View source for Fiddle

{{Short description|Bowed string instrument}}
{{About|the musical instrument and its playing styles|the Indian film|Fiddle (film){{!}}''Fiddle'' (film)}}
{{Redirect|Fiddler}}

{{Infobox Instrument
| name           = Fiddle
| names          = [[Violin]]
| image          = Morris fiddler - Festivals of Winds, 2012.jpg
| image_capt     = A [[morris dance]] fiddler playing a fiddle.
| background     = string
| classification = [[Bowed string instrument]]
| hornbostel_sachs = 321.322-71
| developed      = Early 16th century
| range          = [[Image:Range violin.png|130px|center]]
| related        = *'''[[Violin family]]''' ([[viola]], [[cello]])
*[[Viol]] family (includes [[double bass]])
| musicians      = *[[List of fiddlers]]
| builders       = *[[:Category:Bowed string instrument makers|Luthiers]]
}}

{{Violin}}

A '''fiddle''' is a [[Bow (music)|bowed]] [[String instrument|string]] [[musical instrument]], most often a [[violin]]  or a bass.<ref>{{cite journal|last=Gyles|first=Mary Francis|title=Nero Fiddled While Rome Burned|journal=[[The Classical Journal]]|date=January 1947|volume=42|issue=4|pages=211–17|jstor=3291751}}</ref> ''Fiddle'' is a colloquial term for the violin, used by players in all genres, including [[European classical music|classical music]]. Although in many cases ''violin'' and ''fiddle'' are essentially synonymous, the style of the music played may determine specific construction differences between fiddles and classical violins. For example, fiddles may optionally be set up with a [[Violin construction and mechanics#Bridge|bridge]] with a flatter arch to reduce the range of bow-arm motion needed for techniques such as the double shuffle, a form of [[bariolage]] involving rapid alternation between pairs of adjacent strings.<ref>{{cite book |last1=Reiner |first1=David |last2=Anick |first2=Peter |date=1989 |title=Mel Bay's Old-Time Fiddling Across America |publisher=Mel Bay Publications, Inc. |page=37 |isbn=978-0-7866-5381-2 |quote=Double shuffle: syncopated string crossing on a chord, with the top note changing. }}</ref> To produce a [[Timbre#Brightness|''brighter'']] tone than the deep tones of gut or synthetic core strings, fiddlers often use steel strings. The fiddle is part of many traditional ([[Folk music|folk]]) styles, which are typically [[Music#Oral and aural tradition|aural traditions]]—taught "[[Playing by ear|by ear]]" rather than via written music.<ref name="OKHistory">{{cite web |url=http://www.okhistory.org/publications/enc/entry.php?entry=FI001|title=Fiddling|last=Harris |first=Rodger |publisher=The Encyclopedia of Oklahoma History and Culture|date=2009|website=Okhistory.org|access-date=2017-04-07}}</ref>

'''Fiddling''' is the act of playing the fiddle, and '''fiddlers''' are musicians who play it. Among musical styles, fiddling tends to produce rhythms that focus on dancing, with associated quick note changes, whereas classical music tends to contain more [[vibrato]] and sustained notes. Fiddling is also open to improvisation and embellishment with [[Ornament (music)#Celtic music|ornamentation]] at the player's discretion, in contrast to orchestral performances, which adhere to the composer's notes to reproduce a work faithfully. It is less common for a classically trained violinist to play folk music, but today, many fiddlers (e.g., [[Alasdair Fraser]], [[Brittany Haas]], and [[Alison Krauss]]<ref>{{Cite web|url=http://nodepression.com/article/alison-krauss-bluegrass-rose-blooms|title=Alison Krauss - The bluegrass rose blooms &#124; No Depression|work=No Depression |date=29 December 2016|archive-url=https://web.archive.org/web/20161229100342/http://nodepression.com/article/alison-krauss-bluegrass-rose-blooms|access-date=21 April 2021|archive-date=2016-12-29}}</ref>) have classical training.

==History==
The medieval fiddle emerged in 10th-century Europe, deriving from the [[Byzantine lira]] ({{langx|grc|λύρα}}, {{langx|la|lira}}, {{langx|en|lyre}}), a bowed string instrument of the [[Byzantine Empire]] and ancestor of most European bowed instruments.<ref name="ebfiddle">{{cite encyclopedia |title=fiddle |encyclopedia=[[Encyclopædia Britannica]] |date=6 March 2009}}</ref><ref>{{cite book |first=Anthony |last=Baines |title=The Oxford Companion to Musical Instruments |publisher=[[Oxford University Press]] USA |date=November 12, 1992}}</ref>

Lira spread widely westward to Europe; in the 11th and 12th centuries European writers use the terms ''fiddle'' and ''lira'' interchangeably when referring to bowed instruments.<ref name="ebfiddle" />

The violin in its present form emerged in early 16th-century [[northern Italy]]. The earliest pictures of violins, albeit with three strings, are seen in northern Italy around 1530, at around the same time as the words "violino" and "vyollon" are seen in Italian and French documents. One of the earliest explicit descriptions of the instrument, including its tuning, is from the ''Epitome musical'' by [[Jambe de Fer]], published in [[Lyon]] in 1556.<ref>
{{Cite web
 |url=http://www.violinonline.com/historicalbackgroundoftheviolin.htm
 |title=Historical Background of the Violin
 |publisher=ViolinOnline.com
 |first=Robin Kay|last=Deverich|year=2006|access-date=2006-09-22
}}</ref> By this time, the violin had already begun to spread throughout [[Europe]]. The fiddle proved very popular among both street musicians and the nobility; the French king [[Charles IX of France|Charles IX]] ordered Andrea Amati to construct 24 violins for him in 1560.<ref>{{Cite web
 |url=http://www.bartruff.com/history.php
 |title=The History of the Violin
 |first=William|last=Bartruff|access-date=2006-09-22
|archive-url = https://web.archive.org/web/20070208112530/http://www.bartruff.com/history.php <!-- Bot retrieved archive --> |archive-date = 2007-02-08}}</ref> One of these instruments, the ''Charles IX'', is the oldest surviving violin. 

Over the centuries, Europe continued to have two distinct types of fiddles: one, relatively square-shaped, held in the arms, became known as the [[Viola da braccio (instrument)|viola da braccio]] (''arm viol'') family and evolved into the violin; the other, with sloping shoulders and held between the knees, was the [[viola da gamba]] (''leg viol'') group. During the [[Renaissance]] the gambas were important and elegant instruments; they eventually lost ground to the louder ''viola da braccio'' family.<ref name=groveviol>{{cite encyclopedia |editor-last= Sadie |editor-first=Stanley |author1= Diana Poulton |entry= Viol |encyclopedia= The New Grove Dictionary of Musical Instruments |year=1984 |id= Volume 3 |pages= 736–741}}</ref>

==Etymology==
The [[etymology]] of ''fiddle'' is uncertain: it probably derives from the Latin ''fidula'', which is the early word for ''violin'', or it may be natively Germanic.<ref>
{{cite OED |fiddle| access-date = 2008-03-28|quote=The ultimate origin is obscure. The {{bracket|[[Germanic languages|Teutonic]]}} word bears a singular resemblance in sound to its {{bracket|[[medieval]] [[Latin language|Latin]]}} synonym ''vitula'', ''vidula'', whence {{bracket|[[Old French]]}} ''viole'', Pr. viula, and (by adoption from these {{bracket|languages}}) {{bracket|[[Italian language|Italian]]}}, {{bracket|[[Spanish language|Spanish]]}}, {{bracket|[[Portuguese language|Portuguese]]}} ''viola'': see {{bracket|''viol''}}. The supposition that the early {{bracket|[[Romance languages|Romance]]}} ''vidula'' was adopted independently in more than one {{bracket|Teutonic language}} would account adequately for all the {{bracket|Teutonic}} forms; on the other hand, ''*fiÞulôn-'' may be an {{bracket|[[Proto-Germanic|Old Teutonic]]}} word of native etymology, although no satisfactory {{bracket|Teutonic}} derivation has been found.}}
</ref>{{verify inline|reason="Teutonic" and "Old Teutonic" are not modern linguistic terms; online OED probably does not use them. Modern terminology is "Germanic" / "Proto-Germanic"|date=December 2024}}

The name appears to be related to Icelandic {{lang|is|[[fiðla]]}} and also [[Old English]] {{lang|ang|fiðele}}.<ref>{{cite web |url=http://web.ff.cuni.cz/cgi-bin/uaa_slovnik/gmc_search_v3?cmd=formquery2&query=fiddle&startrow=1 |title=Bosworth and Toller |website=Germanic Lexicon Project |access-date=2012-04-30 |archive-date=2013-10-23 |archive-url=https://web.archive.org/web/20131023060800/http://web.ff.cuni.cz/cgi-bin/uaa_slovnik/gmc_search_v3?cmd=formquery2&query=fiddle&startrow=1 |url-status=dead }}</ref> A native Germanic ancestor of ''fiddle'' might even be the ancestor of the early Romance form of ''violin''.<ref>[[Mario Pei]], ''The Story of the English Language'' (New York: Simon and Schuster, 1967), p. 109.</ref>

In medieval times, ''fiddle'' also referred to a predecessor of today's violin. Like the violin, it tended to have four strings, but came in a variety of shapes and sizes. Another family of instruments that contributed to the development of the modern fiddle are the [[viol]]s, which are held between the legs and played vertically, and have fretted fingerboards.<ref>{{Cite web|url=https://www.metmuseum.org/toah/hd/viol/hd_viol.htm|title=The Viol |publisher=The Metropolitan Museum of Art|last=Weinfield|first=Elizabeth|website=The Met's Heilbrunn Timeline of Art History|date=June 2014 |language=en|access-date=2018-04-09}}</ref>

==Ensembles==
[[File:Musiciens pub Gus O'Connor-Doolin.JPG|thumbnail|left|Fiddlers participating in a session at a pub in Ireland]]
In performance, a solo fiddler, or one or two with a group of other instrumentalists, is the norm, though twin fiddling is represented in some North American, Scandinavian, Scottish and Irish styles. Following the folk revivals of the second half of the 20th century, it became common for less formal situations to find large groups of fiddlers playing together—see for example the Calgary Fiddlers, [[Music of Sweden|Swedish]] [[Spelmanslag]] folk-musician clubs, and the worldwide phenomenon of [[Irish traditional music session|Irish sessions]].<ref>{{cite web | url = http://www.thesession.org/sessions/index.php | title = The Session: Sessions | access-date = 28 August 2006}}</ref><ref>{{cite news |url=https://www.nytimes.com/2012/03/16/arts/music/traditional-irish-music-in-new-york-city.html |title=Traditional Irish Music in New York City |newspaper=[[The New York Times]]|first=Andy |last=Webster |date=16 March 2012 |access-date=6 February 2018}}</ref>

Orchestral violins, on the other hand, are commonly grouped in sections, or [[Orchestra#Organization|"chairs"]]. These contrasting traditions may be vestiges of historical performance settings: large concert halls where violins were played required more instruments, before electronic amplification, than did more intimate dance halls and houses that fiddlers played in.

The difference was likely compounded by the different sounds expected of violin music and fiddle music. Historically, the majority of fiddle music was dance music,<ref name="OKHistory"/> while violin music had either grown out of dance music or was something else entirely. Violin music came to value a smoothness that fiddling, with its dance-driven clear beat, did not always follow. In situations that required greater volume, a fiddler (as long as they kept the beat) could push their instrument harder than could a violinist.{{Citation needed|date=January 2013}} Various fiddle traditions have differing values.

===Scottish, with cello===
In the very late 20th century, a few artists successfully reconstructed the Scottish tradition of violin and "big fiddle", or cello. Notable recorded examples include Iain Fraser and Christine Hanson, Amelia Kaminski and Christine Hanson's Bonnie Lasses,<ref>{{cite web|url=http://www.willockandsaxgallery.com/kaminski.htm |title=Amelia Kaminski Productions |publisher=Willockandsaxgallery.com |access-date=2011-11-14 |url-status=dead |archive-url=https://web.archive.org/web/20111112125429/http://www.willockandsaxgallery.com/kaminski.htm |archive-date=2011-11-12 }}</ref> [[Alasdair Fraser]] and [[Natalie Haas]]' Fire and Grace,<ref>{{cite web |url=http://www.culburnie.com/albums/AlasdairFraser/fire_and_grace.htm |title=Fire & Grace |publisher=Culburnie.com |access-date=2011-11-14 |archive-date=2011-09-28 |archive-url=https://web.archive.org/web/20110928193410/http://www.culburnie.com/albums/AlasdairFraser/fire_and_grace.htm |url-status=dead }}</ref> and Tim Macdonald and Jeremy Ward's ''The Wilds''.<ref>{{cite web|url=http://www.timandjeremy.com/wilds |title=The Wilds |publisher=Tim Macdonald and Jeremy Ward |date=2017-11-15 |access-date=2018-08-24}}</ref>

===Balkan, with ''kontra''===
Hungarian, Slovenian, and Romanian fiddle players are often accompanied by a three-stringed variant of the [[viola]]—known as the ''[[kontra]]''—and by [[double bass]], with [[cimbalom]] and [[clarinet]] being less standard yet still common additions to a band.  In Hungary, a three-stringed viola variant with a flat bridge, called the ''[[kontra]]'' or ''háromhúros brácsa'' makes up part of a traditional rhythm section in Hungarian folk music.  The flat bridge lets the musician play three-string chords. A three-stringed double bass variant is also used.

==Styles==
To a greater extent than classical violin playing, fiddle playing is characterized by a huge variety of ethnic or [[folk music]] traditions, each of which has its own distinctive sound.

===Europe===

====Great Britain====
* [[Folk music of England|English folk music]] fiddling, including
**[[Music of Northumbria|Northumbrian]] fiddle style, which features "seconding", an improvised harmony part played by a second fiddler.
**[[Lake District|Lakeland]] or [[Cumbria]]n fiddling has a repertoire largely based upon [[hornpipe]]s but also incorporates reels and jigs.<ref>{{cite web |last1=Gilchrist |first1=Anne Geddes |title=Some Old Lake Country Fiddlers and their Tune Books |url=http://www.cpartington.plus.com/Links/Irwin/Lake%20District%20Fiddlers.html}}</ref>
* [[Scottish fiddling]], including:
**[[Shetland]] fiddling, which includes [[Trow (folklore)|trowie]] tunes said to come from [[Little people (mythology)|peerie folk]]. The style is characterised by "ringing strings" and syncopated rhythms.
**A North East (particularly [[Aberdeenshire]] and [[Moray]]) tradition strongly influenced by baroque violin technique with staccato and [[Scotch snap]] bowing techniques and [[double stops]].
**A [[Scottish Borders]] tradition with a repertoire heavy in [[hornpipe]]s and with heavy use of [[double stops]].
**A [[Scottish Highlands|Highland]] tradition, highly influenced by the ornamentation and [[mixolydian]] scale of the [[Great Highland Bagpipe]], as well as smoother bowing than other Scottish fiddle styles and a swinging of the 6/8 [[jig]] rhythm.
**A West Highland and [[Hebrides|Hebridean]] Tradition, very closely related to the Highland tradition with major influence from the [[Scottish Gaelic|Gaelic]] song tradition.
**An [[Orkney]] tradition with simpler bowing and ornamentation but with tunes featuring [[accidental (music)|accidentals]].<ref>{{cite web|author=Joseph Lyons |url=http://www.scotlandsmusic.com/Home/scottish-fiddle.htm |title=Scottish Fiddle Music |publisher=Scotlandsmusic.com |access-date=2012-04-30 |url-status=dead |archive-url=https://web.archive.org/web/20120419115950/http://www.scotlandsmusic.com/Home/scottish-fiddle.htm |archive-date=2012-04-19 }}</ref>
* [[Music of Wales|Welsh fiddling]] (Welsh ''Ffidil''; see [[Ar Log]]), a recently revived tradition.

====Ireland====
* [[Irish traditional music|Irish folk music]] fiddling including:
**[[Donegal fiddle tradition|Donegal]] fiddling from the northwest in [[Ulster]], which features [[mazurka]]s and a Scottish-influenced repertoire including [[Strathspey (dance)|Strathspey]] and [[Highland Fling]] dances. Fiddlers tend to play fast and make heavy use of [[staccato]] bowing and may from time to time "play the bass", meaning a second fiddler may play a melody an octave below where a first fiddler is playing it.
**[[Sligo]] fiddling from northern [[Connacht]], which like Donegal fiddling tends to be fast, but with a bouncier feel to the bowing.
**[[Galway]] fiddling southern [[Connacht]], which is slower than Sligo or Donegal traditions, with a heavier emphasis on ornamentation. Tunes are occasionally played in Eb or Bb to match the tonality of flat pipes.
**[[County Clare|Clare]] fiddling from northern [[Munster]], which tends to be played near the slower Galway tempo yet with a greater emphasis on the melody itself rather than ornamentation.
**[[Sliabh Luachra]] fiddling from the southwest in [[Munster]], characterized by a unique repertoire of [[polka]]s and [[slide (tune type)|slides]], the use of [[double stop]]s and [[drone (music)|drones]], as well as playing the melody in two octaves as in Donegal.<ref>{{cite web |url=http://www.irishfiddle.com/article_on_styles1.html |title=Regional Irish Fiddle Styles |publisher=Irishfiddle.com |access-date=2012-04-30 |url-status=dead |archive-url=https://web.archive.org/web/20120423204037/http://www.irishfiddle.com/article_on_styles1.html |archive-date=2012-04-23 }}</ref>

====Nordic countries====
[[File:JPP Areenalla.jpeg|thumb|The folk music band [[JPP]] at the 2015 [[Kaustinen Folk Music Festival]] in [[Kaustinen|Kaustinen, Finland]]]]
* [[Music of Norway|Norwegian fiddling]] (including [[Hardanger fiddle|Hardanger]] fiddling; see also [[Bygdedans]] and [[Gammaldans]]), including traditions from:
**[[Røros Municipality|Røros]] and [[Nord-Noreg]] styles, both using the standard fiddle.
**[[Finnskogen]], using the standard fiddle, but featuring some [[flat (music)|flatted notes]] influenced by Finnish folk music.
**[[Voss Municipality|Voss]] and [[Telemark]] styles, both using the [[Hardanger fiddle]].
**[[Setesdal]], which uses both standard and Hardanger fiddles.
* [[Swedish folk music|Swedish fiddling]] (including [[Låtfiol]] playing; see also [[Spelmanslag]] and [[Gammaldans]]), including traditions from:
**[[Jämtland]]
**[[Dalarna]]
* [[Music of Finland|Finnish fiddling]], including the regional styles of:
**[[Kaustinen]]
**[[Ostrobothnia (administrative region)|Ostrobothnia]], heavily influenced by Swedish fiddling.

====Continental Europe====
[[File:KLEZPO.png|thumb|upright|right|Klezmer fiddlers at a wedding, Ukraine, ca. 1925]]
* [[Music of Austria|Austrian fiddling]]
* [[French fiddling]], including an old tradition from [[Corrèze]] and a revived one from [[Music of Brittany|Brittany]]
* [[Hungarian folk music]] traditions
* [[Music of Italy|Italian fiddling]]<ref>{{cite web|url=http://www.fiddlingaround.co.uk/med/Med+mid%20frame.html |title=Middle Eastern and Mediterranean Fiddle |publisher=Fiddlingaround.co.uk |access-date=2011-11-14}}</ref>
* [[Klezmer]] fiddling<ref>{{cite web|url=http://www.fiddlingaround.co.uk/klezmer/Klezmer%20frame.html |title=Klezmer Fiddle |publisher=Fiddlingaround.co.uk |access-date=2011-11-14}}</ref>
* [[Polish fiddling]]
* [[Music of Portugal|Mainland Portuguese]] and [[Azores|Azorean]] fiddling
* [[Romanian fiddling]]<ref>{{cite web|url=http://www.fiddlingaround.co.uk/easterneurope/Easterneurope%20frame.html |title=East European and Gypsy Fiddle |publisher=Fiddlingaround.co.uk |access-date=2011-11-14}}</ref>

===Americas===

====United States====
[[Image:Peter Stampfel 08.jpg|thumb|right|upright|[[Peter Stampfel]] from [[The Holy Modal Rounders]]]]
[[American fiddling]] is a broad category including traditional and modern styles:

=====Traditional=====
*[[Blues]] fiddling
*[[Cajun music|Cajun]] and [[Zydeco]] fiddling
*[[Native Americans in the United States|Native American]] fiddling, including:
**[[Cherokee]]<ref name="OKHistory" />
**[[Muscogee|Creek]]<ref name="OKHistory" />
**[[Tohono O'odham]] [[Chicken scratch|waila music]], a style heavily influenced by Mexican fiddling<ref>{{cite web|url=http://store.canyonrecords.com/index.php?app=ecom&ns=prodshow&ref=CR-8082 |title=Gu-Achi Fiddlers - Old Time O'odham Fiddle Music (CR-8082) |publisher=Store.canyonrecords.com |access-date=2012-08-03 |url-status=dead |archive-url=https://web.archive.org/web/20120803000540/http://store.canyonrecords.com/index.php?app=ecom&ns=prodshow&ref=CR-8082 |archive-date=2012-08-03 }}</ref> and featuring irregular counts and harmonies in thirds, fourths, and sixths.{{citation needed|date=June 2013}}
*[[Old time fiddle|Old time]] fiddling, including:
**Fiddling from [[Appalachia]], the most well-known style today, featuring heavy use of droning and double-stops as well as syncopated bowing patterns.
**[[Athabaskan fiddling]] of the Interior Alaska.
**[[Midwest]]ern fiddling, highly influenced by [[Scandinavian music]].
**[[Ozarks]] fiddling, faster and crisper bowing than Appalachia.
**[[Texas]] fiddling, with influences from [[Music of Mexico|Mexican]] fiddling and an emphasis on competitive playing.[[File:Kenny Baker-fiddle.jpg|thumb|right|Bluegrass fiddler [[Kenny Baker (fiddler)|Kenny Baker]]]]
**[[New England]] fiddling, with strong influences from [[Quebec|Québécois]]/[[French Canadian]] and British repertoires.
**[[Pacific Northwest|Northwest]] fiddling, with influences from both Ozark and Midwestern fiddle styles, though with a strong emphasis on competitive playing like Texas fiddling.

=====Modern=====
*[[Bluegrass fiddle|Bluegrass]] fiddling
*[[Country music|Country]] fiddling
*[[Western swing]] style fiddling<ref>{{cite web|url=http://www.fiddlingaround.co.uk/westernswing/wswingframe.html |title=Western Swing Fiddle |publisher=Fiddlingaround.co.uk |access-date=2011-11-14}}</ref>

====Canada====
Fiddling remains popular in [[Canada]], and the various homegrown styles of [[Canadian fiddling]] are seen as an important part of the country's cultural identity, as celebrated during the opening ceremony of the [[Vancouver 2010 Winter Olympics]].
*[[Cape Breton fiddling]], with a distinct Scottish influence
*[[French Canadian]] fiddling including "[[crooked tune]]s", that is, tunes with irregular beat patterns.
*[[Métis fiddle|Métis fiddling]], of central and western Canada featuring strong French Canadian influence, but with even more "crooked" tunes.<ref>{{cite web |url=http://jsis.washington.edu/canada/collections/metis2.shtml |title=Jackson School of International Studies - Canadian Studies Center |publisher=Jsis.washington.edu |access-date=2012-08-03 |url-status=dead |archive-url=https://web.archive.org/web/20131023062109/http://jsis.washington.edu/canada/collections/metis2.shtml |archive-date=2013-10-23 }}</ref>
*[[Newfoundland]] fiddling, also featuring many crooked tunes, colloquially termed ‘singles’ or ‘doubles’.
*[[Maritimes]], [[Acadian]] or Downeast style of fiddling, which has many similarities to [[Cape Breton fiddling]]
*[[English Canadian]] fiddling or Anglo-Canadian fiddling

====Mexico====
[[Image:Silvestre Vargas Orfeon.JPG|thumb|right|[[Silvestre Vargas]] (1901–1985), fiddler of the [[Mariachi Vargas]] from 1921 to 1975, director from 1931 to 1955]]
[[Music of Mexico|Mexican]] fiddling includes
*Danza indígena
*[[Mariachi]]
*Son arribeño
*[[Son calentano]]
*[[Son huasteco]]
*Son planeco
*Violín-tambora
*Violín tuxtleco
*Violín mixteco

====South America====
* [[Forró]], a type of music from Brazil, including the ''[[rabeca]]'' fiddle tradition
* [[Music of Peru|Peruvian violin]]

===Africa, Asia and Australia===
*[[African fiddle]]
*[[Australian folk music]] traditions
*[[Huqin]] Chinese fiddles
*[[Morna (music)|Morna]] fiddling from [[Cape Verde]]
*[[Indian fiddle]]
*[[Indian classical music]]

==Related instruments==

===Variants===
[[File:Apachefiddler.jpg|thumb|right|upright|Chasi, a [[Warm Springs Apache]] musician, playing the Apache fiddle, 1886<ref>[http://siris-archives.si.edu/ipac20/ipac.jsp?&profile=all&source=~!siarchives&uri=full=3100001~!33821~!0#focus "Portrait of Chasi, Bonito's Son..."] ''National Anthropological Archives.'' (retrieved 11 June 2010)</ref>]]
*[[Hardanger fiddle]]
*[[Stroh violin]] or phonofiddle, known in Romanian as ''Vioara cu goarnă''.

===Near relations===
*[[Cello]]
*[[Double bass]]
*[[Kontra]]
* ''[[Låtfiol]]''
*[[Rebec]]
*''[[Rabeca]]''
*[[Viola]]

===Distant relations===
[[File:Vaxholm 8556 (1158877619).jpg|thumb|A nyckelharpa being played]]
*[[Apache fiddle]]
*[[Byzantine lyra]], the medieval bowed instrument of the Byzantine Empire
*[[Lyra (Cretan)|Cretan Lyra]]
*[[Crwth]]
*[[Gadulka]]
*[[Gudok]]
*[[Gusle]]
*[[Hurdy-gurdy]] also known as the wheel fiddle
*[[Kamancheh]]
*[[Lijerica]]
*[[Nyckelharpa]]
*[[Rebab]]
*[[Erhu]]
*[[morin khuur]]

==See also==
{{Portal|Music}}
* [[Fleadh Cheoil]]
* [[List of All-Ireland Champions]]
* [[List of fiddlers]]
* [[Jazz violin]]

==References==

=== Citations ===
{{Reflist|30em}}

=== Sources ===
* ''The Fiddle Book'', by Marion Thede, (1970), Oak Publications. {{ISBN|0-8256-0145-2}}.
* ''[[The Fiddler's Fakebook]]'', by David Brody, (1983), Oak Publications. US {{ISBN|0-8256-0238-6}}; UK {{ISBN|0-7119-0309-3}}.
* ''Oldtime Fiddling Across America'', by David Reiner and Peter Anick (1989), Mel Bay Publications. {{ISBN|0-87166-766-5}}. Has transcriptions (standard notation) and analysis of tunes from multiple regional and ethnic styles.
* ''The Portland Collection'', by Susan Songer, (1997), {{ISBN|0-9657476-0-3}} (Vol. 2 {{ISBN|0-9657476-1-1}})
*''North American Fiddle Music: a research and information guide'' by Drew Beisswenger (2011) Routledge. {{ISBN|978-0-415-99454-5}}

==External links==

{{Sister project links|n=no|d=Q510487|species=no|s=1911_Encyclopædia_Britannica/Fiddle|voy=no|mw=no|m=no|b=How to Play Fiddle|v=Portal:Fiddle|commons=Category:Fiddles}}
* [https://www.youtube.com/watch?v=g1hezQPoGLo Faroese fiddling]
* [http://www.ibiblio.org/fiddlers/index.html The Fiddler's Companion], an encyclopedia of historical notes on tunes from British, Celtic, and American traditions
* [http://www.vithefiddler.com/difference-between-fiddle-and-violin/ Differences between fiddle and violin]

{{Bluegrass music}}
{{Music of Ireland}}
{{Authority control}}

[[Category:Cajun musical instruments]]
[[Category:Celtic musical instruments]]
[[Category:Czech musical instruments]]
[[Category:English musical instruments]]
[[Category:American musical instruments]]
[[Category:Fiddles]]
[[Category:Irish musical instruments]]
[[Category:Scottish musical instruments]]
[[Category:Welsh musical instruments]]
[[Category:Violins]]