View source for Do it yourself

{{Short description|Building, modifying, or repairing, without the aid of experts or professionals}}
{{Redirect|DIY||DIY (disambiguation)|and|Do it yourself (disambiguation)}}
{{Use dmy dates|date=August 2014}}
{{Anti-consumerism |Theories}}
{{Individualism sidebar}}
[[File:Arthur Rothstein, Boy building a model airplane as girl watches, FSA camp, Robstown, Texas, 1942.jpg|thumb|Boy building a [[model airplane]], Texas, 1942 (photograph by [[Arthur Rothstein]] for the [[Farm Security Administration]])]]
"'''Do it yourself'''" ("'''DIY'''") is the method of building, [[wikt:modification|modifying]], or [[repair]]ing things by oneself without the direct aid of professionals or certified experts. Academic research has described DIY as behaviors where "individuals use [[Raw material|raw]] and semi-raw materials and parts to produce, transform, or reconstruct material possessions, including those drawn from the natural environment (e.g., landscaping)".<ref>Wolf & McQuitty (2011). Understanding the Do-It-Yourself Consumer: DIY Motivation and Outcomes. ''Academy of Marketing Science Review''</ref> DIY [[behavior]] can be triggered by various motivations previously categorized as [[market economy|marketplace]] motivations (economic benefits, lack of product availability, lack of product quality, need for customization), and [[identity (social science)|identity]] enhancement ([[Workmanship|craftsmanship]], empowerment, community seeking, uniqueness).<ref>Wolf & McQuitty (2011)</ref>

The term "do-it-yourself" has been associated with consumers since at least 1912 primarily in the domain of home improvement and maintenance activities.<ref>{{Cite journal |last=Gelber |first=Steven M |date=March 1997 |title=Do-It-Yourself: Constructing, Repairing and Maintaining Domestic Masculinity |url=https://muse.jhu.edu/article/2269 |journal=American Quarterly |language=en |volume=49 |issue=1 |pages=66–112 |doi=10.1353/aq.1997.0007 |issn=1080-6490|url-access=subscription }}</ref> The phrase "do it yourself" had come into common usage (in standard English) by the 1950s,<ref name="Constructing Contemporary: Common sense approaches to 'going modern in the 1950s">{{cite book|editor=McKellar, S. |editor2=Sparke, P. |title=Interior Design and Identity}}</ref> in reference to the emergence of a trend of people undertaking [[home improvement]] and various other small craft and construction projects as both a creative-recreational and cost-saving activity.

Subsequently, the term DIY has taken on a broader meaning that covers a wide range of skill sets. DIY has been described as a "self-made-culture"; one of designing, creating, customizing and repairing items or things without any special training. DIY has grown to become a social concept with people sharing ideas, designs, techniques, methods and finished projects with one another either online or in person.

DIY can be seen as a cultural reaction in modern technological society to increasing [[academic specialization]] and [[division of labour|economic specialization]] which brings people into contact with only a tiny focus area within the larger context, positioning DIY as a venue for [[holism|holistic]] engagement. '''DIY ethic''' is the ethic of [[self-sufficiency]] through completing tasks without the aid of a paid [[expert]]. The DIY ethic promotes the idea that anyone is capable of performing a variety of tasks rather than relying on paid specialists.

==History==
Italian archaeologists have unearthed the ruins of a 6th-century BC [[Ancient Greece|Greek]] structure in southern Italy. The ruins appeared to come with detailed assembly instructions and are being called an "ancient [[IKEA]] building". The structure was a [[Greek temple|temple-like]] building discovered at [[Tito, Basilicata|Torre Satriano]], near the southern city of [[Potenza]], in [[Basilicata]]. This region was recognized as a place where local people mingled with [[Greeks]] who had settled along the southern coast known as [[Magna Graecia]] and in [[Sicily]] from the 8th century BC onwards. Christopher Smith, director of the [[British School at Rome]], said that the discovery was, "the clearest example yet found of mason's marks of the time. It looks as if someone was instructing others how to mass-produce components and put them together in this way." Much like our modern instruction booklets, various sections of the luxury building were inscribed with coded symbols showing how the pieces slotted together. The characteristics of these inscriptions indicate they date back to around the 6th century BC, which tallies with the architectural evidence suggested by the decoration. The building was built by Greek artisans coming from the [[Sparta]]n colony of [[Taranto]] in Apulia.<ref>Newsletter of the Hellenic Society of Archaeometry, N.110, May 2010, p.84</ref><ref>[http://news.discovery.com/history/ancient-building-came-with-diy-instructions.html Ancient Building Came With DIY Instructions] {{Webarchive|url=https://web.archive.org/web/20120130192705/http://news.discovery.com/history/ancient-building-came-with-diy-instructions.html |date=30 January 2012 }}, Discovery News, Mon Apr 26, 2010</ref><ref>[http://news.discovery.com/history/ancient-building-greek-temple-do-it-yourself-photos.html Ancient Building Comes with Assembly Instructions, (photos)] {{Webarchive|url=https://web.archive.org/web/20120123173729/http://news.discovery.com/history/ancient-building-greek-temple-do-it-yourself-photos.html |date=23 January 2012 }}, Discovery News</ref>

In North America, there was a DIY magazine publishing niche in the first half of the twentieth century. Magazines such as ''[[Popular Mechanics]]'' (founded in 1902) and ''[[Mechanix Illustrated]]'' (founded in 1928) offered a way for readers to keep current on useful practical skills, techniques, tools, and materials. As many readers lived in rural or semi-rural regions, initially much of the material related to their needs on the farm or in a small town. In addition, authors such as [[F. J. Christopher]] began to become heavy advocates for do-it-yourself projects.

By the 1950s, DIY became common usage with the emergence of people undertaking home improvement projects, construction projects and smaller crafts. Artists began to fight against mass production and mass culture by claiming to be self-made. However, DIY practices also responded to geopolitical tensions, such as in the form of home-made Cold War nuclear fallout shelters, and the dark aesthetics and nihilist discourse in punk fanzines in the 1970s and onwards in the shadow of rising unemployment and social tensions. In the 1960s and 1970s, books and TV shows about the DIY movement and techniques on building and home decoration began appearing. By the 1990s, the DIY movement felt the impact of the digital age with the rise of the internet.<ref>{{Cite web|url=https://www.mystonetack.com/en/history-do-it-yourself/|title=A history of Do It Yourself (DIY): infographic|date=2018-02-07|website=Stonetack|language=en-US|access-date=2020-04-29}}</ref> With computers and the internet becoming mainstream, increased accessibility to the internet has led to more households undertaking DIY methods. Platforms, such as YouTube or Instagram, provide people the opportunity to share their creations and instruct others on how to replicate DIY techniques in their own home.<ref>{{Cite web|url=https://www.inc.com/joel-comm/why-the-huge-do-it-yourself-market-is-just-getting-started.html|title=Why the Huge Do-It-Yourself Market Is Just Getting Started|last=Comm|first=Joel|date=2017-05-19|website=Inc.com|access-date=2020-04-30}}</ref>

[[File:Movable shelves built on discarded toy vehicle.jpg|thumb|150px|Shelves attached to a toy vehicle]]
The DIY movement is a re-introduction (often to urban and suburban dwellers) of the old pattern of personal involvement and use of skills in the upkeep of a house or apartment, making clothes; maintenance of cars, computers, websites; or any material aspect of living. The philosopher [[Alan Watts]] (from the "[[Houseboat Summit]]" panel discussion in a 1967 edition of the ''[[San Francisco Oracle]]'') reflected a growing sentiment:

{{Quotation|Our educational system, in its entirety, does nothing to give us any kind of material competence. In other words, we don't learn how to cook, how to make clothes, how to build houses, how to make love, or to do any of the absolutely fundamental things of life. The whole education that we get for our children in school is entirely in terms of abstractions. It trains you to be an insurance salesman or a bureaucrat, or some kind of cerebral character.<ref>Watts, Alan et al. "Houseboat Summit" in ''The San Francisco Oracle'', issue #7.  San Francisco.</ref>}}

In the 1970s, DIY spread through the North American population of college and recent-college-graduate age groups. In part, this movement involved the renovation of affordable, rundown older homes. But, it also related to various projects expressing the social and environmental vision of the 1960s and early 1970s. The young visionary [[Stewart Brand]], working with friends and family, and initially using the most basic of typesetting and page-layout tools, developed the first edition of ''The [[Whole Earth Catalog]]'' (subtitled ''Access to Tools'') in late 1968. The venture was partially financed by friend and mentor [[Richard Raymond (publisher)|Dick Raymond]]. Raymond's non-profit, the [[Portola Institute]], published the [[Whole Earth Catalog|Catalog]], and the surprising success of editions in the 1970s led to a distribution arrangement with the New York publisher [[Random House]].<ref>{{cite book |last1=Markoff |first1=John |title=Whole Earth: The Many Lives of Stewart Brand |date=2022 |publisher=Penguin |location=New York |page=9780735223943 |edition=first}}</ref>

[[File:California-dome-house.jpg|thumb|left|Fiberglass dome house, California, in style of the Whole Earth Catalog building techniques]]

The first ''Catalog'', and its successors, used a broad definition of the term "tools." There were informational tools, such as books (often technical in nature), professional journals, courses and classes. There were specialized, designed items, such as [[carpentry]] and [[stonemasonry]] tools, [[garden tools]], [[welding]] equipment, [[chainsaws]], fiberglass materials and so on – even early personal computers. The designer [[J. Baldwin]] served as technology editor and wrote many of the reviews of fabrication tools, tools for working soil, etc.<ref>{{cite book |editor1-last=Brand |editor1-first=Stewart |title=The Last Whole Earth Catalog |date=June 1971 |publisher=Portola Institute |isbn=0-394-70459-2 |edition=first}}</ref> The ''Catalog''{{'s}} publication both emerged from and spurred the great wave of experimentalism, convention-breaking, and do-it-yourself attitude of the late 1960s. Often copied, the ''Catalog'' appealed to a wide cross-section of people in North America and had a broad influence.

DIY home improvement books burgeoned in the 1970s, first created as collections of magazine articles. An early, extensive line of DIY how-to books were created by [[Sunset Books]], based upon previously published articles from their magazine, ''[[Sunset (magazine)|Sunset]]'', based in California. [[Time-Life]], [[Better Homes and Gardens (magazine)|Better Homes and Gardens]], Balcony Garden Web and other publishers soon followed suit.

[[File:Electronics World Sep 1959.jpg|thumb|150px|''Electronics World'' 1959, home assembled amplifier]]
In the mid-1990s, DIY [[home-improvement]] content began to find its way onto the [[World Wide Web]]. HouseNet was the earliest bulletin-board style site where users could share information.<ref name="Constructing Contemporary: Common sense approaches to 'going modern in the 1950s" /> Since the late 1990s, DIY has exploded on the Web through thousands of sites.

In the 1970s, when home video ([[VCR]]s) came along, DIY instructors quickly grasped its potential for demonstrating processes by audio-visual means. In 1979, the [[PBS]] television series ''[[This Old House]]'', starring [[Bob Vila]], premiered and spurred a DIY television revolution. The show was immensely popular, educating people on how to improve their living conditions (and the value of their house) without the expense of paying someone else to do (as much of) the work. In 1994, the [[HGTV]] Network cable television channel was launched in the United States and Canada, followed in 1999 by the [[DIY Network]] cable television channel. Both were launched to appeal to the growing percentage of North Americans interested in DIY topics, from [[home renovation|home improvement]] to [[knitting]]. Such channels have multiple shows revealing how to stretch one's budget to achieve professional-looking results (''[[Design Cents]]'', ''[[Design on a Dime]]'', etc.) while doing the work yourself. ''[[Toolbelt Diva]]'' specifically caters to female DIYers.

Beyond magazines and television, the scope of home improvement DIY continues to grow online where most mainstream media outlets now have extensive DIY-focused informational websites such as ''[[This Old House]]'', [[Martha Stewart]], [[Hometalk]], and the [[DIY Network]]. These are often extensions of their magazine or television brand. The growth of independent online DIY resources is also spiking.<ref>{{Cite news |url=https://www.wsj.com/articles/SB119074337787638918 |work=[[The Wall Street Journal]] |date=September 28, 2007 |first=Jennifer |last=Saranow |title=BlogWatch: This Old House}}</ref> The number of homeowners who blog about their experiences continues to grow, along with DIY websites from smaller organizations.

In the 21st century, DIY culture has expanded through online video platforms such as YouTube, where creators share tutorials and creative projects. New Zealand YouTuber [[David Jones (YouTuber)|David Jones]] has produced DIY cardboard builds<ref>{{Cite web |date= |title=Cardboard Lamborghini built by Kiwi YouTuber sells for over $10,000 at auction |url=https://www.stuff.co.nz/national/300316540/cardboard-lamborghini-built-by-kiwi-youtuber-sells-for-over-10000-at-auction#:~:text=A%20cardboard%20Lamborghini%20built%20by%20a%20Kiwi,his |access-date=2025-10-29 |website=www.stuff.co.nz}}</ref> and large-scale projects shared online.

==Fashion==
[[File:Mennonite Women Dressmaking Pennsylvania 1942.jpg|thumb|180px|Mennonite woman [[dressmaking]] (1942)]]
DIY is prevalent amongst the fashion community, with ideas being shared on social media, such as YouTube, about clothing, jewellery, makeup, and hairstyles. Techniques include [[distressing]] and bleaching jeans, redesigning  old shirts, and studding denim.

The concept of DIY has also emerged within the art and design community. The terms  [[Hacktivist]], Craftivist, or maker have been used to describe creatives working within a DIY framework (Busch). Otto von Busch describes 'Hacktivism' as "[including] the participant in the process of making, [to give] rise to new attitudes within the 'maker' or collaborator" (Busch 49).<ref>{{Cite thesis |degree=PhD |last=von Busch |first=O. |title=Fashion-able, Hacktivism and engaged Fashion Design |url=https://gupea.ub.gu.se/bitstream/2077/17941/3/gupea_2077_17941_3.pdf |archive-url=https://ghostarchive.org/archive/20221009/https://gupea.ub.gu.se/bitstream/2077/17941/3/gupea_2077_17941_3.pdf |archive-date=2022-10-09 |url-status=live |publisher=University of Gothenburg |year=2008}}</ref> Busch suggests that by engaging in participatory forms of fashion, consumers are able to step away from the idea of "mass-homogenized 'Mc-Fashion{{'"}} [https://www.theguardian.com/books/2003/may/04/fashion.shopping (Lee 2003)"], as fashion Hacktivism allows consumers to play a more active role in engaging with the clothes they wear (Busch 32).

== Subculture ==
{{see also|Maker culture}}
[[File:Vehicle at Maker Faire, San Mateo, 2016.jpg|thumb|DIY vehicle at Maker Faire, [[San Mateo, California|San Mateo]], 2016]]
DIY as a subculture was brought forward by [[Punk subculture|the punk movement]] of the 1970s.<ref>{{cite journal|last1=Triggs|first1=Teal|date=March 2006|title=Triggs, Teal (2006) Scissors and Glue: Punk Fanzines and the Creation of a DIY Aesthetic, in "Journal of Design History", vo. 19, n. 1, pp. 69–83.|journal=Journal of Design History|volume=19|issue=1|pages=69–83|doi=10.1093/jdh/epk006|quote="Yet, it remains within the subculture of punk music where the homemade, A4, stapled and photocopied fanzines of the late 1970s fostered the "do-it-yourself" (DIY) production techniques of cut-n-paste letterforms, photocopied and collaged images, hand-scrawled and typewritten texts, to create a recognizable graphic design aesthetic."|s2cid=154677104}}</ref> Instead of traditional means of bands reaching their audiences through large music labels, bands began recording, manufacturing albums and merchandise, booking their own tours, and creating opportunities for smaller bands to get wider recognition through repetitive low-cost DIY touring. The burgeoning [[zine]] movement took up coverage of and promotion of the [[Underground music|underground]] punk scenes, and significantly altered the way fans interacted with musicians. Zines quickly branched off from being hand-made music magazines to become more personal; they quickly became one of the youth culture's gateways to DIY culture. This led to tutorial zines showing others how to make their own shirts, posters, zines, books, food, etc.

The terms "DIY" and "do-it-yourself" are also used to describe:
[[File:Zines-fromlondonsymp07.jpg|thumb|180px|[[Zine]]s, London]]
* [[Self-publishing]] books, [[zines]], ''[[doujin]]'', and [[alternative comics]]
* Bands or solo artists releasing their music on self-funded record labels.
* Trading of mixtapes as part of [[cassette culture]]
* The international [[mail art]] network which circumvents galleries and official art institutions by creating a precursor to [[social network|social networking]].
* Homemade stuffs based on the principles of "[[Recycle]], [[Reuse]] & [[Reduce (waste)|Reduce]]" (the [[Waste hierarchy|3R's]]). A common term in many [[Environmental movement]]s encouraging people to reuse old, used objects found in their homes and to recycle simple materials like paper.
* [[Crafts]] such as [[knitting]], [[crochet]], [[sewing]], [[handmade jewelry]], [[ceramic art|ceramics]]
* Self-built housing, for instance [[Tasmanian House]] projects in [[Australia]]
* Designing business cards, invitations and so on
* Creating [[punk subculture|punk]] or [[Independent music|indie]] musical merchandise through the use of recycling [[Charity shop|thrift store]] or discarded materials, usually decorated with art applied by [[silk screen]].<ref>{{cite web|url = http://www.diehippiedie.com/screwball/diyshirt.html|title = DIY guide to screen printing t-shirts for cheap|access-date = 2007-09-24|author-first1=Mark|author-last1=Hanford|url-status=live|archive-date=3 March 2025|archive-url=https://web.archive.org/web/20250303132645/http://www.diehippiedie.com/screwball/diyshirt.html|date=1995-06-29|quote = "Ever wonder where bands get their T-shirts made? Some of them probably go to the local screen printers and pay a bunch of money to have their shirts made up, then they have to turn around and sell them to you for a high price. Others go the smart route, and do it themselves. Here's a quick how-to on the cheap way to going about making T-shirts."}}</ref>
* [[Independent game development]] and [[Mod (computer gaming)|game modding]]
* Contemporary [[roller derby]]
* Skateparks built by skateboarders without paid professional assistance
* Building musical electronic circuits such as the [[Atari Punk Console]] and create [[circuit bending]] noise machines from vintage children toys.
* Modifying ("modding") common products to allow extended or unintended uses, commonly referred to by the internet term, "life-hacking".  Related to [[jury-rigging]] i.e. sloppy/ unlikely mods
* [[Hobby]] electronics or in [[amateur radio]] equipment producing.
* DIY science: using [[open-source hardware]] to make [[scientific equipment]] to conduct [[citizen science]] or simply low-cost traditional science<ref>Pearce, Joshua M. 2012. "[https://www.science.org/doi/abs/10.1126/science.1228183 Building Research Equipment with Free, Open-Source Hardware.]" ''Science'' '''337''' (6100): 1303–1304.[https://mtu.academia.edu/JoshuaPearce/Papers/1867941/Open_Source_Research_in_Sustainability open access]</ref>
** Using low-cost [[single-board computer]]s, such as [[Arduino]] and [[Raspberry Pi]], as [[embedded system]]s with various applications
** [[DIY bio]]
[[File:NYCR Barbot.jpg|thumb|Drink mixing robot]]
* Use of a custom [[Linux distribution]] catered for a specific purpose.
* Building a custom [[synthesizer]]. 
* Use of [[FPGA|FPGAs]].
* [[Privately made firearms]]
* [[taxidermy|Taxidermyizing]] the scores of [[hunting]] or [[fishing]] expeditions.

===Music===
{{see also|Guerrilla gig|Independent music|Lo-fi music}}
Much contemporary DIY music has its origins in the late 1970s [[punk rock]] subculture.<ref name=diyspace>{{cite web|last1=Mumford|first1=Gwilym|title=Eagulls, Hookworms, Joanna Gruesome: how UK music scenes are going DIY|url=https://www.theguardian.com/music/2014/dec/06/hookworms-joanna-gruesome-uk-diy-music|work=The Guardian|date=6 December 2014|access-date=9 June 2015}}</ref> It developed as a way to circumnavigate the corporate mainstream [[music industry]].<ref name=albini>{{cite web|last1=Albini|first1=Steve|title=Steve Albini on the surprisingly sturdy state of the music industry – in full|url=https://www.theguardian.com/music/2014/nov/17/steve-albinis-keynote-address-at-face-the-music-in-full|work=The Guardian|date=17 November 2014|access-date=9 June 2015}}</ref> By controlling the entire production and distribution chain, DIY bands attempt to develop a closer relationship between artists and fans. The DIY ethic gives total control over the final product without need to compromise with record major labels.<ref name=albini/>

According to the punk aesthetic, one can express oneself and produce moving and serious works with limited means.<ref>[[David Byrne]], Jeremy Deller, [https://www.davidbyrne.com/news/press/articles/modernpainters_2010.php ''Audio Games''], in ''[[Modern Painters (magazine)|Modern Painters]]'', March 1, 2010. "I think I embrace a bit of the punk aesthetic that one can express oneself with two chords if that's all you know, and likewise one can make a great film with limited means or skills or clothes or furniture. It's just as moving and serious as works that employ great skill and craft sometimes. Granted, when you learn that third chord, or more, you don't have to continue making 'simple' things, unless you want to. Sometimes that's a problem."</ref> Arguably, the earliest example of this attitude{{failed verification|date=December 2019}} was the punk music scene of the 1970s.<ref>{{cite journal |url = http://jdh.oxfordjournals.org/cgi/content/abstract/19/1/69|archive-url = https://web.archive.org/web/20060630085418/http://jdh.oxfordjournals.org/cgi/content/abstract/19/1/69|archive-date = 2006-06-30|title = Oxford Journal of Design History Webpage| journal=Journal of Design History | date=March 2006 | volume=19 | issue=1 | pages=69–83 | doi=10.1093/jdh/epk006 |access-date = 2007-09-24|quote = "Yet, it remains within the subculture of punk music where the homemade, A4, stapled and photocopied fanzines of the late 1970s fostered the 'do-it-yourself' (DIY) production techniques of cut-n-paste letterforms, photocopied and collaged images, hand-scrawled and typewritten texts, to create a recognizable graphic design aesthetic." | last1=Triggs | first1=Teal | url-access=subscription }}</ref>

More recently, the orthodox understanding that DIY originates in 1970s punk, with its clearest practices being in the self-produced 7" single and self-published fanzines, has been challenged. As George McKay asks in the title of his 2023 article: 'Was punk DIY? Is DIY punk?' McKay argues instead for what he terms a 'depunking' of DIY.<ref>{{cite journal | url=https://journals.sagepub.com/doi/10.1177/27538702231216190 | doi=10.1177/27538702231216190 | title=Was punk DIY? Is DIY punk? Interrogating the DIY/Punk nexus, with particular reference to the early UK punk scene, ''c'' . 1976–1984 | date=2024 | last1=McKay | first1=George | journal=Diy, Alternative Cultures & Society | volume=2 | pages=94–109 | doi-access=free }}</ref> 

[[Riot grrrl]], associated with [[third-wave feminism]], also adopted the core values of the DIY punk ethic by leveraging creative ways of communication through [[zines]] and other projects.<ref>{{Cite news | last1 = Bennet | first1 = Andy | last2 =Peterson | first2 =Richard A. | title = Music scenes: local, translocal and virtuas | pages = 116–117 | year = 2004 | publisher = Vanderbilt University Press | isbn = 978-0-8265-1451-6 | url =https://books.google.com/books?id=zrGa3vYOoZgC&q=do%20it%20yourself%20riot%20grrrl&pg=PA115 }}</ref>

Adherents of the DIY punk ethic also work collectively. For example, punk impresario [[David Ferguson (impresario)|David Ferguson]]'s [[David Ferguson (impresario)#CD Presents|CD Presents]] was a DIY [[concert production]], [[recording studio]], and [[record label]] network.<ref>{{Cite news | last = Jarrell | first = Joe | title = Putting Punk in Place--Among the Classics | newspaper = [[San Francisco Chronicle]] | pages = PK–45 | date = 26 September 2004 | url =http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2004/09/26/PKGVR8RVV91.DTL }}</ref>

===Film===
{{main|Guerrilla filmmaking}}
A form of independent filmmaking characterized by low budgets, minimal crews, and simple props using whatever is available.

===By country===

As a means of adaptation during the Cuban [[Special Period]] times of economic crisis, ''resolver'' ("to resolve") became an important part of Cuban culture. ''Resolver'' refers to a spirit of resourcefulness and do-it-yourself problem solving.<ref>{{Cite magazine |last1=García Martínez |first1=Antonio |title=Inside Cuba's D.I.Y. Internet Revolution |magazine=[[Wired (magazine)|Wired]] |date=2017-07-26 |url=https://www.wired.com/2017/07/inside-cubas-diy-internet-revolution |language=en-US |issn=1059-1028 |df=mdy-all }}</ref>

====India====
{{main|Jugaad}}
Jugaad is a colloquial [[Hindi]], [[Bengali language|Bengali]], [[Marathi script|Marathi]], [[Punjabi language|Punjabi]], [[Sindhi language|Sindhi]] and [[Urdu]] word, which refers to a non-conventional, frugal innovation, often termed a "[[life hack|hack]]".<ref>{{cite web|title=जुगाड़ | trans-title = creative improvisation |url=http://www.aamboli.com/translate?word=%E0%A4%9C%E0%A5%81%E0%A4%97%E0%A4%BE%E0%A4%A1%E0%A4%BC|website= aamboli.com | language=hi}}</ref> It could also refer to an innovative fix or a simple work-around, a solution that bends the rules, or a resource that can be used in such a way. It is also often used to signify creativity: to make existing things work, or to create new things with meager resources.<ref>{{Cite web |last=Yuke |title=Jugaad |url=https://www.appropedia.org/Jugaad |access-date=2024-10-09 |website=Appropedia, the sustainability wiki |language=en}}</ref>

====United States====
{{main| Rasquache}}
Rasquache is the English form of the [[Spanish language|Spanish]] term {{lang|es|{{linktext|rascuache}}}}, originally with a negative connotation in [[Mexico]] it was recontextualized by the Mexican and Chicano arts movement to describe a specific artistic aesthetic, ''Rasquachismo'', suited to overcoming material and professional limitations faced by artists in the movement.<ref name="Smithsonian">{{Cite news |date=2017-01-31 |title=A lesson in "rasquachismo" art: Chicano aesthetics & the "sensibilities of the barrio" |language=en-US |work=Smithsonian Insider |url=https://insider.si.edu/2017/01/lesson-rasquachismo-chicano-asthetics-taste-underdog/ |access-date=2018-04-20}}</ref>

== See also ==
{{Wikibooks|Do-It-Yourself}}
{{Wiktionary}}
{{commons category|Do it yourself}}
{{Div col|colwidth=10em}}
* [[Bricolage]]
* [[Circuit bending]]
* [[Edupunk]]
* [[Hackerspace]]
* [[Handyman]]
* [[Instructables]]
* [[Junk box]]
* [[Kludge]]
* [[Mail art]]
* [[Maker culture]]
* [[Number 8 wire]]
* [[Open design]]
* [[Power tool]]
* [[Prosumer]]
* [[Ready-to-assemble furniture]]
* [[3D printing]]
{{div col end}}

===Subculture links===
{{Div col|colwidth=20em}}
* [[Punk subculture]]
* [[Basement show]]
* [[Bricolage]]
* [[Cassette culture]]
* [[Circuit bending]]
* [[Critical making]]
* ''[[D.I.Y. or Die: How to Survive as an Independent Artist]]''
* [[Edupunk]]
* [[Guerrilla gig]]
* [[Hackerspace]]
* [[Homebuilt aircraft]]
* [[Individualism]]
* [[Infoshop]]
* [[Maker culture]]
* [[Mumblecore]]
* [[Off-the-grid]]
* [[Remodernist film]]
* [[Self-publishing]]
* [[Underground comix]]
* [[White box (computer hardware)]]
* [[Solarpunk]]
{{div col end}}

== References ==
{{Reflist|30em}}

== Further reading ==
*{{Cite journal |last=Atkinson |first=P. |date=2006-01-01 |title=Do It Yourself: Democracy and Design |url=https://doi.org/10.1093/jdh/epk001 |journal=Journal of Design History |volume=19 |issue=1 |pages=1–10 |doi=10.1093/jdh/epk001 |issn=0952-4649}}
* {{cite book |last=Brass|first=Elaine|title=Gathering Force: DIY Culture&nbsp;– Radical Action for Those Tired of Waiting|year=1997|publisher=Big Issue|location=London|isbn=1-899419-01-2|author2=Sophie Poklewski Koziell|editor=Denise Searle}}
* ''[https://journals.sagepub.com/home/DIY DIY, Alternative Cultures and Society]'' journal
* {{cite news |last=Kimmelman|first=Michael|title=D.I.Y. Culture |url=https://www.nytimes.com/2010/04/18/arts/18abroad.html |access-date=August 4, 2011 |newspaper=[[The New York Times|The New York Times Abroad]]|date=April 14, 2010 |author-link=Michael Kimmelman}}
* {{cite book |last=McKay|first=George|title=Senseless Acts of Beauty: Cultures of Resistance since the Sixties|year=1996|publisher=Verso|location=London|isbn=1-85984-028-0}}
* {{cite book |title=DiY Culture: Party & Protest in Nineties Britain|year=1998|publisher=Verso|location=New York|isbn=1-85984-260-7|editor=McKay, George}}
* McKay, George. (2023). [https://journals.sagepub.com/doi/10.1177/27538702231216190 'Was punk DIY? Is DIY punk? Interrogating the DIY/punk nexus, with particular reference to the early UK punk scene, c. 1976-1984.'] ''DIY, Alternative Cultures and Society''. 
* Smith, G. and Gillett, A. G., (2015). [https://web.archive.org/web/20161006040945/http://artivate.hida.asu.edu/index.php/artivate/article/download/82/36 "Creativities, innovation, and networks in garage punk rock: A case study of the Eruptörs"]. ''Artivate: A Journal of Entrepreneurship in the Arts'', 9–24
* {{cite book |title=FreeNRG: Notes From the Edge of the Dancefloor|year=2001|publisher=Commonground|location=Altona|isbn=1-86335-084-5|editor=St John, Graham}} 
*{{cite book |last=Wall|first=Derek|title=Earth First and the Anti-Roads Movement: Radical Environmentalism and Comparative Social Movements|year=1999|publisher=Routledge|location=London|isbn=0-415-19064-9}}
*{{Cite news |last=Wang |first=Amy X. |date=2025-04-04 |title=The Strange Allure of Watching Other People Tear Up Their Homes |url=https://www.nytimes.com/2025/04/04/magazine/influencers-real-estate-tiktok-instagram.html |access-date=2025-04-15 |work=The New York Times }}

{{Simple living}}
{{Independent production}}
{{environmental humanities}}

[[Category:Do it yourself| ]]
[[Category:Building]]
[[Category:DIY culture| ]]
[[Category:Handbooks and manuals]]
[[Category:Skills]]
[[Category:Cassette culture 1970s–1990s]]
[[Category:Simple living]]
[[Category:Articles containing video clips]]