&amp;lt;ref&amp;gt;Koontz, Dean. &amp;quot;Afterword&amp;quot;, &#039;&#039;Lightning&#039;&#039;, G.P. Putnam&#039;s Sons hardcover edition, January 1988. Berkley Publishing Group, mass market edition, May 1989. p. 360&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Film===&lt;br /&gt;
Examples of hybrid genre films include:&lt;br /&gt;
*&#039;&#039;[[Grease (film)|Grease]]&#039;&#039; (1978; [[Musical film|musical]], comedy, [[Romance film|romance]], [[Coming of age film|coming-of-age]])&amp;lt;ref name=&amp;quot;farout&amp;quot;&amp;gt;{{cite web|last1=Tibbs |first1=Ros |date=4 August 2022 |title=10 essential films that define genre-hybridity |url=https://faroutmagazine.co.uk/10-essential-films-genre-hybridity/ |access-date=21 July 2023 |website=Far Out}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&#039;&#039;[[Who Framed Roger Rabbit]]&#039;&#039; (1988; [[live action]], [[animated film|animation]], [[Mystery film| mystery]])&amp;lt;ref name=farout/&amp;gt; &lt;br /&gt;
*&#039;&#039;[[Back to the Future 3]]&#039;&#039; (1990; [[science fiction film|science fiction]] and [[western film|western]])&amp;lt;ref name=oxford/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;[[Punch-Drunk Love]]&#039;&#039; (2002; rom-com, [[psychological drama]], musical, [[screwball comedy]])&lt;br /&gt;
*&#039;&#039;[[Shaun of the Dead]]&#039;&#039; (2004; [[Horror film|horror]], [[Survival film|survival]], [[comedy film|comedy]])&amp;lt;ref name=farout/&amp;gt;&lt;br /&gt;
*&#039;&#039;[[Let the Right One In (film)|Let the Right One In]]&#039;&#039; (2008; horror ([[vampire film|vampire]]), romance, coming-of-age, [[Nordic noir]])&amp;lt;ref name=ding2017a&amp;gt;{{cite web | title=The 20 Best Genre-Hybrid Movies of The 21st Century (1) | website=Taste of Cinema |first=Kevin |last=Ding | date=13 July 2017 | url=http://www.tasteofcinema.com/2017/the-20-best-genre-hybrid-movies-of-the-21st-century/ | access-date=21 July 2023}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;[[Drive (2011 film)|Drive]]&#039;&#039; (2011; [[arthouse film|art-house drama]], [[B-movie]])&amp;lt;ref name=ding2017c/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;[[Deadpool]]&#039;&#039; (2016; [[superhero film|superhero]], [[action film|action]], comedy)&#039;&#039;&amp;lt;ref name=&amp;quot;farout&amp;quot; /&amp;gt;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;[[Elle (2016 film)|Elle]]&#039;&#039; (2016; [[erotic thriller]], [[Black comedy]], [[Satire (film and television)| satire]])&amp;lt;ref name=ding2017b&amp;gt;{{cite web | title=The 20 Best Genre-Hybrid Movies of The 21st Century (2) | website=Taste of Cinema |first=Kevin |last=Ding | date=13 July 2017 | url=http://www.tasteofcinema.com/2017/the-20-best-genre-hybrid-movies-of-the-21st-century/2/ | access-date=21 July 2023}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;[[Logan (2017 film)|Logan]]&#039;&#039; (2017; superhero, Western)&amp;lt;ref name=ding2017b/&amp;gt;&amp;lt;ref name=farout/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;[[The Killing of a Sacred Deer]]&#039;&#039; (2017; horror, [[Greek tragedy]], dark comedy)&amp;lt;ref name=ding2017c&amp;gt;{{cite web | title=The 20 Best Genre-Hybrid Movies of The 21st Century (3) | website=Taste of Cinema |first=Kevin |last=Ding | date=13 July 2017 | url=http://www.tasteofcinema.com/2017/the-20-best-genre-hybrid-movies-of-the-21st-century/3/ | access-date=21 July 2023}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;[[Parasite (2019 film)|Parasite]]&#039;&#039; (2019; comedy, [[drama film|drama]], [[Thriller film|thriller]])&#039;&#039;&amp;lt;ref name=&amp;quot;farout&amp;quot; /&amp;gt;&#039;&#039;&lt;br /&gt;
* &#039;&#039;[[Bones and All]]&#039;&#039; (2022; [[Road movie|road film]], coming-of-age, romance, horror)&amp;lt;ref&amp;gt;{{Cite web |title=Bones and All review: Timothée Chalamet turns cannibal in gruesome love story |url=https://www.dexerto.com/tv-movies/bones-and-all-review-timothee-chalamet-turns-cannibal-in-gruesome-love-story-1943273/ |access-date=2022-10-09 |website=Dexerto |language=en}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&#039;&#039;[[Everything Everywhere All at Once]]&#039;&#039; (2022; action, [[fantasy film| fantasy]], sci-fi)&lt;br /&gt;
*&#039;&#039;[[Sinners (2025 film)|Sinners]]&#039;&#039; (2025; horror (vampire), [[Revisionist Western|revisionist Western]], [[Musical film|musical]])&amp;lt;ref&amp;gt;{{Cite web |last= |date=2025-04-24 |title=&#039;Sinners&#039; Is a Black Musical |url=https://www.autostraddle.com/sinners-is-a-black-musical/ |access-date=2025-05-13 |website=Autostraddle |language=en-US |archive-date=April 29, 2025 |archive-url=https://web.archive.org/web/20250429162439/https://www.autostraddle.com/sinners-is-a-black-musical/ |url-status=live }}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web |last=Thompson |first=Paul A. |date=2025-04-22 |title=Sinners Review: Finally, A Transcendental Southern Gothic Vampire Musical Blockbuster |url=https://pitchfork.com/thepitch/sinners-movie-review/ |access-date=2025-05-13 |website=Pitchfork |language=en-US}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===TV series===&lt;br /&gt;
*&#039;&#039;[[Lost (TV series)|Lost]]&#039;&#039; (2004-2010; [[Adventure fiction|adventure]], mystery, science fiction, serial drama, [[Supernatural fiction|supernatural]], survival, thriller)&amp;lt;ref name=&amp;quot;Lost&amp;quot;&amp;gt;{{Cite web |last=VanDerWerff |first=Todd |title=The Lost Interviews |url=https://www.vox.com/a/lost-damon-lindelof-interviews |access-date=2024-11-28 |website=[[Vox (website)|Vox]]}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==List of named hybrid genres==&lt;br /&gt;
{{div col|colwidth=25em}}&lt;br /&gt;
*[[Action comedy]] ([[action (fiction)|action]] and [[comedy]])&lt;br /&gt;
*[[Action drama]] (action and [[drama]])&lt;br /&gt;
*[[Action thriller]] (action and [[Thriller (genre)|thriller]])&lt;br /&gt;
*[[Action horror]] (action and [[Horror fiction|horror]])&lt;br /&gt;
*[[Comedy drama]] (comedy and drama)&lt;br /&gt;
*[[Comedy-horror]] (comedy and horror)&lt;br /&gt;
*[[Comedy thriller]] (comedy and thriller)&lt;br /&gt;
*[[Comic fantasy]] (comedy and [[fantasy]])&lt;br /&gt;
*[[Comic science fiction]] (comedy and [[science fiction]])&lt;br /&gt;
*[[Crime drama]] (crime and drama)&lt;br /&gt;
*Crime fantasy ([[crime fiction|crime]] and fantasy)&amp;lt;ref&amp;gt;{{Cite web|date=2014-05-15|title=When crime meets fantasy in fiction|url=http://www.theguardian.com/books/2014/may/15/crime-fantasy-literature-crimefest-bristol-literary-genres|access-date=2022-02-18|website=the Guardian|language=en}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
*[[Dark fantasy]] (horror and fantasy)&lt;br /&gt;
*[[Docudrama]] (dramatised [[documentary]])&lt;br /&gt;
*[[Docufiction]] (documentary and [[fiction]])&lt;br /&gt;
*[[Ethnofiction]] ([[ethnography]] and fiction)&lt;br /&gt;
*[[Fantasy Western]] (fantasy and [[Western (genre)|Western]])&lt;br /&gt;
*[[Horror Western]] (horror and Western)&lt;br /&gt;
*[[Romantic comedy]] ([[Romance novel|romance]] and comedy)&lt;br /&gt;
*[[Romantic fantasy]] (romance and fantasy)&lt;br /&gt;
*[[Science fantasy]] (science fiction and fantasy)&lt;br /&gt;
*[[Science fiction Western]] (science fiction and Western)&lt;br /&gt;
*[[Tragicomedy]] ([[tragedy]] and comedy)&lt;br /&gt;
*[[Zombie comedy]] ([[zombie apocalypse|zombie fiction]] and comedy)&lt;br /&gt;
{{div col end}}&lt;br /&gt;
&lt;br /&gt;
==See also==&lt;br /&gt;
*[[Genre-busting]]&lt;br /&gt;
*[[Menippean satire]]&lt;br /&gt;
*[[Northrop Frye]]&lt;br /&gt;
*&#039;&#039;[[Orlando: A Biography]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{Reflist|2|}}&lt;br /&gt;
&lt;br /&gt;
==Further reading==&lt;br /&gt;
* {{cite book |last1=Freedman |first1=Diane P. |title=An Alchemy of Genres: Cross-Genre Writing by American Feminist Poet-Critics |date=1992 |edition=1st |publisher=[[University of Virginia Press]] |location=Charlottesville, Virginia |isbn=978-0813913773}}&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
* [https://www.filmsite.org/filmgenres.html Film Genres] at [[Filmsite]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Fiction]]&lt;br /&gt;
[[Category:Genres]]&lt;br /&gt;
[[Category:Literary genres]]&lt;br /&gt;
[[Category:Theme]]&lt;br /&gt;
[[Category:Film genres]]&lt;/div&gt;</summary>
		<author><name>78.149.122.181</name></author>
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