View source for Apsara

{{short description|Type of female spirit of the clouds and waters in Hindu and Buddhist culture}}
{{other uses|Apsara (disambiguation)}}
{{see also|Apsara Dance}}
{{Use dmy dates|date=June 2020}}
{{Use Indian English|date=March 2016}}
{{more citations needed|date=February 2021}}
{{Hinduism}}
{{Buddhism}}

{{Khmer|អប្សរា|Apsara}}

[[File:MET DP-1062-001.jpg|thumb|A 12th-century sandstone statue of an apsara from [[Madhya Pradesh]], India]]

'''Apsaras'''<ref>Suryakant Tripathi Nirala. (2024). ''अप्सरा [Apsara (In English)]''. New Delhi, India: Vani Prakashan. 172 pp. {{ISBN|978-935-7-75687-7}}</ref><ref>Yashpal. (2009). ''अप्सरा का शाप [Apsara ka shrap (Curse of Nymph) (in English)]''. (Reprint of 1931). New Delhi, India: Rajkamal Prakashan. 171 pp. {{ISBN|978-818-0-31382-0}}.</ref> ({{langx|sa|अप्सरस्}}, {{IAST3|Apsaras}}, {{langx|pi|अच्छरा|Accharā}}<ref>American Oriental Society. (1849). "Memoir on The History of Buddhism, read before the Society May 24, 1844, by [[Edward E. Salisbury]], Professor in Yale College", in ''JOURNAL OF THE AMERICAN ORIENTAL SOCIETY VOL. I''. Boston, MA: The American Oriental Society. p. 116.</ref><ref>Stevenson, A. et al. (2010). "apsara", in ''Oxford Dictionary of English''. (3rd Ed.). Oxford, United Kingdom: Oxford University Press. 2,069 pp. {{ISBN|978-019-9-57112-3}} cited in Bowker, J. (2000). ''The Concise Oxford Dictionary of World Religions''. Oxford, United Kingdom: Oxford University Press. p. 78.</ref> [[Khmer language|Khmer]]-Cambodia: អប្សរា<ref>{{Cite web |last=Singh |first=Jasmeet |date=2016-07-22 |title=Everything You Must Know About the Apsara Traditional Dance – Green Cultural Travel |url=https://www.greenculturaltravel.com/everything-you-must-know-about-apsara-traditional-dance/ |access-date=2024-04-15 |language=en-US}}</ref>) are a class of celestial beings in [[Hinduism|Hindu]] and [[Culture of Buddhism|Buddhist culture]].<ref>Higham, C.. (2014). ''Encyclopedia of Ancient Asian Civilizations''. N.Y., United States: Facts On File, Inc. p. 24. {{ISBN|978-143-8-10996-1}}</ref><ref>Thakur P., Kalidasa, and Arthur W. Ryder. (2012). "GLOSSARAY: Apsara", in ''ABHIJNANSAKUNTALAM (The Recognition of Sakuntala--A Well-known Sanskrit Play by KALIDASA, The Greatest Poet and Dramatist in the Sanskrit Language.) (Improvised Edition): Originally Translated by Arthur W. Ryder''. N.C., United States:  Lulu Press, Inc. 202 pp. {{ISBN|978-110-5-42805-0}}</ref><ref>Madhumita Dutta and Soumya Narayan Datta. (2021). "The Mythology of the Apsara Urvasie and its modern interpretation by Arundhuti Bhadra", in ''URVASIE From Mythological To Postmodern Reflections''. West Bengal, India: Cognition Publications. p. 52. {{ISBN|978-939-2-205019}}</ref><ref>Kumar, Ajit et al. (2020). ''Apsara Sadhana (Evocation Magic of Ancient Hindu Celestial Beauties): Ramba, Urvasi, Tilotama, Sasi Devi, Kanchanamala, Kulaharini, Ratnamala, Bhusani and Many More Information Regarding Attraction''. N.p.: Amazon Digital Services LLC - KDP. 44 pp. {{ISBN|979-865-8-82171-9}}</ref><ref>K. Narayanaswami Aiyar. (1915). ''THE PERMANENT HISTORY OF BHARATA VARSHA (India) Vol. I''. Tamil Nadu, India: Bhaskara Press. p. 420.</ref><ref>Stewart, P. and Rienjang, W. (2020). ''The Global Connections of Gandharan Art Proceedings of the Third International Workshop of the Gandhara Connections Project, University of Oxford, 18-19th March, 2019''. Oxford, United Kingdom: Archaeopress Publishing Limited. p. 240. {{ISBN|978-178-9-69696-7}}</ref> They were originally a type of female spirit associated with clouds and water, but, later came to play the role of a "[[nymph]]" or "[[fairy]]". They figure prominently in the sculpture, dance, literature and paintings of many [[India|Indian]] and [[Southeast Asia]]n cultures.<ref>{{Cite web|url=https://www.britannica.com/topic/apsara|title=Apsara {{!}} Indian religion and mythology|website=Encyclopedia Britannica|language=en|access-date=2020-04-15}}</ref>

The apsaras are described as being beautiful, youthful and elegant, and are said to be able to change their shape at will; making anyone fall for their beauty. There are two types of apsaras—''laukika'' (worldly) and ''daivika'' (divine). They are said to excel at dancing, and are often considered the wives of the [[gandharva]]s, the court musicians of [[Indra]]. The apsaras reside in the palaces of the gods and entertain them by dancing to the music of the Gandharvas. The 26 apsaras of Indra's court are each said to symbolise a different facet of the performing arts, drawing comparisons to the [[Muses]] of [[ancient Greece]]. They are also renowned for seducing [[rishi]]s in order to prevent them from attaining divine powers. Famous apsaras include [[Urvashi]], [[Menaka]], [[Rambha (apsara)|Rambha]], [[Tilottama]] and [[Ghritachi]].<ref>{{Cite book|title=India through the ages|url=https://archive.org/details/indiathroughages00mada|last=Gopal|first=Madan|year= 1990| page= [https://archive.org/details/indiathroughages00mada/page/68 68]|editor=K.S. Gautam|publisher=Publication Division, Ministry of Information and Broadcasting, Government of India}}</ref><ref name="EB1911">{{Cite EB1911|wstitle=Apsaras|volume=2|page=231}}</ref>

In Japan, ''Apsara'' are known as "[[Tennin]]" (天人); "Tennyo" (天女) for "female Tennin" and "Tennan" (天男) for "male Tennin".

==Etymology==
[[File: Celestial fairies Apsaras on Hindu Temple at Banares 1913.jpg|thumb|Apsaras on Hindu Temple at [[Varanasi|Banares]], 1913]]
The origin of 'apsara' is the [[Sanskrit]] अप्सरस्, ''apsaras'' (in the stem form, which is the dictionary form). Note that the stem-form ends in 's' as distinct from, e.g. the nominative singular ''Rāmas / Rāmaḥ'' (the deity Ram in Hindi), whose stem form is ''Rāma''. The nominative singular form is अप्सरास् ''apsarās'', or अप्सरा: ''apsarāḥ'' when standing alone, which becomes अप्सरा ''apsarā'' in Hindi, from which in turn the English "apsara" presumably is derived. The [[Monier Monier-Williams|Monier-Williams]] ''et al''. (1899) gives the etymology as अप् + √सृ, "going in the waters or between the waters of the clouds".<ref>{{cite dictionary |last1=Monier-Williams |first1=Monier, Sir |author1-link=Monier Monier-Williams |last2=Leumann |first2=Ernst |last3=Cappeller |first3=Carl |year=1899 |title=apsara |dictionary=A Sanskrit-English Dictionary: Etymologically and philologically arranged with special reference to cognate Indo-European languages |publisher=Motilal Banarsidass Publishing House |page=59 |isbn=978-81-208-3105-6 |lang=en |url=https://books.google.com/books?id=zUezTfym7CAC&q=apsara }}</ref>

Apsaras are widely known as ''Apsara'' ({{lang|km|អប្សរា}} {{Transliteration|km|Âbsâréa}}) in [[Khmer language|Khmer]], and also called ''Accharā'' in [[Pāli]], or ''Bidadari'' ([[Malay language|Malay]], [[Maranao language|Maranao]]), ''Biraddali''  ([[Tausūg language|Tausug]], [[Sinama language|Sinama]]), ''Hapsari / Apsari'' or ''Widadari / Widyadari'' ([[Javanese language|Javanese]], [[Sundanese language|Sundanese]], and [[Balinese language|Balinese]]), ''Helloi'' ([[Meitei language|Meitei]]).

==Literature==
[[File:13. Khajuraho Devi Jgadambi apsara.jpg|thumb|Apsara, [[Khajuraho Group of Monuments|Devi Jagadambi temple]] at [[Khajuraho]] in [[Madhya Pradesh]], India]]
The most ancient descriptions of apsara portray them as "[[Naiad|water nymph]]"-like beings.<ref name=":3">{{Cite web |last=Stefon |first=Matt |date=2009-10-20 |title=apsara |url=https://www.britannica.com/topic/apsara |access-date=2023-06-07 |publisher=[[Encyclopedia Britannica]] |language=en}}</ref>

The [[Rigveda]] tells of an apsara who is the wife of [[Gandharva]]; however, the Rigveda also seems to allow for the existence of more than one apsara.<ref name="EB1911" />
The only apsara specifically named is [[Urvashi]].  An entire hymn deals with the [[Colloquy (religious)|colloquy]] between Urvashi and her mortal lover [[Pururavas]].<ref>''Rig Veda'', Book X, Hymn 95.</ref> Later Hindu scriptures allow for the existence of numerous apsaras, who act as the handmaidens of [[Indra]] or as dancers at his celestial court<ref name="EB1911" /> serving as musicians alongside the gandharvas ("celestial musicians").<ref name=":3" />

The [[Kaushitaki Upanishad]] mentions apsaras as a class of divinities associated with ointments, garlands, vestments, and powdered aromatics.<ref>{{Cite journal |last=Cohen |first=Simona |date=2021 |title=The Indian Hair-Wringing Apsaras and her Discriminating Goose: Meanings and Migrations |url=https://journal.equinoxpub.com/ROSA/article/view/20975 |journal=Religions of South Asia |language=en |volume=15 |issue=2 |pages=156–157 |doi=10.1558/rosa.20975 |issn=1751-2697|url-access=subscription }}</ref>

The origin of the apsaras is described in the [[Ramayana]] and [[Puranas]]. Apsaras are further associated with water by relating them to the [[Samudra Manthana|churning of the ocean]], water sports, and groups such as ''nāgas''.<ref name=":4">{{Cite journal |last=Cohen |first=Simona |date=2021 |title=The Indian Hair-Wringing Apsaras and her Discriminating Goose: Meanings and Migrations |url=https://journal.equinoxpub.com/ROSA/article/view/20975 |journal=Religions of South Asia |language=en |volume=15 |issue=2 |pages=157 |doi=10.1558/rosa.20975 |issn=1751-2697|url-access=subscription }}</ref>

In many of the stories related in the [[Mahabharata]], apsaras appear in important supporting roles.  The epic contains several lists of the principal Apsaras, which lists are not always identical.  Here is one such list, together with a description of how the celestial dancers appeared to the residents and guests at the court of the gods:

<blockquote> Ghritachi, [[Menaka]], [[Rambha (apsara)|Rambha]], [[Tilottama]], Purvachitti, Swayamprabha, [[Urvashi]], Misrakeshi, Dandagauri, Varuthini, Gopali, Sahajanya, Kumbhayoni, Prajagara, Chitrasena, Chitralekha, Saha, and Madhuraswana—these and thousands more, possessed of eyes like lotus leaves, were employed in enticing the hearts of individuals practicing rigid austerities, and they danced there. And possessing slim waists and fair large hips, they began to perform various evolutions, shaking their deep bosoms, and casting their glances around, and exhibiting other attractive attitudes capable of stealing the hearts and resolutions and minds of the spectators.<ref>''Mahabharata'', Book III: ''Vana Parva'', Section 43.</ref></blockquote>

The Mahabharata documents the exploits of individual apsaras, such as [[Tilottama]], who rescued the world from the rampaging [[asura]] brothers [[Sunda (asura)|Sunda]] and [[Upasunda]]; and [[Urvashi]], who attempted to seduce the hero [[Arjuna]].

A recurring theme in the Mahabharata is that of an apsara sent to distract a sage from his ascetic practices. One story embodying this theme is that recounted by the epic heroine [[Shakuntala]] to explain her own parentage.<ref>''Mahabharata'', Book I: ''Adi Parva'', Section 71-72.</ref> Once upon a time, the sage [[Vishvamitra]] generated such intense energy by means of his asceticism that [[Indra]] himself became fearful. Deciding that the sage would have to be distracted from his penances, he sent the apsara [[Menaka]] to work her charms. Menaka trembled at the thought of angering such a powerful ascetic, but she obeyed the god's order.  As she approached Vishvamitra, the wind god [[Vayu]] tore away her garments. Seeing her thus disrobed, the sage abandoned himself to lust and they made love, during which Vishvamitra's asceticism was put on hold.  As a consequence, Menaka gave birth to a daughter, whom she abandoned on the banks of a river. That daughter was Shakuntala herself, the narrator of the story.

[[Shu Ting]] referenced apsara in her poem "O Motherland, Dear Motherland".<ref name=":2">{{Cite book |last=Meyer |first=Michael |title=The Bedford Introduction to Literature: Reading, Thinking, Writing |publisher=[[St. Martin's Press|St. Martin/Bedford]] |year=2008 |isbn=978-0-312-47200-9 |edition=8th |location=Boston |pages=1311}}</ref>

==In arts==
Many Indian apsaras were identified with names and were central in myths. However, since they were not attributed specific physical features or attributes, artistic depictions do not individualize them.<ref name=":4" />

===Natya Shastra===
''[[Natya Shastra]]'', the principal work of dramatic theory for Sanskrit drama, lists the following apsaras: Manjukesi, Sukesi, Misrakesi, Sulochana, Saudamini, Devadatta, Devasena, Manorama, Sudati, Sundari, Vigagdha, Vividha, Budha, Sumala, Santati, Sunanda, Sumukhi, Magadhi, Arjuni, Sarala, Kerala, [[Dhrti]], Nanda, Supuskala, Supuspamala and Kalabha.

===Cambodia===
[[File:Princess Bhuppa Devi Dance at CIS Phnom Penh Nov 2021 10.jpg|left|thumb|284x284px|Cambodia Apsara Dancer ]]
[[File:Apsara Relief Sculpture on Angkor Wat Temple Wall Feb 10 2000.jpg|alt=Apsara Relief Sculpture on Angkor Wat, Cambodia, Temple Wall|thumb|Apsara relief sculpture on [[Angkor Wat]] temple wall]]
Apsaras represent an important motif in the stone [[bas-reliefs]] of the [[Angkor]]ian temples in [[Cambodia]] (8th–13th centuries AD), however, not all female images are considered to be apsaras. In harmony with the Indian association of dance with apsaras, Khmer female figures that are dancing or are poised to dance are considered ''apsaras''; female figures, depicted individually or in groups, who are standing still and facing forward in the manner of temple guardians or custodians are called ''[[devata]]s''.<ref>Maurice Glaize, ''Monuments of the Angkor Group'', p.37.</ref>
[[File:L'apsara colonial stamp 1931.jpg|thumb|Apsara on a 1931 [[Postage stamps and postal history of Indochina|postage stamp of Indochina]]]]
[[Angkor Wat]], the largest Angkor temple (built in 1113–1150 AD), features both ''Apsaras'' and ''Devata'', however, the devata type are the most numerous with more than 1,796 in the present research inventory.<ref>[http://www.devata.org/2010/02/angkor-wat-devata-inventory/ Angkor Wat devata inventory - February 2010] {{webarchive |url=https://web.archive.org/web/20100423123631/http://www.devata.org/2010/02/angkor-wat-devata-inventory/ |date=23 April 2010 }}</ref> Angkor Wat architects employed small apsara images (30–40&nbsp;cm as seen below) as decorative motifs on pillars and walls. They incorporated larger devata images (all full-body portraits measuring approximately 95–110&nbsp; cm) more prominently at every level of the temple from the entry pavilion to the tops of the high towers. In 1927, Sappho Marchal published a study cataloging the remarkable diversity of their hair, headdresses, garments, stance, jewelry and decorative flowers, which Marchal concluded were based on actual practices of the Angkor period. Some devatas appear with arms around each other and seem to be greeting the viewer. "The devatas seem to epitomize all the elements of a refined elegance," wrote Marchal.<ref>Sappho Marchal, ''Khmer Costumes and Ornaments of the Devatas of Angkor Wat''.</ref>
The bas-reliefs of Angkorian temples have become an inspiration of [[Khmer classical dance]]. The indigenous ballet-like performance art of Cambodia is frequently called "[[Robam Tep Apsara|Apsara Dance]]". The dance was created by the Royal Ballet of [[Cambodia]] in the mid-20th century under the patronage of Queen [[Sisowath Kossamak]] of Cambodia. The role of the apsara is played by a woman, wearing a tight-fitting traditional dress with gilded jewelry and headdress modelled after Angkor bas-reliefs,<ref>{{Cite web|url=https://www.roughguides.com/?titleid=107&xid=idbox_head33982200_0171|title=Home|website=Rough Guides|language=en-US|access-date=2020-04-15}}</ref> whose graceful, sinuous gestures are codified to narrate classical myths or religious stories.<ref name=dig>Di Giovine, Michael A. ''The Heritage-Scape''. 2008, pages 293–4</ref>

===Java and Bali, Indonesia===
[[File:Apsara from Borobudur, gallery 1, 9th century, photo ca. 1900.jpg|thumb|right|The Apsara of [[Borobudur]], the flying celestial maiden depicted in a bas-relief of the 9th-century Borobudur temple, [[Java]], Indonesia]]
In the Indonesian language throughout medieval times, apsaras are also known as 'bidadari', being conflated with the 'vidyadharis' (from [[Sanskrit]] word ''vidhyadhari'': ''vidhya'', 'knowledge'; ''dharya'', 'having, bearer, or bringer') known as ''Bidadari'' in the modern [[Indonesian language|Indonesian]],<ref name="Bidadari"/> the females of the [[Vidyadhara|vidyādharas]], another class of celestial beings in Indian mythology. 'Vidyādhara' literally means 'possessed of science or spells', and refers to 'a kind of supernatural being ... possessed of magical power' or 'fairy' according to Monier-Williams' dictionary.  The bidadaris are heavenly maidens,<ref name="Bidadari">{{cite web | title = Bidadari | website = KBBI | url = http://kbbi.web.id/bidadari}}</ref> living in the [[svarga]]loka or in celestial palace of [[Indra]], described in [[Bali]]nese dedari (bidadari or apsara) dance.

Traditionally apsaras are described as celestial maidens living in [[Indra]]'s heaven (Kaéndran). They are well known for their special task: being sent to earth by Indra to seduce [[ascetics]] who by their severe practices may become more powerful than the gods. This theme occurs frequently in Javanese traditions, including the ''[[Kakawin Arjunawiwaha]]'', written by mpu Kanwa in 1030 during the reign of king [[Airlangga]]. The story tells that [[Arjuna]], in order to defeat the giant Niwatakawaca, engaged in meditation and asceticism, whereupon Indra sent apsaras to seduce him.  Arjuna, however, managed to conquer his lust and then to win the ultimate weapons from the gods to defeat the giant.
[[File:Condong dancer DYK crop.JPG|thumb|left|The Balinese [[Legong]] dance depict celestial maidens, [[Bali]], Indonesia.]]
Later in the [[Java]]nese tradition the apsara was also called ''Hapsari'', also known as ''Widodari'' (from [[Sanskrit]] word vidyādhari). The Javanese Hindu-Buddhist tradition also influenced [[Bali]]. In Balinese dance, the theme of celestial maidens often occurs. Dances such as ''Sanghyang Dedari'' and ''[[Legong]]'' depicted divine maidens in their own way. In the court of [[Mataram Sultanate]] the tradition of depicting heavenly maidens in dances is still alive and well. The Javanese court dances of [[Bedhaya]] portray apsaras.

However, after the adoption of [[Islam]], bidadari is equated with [[houri]], the heavenly maiden mentioned in the [[Quran]], in which God stated that the 'forbidden pearls' of heaven are for those men who have resisted temptation and borne life's trials. Islam spread in the Malay archipelago when Arabic traders came to trade spices with the Malays; at that time, Hinduism formed the basis of the Malay culture, but [[syncretism]] with the Islamic religion and culture spawned the idea of a ''Bidadari''. It is usually seen as a prize offered to those who lived a lifestyle in service to and pleasing to God; after death, the Bidadari was the man's wife or wives, depending on what type of person he was. The worthiness of a man who was offered Bidadari depended upon his holiness: how often he prayed, how much he turned away from the 'outside world', and how little he heeded worldly desires.

[[File: Devata and Apsaras Prambanan 09.jpg|thumb|right|A male devata flanked by two apsaras, Vishnu temple, [[Prambanan]], Java]]
Images of apsaras are found in several temples of ancient [[Java]] dating from the era of the [[Sailendra]] dynasty to that of the [[Majapahit]] empire. The apsara celestial maidens might be found as decorative motifs or also as integral parts of a story in [[Relief|bas-relief]]. Images of apsaras can be found on [[Borobudur]], [[Mendut]], [[Prambanan]], [[Candi Plaosan|Plaosan]], and [[Penataran Temple|Penataran]].

At Borobudur apsaras are depicted as divinely beautiful celestial maidens, pictured either in standing or in flying positions, usually holding lotus blossoms, spreading flower petals, or waving celestial clothes as if they were wings enabling them to fly. The temple of [[Mendut]] near Borobudur depicted groups of ''[[devatas]]'', divine beings flying in heaven, which included apsaras. In the [[Prambanan Temple Compounds|Prambanan temple]] compound, especially in Vishnu temple, along with the gallery, some images of male devata are found flanked by two apsaras.

===Manipur, India===
In the ancient [[Manipur]] culture of the [[Meitei people]] of northeastern India, apsaras are considered as celestial nymphs or ''hellois'' as the flying creatures resembling the human female body attracting the male wanderers or any knights who lost their ways in the woods. They were known for their beauty, glamour, magical powers and enchanting supernatural Androphilic Magnetism. They are believed to be seven in number and are the daughters of the sky god or the ''Soraren'' deity.

===Champa===
Apsaras were also an important motif in the [[art of Champa]], medieval [[Angkor]]'s neighbour to the east along the coast of what is now central Vietnam. Especially noteworthy are the depictions of apsaras in the [[Art of Champa#Tra Kieu Style|Tra Kieu Style]] of Cham art, a style which flourished in the 10th and 11th centuries AD.
[[File:Apsarases,_1_of_5,_China,_Northern_or_Eastern_Wei_dynasty,_500-550_AD,_gilt_bronze_-_Arthur_M._Sackler_Museum,_Harvard_University_-_DSC00866.jpg|thumb|213x213px|Apsara (feitian), China, [[Northern Wei|Northern]] or [[Eastern Wei]] dynasty, 500–550 AD]]

===China===
Apsaras are often depicted in East Asian Buddhist art.<ref name=":0">{{Cite web|title=Flying Celestial Apsara (Feitian 飛天) 7th century|url=https://www.metmuseum.org/art/collection/search/60778|url-status=live|access-date=2021-12-13|website=www.metmuseum.org|archive-url=https://web.archive.org/web/20211213034654/https://www.metmuseum.org/art/collection/search/60778 |archive-date=13 December 2021 }}</ref> They are referred to as feitian ({{Lang-zh|t=飛天|s=飞天}}) in Chinese.<ref name=":0" />

They are depicted as flying figures in the mural paintings and sculptures of Buddhist cave sites in China such as in the [[Mogao Caves]],<ref name=":1">{{Cite book|title=The global connections of Gandharan art : proceedings of the Third International Workshop of the Gandhāra Connections Project, University of Oxford, 18th-19th March, 2019|date=2020|editor1=Wannaporn Rienjang |editor2=Peter Stewart |isbn=978-1-78969-695-0|publisher=Archaeopress |location=Oxford|pages=239–241|oclc=1197810642}}</ref><ref>{{Cite book|title=Collection of ancient Chinese cultural relics. Volume 5, Sui, Tang and Five Dynasties : 581-960|date=2019|editor=Expert Committee of Chinese Society of Cultural Relics |translator=Guozhen Wang |isbn=978-1-925371-44-4|location=Hindmarsh, SA|pages=223|oclc=1176321935}}</ref> [[Yulin Caves]],<ref name=":1" /> [[Tianlongshan Grottoes|Tianlongshan grottoes]],<ref name=":1" /> the [[Yungang Grottoes|Yungang]],<ref>{{Cite web|title=Other Divinities|url=https://depts.washington.edu/chinaciv/bud/5imglshi.htm|access-date=2021-12-13|website=depts.washington.edu}}</ref> and [[Longmen Grottoes]].<ref>{{Cite web|title=Feitian – flying Apsaras in Longmen Grottoes[1]|url=https://www.chinadaily.com.cn/m/henan/longmen/2015-10/14/content_22186850.htm|access-date=2021-12-13|website=www.chinadaily.com.cn}}</ref> They are also depicted on tiles of [[pagoda]], such as Xiuding-si pagoda.<ref name=":1" />

They may also be depicted as dancers or musicians holding musical instruments such as [[flute]], [[pipa]], or [[Sheng (instrument)|sheng]].<ref name=":1" /> Apsara may be portrayed as multiple spirits who played music for Buddhas.<ref name=":2" /> Generally, they are depicted with a long skirt fluttering in the wind.<ref name=":1" />

Apsara is sometimes portrayed as a single powerful and influential spirit<ref name=":2" /> or [[Deity|god]] who wears an outfit  with "flowing sleeves" and lives in ''[[Tian]]''. This version of Apsara is used in [[Chinese folk religion]] as an object of worship and in [[Chinese folklore]].

==Gallery==
<gallery mode="packed" heights="160">
File:Fronton Guimet 240907 3.jpg|Apsaras dance taken from the 12th-century [[Bayon]] temple at [[Angkor]] in Cambodia
File:Apsara Gandharva Dancer Pedestal Tra Kieu.jpg|Apsaras are depicted on the base of the Tra Kieu Pedestal, a work of 10th-century Cham art.
File:Apsara yulin cave.jpg|Apsara from [[Yulin Caves]] near Dunhuang, China
File:Apsara playing a Phoenix-headed konghou - Yulin Cave 15.jpg|Apsara playing a Phoenix-headed [[konghou]] – Yulin Cave 15
File:Tara Borobudur 2.jpg|Apsara [[Surasundari]] in [[Borobudur]]
File:Sigiriya ladies 01.jpg|Painting of Apsara at [[Sigiriya]], [[Sri Lanka]]
File:Cambodia-2366 - More Cold Women, still no date.. (3591127397).jpg|Apsara relief sculpture at [[Angkor Wat]]
File:Princess Bhuppa Devi Dance at CIS Phnom Penh Nov 2021 09.jpg|Cambodia Apsara dance 
File:Princess Bhuppa Devi Dance at CIS Phnom Penh Nov 2021 01.jpg|Cambodia apsara dancer 
</gallery>

==See also==
{{Col div|colwidth=20em}}
* [[Angel]]
* [[Anito|Diwata]]
* [[Angkor Wat]]
* [[Architecture of Cambodia]]
* [[Art of Champa]]
* [[Chinese gods and immortals]]
* [[Dakini]]
* [[Devata]]
* [[Dunhuang dance]]
* [[Elf]]
* [[Fairy]]
* [[Gandharva]] - Celestial male companions of the ''apsaras''
* [[Houri]]
* [[Nymph]]
* [[Peri]], winged female creatures of [[Persian mythology]]
* [[Rusalka]]
* [[Swan maiden]]
* [[Tian]]
* [[Tennin]], a Japanese development of Indian ''apsaras''
* [[Valkyrie]] from [[Norse mythology]]
* [[Vidyadhara]]
* [[Vishnu]]
* [[Xian (Taoism)]], similar celestial beings of Chinese mythology.
* [[Yakshini]]
{{colend}}

==Footnotes==
{{reflist}}

==References==
* Marchal, Sappho. ''Khmer Costumes and Ornaments of the Devatas of Angkor Wat''. First English edition. Orchid Press, 2005. {{ISBN|978-974-524-057-5}}
* The [http://www.sacred-texts.com/hin/rigveda/index.htm Rig Veda] in the English translation prepared by [[Ralph T. H. Griffith]] is available online at sacred-texts.com.
* The [http://www.sacred-texts.com/hin/maha/index.htm Mahabharata] in the English translation prepared by Kisari Mohan Ganguli is available online at sacred-texts.com.
* [http://www.theangkorguide.com The Monuments of the Angkor Group] by [[Maurice Glaize]] is available online in English translation.

==External links==
{{commons category|Apsara}}
* [http://www.onmarkproductions.com/html/dunhuang-caves-apsara.html Chinese Apsaras depicted in Dunhuang Caves]
* [https://web.archive.org/web/20160305042339/http://angkorguide.net/mythology/devataapsara.html Comparison of Khmer Apsaras and Devata]
* [https://web.archive.org/web/20100705230020/http://www.devata.org/2009/02/review-costumes-and-ornaments-after-the-devata-of-angkor-wat-by-sappho-marchal/ Costumes and Ornaments after the Devata of Angkor Wat by Sappho Marchal] - Book review
* [https://web.archive.org/web/20100510015351/http://www.devata.org/2009/10/rajarani-temple-indian-devata-of-orissa/ Indian Devata at Rajarani Temple in Orissa]
* [http://www.onmarkproductions.com/html/karyoubinga.html Japanese traditions of celestial maidens] ''Tennin'' (apsara), ''Hiten'' (flying apsara), ''Tennyo'' (celestial maiden) & ''Karyobinga'' (bird body with angel head)
* [https://www.youtube.com/watch?v=RWa5oaMW8ic&context=C494995dADvjVQa1PpcFOkK6qSHXUvfDXQGbrG_YYPQJW0OiO2a-A= Apsara Dance at Siem Reap, Cambodia]
* [https://www.youtube.com/watch?v=kD_5g7F8Qs0 Sanghyang Dedari], Balinese dance depicting bidadari (vidhyadari) celestial maiden

{{HinduMythology}}
{{Portal bar|India|Cambodia|Religion|Hinduism|Buddhism}}
{{Fairies}}
{{Swan Maiden}}
{{Yoginis}}
{{Japanese Buddhist Pantheon}}

[[Category:Apsara| ]]
[[Category:Buddhist goddesses]]
[[Category:Chinese goddesses]]
[[Category:Female beauty]]
[[Category:Female legendary creatures]]
[[Category:Hindu goddesses]]
[[Category:Indian deities]]
[[Category:Nature spirits]]
[[Category:Legendary creatures in Hindu mythology]]
[[Category:Supernatural legends]]
[[Category:Water spirits]]