Her family arranged several marriages for her that advanced their own political position, including to Giovanni Sforza, Lord of Pesaro and Gradara, Count of Cotignola; Alfonso of Aragon, Duke of Bisceglie and Prince of Salerno; and Alfonso I d'Este, Duke of Ferrara. Alfonso of Aragon was an illegitimate son of the King of Naples, and tradition has it that Lucrezia's brother Cesare may have had him murdered after his political value waned.
Notorious tales about her family have cast Lucrezia as a femme fatale, a controversial role in which she has been portrayed in many artworks, novels, and films.
Lucrezia's education would primarily take place in the Palazzo Pizzo de Merlo, a building adjacent to her father's residence. Unlike most educated women of her time, for whom convents were the primary source for knowledge, Lucrezia's humanist education came from within the sphere of intellectuals in the court and close relatives, and it included a solid grounding in the Humanities, which the Catholic Church was reviving at the time. She was fluent in Spanish, Catalan, Italian, and French, and literate in both Latin and Greek.<ref name=":11" /><ref name=":5" /> She would also become proficient in poetry and oration, and could play the lute and zither, embroider and dance.<ref name=":19" /> The biggest testament to her intelligence is her ability in administration, as later on in life, she took care of Vatican City correspondence and governance of Ferrara.Template:Citation needed
List of marriages
First marriage: Giovanni Sforza (Lord of Pesaro and Gradara)
On 26 February 1491, a matrimonial arrangement was drawn up between Lucrezia and the Lord of Val D'Ayora, in the Kingdom of Valencia, Don Cherubino Joan de Centelles (d. 1522).<ref name=":16" /> The arrangement was annulled less than two months later in favour of a new contract engaging Lucrezia to Don Gaspare, Count of Aversa (1476–1534).<ref name=":6" /><ref>Template:Cite book</ref>
When Lucrezia's father Rodrigo became Pope Alexander VI in August 1492, he sought to be allied with powerful, princely families and founding dynasties of Italy. Therefore, he called off Lucrezia's previous engagements. Cardinal Ascanio Sforza said: "There are many who long to marry into the Pope's family via his daughter, and he lets many think they have a chance. Even the king of Naples aspires to win her hand!"<ref name=":22">Template:Cite web</ref>
The Pope arranged for Lucrezia to marry condottieroGiovanni Sforza, a member of the House of Sforza who was the Lord of Pesaro and titled Count of Catignola.<ref>Template:Cite book</ref> Giovanni was nephew of the Duke of Milan as an illegitimate son of Costanzo I Sforza. He was a Sforza of the second rank and belonged to a cadet branch of the family. They married by proxy on 12 June 1493 in Rome, when Lucrezia was aged 13.<ref name=":0" /><ref name=":7" /><ref name=":16" /><ref name=":8">Template:Cite book</ref> She was outfitted in brocade and jewels for the wedding ceremony.<ref name=":25" />
On 31 May 1494, Lucrezia departed from Rome with a retinue of ladies and gentlemen and accompanied by Giulia Farnese and Adriana Mila.<ref name=":25" /> She moved to her husband's palace in Pesaro, where local poets celebrated her with their madrigals,<ref name=":19" /> she negotiated the marriage of one of her Spanish ladies-in-waiting,<ref name=":25" /> and she exchanged visits with the highly literate court of the Dukes of Urbino.<ref name=":25" />
Before long, the Borgia family no longer needed the Sforzas,<ref name=":6" /><ref name=":12">Template:Cite web</ref> and the Pope may have covertly ordered the execution of Giovanni Sforza. Lucrezia was likely informed of this by her brother, Cesare, and she warned her husband, who then fled from Rome.<ref>Template:Cite book</ref>
Alexander asked Giovanni's uncle, Cardinal Ascanio Sforza, to persuade Giovanni to agree to an annulment of the marriage. Giovanni refused and accused Lucrezia of paternal incest,<ref>Template:Cite book</ref> spreading the rumour that the pope wanted his daughter to return to Rome so that he could have sex with her.<ref name=":19" /><ref>Template:Cite book</ref> This rumour endured through the centuries, partly due to the writings of Florentine historian Francesco Guicciardini and verses by Giovanni Pontano and Jacopo Sannazaro, and Lucrezia's reputation was tainted.<ref name=":25" /><ref name=":19" /><ref name=":12" /> The pope, however, asserted that his daughter's marriage had not been consummated and was, thus, invalid. Giovanni was offered her dowry in return for his cooperation.<ref>{Some sources state that Giovanni returned the dowry. See, Durant, Will. "The Renaissance" Simon and Schuster (1953), page 429, Template:ISBN. See also Bradford, Sarah, "Lucrezia Borgia: Life, Love and Death in Renaissance Italy" Penguin Books (2005), Part 1, Ch. 3}</ref> The Sforza family threatened to withdraw their protection, should he refuse. Giovanni finally signed confessions of impotence and documents of annulment before witnesses, despite how his first wife had died in childbirth.Template:Citation needed
Purported affair with Pedro Calderon
Historians have speculated that during the prolonged process of the annulment, Lucrezia consummated a relationship with someone, perhaps Alexander's chamberlain Pedro Calderon (sometimes called Perotto).<ref name="Burchard-328">Template:Cite book</ref> In any case, families hostile to the Borgias would later accuse her of being pregnant at the time her marriage was annulled.<ref name=":15" /> She is known to have retired to the cloistered Convent of Saint Sixtus Vecchio in Rome where she was given sanctuary by the Mother Superior in June 1497, to await the outcome of the annulment proceedings, which were finalized in December of the same year. Template:Citation needed In the convent, in mid-June, she received news of the murder of her brother Giovanni, whose killer was never officially discovered.Template:Citation needed
The bodies of Pedro Calderon<ref name=Burchard-328/> and a maid, Pantasilea, were found in the Tiber river in February 1498. In March 1498, the Ferrarese ambassador claimed that Lucrezia had given birth, but this was denied by other sources. However, a child was born in the Borgia household the year before Lucrezia's marriage to Alfonso of Aragon. He was named Giovanni but is known to historians as the "Infans Romanus” (Child of Rome).<ref name=":7" /><ref>Template:Cite book</ref>
In 1501, two papal bulls were issued concerning Giovanni Borgia. In the first, he was recognized as Cesare's child from an affair, before his marriage. The second contradictory bull recognized him as the son of Pope Alexander VI. Lucrezia's name is not mentioned in either, and rumours that she was his mother have never been proven. The second bull was kept secret for many years, and Giovanni was assumed to be Cesare's son. This is supported by the fact that he became Duke of Camerino in 1502, which was to be inherited by the Duke of Romagna's oldest son. After Alexander's death, Giovanni went to stay with Lucrezia in Ferrara, where he was accepted as her half-brother.<ref name=":5">Template:Cite book</ref>
Second marriage: Alfonso d'Aragon (Duke of Bisceglie and Prince of Salerno)
Lucrezia's father gave the Duchy of Spoleto and 40,000 ducats as her dowry.<ref name=":8" /> It was also part of the agreement that the couple would remain in Rome for at least one year and not be forced to live permanently at the Kingdom of Naples until her father's death. Lucrezia's marriage was a short one.<ref name=":0" />
Lucrezia and Alfonso were married on 21 July 1498 in the Vatican, with the celebrations being held behind closed doors in the Borgia apartments.<ref name=":2" /> Lucrezia became the Duchess consort of Bisceglie and Princess consort of Salerno and the marriage was said to be happy, with Lucrezia supporting her husband in a dispute with her father on the legality of the marriage of Alfonso’s aunt Beatrice of Naples to Vladislaus II, King of Bohemia and Hungary.<ref name=":15" /><ref name=":26">Template:Cite web</ref>
In 1499, Lucrezia was appointed as Governor of Spoleto,<ref name=":3" /><ref>Template:Cite journal</ref> a role usually reserved solely for cardinals,<ref name=":11" /> becoming the first female governor in the Papal States in a territory crucial for the passage from the Tyrrhenian to the Adriatic Sea.<ref name=":25" /> She also reportedly lost her first baby with Alfonso in February 1499.<ref name=":19" /><ref name=":2" />
Alfonso fled Rome for Naples shortly afterwards due to the changing alliances of the Borgias,<ref name=":19" /> while Lucrezia was again pregnant. His flight incensed the Pope who sent troops after him but failed to find him. He returned to Rome at Lucrezia's request only to be murdered on 15 July 1500.<ref name=":3">Template:Cite book</ref> At the top of the steps before the entrance to St. Peter's Basilica, Alfonso was attacked by three hired killers armed with halberds and swords.<ref name=":25" /><ref name=":8" /> He was stabbed in the head, right arm, and leg.<ref name=":9" /> Those who found him took him to the chamber of the Borgia Tower where he was cared for by his doctors from Naples, his half-sister Sancha and Lucrezia.<ref name=":9">Template:Cite web</ref> While recovering from his injuries, Alfonso was strangled to death in his bed by a servant, possibly Micheletto Corella.<ref name=":15" /><ref name=":16" />
Lucrezia (left) with her son Rodrigo (on the right next to her) and her second husband, Alfonso of Aragon (to the very right), c. 1500 (shortly after the assassination of Alfonso of Aragon)
It was widely rumoured<ref name=":12" /><ref>Template:Cite book</ref><ref>Template:Cite book</ref> that Lucrezia's brother, Cesare, was responsible for Alfonso's death, as he had recently allied himself with France through his marriage to Charlotte d’Albret (sister of King John III of Navarre) in May 1499, against Naples.<ref name=":11" /><ref name=":15" />
Lucrezia and Alfonso had one child, Rodrigo of Aragon, named for his maternal grandfather the Pope.<ref name=":14" /> He was born in 1500 and was baptised in the presence of many cardinals, ambassadors and prelates from all over Italy. His godfather was Francesco Borgia, Archbishop of Cosenza, while Cardinal Carafa of Naples performed the baptismal rite in the Sistine Chapel. Rodrigo died in 1512 of a disease in Bari, Apulia, at the age of 12.<ref name=":0" /><ref name=":15" /> Lucrezia withdrew to a convent to grieve for a month after her son died.<ref name=":11" />
Autographed letter of Lucrezia Borgia to her father, Pope Alexander VI
After her second husband's death, Lucrezia acted as her father's private secretary in the Vatican, which involved opening his letters, informing him of the contents and replying to any which required an immediate response. Lucrezia was not accused of taking any undue advantage of this powerful position and was referred to as "wise, discreet and generous' by the Venetian ambassador, Polo Capello.<ref name=":8" />
Lucrezia's father and brother Ceasare began arrangements for a third marriage. Five months after Alfonso's death, an engagement was announced for Lucrezia to Francesco Orsini, Duke of Gravina, but the plan was abandoned by her father. By January 1501, the Pope was pursuing a match for Lucrezia with the son of Ercole I d'Este, Duke of Ferrara.<ref>Template:Cite book</ref> The d'Este family was one of the oldest and most powerful in Italy.<ref name=":19" />
Third marriage: Alfonso I d'Este (Duke of Ferrara)
Portrait of Alfonso d'Este by Battista Dossi, painted between 1534 and 1536
Lucrezia married Alfonso I d'Este by proxy in Rome on 30 December 1501,<ref name=":18">Template:Cite book</ref> with his brother Ferrante d'Este standing in for the groom, then in person on 2 February 1502 in Ferrara.<ref name=":16" /><ref name=":18" /> Lucrezia's progress from Rome to Ferrara was through the Apennine Mountains and she both rode on horseback and was carried in a sedan chair, and was accompanied by ladies, retainers, musicians, and her brother Cesare.<ref name=":20">Template:Cite book</ref>
Despite having given birth to a child, Lucrezia was obliged to simulate the appearance of a virgin spouse in order to marry d'Este and was forced to leave Rodrigo of Aragon, her only child by Alfonso of Aragon, behind.<ref name=":4" /> Lucrezia tried many times to have little Rodrigo in Ferrara, but her plans were ruined. She sent him gifts and letters and, when he was 9 years old, an educator from the University of Ferrara.Template:Citation needed
Lucrezia became Duchess of Ferrara from 1505 after the death of Alfonso's father Ercole.<ref name=":22" /><ref>Template:Cite book</ref><ref name=":10" /> She gave birth to six children during her marriage to d'Este, including the future Duke of Ferrara, Ercole II d'Este.<ref name=":16" /><ref name=":17" />
However, neither partner was faithful. Beginning in 1503, Lucrezia enjoyed a long relationship with her brother-in-law, Francesco II Gonzaga, Marquis of Mantua.<ref name=":4">Bradford, Sarah. (2004) Lucrezia Borgia: Life, Love and Death in Renaissance Italy. Viking.</ref><ref>Template:Cite web</ref> Francesco's wife was the cultured intellectual Isabella d'Este, the sister of Alfonso, to whom Lucrezia had made overtures of friendship, to no avail. The affair between Francesco and Lucrezia was passionate, more sexual than sentimental, as can be attested in the fevered love letters the pair wrote one another.<ref>Marek (1976), pp. 166–67.</ref> It has been claimed that the affair ended when Francesco contracted syphilis and had to end sexual relations with Lucrezia.<ref>Marek (1976), p. 169.</ref> This may not be true, however, as Francesco had contracted syphilis before 1500; it was known that he passed the disease onto his eldest son, Federico Gonzaga, who was born in 1500. Francesco did not meet Lucrezia until 1502.<ref>Template:Cite book</ref>
Lucrezia also had a love affair with the poet Pietro Bembo during her third marriage.<ref name=":20" /> Their love letters were deemed "the prettiest love letters in the world" by the Romantic poet Lord Byron when he saw them in the Ambrosian Library of Milan on 15 October 1816.<ref name="Spectator">Viragos on the march, The Spectator, 25 June 2005, by Ian Thomson, a review of Viragos on the march by Gaia Servadio. I. B. Tauris, Template:ISBN.</ref><ref name="Caxtonian">Pietro Bembo: A Renaissance Courtier Who Had His Cake and Ate It Too, Ed Quattrocchi, Caxtonian: Journal of the Caxton Club of Chicago, Volume XIII, No. 10, October 2005.</ref> The letters were published in 1859 under the title Lettere di Lucrezia Borgia a messer Pietro Bembo.<ref>Template:Cite book</ref>
Due to Lucrezia's influence as a patron of the arts, the court of d'Este became a centre for aspiring Renaissance writers, musicians, poets and philosophers, including Ludovico Ariosto and Gian Giorgio Trissino.<ref name=":6" /><ref name=":1" /><ref>Template:Cite journal</ref><ref name=":27">Template:Cite web</ref> She was considered a respectable and accomplished Renaissance duchess, effectively rising above her previous reputation and surviving the fall of the Borgias following her father's death in 1503.<ref name=":10">Gervaso, Roberto. (1977) I Borgia, Milano, Rizzoli, p. 362, pp. 375–380.</ref> She played a diplomatic role at the Ferrarese court, meeting with envoys and ruling the territory as regent twice during Alfonso's absences on military campaigns.<ref name=":12" /><ref name=":23">Template:Cite web</ref><ref>Template:Cite book</ref> She is also known to have overseen the management of her finances, buying and selling properties, buying marshland at a low cost then investing in reclamation enterprises, and renting parts of her newly arable land for short terms, which contributed to a nearly doubling of her annual income.<ref name=":24">Template:Cite journal</ref> She was a patron of charities and ecclesiastical foundations.<ref name=":23" />
Coat of arms of Lucrezia Borgia as Duchess of Ferrara
When Lucrezia's husband was excommunicated and Ferrara was placed under interdict by Pope Julius II in 1510, Lucrezia pawned her jewels to pay for the cities defences and entertained French troops that had come to Ferrara’s aid.<ref name=":1" /> She met the famed French soldier, the Chevalier Bayard, while the latter was co-commanding the French allied garrison of Ferrara. According to his biographer, the Chevalier became a great admirer of Lucrezia's, considering her a "pearl on this Earth."<ref>Template:Cite book</ref>
After a long history of complicated pregnancies and miscarriages, on 14 June 1519, Lucrezia gave birth to her tenth child, which she named Isabella Maria, in honour of Alfonso's sister, Isabella d'Este. The child was sickly, and fearing she would die unbaptised, Alfonso ordered her to be baptized immediately, with Eleonora Pico della Mirandola and Count Alexandro Serafino as godparents.Template:Citation needed
Lucrezia had become very weak during the pregnancy, and fell seriously ill after the birth. After seeming to recover for two days, she worsened again, and died on 24 June 1519 at Belriguardo Castle, aged 39.<ref name=":6" /><ref name=":27" /><ref>Template:Cite book</ref> Her body was shrouded in the habit of a tertiary Franciscan and she was buried in the convent of Corpus Domini in Ferrara, Emilia-Romagna,<ref name=":21">Template:Cite web</ref> where she had requested to be interred.<ref name=":25" /> She was deeply mourned by the people of Ferrara.<ref name=":11" />
After Lucrezia's death, her brother-in-law Giovanni Gonzaga wrote to Isabella d'Este that: "It is said that the Duchess left behind a good amount of money, but the exact amount is unknown."<ref name=":24" />
Appearance
Portrait of a Woman by Bartolomeo Veneto, traditionally presumed to be Lucrezia Borgia
Lucrezia was described as having heavy blonde hair that fell past her knees, a beautiful complexion, hazel eyes that changed colour, a full, high bosom, and a natural grace that made her appear to "walk on air".<ref>Marek, George R. (1976) The Bed and the Throne: the Life of Isabella d'Este.Harper & Row. Template:ISBN. p. 142.</ref> In another description, the author wrote that "her mouth is rather large, the teeth brilliantly white, her neck is slender and fair, and the bust is admirably proportioned."<ref>The Times Arts section p. 14, 31 January 2011.</ref> These physical attributes were highly appreciated in Italy due to the similarity of her description with that of the Roman goddess of arts and war, Minerva.Template:Citation needed
Several other paintings, such as Veneto's fanciful portrait, have also been said to depict Lucrezia, but none have been accepted by scholars, at present.Template:Citation needed
The conjoined tomb of Alfonso I d'Este and Lucrezia Borgia in FerraraSignature of Lucrezia Borgia in a letter to her sister-in-law Isabella Gonzaga, March 1519
Since her death, several rumours surrounding Lucrezia have persisted, primarily concerning the nature of the extravagant parties<ref>Template:Cite book</ref> thrown by the Borgia family. One example is the legendary Banquet of Chestnuts. Many of these allegations concern accusations of Lucrezia's involvement in incest, poisoning, and murder. For example, it was rumoured that Lucrezia was in possession of a hollow ring that she used to poison drinks. However, no historical basis for these accusations exists, beyond the attacks of her enemies.<ref>Template:Cite web</ref><ref>Template:Cite web</ref>
A modern 20th-century British painting by Frank Cadogan Cowper that hangs in the Tate Britain art gallery in London portrays Lucrezia taking the place of her father, Pope Alexander VI, at an official Vatican meeting. This apparently documents an event, although the moment depicted (a Franciscan friar kissing Lucrezia's feet) was invented by the artist.<ref>Template:Cite web</ref>
In 2002 the city of Ferrara celebrated an "Anno di Lucrezia Borgia" to commemorate the 500th anniversary of her arrival as the bride of the future duke.<ref name=":21" /><ref>Template:Cite news</ref><ref>Template:Cite web</ref>
Children
Lucrezia was mother to seven or eight known children:
A miscarriage / stillborn daughter (16 February 1499);<ref>Burchard, Johannes. Pope Alexander VI and his court; extracts from the Latin diary of Johannes Burchardus. New York, F. L. Brown, 1921 p. 105.</ref>
Rodrigo of Aragon (1 November 1499 – August 1512), son by Alfonso of Aragon;<ref>Burchard, Johannes.Pope Alexander VI and his court; extracts from the Latin diary of Johannes Burchardus, New York, F. L. Brown, 1921 p. 110</ref>
A stillborn daughter (1502), first child by d'Este;
Isabella Maria d'Este (born and died on 14 June 1519).<ref>Template:Cite book</ref> Complications at birth caused the death of Lucrezia ten days later.
Giovanni Borgia, "infans Romanus" ("Child of Rome," c. 1498–1548) had his paternity acknowledged by Alexander and Cesare, in two Papal bulls, but it was rumoured that he was the child of Lucrezia and Pedro Calderon. The child (identified, in later life, as Lucrezia's half-brother) was most likely the result of a liaison between Rodrigo Borgia (Pope Alexander VI, Lucrezia's father) and an unknown mistress and was not Lucrezia's child.<ref name=":13" />
The Italian historian Maria Bellonci claims that Lucrezia gave birth to three children who did not survive infancy, one by Alfonso of Aragon and two by Alfonso d'Este. She is also thought to have had at least four miscarriages.<ref name=":2">Template:Cite book</ref>
Archives
290 letters dating from the time of Lucrazia's marriage to Alfonso I d'Este, held at the State Archives of Modena, were digitised by Haltadefinizione in 2023.<ref>Template:Cite web</ref>
In 1912, the British author Margaret Gabrielle Vere Long, who wrote under the pseudonymMarjorie Bowen, published a short story called Twilight: Lucrezia Borgia, Duchess d'Este, a fictional account of the last moments of Lucrezia Borgia's life.<ref name="Twilight by Marjorie Bowen (Online Text)">Template:Cite web</ref>
The Dutch writer Louis Couperus published a story called Lucrezia in 1920 that takes place between the death of her second husband and the marriage of her third.<ref>Template:Cite book</ref>
Jean Plaidy's two 1958 novels Madonna of the Seven Hills and Light on Lucrezia follow the story of Lucrezia and her entanglement with her father and brothers.<ref>Template:Cite web</ref>
In Roberta Gellis's 2003 novel Lucrezia Borgia and the Mother of Poisons (Template:ISBN), Alfonso d'Este of Ferrara accuses Lucrezia of murder, and she must solve the crime and expose the true murderer.Template:Citation needed
In the Marvel Comics comic book Avengers West Coast No. 98 (September 1993), the demon Satannish resurrected Borgia as the supervillain Cyana. As a nod to her reputation for poisoning her lovers in life, Cyana could fatally poison people with sharpened nails or a kiss.<ref>Template:Cite web</ref>
Kathleen McGowan refers to "Lucrece", as one of the many unjustly vilified women, in her book The Expected One. She refers in particular to Frank Cadogan Cowper's painting Lucretia Borgia Reigns in the Vatican in the Absence of Pope Alexander VI on display at the Tate Gallery in London.<ref>McGowan, Kathleen. (2007) The Expected One. p. 190. Template:ISBN.</ref>
Lucrezia Borgia, A Novel by John Faunce; Template:ISBN; Crown 2010
In the fictional fantasy universe Warhammer Fantasy, the character Lucrezzia Belladonna is a reference to Lucrezia Borgia. Lucrezzia is known for having poisoned several of her former lovers.
She is featured as a major plot point in the 1994 TV movie The Shaggy Dog.<ref>Template:Cite magazine</ref> A portrait of her, along with a display case of her rings are featured in a local museum along with a legend that she had written spells to turn her lovers into dogs. The legend is revealed to be true as the main character accidentally casts one on himself while holding one of her rings and reading its inscription.Template:Citation needed
In the pilot episode of the SyFy series Warehouse 13, a jewelled comb, purported to have been created for her by an alchemist, is used by an Iowa lawyer to hypnotize several individuals into causing acts of violence.<ref>Template:Cite web</ref>
In the video game Assassin's Creed: Brotherhood, Lucrezia is in an incestuous relationship with her brother Cesare. She is taken hostage by the main character, Ezio Auditore, and reappears later, a changed woman.<ref>Template:Cite web</ref>
Lucrezia is played by Holliday Grainger in the 2011–2013 Showtime/Bravo TV series The Borgias, which explores a theme of incest with Cesare, despite lack of historical evidence for such events.<ref>Template:Cite news</ref> Her character is portrayed not as a ruthless murderer, but initially as a compassionate and sweet young girl who suffers from her family's ambitions, both struggling against and eventually aiding them.
In the 1989 BBC television series Blackadder Goes Forth, the title character makes an offhand comment about Lucrezia throwing a "wine and anthrax party", presumably referring to the rumours that persist around the Borgia families' extravagant parties.<ref>Template:Cite web</ref>
,_by_Battista_Dossi.jpg)
.png)
_poster.jpg)
