View source for Gott soll allein mein Herze haben, BWV 169

{{Short description|Church cantata by Johann Sebastian Bach for solo alto}}
{{Infobox Bach composition
| name                 = {{lang|de|Gott soll allein mein Herze haben}}
| bwv                   = 169
| image                 = Thomaskirche-1885.png
| caption               = [[Thomaskirche]], Leipzig
| type                  = [[Church cantata (Bach)|Solo church cantata]]
| composer              = [[Johann Sebastian Bach|J. S. Bach]]
| occasion              = 18th Sunday after [[Trinity Sunday|Trinity]]
| performed             = {{Timeline-event|date={{Start date|1726|10|20|df=y}}|location=[[Leipzig]]}}
| movements             = 7
| chorale               = [[Nun bitten wir den Heiligen Geist]]
| vocal                 = {{plainlist|
* [[alto]]
* [[SATB|{{abbr|SATB|soprano, alto, tenor and bass}}]] choir
}}
| instrumental          = {{hlist | 2 oboes | taille | organ | 2 violins | viola | continuo }}
}}
[[Johann Sebastian Bach]] composed the [[church cantata]] '''{{lang|de|Gott soll allein mein Herze haben}}''' (God alone shall have my heart),<ref name="Dellal" /> '''{{abbr|BWV|Bach-Werke-Verzeichnis (catalogue of Bach's works)}}{{nbsp}}169''', a solo cantata for an [[alto]] soloist, in [[Leipzig]] for the 18th Sunday after [[Trinity Sunday|Trinity]], and first performed it on 20 October 1726.

== History and words ==
Bach wrote the cantata during his fourth year in Leipzig, for the [[List of church cantatas by liturgical occasion#18th Sunday after Trinity (Trinity XVIII)|18th Sunday after Trinity]]. The prescribed readings for the Sunday were from the [[First Epistle to the Corinthians]], [[Paul the Apostle|Paul]]'s thanks for grace of God in Ephesus ({{Sourcetext|source=Bible|version=King James|book=1 Corinthians|chapter=1|verse=4|range=–8}}), and from the [[Gospel of Matthew]], the [[Great Commandment]] ({{Sourcetext|source=Bible|version=King James|book=Matthew|chapter=22|verse=34|range=–46}}).

The unknown author of the text concentrated on the love of God in [[Movement (music)|movement]]s 2 to 5 and added one movement about the love of your neighbour in movement 6, continued in the concluding [[chorale]], the third [[stanza]] of [[Martin Luther]]'s "{{lang|de|[[Nun bitten wir den Heiligen Geist]]|italic=no}}". The poet connected the first [[recitative]] to the following [[aria]] by starting the two thoughts in the recitative by a related line from the aria as a [[Epigraph (literature)|motto]], and ending both with the a recapitulation of the first line. The second recitative is a paraphrase of {{Sourcetext|source=Bible|version=King James|book=2 Kings|chapter=2|verse=1}}, [[Elijah]] lifted to heaven. The second aria is a paraphrase of {{Sourcetext|source=Bible|version=King James|book=1 John|chapter=2|verse=15|range=–16}}, which sets the love of God apart from the love of the world.<ref name="Dürr" />

The only other extant cantata for the Sunday is the chorale cantata {{lang|de|[[Herr Christ, der einge Gottessohn, BWV 96|''Herr Christ, der einge Gottessohn'', BWV 96]] |italic=unset}}, composed in 1724.<ref name="Mincham" /> Like three other cantatas, the early {{lang|de|[[Widerstehe doch der Sünde, BWV 54|''Widerstehe doch der Sünde'', BWV 54]] |italic=unset}} (1714), and the 1726 works {{lang|de|[[Geist und Seele wird verwirret, BWV 35|''Geist und Seele wird verwirret'', BWV 35]] |italic=unset}}, and {{lang|de|[[Vergnügte Ruh, beliebte Seelenlust, BWV 170|''Vergnügte Ruh, beliebte Seelenlust'', BWV 170]] |italic=unset}}, Bach wrote {{lang|de|Gott soll allein mein Herze haben}} for a single alto soloist, but unlike those works a choir sings the chorale. The three later cantatas, written within a few months, employ the organ as an obbligato instrument, possibly because Bach liked the combination of alto voice and organ registrations.<ref name="Mincham" /> A week later, Bach composed the famous cantata for bass solo, {{lang|de|[[Ich will den Kreuzstab gerne tragen, BWV 56|''Ich will den Kreuzstab gerne tragen'', BWV 56]] |italic=unset}}, also concluded by a chorale. It is not known if Bach looked for texts suitable for a solo voice, or if texts were "clerically imposed on him", which stressed individual piety and therefore suggested to be treated as solo cantatas.<ref name="Gardiner" />

Bach first performed the cantata on 20 October 1726. It is regarded as part of his third annual cycle of cantatas.<ref name="Dürr" />

== Scoring and structure ==
The cantata in seven movements is scored for alto, a [[SATB|four-part choir]] only for the closing chorale, two [[oboe]]s, [[taille (instrument)|taille]] (tenor oboe), two [[violin]]s, [[viola]], [[Pipe organ|organ]] [[obbligato]] and [[basso continuo]].<ref name="Dürr" />

# [[Sinfonia]]
# [[Arioso]]: {{lang|de|Gott soll allein mein Herze haben|italic=no}}
# [[Aria]]: {{lang|de|Gott soll allein mein Herze haben|italic=no}}
# [[Recitative]]: {{lang|de|Was ist die Liebe Gottes|italic=no}}
# Aria: {{lang|de|Stirb in mir, Welt, und alle deine Liebe|italic=no}}
# Recitative: {{lang|de|Doch meint es auch dabei|italic=no}}
# [[Chorale]]: {{lang|de|Du süße Liebe, schenk uns deine Gunst|italic=no}}

== Music ==
As in a number of other works, Bach reused some of his earlier works. The first movement, a [[sinfonia]], and movement 5 rely on a lost concerto, perhaps for oboe or flute, possibly written during his time in [[Köthen (Anhalt)|Köthen]] (1717–23).<ref name="Dürr" /> That same concerto is the source of Bach's [[Keyboard concertos by Johann Sebastian Bach|Harpsichord Concerto]] BWV 1053, composed around 1739. According to [[John Eliot Gardiner]], it may have also served as an organ concerto for the new Silbermann organ in Dresden's [[Sophienkirche]] in 1725.<ref name="Gardiner" /> Bach used the first movement of the concerto, in [[da capo]] form, as an extended instrumental introduction, assigning the solo part to the organ, the tutti to the strings and three oboes which he added for the cantata. The first vocal movement is an [[arioso]], accompanied only by the continuo. Bach followed the careful wording of the poet by setting the lines from the following aria as a motto and conclusion of each thought as an arioso, the reflection which they frame as a secco [[recitative]].<ref name="Dürr" /> The repeat of the essential line "{{lang|de|Gott soll allein mein Herze haben}}" "acts like a rondo motif", according to Gardiner.<ref name="Gardiner" /> In the aria, this line appears reminiscent of the arioso, but in reverse movement. As Gardiner observes: "It is a perfect example of Bach's skill in following admonitions by contemporary music theorists to 'grasp the sense of the text' ([[Mauritius Vogt]], 1719) with the goal of 'refined and text-related musical expression&nbsp;... the true purpose of music' ([[Johann David Heinichen]], 1711)." The accompaniment of the virtuoso organ adds weight to the statement. Musicologist Julian Mincham interprets the "richly embroidered organ melody", which continues throughout the movement, as a "virtually continuous stream of goodness".<ref name="Mincham" /> A simple secco recitative leads to the second aria, which is again, like the Sinfonia, taken from the concerto, with the voice woven into the solo organ and the strings. According to Dürr, the aria is an example of "how a piece can gain rather than lose from its adaptation in the context of a new work". Another example is the [[Mass in B minor structure#Agnus Dei|Agnus Dei]] from Bach's [[Mass in B minor]]'.<ref name="Mincham" /> The text marks a farewell to love in the world: "{{lang|de|Stirb in mir, Welt und alle deine Liebe|italic=no}}" (Die in me, world and all your love).<ref name="Dellal" />  The music of the aria, marked "[[siciliana|siciliano]]" as the slow movement of the harpsichord concerto, has been regarded as a "farewell to worldly life",<ref name="Gardiner" /> in "a mood of heart-stopping intensity",<ref name="Mincham" /> also as a mystic contemplation of a heavenly love.<ref name="Dürr" /> The aria has been compared in character to the aria of the repenting [[Saint Peter|Peter]] "{{lang|de|Erbarme dich|italic=no}}" from Bach's ''[[St Matthew Passion]]''.<ref name="Vernier" />

After the love of God has been expanded in great detail in five movements, the commandment to also love one's neighbour is expressed in a short recitative, leading to the chorale, which asks the Holy Spirit to assist in doing so, "so that we might love each other from our hearts and remain of one mind in peace".<ref name="Dürr" />

== Recordings ==
As a solo cantata, the work has attracted many conductors and singers who are not specialists in Baroque music to record it. Conductors have included [[Rudolf Barshai]] and [[Ludwig Güttler]] and singers [[Aafje Heynis]], [[Birgit Finnilä]], [[Jadwiga Rappé]] and [[Monica Groop]]. [[Andreas Scholl]] recorded it in 2010 with [[Julia Schröder]] leading as concertmaster the [[Kammerorchester Basel]] with Junko Takamaya, Michael Feyfar and Raitis Grigalis singing the chorale.<ref name="Eddins" /><ref name="Arkivmusic" />

* ''J. S. Bach: Cantata No. 169, "Gott soll allein mein Herze haben"'', [[Aafje Heynis]], [[Epic Records|Epic]], 1958
* ''J. S. Bach: Cantatas BWV 157 & BWV 169'', [[Diethard Hellmann]], Kantorei & Kammerorchester der [[Christuskirche, Mainz|Christuskirche Mainz]], [[Lotte Wolf-Matthäus]], Cantate 1958
* ''Maureen Forrester sings Bach & Handel'', [[Antonio Janigro]], [[Zagreb Soloists|I Solisti di Zagreb]], [[Maureen Forrester]], Vanguard 1964
* ''J. S. Bach & Handel: Solo Cantatas & Vocal Works'', [[Yehudi Menuhin]], [[Bath Festival Orchestra]], [[Janet Baker]], [[EMI]] 1966
* ''J. S. Bach: Cantates BWV 161 & BWV 169'', [[Frigyes Sándor]], Chamber Choir and Orchestra of the [[Franz Liszt Academy of Music]], [[Julia Hamari]], [[Hungaroton]] 1966
* ''J. S. Bach: Das Kantatenwerk – Sacred Cantatas Vol. 9'', [[Nikolaus Harnoncourt]], [[Tölzer Knabenchor]], [[Paul Esswood]], [[Teldec]] 1987
* ''Bach Kantaten BWV 35, BWV 169, BWV 49 (Sinfonia)'', [[Hartmut Haenchen]], [[RIAS Kammerchor]], [[Kammerorchester Carl Philipp Emanuel Bach]], [[Jochen Kowalski]], Berlin Classics 1994
* ''Bach Edition Vol. 9 – Cantatas Vol. 4'', [[Pieter Jan Leusink]], [[Holland Boys Choir]], [[Netherlands Bach Collegium]], [[Sytse Buwalda]], [[Brilliant Classics]] 1999
* ''Bach Cantatas Vol. 9'', [[John Eliot Gardiner]], [[Monteverdi Choir]], [[English Baroque Soloists]], [[Nathalie Stutzmann]], [[Soli Deo Gloria (record label)|Soli Deo Gloria]] 2000
* ''J. S. Bach: Complete Cantatas Vol. 17'', [[Ton Koopman]], [[Amsterdam Baroque Orchestra & Choir]], [[Bogna Bartosz]], Antoine Marchand 2002

== References ==
{{reflist | 30em
| refs =

<ref name="Dellal">{{cite web
| last = Dellal
| first = Pamela
| author-link = Pamela Dellal
| url = https://www.emmanuelmusic.org/bach-translations/bwv-169
| title = BWV 169 – Gott soll allein mein Herze haben
| publisher = [[Emmanuel Music]]
| access-date = 7 September 2022
}}</ref>

<ref name="Dürr">{{cite book
| last = Dürr
| first = Alfred
| author-link = Alfred Dürr
| title = Die Kantaten von Johann Sebastian Bach
| year = 1981
| publisher = Deutscher Taschenbuchverlag
| isbn = 3-423-04080-7
| volume = 1
| edition = 4
| pages = [https://archive.org/details/diekantatenvonjo0002durr/page/469 469–472]
| language = de
| url = https://archive.org/details/diekantatenvonjo0002durr/page/469
}}</ref>

<ref name="Gardiner">{{Cite AV media notes 
| last = Gardiner
| first = John Eliot
| author-link = John Eliot Gardiner
| url = https://www.hyperion-records.co.uk/dc.asp?dc=D_SDG159
| title = Johann Sebastian Bach (1685-1750) / Cantatas Nos 47, 96, 114, 116, 148 & 169
| publisher = [[Soli Deo Gloria (record label)|Soli Deo Gloria]] (at [[Hyperion Records]] website)
| year = 2009
| access-date = 11 November 2018
}}</ref>

<ref name="Mincham">{{cite web
| last = Mincham
| first = Julian
| url = https://www.jsbachcantatas.com/documents/chapter-28-bwv-169
| title = Chapter 28 BWV 169 Gott soll allein mein Herze haben
| publisher = jsbachcantatas.com
| year = 2010
| access-date = 7 September 2022
}}</ref>

<ref name="Vernier">{{cite web
| last = Vernier
| first = David
| url = http://www.arkivmusic.com/classical/album.jsp?album_id=211240
| title = Bach: Solo Cantatas Bwv 35, 169, 170 / Fink, Mullejans, Freiburg Baroque Orchestra
| publisher = ClassicsToday.com
| year = 2009
| access-date = 21 October 2011
| archive-date = 3 March 2016
| archive-url = https://web.archive.org/web/20160303195403/http://www.arkivmusic.com/classical/album.jsp?album_id=211240
| url-status = dead
}}</ref>

<ref name="Eddins">{{cite web
| last = Eddins
| first = Stephen
| url = http://www.allmusic.com/album/bach-cantatas-w273422
| title = Bach: Cantatas / Andreas Scholl
| publisher = [[AllMusic]]
| year = 2011
| access-date = 21 October 2011
}}</ref>

<ref name="Arkivmusic">{{cite web
| url = http://www.arkivmusic.com/classical/album.jsp?album_id=612052
| title = Bach: Cantatas / Andreas Scholl, Kammerorchester Basel
| publisher = arkivmusic.com
| year = 2011
| access-date = 21 October 2011
| archive-date = 17 November 2011
| archive-url = https://web.archive.org/web/20111117122935/http://www.arkivmusic.com/classical/album.jsp?album_id=612052
| url-status = dead
}}</ref>

}}

== Sources ==
* {{IMSLP2|work=Gott soll allein mein Herze haben, BWV 169 (Bach, Johann Sebastian)|cname=
Gott soll allein mein Herze haben, BWV 169}}
* [http://www.bach-digital.de/receive/BachDigitalWork_work_00000204?lang=en Gott soll allein mein Herze haben BWV 169; BC A 143 / Sacred cantata (18th Sunday after Trinity)] [[Bach Digital]]
* [http://www.bach-cantatas.com/BWV169.htm Cantata BWV 169 Gott soll allein mein Herze haben] history, scoring, sources for text and music, translations to various languages, discography, discussion, Bach Cantatas Website
* [http://www.uvm.edu/~classics/faculty/bach/BWV169.html BWV 169 Gott soll allein mein Herze haben] English translation, [[University of Vermont]]
* [http://webdocs.cs.ualberta.ca/~wfb/cantatas/169.html BWV 169 Gott soll allein mein Herze haben] text, scoring, [[University of Alberta]]
* Carol Traupman-Carr: [http://www.bach.org/bwv169.php Cantata BWV 169 Gott soll allein mein Herze haben] analysis, [[Bach Choir of Bethlehem]]
* Luke Dahn: [http://www.bach-chorales.com/BWV0169_7.htm BWV 169.7] bach-chorales.com

{{Bach's third cantata cycle and later}}
{{Bach cantatas}}

{{Authority control}}

{{DISPLAYTITLE:''Gott soll allein mein Herze haben'', BWV 169}}

[[Category:Church cantatas by Johann Sebastian Bach]]
[[Category:1726 compositions]]