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{{Short description|Hawaiian chant}}{{nothaweng}}{{Lead too short|date=May 2024}}
In [[Hawaiian religion]], the '''Kumulipo''' is the [[creation chant]], first recorded in the 18th century.<ref name="pukui">{{Hawaiian Dictionaries |Kumulipo |accessdate= November 26, 2010}}</ref> It also includes a [[genealogy]] of the members of Hawaiian royalty and was created in honor of [[Kalaninuiamamao]] and passed down orally to his daughter [[Alapaʻiwahine]].

==Creation chant==
In the ''Kumulipo'' the world was created over a cosmic night. This is not just one night, but many nights over time. The ancient Hawaiian ''[[kahuna]]'' and priests of the [[Hawaiian religion]] would recite the ''Kumulipo'' during the ''[[makahiki]]'' season, honoring the god [[Lono]]. In 1779, Captain [[James Cook]] arrived in [[Kealakekua Bay]] on the [[Hawaiʻi (island)|island of Hawaiʻi]] during the season and was greeted by the Hawaiians reciting the ''Kumulipo''. Some stories say Cook was mistaken for Lono, because of the type of sails on his ship and his pale skintone.<ref>{{cite web|author=John Fischer|title=The Kumulipo- Song of Creation|url=http://gohawaii.about.com/cs/culture/a/kumulipo.htm|url-status=live|archive-url=https://web.archive.org/web/20170323213855/http://gohawaii.about.com/cs/culture/a/kumulipo.htm|archive-date=2017-03-23|access-date=Aug 13, 2020|work=About.com web site|publisher=The new York Times Company}}</ref>
In 1889, [[Kalākaua|King Kalākaua]] printed a sixty-page pamphlet of the ''Kumulipo''. Attached to the pamphlet was a 2-page paper on how the chant was originally composed and recited.<ref name="beck"/>

Years later [[Lili{{okina}}uokalani|Queen Lili{{okina}}uokalani]] described the chant as a prayer of the development of the universe and the ancestry of the [[Hawaiians]].<ref>{{cite web|year=2001|title=The Hawaiian Chant of Creation|url=http://www.kauainenehcp.com/uploads/8/1/8/0/81802884/kumulipo-text.pdf |archive-url=https://web.archive.org/web/20171031095108/http://www.kauainenehcp.com/uploads/8/1/8/0/81802884/kumulipo-text.pdf |archive-date=2017-10-31 |url-status=live|access-date=August 13, 2020|work=The Kumulipo - The Hawaiian Song of Creation}}</ref> Lili{{okina}}uokalani translated the chant under house arrest in [[{{okina}}Iolani Palace]].<ref>{{Cite web|last=Bergman|first=Megan Mayhew|date=2020-08-26|title='We're at a crossroads': who do the fish of Hawaii belong to?|url=http://www.theguardian.com/environment/2020/aug/26/hawaii-fish-waters-native-commercial-fishers|access-date=2020-08-27|website=the Guardian|language=en}}</ref> The translation was published in 1897, then republished by Pueo Press in 1978.<ref name="liliu">{{cite book |title= The Kumulipo |author= Queen Liliʻuokalani |orig-year= 1897 |publisher= Pueo Press |year= 1978 |isbn= 978-0-917850-02-8 |url= http://www.sacred-texts.com/pac/lku/index.htm |author-link= Liliuokalani}}</ref>

The ''Kumulipo'' is a total of 2,102 lines long, in honor of [[Kalaninuiamamao]], who created peace for all when he was born. There was a lot of fighting between his [[ʻI]] and [[House of Keawe|Keawe family]], who were cousins so his birth stopped the two from feuding. The ''Kumulipo'' is a [[cosmogonic]] [[genealogy]], which means that it relates to the creation of the universe and the descent of humans and other entities. Out of the 2102 lines, it has 16 "wā" which means era or age. In each ''wā'', something is born whether it is a human, plant, or other creature.<ref name="beck">{{cite book |title= The Kumulipo: A Hawaiian Creation Chant |author= Martha Warren Beckwith |author-link= Martha Warren Beckwith |year= 1951 |publisher= [[University of Chicago Press]] |isbn= 0-8248-0771-5 |url= http://www.ling.hawaii.edu/faculty/stampe/Oral-Lit/Hawaiian/Kumulipo/kumulipo-book.html |access-date= 2010-10-24 |archive-url= https://web.archive.org/web/20100629130245/http://www.ling.hawaii.edu/faculty/stampe/Oral-Lit/Hawaiian/Kumulipo/kumulipo-book.html |archive-date= 2010-06-29 |url-status= dead}}</ref>

==Divisions==
The ''Kumulipo'' is divided into sixteen ''wā'', sections. The first seven ''wā'' fall under the section of ''pō'' (darkness), the age of spirit. The Earth may or may not exist, but the events described do not take place in a physical universe. The words show the development of life as it goes through similar stages as a human child. All plants and animals of sea and land, earth and sky, male and female are created.<ref name= "obscure">{{cite book |author= Lilikala Kameʻeleihiwa |author-link= Lilikala Kameʻeleihiwa |title= Kumulipo |publisher= [[University of Hawaiʻi]] |year= 2008 |page=174}}</ref><!-- what is this? a book? Thesis? paper? --> 

These are the first twelve lines of the ''Kumulipo'', in Hawaiian, in Lili{{okina}}uokalani's English translation and in Bastian's eurocentric, misleading German translation. Two other significant English translations - Rock's translation of Bastian and Beckwith's translation - appear in Beckwith's 1951 book ''The Kumulipo''.

:{| border="0"
|-
! [[Hawaiian language]]
! English (Lili{{okina}}uokalani)
! German (Bastian)<ref>{{Cite book|url=https://archive.org/details/bub_gb_s4EBAAAAQAAJ|title=Die heilige Sage der Polynesier: Kosmogonie und Theogonie|last=Bastian|first=Adolf|date=1881|publisher=F. A. Brockhaus|others=Oxford University|location=Leipzig|pages=[https://archive.org/details/bub_gb_s4EBAAAAQAAJ/page/n90 70]}}</ref>
|-
|
# O ke au i kahuli wela ka honua
# O ke au i kahuli lole ka lani
# O ke au i kukaʻiaka ka la
# E hoʻomalamalama i ka malama
# O ke au o Makaliʻi ka po
# O ka walewale hoʻokumu honua ia
# O ke kumu o ka lipo, i lipo ai
# O ke kumu o ka Pō, i po ai
# O ka lipolipo, o ka lipolipo
# O ka lipo o ka la, o ka lipo o ka po
# Po wale ho--ʻi
# Hānau ka pō{{Efn|Bastian's, Rock's and Beckwith's translations end on line 11, omitting "Hānau ka pō"}}
| 
# At the time that turned the heat of the earth, 
# At the time when the heavens turned and changed, 
# At the time when the light of the sun was subdued 
# To cause light to break forth, 
# At the time of the night of Makaliʻi (winter) 
# Then began the slime which established the earth, 
# The source of deepest darkness, of the depth of darkness, 
# The source of Night, of the depth of night
# Of the depth of darkness, 
# Of the darkness of the sun in the depth of night, 
# Night is come, 
# Born is Night
|
# Hin dreht der Zeitumschwung zum Ausgebrannten der Welt, 
# Zurück der Zeitumschwung nach aufwärts wieder, 
# Noch sonnenlos die Zeit verhüllten Lichtes, 
# Und schwankend nur im matten Mondgeschimmer 
# Aus Makalii's nächt'gem Wolkenschleier 
# Durchzittert schaftenhaft das Grundbild künft'ger Welt. 
# Des Dunkels Beginn aus den Tiefen (Wurzeln) des Abgrunds, 
# Der Uranfang von Nacht in Nacht, 
# Von weitesten Fernen her, von weitesten Fernen, 
# Weit aus den Fernen der Sonne, weit aus den Fernen der Nacht, 
# Noch Nacht ringsumher.
|}

The second section, containing the remaining nine ''wā'', is ''ao'' and is signaled by the arrival of light and the gods, who watch over the changing of animals into the first humans. After that is the complex genealogy of Kalaninuiamamao that goes all the way to the late 18th century.

==Births in each ''wā''==
The births in each age include:<ref name="HCP">Hawaiʻi: Center of the Pacific, Lilikalā Kameʻeleihiwa. ''Kumulipo''.</ref>
# In the first ''wā'', the sea urchins and ''limu'' (seaweed) were born. The ''limu'' was connected through its name to the land ferns. Some of these ''limu'' and fern pairs include: ʻEkaha and ʻEkahakaha, Limu ʻAʻalaʻula and [[Peperomia cookiana|ʻalaʻalawainui]] mint, Limu Manauea and Kalo Maunauea upland taro, [[Sargassum aquifolium|Limu Kala]] and [[Rubus hawaiensis|ʻakala]] berry. These plants were born to protect their sea cousins.
# In the second ''wā'', 73 types of fish. Some deep sea fish include ''Naiʻa'' (porpoise) and the ''Mano'' (shark). Also reef fish, including ''Moi'' and ''Weke''. Certain plants that have similar names are related to these fish and are born as protectors of the fish.
# In the third ''wā'', 52 types of flying creatures, which include birds of the sea such as [[Great frigatebird|ʻIwa]] (frigate or man-of-war bird), the [[Pacific pigeon|Lupe]], and the [[Black noddy|Noio]] (Hawaiian noddy tern). These sea birds have land relatives, such as ''[[Hawaiian hawk|Io]]'' (hawk), ''[[Nene (bird)|Nene]]'' (goose), and ''[[Pueo]]'' (owl). In this wā, insects were also born, such as Peʻelua (caterpillar) and the Pulelehua (butterfly).
# In the fourth ''wā'', the creepy and crawly creatures are born. These include ''Honu'' (sea turtle), ''Ula'' (lobster), ''Moʻo'' (lizards), and ''Pololia'' (jellyfish). Their cousins on land include ''Kuhonua'' ([[maile]] vine) and ''ʻOheʻohe'' bamboo.
# In the fifth ''wā'', ''Kalo'' (taro) is born. Kamapuaʻa (akua) is born.
# In the sixth ''wā'', ''Uku'' (flea) and the ''ʻIole'' (rat) are born.
# In the seventh ''wā'', ''ʻĪlio'' (dog) and the ''Peʻapeʻa'' (bat) are born.
# In the eighth ''wā'', the four divinities are born: [[Laʻilaʻi]] (Female), [[Kiʻi]] (Male), [[Kāne]] (God), [[Kanaloa]] (Octopus), respectively.
# In the ninth ''wā'', Laʻilaʻi takes her eldest brother Kiʻi as a mate and the first humans are born from her brain.
# In the tenth ''wā'', Laʻilaʻi takes her next brother Kāne as a mate after losing interest in Kiʻi, she then had four of Kāne's children: Laʻiʻoloʻolo, Kamahaʻina (Male), Kamamule (Male), Kamakalua (Female). Laʻilaʻi soon returned to Kiʻi and three children are born: Haʻi(F), Haliʻa(F), and Hākea(M). Having been born during their mothers being with two men they become "Poʻolua" and claim the lineage of both fathers.
# The eleventh ''wā'' pays homage to the Moa.
# The twelfth ''wā'' honors the lineage of [[Wākea]], whose son [[Haloa (Hawaii)|Hāloa]] is the ancestor of all people.
# The thirteenth ''wā'' honors the lineage of Hāloa's mother Papahānaumoku.
# In the fourteenth ''wā'' Liʻaikūhonua mates with Keakahulihonua, and have their child Laka.
# The fifteenth ''wā'' refers to Haumeanuiʻāiwaiwa and her lineage, it also explains Māui's adventures and siblings.
# The sixteenth ''wā'' recounts all of Māui's lineage for forty-four generations, all the way down to the ''Moʻi'' of Māui, [[Piʻilani]].

In the 19th and early 20th centuries, anthropologists [[Adolf Bastian]] and [[Roland Burrage Dixon]] interpreted a recurring verse of the Kumulipo as describing the octopus as the sole survivor of a previous age of existence.<ref name="Dixon">{{cite book|url={{google books |plainurl=y |id=gLIIAQAAIAAJ&pg=PP2}}|title=Oceanic|last=Dixon|first=Roland Burrage|date=1916|publisher=Marshall Jones Company|series=The Mythology of All Races|volume=9|pages=2–|author-link=Roland Burrage Dixon}}</ref>{{Efn|"As type follows type, the accumulating slime of their decay raises the land above the waters, in which, as spectator of all, swims the octopus, the lone survivor from an earlier world. (Dixon, p 15)}}<ref>{{Cite book|url=https://archive.org/details/bub_gb_s4EBAAAAQAAJ|title=Die heilige Sage der Polynesier: Kosmogonie und Theogonie|last=Bastian|first=Adolf|date=1881|publisher=F. A. Brockhaus|others=Oxford University|location=Leipzig|pages=[https://archive.org/details/bub_gb_s4EBAAAAQAAJ/page/n127 107]-108}}</ref>{{Efn|"In fünfter Stanze findet sich jene im höchsten Grade cuiriose Auffassung des Octopus, worauf bereits aufmerksam gemacht wurde, als in seiner zoologischen Stellung gleichsam die Reste eines vorweltlichen Typus anerkennend, und so wird auf den Gilbert-Inseln Aditi oder Tiki durch seine Schwester (als Octopus) in Aufrichtung des Himmels unterstützt, indem sie ihm mit ihren Tentakeln höher emporhebt.
...
Am Ende der zweiten Schöpfungsperiode scheinen die ersten Zeichen der Dämmerung heraufzuziehen, in der dritten wird unter dem Gewühl der hervordränofenden Reptilien und Meerungeheuer der bisher isolirte Tintenfisch im Gewuhl mit fortgerissen, in der vierten spielt ein undeutlich trüber Lichtsehimmer, unter welchem die Nutzpflanzen in Existenz treten, in der fünften, unter Abscheidung von Tag und Nacht, kommen (mit besonderem Pomp) die Schweine hervor, in der sechsten die Mäuse, und nach den Vorbereitungen in der siebenten tritt in der achten der Mensch auf und damit das Licht." (Bastian, pages 107-108)}}<ref name=":0">{{Cite book|url=https://books.google.com/books?id=7Ir_cgqw_9QC|title=The Kumulipo: A Hawaiian Creation Chant|last=Beckwith|first=Martha Warren|date=1981|publisher=University of Hawaii Press|isbn=9780824807719|pages=52–53, 168–169|language=en}}</ref> In her 1951 translation of the Kumulipo, ethnographer [[Martha Warren Beckwith]] provided a different translation of the verse, although she does discuss the possibility that "octopus" is the correct translation and describes the god [[Kanaloa]].<ref name=":0" />{{Efn|Regarding the third verse: "I have arrived at no satisfactory translation. Bastian, who had only the manuscript before him, which reads He pou he'e i ka wawa, refers the word he'e to the octopus and soliloquizes: "During this period of creation of the lowest forms of animal life . . . the octopus is present as observer of the process described. . . "; but, since my purpose is to interpret Kalakaua's text, unless clearly bungled, I follow Ho'olapa's doubtful rendering: "Darkness slips into light," 
...
In the Kumulipo manuscript the first line of the refrain accompanying the births of the first four sections reads, not Ka po uhe'e i ka wawa with its suggestion of the "slipping away" (uhe'e) of night, but Ka pou he'e i ka wawa, thus picturing the god in the form of an octopus (he'e) supporting (pou) in darkness the first heaven and earth exactly as in the Tahitian chant." (Beckwith, pages 53, 169)}}

==Comparative literature==
Comparisons may be made between marital partners (husband and wife often have synonymous names), between genealogical and flora-fauna names, and in other Polynesian genealogies.<ref>See [http://00.gs/Kumulipo_spouses.htm Kumulipo spouse-names], [http://00.gs/Kumulipo.htm terms for flora and fauna in the Kumulipo], and [http://00.gs/Maniapoto;Uriwera;Moriori;Hivaoa;Kumulipo.htm Maori and Rarotongan parallels with the ''Kumulipo]</ref><!-- reliable sources? -->

==Cultural impact==
The [[supermassive black hole]] [[M87*]], captured by the [[Event Horizon Telescope]], was informally given the Hawaiian name "Pōwehi", a poetic description of generative darkness or the spirit world taken from the ''Kumulipo''.<ref>{{Cite news|url=https://www.theguardian.com/science/2019/apr/12/powehi-black-hole-gets-a-name-meaning-the-adorned-fathomless-dark-creation|title=Powehi: black hole gets a name meaning 'the adorned fathomless dark creation'|agency=Associated Press|date=2019-04-12|work=The Guardian|access-date=2019-04-13|language=en-GB|issn=0261-3077}}</ref>

In 2009, the poet [[Jamaica Heolimeleikalani Osorio]] performed her poem, Kumulipo, at a poetry event at the [[White House]].<ref>{{cite news |last1=Brown |first1=DeNeen L. |title=Obamas Host Speakers, Musicians for White House Poetry JamObamas Host Speakers, Musicians for White House Poetry Jam |url=https://www.washingtonpost.com/wp-dyn/content/article/2009/05/12/AR2009051203955.html |access-date=12 January 2022 |newspaper=Washington Post |date=13 May 2009}}</ref>

==Notes==
{{Notelist}}

==References==
{{Reflist}}

==External links==
*[http://www.sacred-texts.com/pac/ku/index.htm The Kumulipo] Another copy of "The Kumulipo" with commentary and translations by [[Martha Warren Beckwith]].
*[http://www.ulukau.org/elib/cgi-bin/library?c=beckwit2&l=en The Kumulipo: a Hawaiian creation chant] Another online copy of the Beckwith book, Paperback edition 1981. [[University of Hawaiʻi Press]]
*[https://web.archive.org/web/20100531191947/http://www.mauimagazine.net/Maui-Magazine/November-December-2008/Into-the-Source/ Into the Source] Article about Kumulipo translations by Shannon Wianecki. ''[[Maui No Ka 'Oi Magazine]]'' Volume 12 Number 6 (November 2008).

[[Category:Hawaiian mythology]]
[[Category:Creation myths]]