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{{short description|1956 play by John Osborne}}
{{Other uses}}
{{Infobox play
| name       = Look Back in Anger
| image      =Look Back in Anger programme (1957).jpg
| caption    = Poster for 1957 production <ref>[[Victoria and Albert Museum|V&A]] archive collection.[http://collections.vam.ac.uk/item/O158268/look-back-in-anger-poster/]</ref>
| writer     = [[John Osborne]]
| genre      =  [[Realism (theatre)|realism]]
| setting    = A single-room flat, [[English Midlands]], 1950s
| subject    = [[Social class in the United Kingdom|British class system]], marriage, misogyny
| premiere   = 8 May 1956
| place      = [[Royal Court Theatre]], London
| orig_lang  = English
| characters = Jimmy Porter<br/>Alison Porter<br/> Cliff Lewis<br/>Helena Charles<br/>Colonel Redfern<ref>{{cite web|url=http://www.gradesaver.com/look-back-in-anger/study-guide/character-list|title=Look Back in Anger Characters|last=GradeSaver|website=www.gradesaver.com}}</ref>
| web        =
}}
'''''Look Back in Anger''''' (1956) is a [[Realism (theatre)|realist play]] written by [[John Osborne]]. It focuses on the life and marital struggles of an intelligent and educated but disaffected young man of [[working class|working-class]] origin, Jimmy Porter, and his equally competent yet impassive [[upper-middle-class]] wife Alison. The supporting characters include Cliff Lewis, an amiable Welsh lodger who attempts to keep the peace; and Helena Charles, Alison's snobbish friend.<ref>{{cite web|url=https://www.bl.uk/20th-century-literature/articles/an-introduction-to-look-back-in-anger|title=An introduction to Look Back in Anger|website=The British Library}}</ref><ref>{{cite web|url=https://www.enotes.com/topics/look-back-anger|title=Look Back in Anger Summary - eNotes.com|website=eNotes}}</ref><ref>{{cite web|url=https://www.theguardian.com/stage/2015/mar/30/how-look-back-in-anger-john-osborne|title=Look Back in Anger: how John Osborne liberated theatrical language|first=Michael|last=Billington|date=30 March 2015|via=www.theguardian.com}}</ref>

Osborne drew inspiration from his personal life and failing marriage with Pamela Lane while writing ''Look Back in Anger'', which was his first successful outing as a playwright. The play spawned the term "[[angry young men]]" to describe Osborne and those of his generation who employed the harshness of [[Realism (arts)|realism]] in the theatre in contrast to the more [[escapism|escapist]] theatre that characterised the previous generation.<ref>{{cite book|url=https://books.google.com/books?id=_s7MwRjbySQC&q=%22Look+Back+in+Anger%22|title=The Lost Temper: Critical Essays on Look Back in Anger|first=G. J. V.|last=Prasad|date=30 November 2017|publisher=Macmillan India Limited|isbn=9781403909466|via=Google Books}}</ref> This harsh realism has led to ''Look Back in Anger'' being considered one of the first examples of [[Kitchen sink realism|kitchen sink drama]] in theatre.

The play was received favourably in the theatre community, becoming an enormous commercial success, transferring to the [[West End theatre|West End]] and [[Broadway theatre|Broadway]], and even touring to Moscow. It is credited with turning Osborne from a struggling playwright into a wealthy and famous personality, and also won him the [[Evening Standard Awards|Evening Standard Drama Award]] as the most promising playwright of 1956. The play was adapted into a [[Look Back in Anger (1959 film)|motion picture of the same name]] by [[Tony Richardson]], starring [[Richard Burton]] and [[Mary Ure]], which was released in 1959. Film production credited circa 1958.<ref>{{cite book|url=https://books.google.com/books?id=uAcMxtNQRm4C&q=%22Look+Back+in+Anger%22|title=The Tragedy of Jimmy Porter: Overview of the critical opinions about "Look Back in Anger" and development of a thesis|first=Lydia|last=Prexl|date=17 June 2009|publisher=GRIN Verlag|isbn=9783640349319|via=Google Books}}</ref><ref>{{cite book|url=https://books.google.com/books?id=V_jGO1YCwpoC&q=%22Look+Back+in+Anger%22&pg=PA71|title=John Osborne: A Casebook|first=Patricia D.|last=Denison|date=6 December 2012|publisher=Routledge|isbn=9781136546679|via=Google Books}}</ref>

==Synopsis==
[[File:Blick zurück im Zorn Szene B6 T mit Tom Witkowski - Werner Johst - 6.12.1958.jpg|thumb|Photo from the German version (''Blick zurück im Zorn''), 1958]]

===Act 1===
Act 1 opens on a dismal April Sunday afternoon in Jimmy and Alison's cramped attic in the [[Midlands (England)|Midlands]]. Jimmy and Cliff are reading the Sunday papers, plus the radical weekly, "price [[Coins of the pound sterling#Pre-decimal coinage|ninepence]], obtainable at any bookstall" as Jimmy snaps, claiming it from Cliff. This is a reference to the ''[[New Statesman]]'', and in the context of the period would have instantly signalled the pair's political preference to the audience. Alison is attempting to do the week's ironing and is only half listening as Jimmy and Cliff engage in the expository dialogue.

It becomes apparent that there is a huge social gulf between Jimmy and Alison. Her family is upper-middle-class military, while Jimmy belongs to the working class. He had to fight hard against her family's disapproval to win her. "Alison's mummy and I took one look at each other, and from then on the age of chivalry was dead," he explains. We also learn that the sole family income is derived from a sweets confectionery stall in the local market—an enterprise that is surely well beneath Jimmy's education, let alone Alison's "station in life".

As Act 1 progresses, Jimmy becomes more and more vituperative, transferring his contempt for Alison's family onto her personally, calling her "pusillanimous" and generally belittling her to Cliff. (Some actors play this scene as though Jimmy thinks everything is just a joke, while others play it as though he really is excoriating her.) The tirade ends with physical horseplay, resulting in the ironing board overturning and Alison's arm getting burned. Jimmy exits to play his trumpet off stage.

Alison, alone with Cliff, confides that she's accidentally pregnant and can't quite bring herself to tell Jimmy. Cliff urges her to tell him. When Jimmy returns, Alison announces that her actress friend Helena Charles is coming to stay; Jimmy despises Helena even more than Alison, he flies into a rage.

===Act 2===
Act 2 opens on another Sunday afternoon, with Helena and Alison making lunch. In a two-handed scene, Alison says that she decided to marry Jimmy because of
her own minor rebellion against her upbringing and her admiration for Jimmy's campaigns against the dereliction of life in postwar England. She describes Jimmy to Helena as a "[[Knight-errant|knight in shining armour]]". Helena says, firmly, "You've got to fight him".

Jimmy enters, and the tirade continues. If his Act 1 material could be played as a joke, there's no doubt about the intentional viciousness of his attacks on Helena. When the women put on hats and declare that they are going to church, Jimmy's sense of betrayal peaks. When he leaves to take an urgent phone call, Helena announces that she has forced the issue. She has sent a telegram to Alison's parents asking them to come and "rescue" her. Alison is stunned but agrees that she will go.

The next evening, Alison's father, Colonel Redfern, comes to collect her to take her back to her family home. The playwright allows the Colonel to come across as quite a sympathetic character, albeit totally out of touch with the modern world, as he himself admits. "You're hurt because everything's changed", Alison tells him, "and Jimmy's hurt because everything's stayed the same". Helena arrives to say goodbye, intending to leave very soon herself. Alison is surprised that Helena is staying on for another day, but she leaves, giving Cliff a note for Jimmy. Cliff in turn hands it to Helena and leaves, saying "I hope he rams it up your nostrils".

Almost immediately, Jimmy bursts in. His contempt at finding a "goodbye" note makes him turn on Helena again, warning her to keep out of his way until she leaves. Helena tells him that Alison is expecting a baby, and Jimmy admits grudgingly that he's taken aback. However, his tirade continues. They first come to physical blows, and then as the Act&nbsp;2 curtain falls, Jimmy and Helena are kissing passionately and falling on the bed.

===Act 3===
Act 3 opens as a deliberate replay of Act&nbsp;1, but this time with Helena at the ironing-board wearing Jimmy's Act&nbsp;1 red shirt. Months have passed. Jimmy is notably more pleasant to Helena than he was to Alison in Act&nbsp;1. She actually laughs at his jokes, and the three of them (Jimmy, Cliff, and Helena) get into a [[music hall]] comedy routine that obviously is not improvised. Cliff announces that he's decided to strike out on his own. As Jimmy leaves the room to get ready for a final night out for the three of them, he opens the door to find Alison, looking like death. He snaps over his shoulder "Friend of yours to see you" and abruptly leaves.

Alison explains to Helena that she lost the baby (one of Jimmy's cruellest speeches in Act&nbsp;1 expressed the wish that Alison would conceive a child and lose it). The two women are reconciled, but Helena realises that what she's done is immoral and she in turn decides to leave. She summons Jimmy to hear her decision and he lets her go with a sarcastic farewell.

The play ends with a sentimental reconciliation between Jimmy and Alison. They revive an old game they used to play, pretending to be bears and squirrels, and seem to be in a state of truce.

==Background of the play==

Written in 17 days in a deck chair on [[Morecambe]] Pier,<ref>{{cite web|url=https://www.theguardian.com/stage/2015/mar/30/how-look-back-in-anger-john-osborne|title=Look Back in Anger: how John Osborne liberated theatrical language|author=Michael Billington|work=The Guardian|access-date=2 April 2016}}</ref><ref>{{cite web|url=http://www.nickelinthemachine.com/tag/look-back-in-anger/|title=Look Back In Anger « Another Nickel in the Machine|access-date=2 April 2016}}</ref> ''Look Back in Anger'' was a strongly autobiographical piece based on Osborne's unhappy marriage to actress Pamela Lane and their life in cramped accommodation in [[Derby]].<ref>Osborne 1991, pp 1–4</ref> While Osborne aspired towards a career in theatre, Lane was more practical and materialistic.{{Citation needed|date=August 2019}} It also draws from Osborne's earlier life; for example, the wrenching speech of witnessing a loved one's death was a replay of the death of his father, Thomas.

What it is best remembered for, though, are Jimmy's tirades. Some of these are directed against generalised British middle-class smugness in the post-atomic world. Many are directed against the female characters, a very distinct echo of Osborne's uneasiness with women, including his mother, Nellie Beatrice, whom he describes in his autobiography ''[[A Better Class of Person]]'' as "hypocritical, self-absorbed, calculating and indifferent".<ref>Osborne 1982</ref> Madeline, the lost love Jimmy pines for, is based on [[Stella Linden]], the older rep-company actress who first encouraged Osborne to write.<ref>{{Cite web |last=Corliss |first=Richard |date=1995-01-09 |title=The First Angry Man: John Osborne (1929-1994) |url=https://time.com/archive/6726661/the-first-angry-man-john-osborne-1929-1994/ |access-date=2024-12-12 |website=TIME |language=en}}</ref> After the first production in London, Osborne began a relationship with [[Mary Ure]], who played Alison; he divorced his first wife (of five years) Pamela Lane to marry Ure in 1957.

== Cast and characters ==
{| class="wikitable"
! rowspan="2" |Character
! West End debut  
! Broadway debut 
! West End revival  
! Off-Broadway revival 
|-
!<small>1956</small>
!<small>1957</small>
!<small>1989</small>
!<small>2012</small>
|-
!Jimmy Porter
| align="center", colspan=2|[[Kenneth Haigh]] 
| align="center"|[[Kenneth Branagh]]
| align="center"|[[Matthew Rhys]]
|-
!Alison Porter 
| align="center", colspan=2|[[Mary Ure]] 
| align="center"|[[Emma Thompson]]
| align="center"|[[Sarah Goldberg]]
|-
!Cliff Lewis
| align="center", colspan=2|[[Alan Bates]] 
| align="center"|Gerald Horan
| align="center"|[[Adam Driver]] 
|-
!Helena Charles
| align="center"|Helena Hughes
| align="center"|Vivienne Drummond
| align="center"|[[Siobhan Redmond]] 
| align="center"|[[Charlotte Parry]]
|-
!Colonel Redfern 
| align="center", colspan=2|[[John Welsh (actor)|John Welsh]] 
| align="center"|[[Edward Jewesbury]]
| align="center"| N/A
|-
|}

'''Characters''':
* Jimmy Porter - is the "angry young man of the play" who is at odds with the British upper class. 
* Alison Porter - Jimmy's complacent yet unsatisfied wife. 
* Cliff Lewis - easy going working class friend and roommate to Jimmy and Allison. 
* Helena Charles - An upper class friend who has an affair with Jimmy.
* Colonel Redfern - Alison's father, a British [[colonel]] formerly stationed in [[India]].

==Production==
The play was premiered at London's [[Royal Court Theatre]], on 8 May 1956 by the [[Royal Court Theatre|English Stage Company]] under the direction of [[Tony Richardson]], setting by Alan Tagg, and music for songs by [[Tom Eastwood]]. The press release called the author an "[[Angry Young Men|angry young man]]", a phrase that came to represent a new movement in 1950s British theatre. Audiences supposedly gasped at the sight of an ironing board on a London stage.<ref name="Ellis">{{cite news|last1=Ellis|first1=Samantha|title=Look Back in Anger, May 1956|url=https://www.theguardian.com/stage/2003/may/21/theatre.samanthaellis|access-date=3 October 2017|work=The Guardian|date=21 May 2003}}</ref>

The cast was as follows: [[Kenneth Haigh]] (Jimmy), [[Alan Bates]] (Cliff), [[Mary Ure]] (Alison), Helena Hughes (Helena Charles) and [[John Welsh (actor)|John Welsh]] (Colonel Redfern). The following year, the production moved to Broadway under producer [[David Merrick]] and director [[Tony Richardson]]. Retaining the original cast but starring Vivienne Drummond as Helena, it received three [[Tony Award]] nominations, including for [[Tony Award for Best Play|Best Play]] and Best Dramatic Actress for Ure.

==Critical reception==
{{Unreferenced section|date=November 2017}}
At the time of production reviews of ''Look Back in Anger'' were deeply negative. [[Kenneth Tynan]] and [[Harold Hobson]] were among the few critics to praise it, and they now are regarded among the more influential critics of the time.

For example, on BBC Radio's ''The Critics'', [[Ivor Brown]] began his review by describing the play's setting—a one-room flat in the Midlands—as "unspeakably dirty and squalid" such that it was difficult for him to "believe that a colonel's daughter, brought up with some standards", would have lived in it. He expressed anger at having watched something that "wasted [his] time". The ''Daily Mail'''s [[Cecil Wilson (critic)|Cecil Wilson]] wrote that the beauty of Mary Ure was "frittered away" on a pathetic wife, who, "judging by the time she spends ironing, seems to have taken on the nation's laundry". Indeed, Alison, Ure's character, irons during Act One, makes lunch in Act Two, and leaves the ironing to her rival in Act Three.

On the other hand, [[Kenneth Tynan]] wrote that he "could not love anyone who did not wish to see ''Look Back in Anger''", describing the play as a "minor miracle" containing "all the qualities...one had despaired of ever seeing on the stage—the drift towards anarchy, the instinctive leftishness, the automatic rejection of "official" attitudes, the [[surrealist]] sense of humour (e.g.,&nbsp;Jimmy describes an effeminate male friend as a 'female [[Emily Brontë]]'), the casual promiscuity, the sense of lacking a crusade worth fighting for and, underlying all these, the determination that no one who dies shall go unmourned." [[Harold Hobson]] was also quick to recognise the importance of the play "as a landmark of British theatre". He praised Osborne for the play, despite the fact that "[[blinders|blinkers]] still obscure his vision".

[[Alan Sillitoe]], author of ''[[Saturday Night and Sunday Morning]]'' and ''[[The Loneliness of the Long Distance Runner]]'' (both of which are also part of the "angry young men" movement), wrote that Osborne "didn't contribute to British theatre, he set off a landmine and blew most of it up".

==Other notable productions==
Bates reprised his role as Cliff Lewis, alongside Drummond as Helena Charles, on [[ITV (TV network)|ITV]]'s ''[[Play of the Week (TV series)|Play of the Week]]'' in 1956, shortly after the theatrical production premiered. [[Richard Pasco]] and Doreen Aris assumed the roles of Jimmy and Alison Porter, respectively. It was co-directed by Richardson and [[Silvio Narizzano]].

The [[Renaissance Theatre Company]]'s August 1989 production at the [[Lyric Theatre, London]] was directed by [[Judi Dench]], with [[Kenneth Branagh]] and [[Emma Thompson]].<ref>[https://theatricalia.com/play/43q/look-back-in-anger/production/cdv Theatricalia page, internet reference, given to this production]</ref>  A [[Look Back in Anger (1989 film)|television version]] of the production was broadcast in Britain in December of that year.<ref>[[Michael Billington (critic)|Michael Billington]], The Guardian 8 Feb 2012. Worth the wait: why Look Back in Anger is the equal of Godot [https://www.theguardian.com/stage/theatreblog/2012/feb/07/look-back-in-anger-godot]</ref>{{sfn|Sierz|2008|p=71}} In 1995, [[Greg Hersov]] directed a production at the [[Royal Exchange, Manchester]] with [[Michael Sheen]] as Jimmy, [[Claire Skinner]] as Alison, [[Dominic Rowan]] as Cliff, and [[Hermione Norris]] as Helena.<ref name="Taylor">{{cite news|last1=Taylor|first1=Paul|title=More in sorrow than in anger|url=https://www.independent.co.uk/arts-entertainment/more-in-sorrow-than-in-anger-1570479.html|access-date=30 November 2017|work=The Independent|date=30 January 1995}}</ref>{{sfn|Sierz|2008|p=72}} Hersov directed a second production in 1999, again starring Sheen, at the [[Royal National Theatre]] in London.<ref name="Wolf">{{cite news|last1=Wolf|first1=Matt|title=Look Back in Anger|url=https://variety.com/1999/legit/reviews/look-back-in-anger-4-1200458849/|access-date=30 November 2017|work=Variety|date=2 August 1999}}</ref>{{sfn|Sierz|2008|p=73}}

In 2012, it was adapted by [[Sam Gold]] off-Broadway starring [[Matthew Rhys]], [[Adam Driver]], and [[Sarah Goldberg]] at the [[Roundabout Theatre Company]].<ref>{{cite web|url= https://www.roundabouttheatre.org/get-tickets/2011-2012-season/look-back-in-anger/|title= LOOK BACK IN ANGER|website= Roundabout Theatre Company|accessdate= August 8, 2024}}</ref> A 2024 production was directed by Atri Banerjee, and starred [[Billy Howle]] as Jimmy, [[Ellora Torchia]] as Alison, [[Morfydd Clark]] as Helena, Iwan Davies as Cliff and Deka Walmsley as Col Redfern at the [[Almeida Theatre]].<ref>{{cite web|url=https://deadline.com/2024/05/billy-howle-morfydd-clark-romola-garai-theater-look-back-in-anger-1235924047/|title=Breaking Baz: Morfydd Clark & Billy Howle Lead Hot Theater Productions In London Dubbed The Angry & Young Season|publisher=Deadline}}</ref><ref>{{cite web|url= https://almeida.co.uk/whats-on/look-back-in-anger/|title= LOOK BACK IN ANGER|website= Almeida Theatre|accessdate= August 21, 2024}}</ref><ref>{{cite web|url=https://www.nytimes.com/2024/09/26/theater/london-theater-whats-on.html|title=What to See on London Stages This Fall|publisher=The New York Times}}</ref>

==Sequel==
In 1989 Osborne wrote a sequel to the play titled ''[[Déjàvu]]'', which was first produced in 1992. ''Déjàvu'' depicted Jimmy Porter, now known as J.P., in middle age, living with his daughter Alison. He rants about the state of the country to his old friend Cliff, while his Alison irons, just as her mother had done in ''Look Back''. The play was not a commercial success, closing after seven weeks. It was Osborne's last play.<ref>Sheila Stowell "Honey, I Blew up the Ego", Patricia D. Denison, John Osborne: A Casebook, pp.167ff.</ref>

==Film adaptations==
* A [[Look Back in Anger (1959 film)|British film adaptation]] starring [[Richard Burton]], [[Claire Bloom]], and [[Mary Ure]] and directed by [[Tony Richardson]] was made in 1958 and released in 1959. The screenplay was written by the play's author, [[John Osborne]], with [[Nigel Kneale]]. Interior set design was by [[Loudon Sainthill]].  The film was nominated in four categories in the 1959 [[BAFTA Awards]], including a Best Actor nomination for Richard Burton, but it did not win any of them. In the United States, the film failed at the [[box office]].
* A [[Look Back in Anger (1980 film)|version released in 1980]] was directed by [[Lindsay Anderson]] and [[David Jones (director)|David Hugh Jones]].
* In December 1989 [[Judi Dench]]'s stage direction of the play from earlier in the year was formed by her into a [[Look Back in Anger (1989 film)|TV production]] that starred [[Kenneth Branagh]] and [[Emma Thompson]].<ref>[[Michael Billington (critic)|Michael Billington]], The Guardian 8 Feb 2012. Worth the wait: why Look Back in Anger is the equal of Godot [https://www.theguardian.com/stage/theatreblog/2012/feb/07/look-back-in-anger-godot]</ref>{{sfn|Sierz|2008|p=71}}

==Radio adaptations==
* A radio dramatisation starring [[David Tennant]] as Jimmy Porter and [[Ian McKellen]] as the Colonel, and directed by Richard Wilson, was broadcast by the BBC on 30 April 2016.<ref>{{cite web |title=John Osborne - Look Back in Anger |url=https://www.bbc.co.uk/programmes/b078mc9p |website=BBC Radio |publisher=BBC |access-date=1 February 2020}}</ref>

==In popular culture==
''Look Back in Anger''{{'}}s turtleneck sweater, and wife ironing while wearing a slip, became symbols that both represented the Angry Young Men movement and which others satirised.<ref name="life19580526">{{Cite magazine |date=1958-05-26 |title=Why Britain's Angry Young Men Boil Over |url=https://books.google.com/books?id=vVMEAAAAMBAJ&pg=PA138 |magazine=Life |page=138 |access-date=2023-05-13}}</ref>

=== Media ===
* An episode of the BBC radio comedy series ''[[Hancock's Half Hour]]'' paid tribute to Osborne's play in "The East Cheam Drama Festival" (1958). The episode features the regular cast spoofing a number of theatrical [[genre]]s, with ''Look Back in Anger'' recast as "Look Back in Hunger—a new play by the Hungry Young Man, Mr.&nbsp;John Eastbourne". Scriptwriters [[Alan Simpson (scriptwriter)|Alan Simpson]] and [[Ray Galton]] mimic several elements of Osborne's play, from Jimmy's railing against the iniquities of modern life to the values of middle-class bourgeois life. The episode "Sunday Afternoon at Home" (1958) begins with a striking similarity to the opening of Osborne's play, with Hancock and [[Sid James]] sitting reading the papers and complaining there's nothing to do.
* ''[[Second City Television|SCTV]]'' (season 4, episode 2) parodied the play and its genre with "Look Back in a Bloody Rage" as an entrant in a British film festival focused on angry young men.
* "[[Ed Wood]]: Look Back in Angora", a 1994 documentary about Ed Wood, a [[B-movie]] director, released by [[Rhino Home Video]]. The [[cross-dressing]] Wood often wore an [[angora wool|angora]] sweater and angora fabric is featured in many of his films.
* In ''[[Studio&nbsp;60 on the Sunset Strip]]'', an American television series by [[Aaron Sorkin]], the character Andy Mackinaw translates ''Look Back in Anger'' into Dutch.
* "Look Back in Annoyance" is the title of a retrospective episode of ''[[Daria]]'', an animated television series.
* Jimmy Shive-Overly, one of the leads in the FX series ''[[You're the Worst]]'', is named after Jimmy.<ref>{{cite tweet|number=1218321299623137280|user=stephenfalk|title=@MacabreMacabre1 Yes!|date=17 January 2020}}</ref>

=== Music ===
* Jimmy Porter appears as the protagonist - older, increasingly feeble, but still angry - in [[The Albion Band]]'s "Ash on an Old Man's Sleeve," from their 1989 album ''Give Me a Saddle I'll Trade You a Car''.<ref>Liner notes, said album: "That great anti-hero Jimmy Porter is alive and drawing his pension in Ash On An Old Man's Sleeve.  Acknowledgements are due to...John Osbourne who, of course, wrote ''Look Back in Anger'', which propelled Jimmy into legend."</ref>
* "Look Back in Anger" is a song by British singer [[David Bowie]] from his 1979 album ''[[Lodger (album)|Lodger]]'', but there is no connection to the play, only a shared title.
* "Look Back in Anger" is a song by British rock group [[Television Personalities]] from their first album ''[[...And Don't the Kids Just Love It]]'' (1981).
* "[[Don't Look Back in Anger]]" is a song by British rock group [[Oasis (band)|Oasis]] from their album [[(What's the Story) Morning Glory?]].

== See also ==
* [[Look Back in Anger (1959 film)|''Look Back in Anger'' (1959 film)]]

==References==
===Notes===
{{reflist}}

===Sources===
* {{cite book
 | last = Sierz | first = Aleks
 | title = John Osborne's Look Back in Anger
 | publisher = Bloomsbury
 | year = 2008
 | isbn = 9781441175052 | url = https://books.google.com/books?id=y18SBwAAQBAJ
 | access-date = 30 November 2017
}}

==Further reading==
* {{cite book | author=Osborne, John | title=A Better Class of Person: An Autobiography, 1929–56 | publisher=Penguin Books Ltd | year=1982 | isbn=978-0-14-006288-5| edition=paperback }}
* {{cite book | author=Osborne, John | title=Almost a Gentleman: An Autobiography, 1955–66 | publisher=Faber & Faber | year=1991 | isbn=0-571-16635-0 | url-access=registration | url=https://archive.org/details/almostgentlemana0000osbo | edition=paperback }}

==External links==
* {{IBDB show|5534}}

{{John Osborne}}
{{Angry young men}}
{{Use dmy dates|date=January 2018}}

{{DEFAULTSORT:Look Back In Anger}}
[[Category:1956 plays]]
[[Category:British plays adapted into films]]
[[Category:Plays by John Osborne]]
[[Category:Works about misogyny]]
[[Category:Plays about social class]]