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{{Use British English|date=March 2013}}
{{Use dmy dates|date=April 2024}}
{{Infobox musical artist <!-- See Wikipedia:WikiProject_Musicians -->
| name             = Naushad Ali
| image            = Naushadsaab1.jpg
| caption          = Naushad Ali in 2005
| image_size       = 
| background       = non_performing_personnel
| birth_date       = {{birth date|df=yes|1919|12|25}}
| birth_place      = [[Lucknow]], [[United Provinces of Agra and Oudh]], [[British Raj|British India]] (present-day [[Uttar Pradesh]], India)
| death_date       = {{Death date and age|df=yes|2006|05|05|1919|12|25}}
| death_place      = [[Mumbai]], [[Maharashtra]], India
| instrument       = {{hlist|Harmonium | sitar | piano | tabla | flute | clarinet | accordion | mandolin}}
| genre            = {{hlist|[[Hindustani classical music]] | [[Filmi|Indian film music]]}}
| occupation       = Composer, music director, film producer, writer, poet, producer
| years_active     = 1940–2005
| honorific_suffix = [[Padma Bhushan|PB]]
}}
'''Naushad Ali''' (25 December 1919 – 5 May 2006) was an Indian composer for [[Hindi film]]s.<ref name=Britannica/><ref name=upperstall/><ref>{{cite book | url=https://books.google.com/books?id=mg09BAAAQBAJ| title=Naushadnama: The Life and Music of Naushad | author=Bharatan, Raju | year=2013 | page=352|publisher=Hay House|isbn=9789381398630}}</ref> He is widely considered to be one of the greatest and foremost music directors of the Hindi film industry.<ref>{{Cite news|url=http://www.arabnews.com/naushad-ali-india%E2%80%99s-foremost-music-director|title=Naushad Ali: India's foremost music director|date=3 August 2012|work=Arab News|access-date=31 January 2018}}</ref> He is particularly known for popularising the use of [[Hindustani classical music|classical music]] in films.<ref name="Bharatan2013">{{cite book|author=Raju Bharatan|title=Naushadnama: The Life and Music of Naushad|chapter-url=https://books.google.com/books?id=mg09BAAAQBAJ&pg=PT48|access-date=26 January 2015|date=1 August 2013|publisher=Hay House, Inc|isbn=978-93-81398-63-0|pages=48–|chapter=Preface}}</ref><ref name=rediff>{{cite web|url=http://specials.rediff.com/movies/2006/may/08sl1.htm |title=Naushad: Composer of the century |author=Raju Bharatan |website=rediff.com website|date=8 May 2006|access-date=10 September 2019}}</ref>

His first film as an independent music director was ''Prem Nagar'' in 1940.<ref name="Anantharaman2008">{{cite book|author=Ganesh Anantharaman|title=Bollywood Melodies: A History of the Hindi Film Song|url=https://books.google.com/books?id=lmrSLuBwbKkC&pg=PA31|access-date=26 January 2015|date=January 2008|publisher=Penguin Books India|isbn=978-0-14-306340-7|pages=31–}}</ref> His first musically successful film was ''[[Rattan (film)|Rattan]]'' (1944), followed by 35 silver jubilee hits, 12 golden jubilee and 3 diamond jubilee mega successes. Naushad was conferred the [[Dadasaheb Phalke Award]] and the [[Padma Bhushan]] in 1981 and 1992 respectively for his contribution to the Hindi film industry.<ref>{{cite web|last=CHOPRA|first=SATISH|url=http://www.thehindu.com/todays-paper/tp-features/tp-cinemaplus/article3388728.ece|title=The man, his music (Naushad)|website=The Hindu|access-date=12 September 2019}}</ref>

==Early life and education==
Naushad Ali was born and raised in [[Lucknow]],<ref name=Britannica/> a city with a long tradition as a centre of [[Indian Muslim]] culture. His father, Wahid Ali, was a [[munshi]] (court clerk). As a child, Naushad would visit the annual fair at the Deva Sharif in [[Barabanki city|Barabanki]], 25&nbsp;km from Lucknow, where all the great [[qawwali|qawwals]] and musicians of those days would perform before the devotees. He studied [[Hindustani music]] there under Ustad Ghurbat Ali, Ustad Yusuf Ali, Ustad Babban Saheb and others. He also repaired harmoniums.<ref name=upperstall/>

As a lad, he joined a junior theatrical club and was appointed the club's music maestro for their theatrical presentations. He used to watch silent films at the Royal theatre in Lucknow. Theatre owners would hire a team of musicians to play the [[tabla]], [[Harmonium#On the Indian subcontinent|harmonium]], [[sitar]] and [[violin]]. The musicians would watch the film first, make notes, finalize the scales required. When the show began in the evening, they would sit in front of the screen and play music for the scenes. This was a great way to be entertained and learn music at the same time. It made him grasp the nuances required in composing a film's background music score.

In time Naushad formed his own Windsor Music Entertainers or just Windsor Entertainers, so named because he had seen the word "Windsor" around Lucknow and liked its ring. It led to the Indian Star Theatrical Company in a theatre at Golaganj colony in [[Lucknow]]. He was trained under Laddan Khan until he became capable of working independently as a composer. There he also developed the sense to pick rare musical jewels from the folk tradition of [[Punjab, India|Punjab]], [[Rajasthan]], [[Gujarat]] and [[Saurashtra (region)|Saurashtra]] during the company's sojourns in those regions. The travelling players got as far as [[Viramgam]] in Gujarat, where they discovered penury, even after selling off theatrical props and musical instruments. The company limped back to Lucknow through the kindness of one of Naushad's friends.

Naushad had already become a cinema fan in the silent era and then, in 1931, Indian cinema got voice and music that further fascinated the 13-year-old boy. He learnt classical and folk music against the wishes of his father. He moved to [[Mumbai]] in late 1937 for a career as a musician.<ref name=TheGuardian/>

==Career==
In [[Mumbai]], he initially stayed with an acquaintance from Lucknow (U.P.) at [[Colaba]] and after a while, shifted to [[Dadar]] opposite the Broadway theatre where he would sleep on the footpath. He assisted music director [[Ustad Jhande Khan]] who was at the peak of his success those days, at a monthly salary of Rs 40.

Then he worked on a film with a Russian producer with the studio located at [[Chembur]]. This film could not be completed. Naushad was a piano player so he worked as a pianist in composer Ustad Mushtaq Hussain's orchestra.<ref name=upperstall/> He then polished off an unfinished film score and got a credit as assistant to Mushtaq Hussain. Then the film company collapsed. Composer [[Khemchand Prakash]] took him on as his assistant for the film ''Kanchan'' at [[Ranjit Studios]] at a salary of Rs 60 per month, for which Naushad remained extremely grateful and in interviews, he had called Khemchand his guru.<ref name=upperstall>{{cite web|url=https://upperstall.com/profile/naushad/ |title=Profile and filmography of Naushad |author=Karan Bali|website=upperstall.com website|date=5 May 2015 |access-date=12 September 2019}}</ref>

His friend, lyricist [[D. N. Madhok]], trusted Naushad's unusual talent for composing music and introduced him to various film producers. [[Chandulal Shah]], the owner of Ranjit Studios, offered to sign Naushad for one of his forthcoming films. Naushad composed a [[thumri]] for this film, "Bata de koi kaun gali gaye Shyam", but the film never went into production. He was assistant music director for the Punjabi film ''Mirza Sahib'' (1939).

He composed for his first independent film ''Prem Nagar'' in 1940 that had a story set in [[Kutch]] for which he did a lot of research into the folk music of the area.<ref name=TheGuardian/> With [[A.R. Kardar]]'s film ''Nayi Duniya'' (1942), he got first credit as "music director" and he began to work regularly for Kardar Productions. He, however, had a flexibility that he could work outside Kardar Productions and this arrangement continued throughout his career. He first got noticed with A.R. Kardar's film ''[[Sharda (1942 film)|Sharda]]'' (1942) wherein 13-year-old [[Suraiya]] debuted with the song "Panchhi Ja" for the playback for heroine [[Mehtab (actress)|Mehtab]]. It was [[Rattan (film)|Rattan]] (1944) that took Naushad right to the top and enabled him to charge Rs 25,000 a film during those days.<ref name=upperstall/><ref name=TheGuardian/>

Film expert and author Rajesh Subramanian opines that Kardar productions spent Rupees seventy five thousand in 1944 to make ''Rattan''. The music by Naushad saheb was such a phenomenal hit that the company earned Rs 3 lacs as royalty from gramophone sales in the first year.

But his Lucknow-based family remained against music and Naushad had to hide from his family the fact that he composed music. When Naushad got married, the band was playing the tunes of the super hit songs of Naushad's film 'Rattan'. While Naushad's father and father-in-law were condemning the musician who had composed these songs, Naushad dared not tell them that it was he who had composed the music. Naushad understood Hindu and Muslim culture and the languages of those cultures.<ref name=TheGuardian/>

From 1942 until the late 1960s, he was one of the top music directors in Hindi films. While he did 65 films during his lifetime, 26 of those films celebrated Silver jubilees (25 weeks run) – 8 celebrated golden jubilees (50 weeks run) and 4 celebrated diamond jubilees (60 weeks run) &ndash; (inclusive count – a diamond jubilee film also celebrates Silver and Golden jubilees).

Naushad worked with several lyricists, including [[Shakeel Badayuni]], [[Majrooh Sultanpuri]], [[D. N. Madhok]], [[Zia Sarhadi]], [[Yusufali Kechery]] and [[Khumar Barabankvi]].<ref name=TheGuardian/>

[[Mother India]] (1957),<ref name=TheGuardian/> for which he had composed music, was the first Indian film that got nominated for an [[Oscar award]].

In 1981, Naushad was awarded the [[Dadasaheb Phalke Award]] for his lifetime contribution to [[Cinema of India|Indian cinema]].<ref name=rediff/>

He composed the tunes of ''[[Taj Mahal: An Eternal Love Story]]'' (2005) at the age of 86.<ref name=upperstall/>

Amongst his assistants, Mohammed Shafi, [[Jerry Amaldev]] and [[Ghulam Mohammed (composer)|Ghulam Mohammed]] stand out prominently.

The songs Naushad composed for the 1988 Malayalam film [[Dhwani]] which were sung by [[P. Susheela]] & [[K. J. Yesudas]] are evergreen superhits that Malayalis do repeatedly listen to even after 3 decades.

Five films have been made on his life and work. Biographical books published are Dastaan-E-Naushad (Marathi) by Shashikant Kinikar; Aaj Gaawat Man Mero (Gujarati); Hindi and Urdu biographical sketches in Shama & Sushma Magazines respectively, titled "Naushad Ki Kahani, Naushad Ki Zubani"; the last one was translated into Marathi by Shashikant Kinikar. Kinikar also came up with a book titled "Notes of Naushad" which puts together some interesting anecdotes of Naushad's life.

Naushad also composed background music for the TV serial "Akbar The Great" telecast in 1988 which was directed by Akbar Khan, brother of Hindi film stars [[Sanjay Khan]] and [[Feroze Khan]] as was also [[The Sword of Tipu Sultan]] produced and directed by Sanjay Khan and Akbar Khan which was telecast in 1990 and became very popular.

===Death and legacy===
Naushad died on 5 May 2006 in Mumbai due to cardiac arrest at age 86.<ref name=Britannica/><ref name=upperstall/> He was buried at the [[Juhu]] Muslim cemetery.<ref>{{cite news |url=https://timesofindia.indiatimes.com/city/mumbai/Rafi-Madhubala-dont-rest-in-peace-here/articleshow/5558345.cms |archive-url=https://web.archive.org/web/20110811035307/http://articles.timesofindia.indiatimes.com/2010-02-11/mumbai/28121815_1_ground-islamic-law-new-graves |url-status=live |archive-date=11 August 2011 | title=Rafi, Madhubala don't rest in peace here | date = 11 February 2010 | access-date = 12 September 2019 | newspaper = [[The Times of India]] | first1=Bella | last1=Jaisinghani}}</ref><ref name=TheGuardian/>

He is survived by six daughters Zubeda, Fehmida, Farida, Sayeeda, Rashida, and Waheeda and three sons Rehman Naushad, Raju Naushad & Iqbal Naushad. Rehman Naushad being the eldest of all assisted him in some of his films. Also, Naushad composed music for two movies directed by Rahman Naushad, ''My Friend'' (1974) and ''Teri Payal Mere Geet'' (1989).<ref name=TheGuardian/>

Naushad was ranked as one of the most respected and successful music directors of [[Indian Film Industry]].<ref name=Dawn>{{cite web|url=https://herald.dawn.com/news/1154071 |author=M. A. Siddiqqi|title=Naushad: The musical journey of a musical man|date=27 March 2018|website=Herald (Dawn newspaper)|access-date=13 September 2019}}</ref>

Naushad had requested the Maharashtra State Government to sanction a plot for an institution for promoting [[Hindustani music]]. This was sanctioned during his lifetime and the 'Naushad Academy of Hindustani Sangeet' was formed.

==Writer==
Naushad was also a respected and published poet and formally launched his book of Urdu poetry entitled Aathwaan Sur ("The Eighth Note") and the Navras label's album titled "[[Aathwan Sur – The Other Side of Naushad]]" having 8 ghazals as part of Hounslow's book fair and festival "Bookmela" in November 1998. The album has lyrics and composition by Naushad, arranged by [[Uttam Singh]].<ref name=TheGuardian/>

Track list:
# Aabadiyon Mein Dasht Ka Munzar Bhi Aayega – [[Hariharan (singer)|A. Hariharan]] – 7:08
# Aaj Ki Baat Kal Pay Kyun Taalo – A. Hariharan & Preeti Uttam Singh – 6:17
# Ghata Chhaayi Thi Saawan Khul Ke Barsa – Preeti Uttam Singh – 7:19
# Kabhi Meri Yaad Unko Aati To Hogi – A. Hariharan & Preeti Uttam Singh – 6:18
# Mujh Ko Muaff Kijiye – A. Hariharan – 5:35
# Peenay Waalay Bekhudi Say Kaam Lay – A. Hariharan & Preeti Uttam Singh – 8:13
# Saawan Kay Jab Baadal Chhaaye – A. Hariharan – 6:50
# Tanhaa Khud Say Baat Karoon – Preeti Uttam Singh – 7:49

==Music style==
Naushad gave a new trend to popular film music by basing his tunes on classical music ragas and folk music. [[Bhairavi (Hindustani)]] is his favourite [[Raga]]<ref name=Tangibleemotions>{{cite web|url=https://www.youtube.com/watch?v=eb8g7w9nTQc |title=Naushad Interview|author=Mausiqar e Azam|via=YouTube(videostreaming)|access-date=24 September 2021}}</ref> Naushad was known for his skillful adaptation of the classical musical tradition for movie songs. Among all contemporary singer, Naushad Ali gave numbers of the songs to Mohammad Rafi. Most of Naushad Ali popular songs are sung by Mohammad Rafi.
For some movies like ''[[Baiju Bawra (1952 film)|Baiju Bawra]]'', he composed all scores in classical [[raga]] modes and arranged for the well-known vocalist [[Amir Khan (singer)|Amir Khan]] to be a music consultant for this film. Naushad could easily work with Western instruments, including the clarinet, the mandolin and the accordion. He could incorporate Western musical idioms in his compositions and compose for Western-style orchestras.<ref name=Britannica/><ref name=upperstall/><ref name=Dawn/>

During the early 1940s, recordings were done in quiet parks and gardens after midnight because the studios did not have sound-proof recording rooms. In the gardens, there would be no echo and disturbances, unlike the studios where the sound reverberated because of the tin roofs.

For films like 'Uran Khatola' and 'Amar', he recorded the voice of a particular artiste on a scale of 90, then recorded it on 70, then on 50 and so on. After the complete recording, it was played for the scene and the impact it created was terrific.

He was one of the first to introduce sound mixing and the separate recording of voice and music tracks in playback singing. He was the first to combine the flute and the clarinet, the sitar and mandolin. He also introduced the [[accordion]] to Hindi film music and was among the first to focus on background music to extend characters' moods and dialogue through music. But perhaps his greatest contribution was to bring [[Indian classical music]] into the film medium. Many of his compositions were inspired by [[raga]]s and he even used distinguished classical artistes like [[Amir Khan (singer)|Amir Khan]] and [[D.V. Paluskar]] in ''[[Baiju Bawra (1952 film)|Baiju Bawra]]'' (1952) and [[Bade Ghulam Ali Khan]] in ''[[Mughal-e-Azam]]'' (1960). ''[[Baiju Bawra (1952 film)|Baiju Bawra]]'' (1952) demonstrated Naushad's grasp of classical music and his ability to bring it to the masses, for which he won the first [[Filmfare Best Music Director Award]] in 1954.<ref name=upperstall/><ref name=Britannica/>

Naushad commented on a pre-release meeting about "Baiju Bawra":
"When people heard that the film would be full of classical music and ragas, they protested, 'People will get a headache and they will run away.' I was adamant. I wanted to change public taste. Why should people be fed what they like all the time? We presented them with music from our culture and it worked".

For [[Aan]] (1952), he was the first to use a 100-piece orchestra. He was the first composer to have developed the system of western notation in India. The notation for the music of the film 'Aan' was published in book form in London.

In [[Uran Khatola]] (1955), he recorded an entire song without the use of orchestra, having replaced the sound of musical instruments with choral sound of humming.

For [[Mughal-e-Azam]] (1960) song Ae Mohabbat Zindabad, he used a chorus of 100 persons.

For [[Ganga Jamuna]] (1961), he used lyrics in chaste Bhojpuri dialect.<ref name=Dawn/>

He used just six instruments in the title song of Mere Mehboob (1963).

In 2004, a colorized version of the classic [[Mughal-e-Azam]] (1960) was released, for which Naushad had the orchestral music specially re-created (in Dolby Digital) by today's industry musicians, while maintaining all the solo vocals from the original soundtrack. To elaborate, the playback vocals (though not the chorus) recorded four decades ago are mixed with orchestra tracks created in the present millennium.

As Indian film music gradually assumed a Western bend starting in the late 1960s, Naushad came to be considered old-fashioned. Composers who could compose [[rock-and-roll]] and [[disco]]-inflected music started getting increasingly popular. Naushad was still esteemed as a maestro, but his talents were sought mostly for historical movies where traditional scores were appropriate. It can be said of Naushad that in the early days of popular cinema music in the thirties and forties he set the standards for classical and folk music that resonated with the idea of India. In short he brought out the beauty of Indian music in a short film song of a few minutes which was not an easy feat. The composers who followed him were inspired by this aspect of his compositions.

==Filmography==

===Music director===

{| class="wikitable sortable"
|-
! Film
! Year
! Director
! Cast
! Remarks/Verdict
|-
| ''[[Prem Nagar (1940 film)|Prem Nagar]]''<ref name=upperstall/>
| 1940
| Mohan Dayaram Bhavnani
| Ramanand, Bimla Kumari, Husn Banu, Rai Mohan, Nagendra, Salu, Gulzar
| Naushad was assistant for Baaghbaan (1938) and Kanchan (1941). According to him, he had composed one song in each film.
|-
| ''Darshan''
| 1941
| Chimanlal Muljibhoy Luhar
|[[Prem Adib]], Jyoti, Kaushalya, [[Bhudo Advani]], Miradevi, M. Nazir, Shakir, [[Amirbai Karnataki]], Madhusudan
|
|-
| ''[[Mala (1941 film)|Mala]]''
| 1941
| Balwant Bhatt
| Jayant, Rose, Jairaj, Nazir, Daya Devi, Heera
|
|-
| ''[[Nai Duniya]]''<ref name=rediff/>
| 1942
| Abdul Rashid Kardar
| Jairaj, Shobhna Samarth, Wasti, [[Madame Azurie|Azurie]], Mazhar Khan. [[Hari Shivdasani]], Jeevan
| Debut of Singer Surayya in the song "Boot Karoon main Polish"<br/>Silver Jubilee
|-
| ''[[Sharda (1942 film)|Sharda]]''<ref name=upperstall/>
| 1942
| Abdul Rashid Kardar
| Ulhas, Mehtab. Wasti, Nirmala, Badri Prasad
| Silver Jubilee
|-
| ''[[Station Master (1941 film)|Station Master]]''
| 1941
| Chimanlal Muljibhoy Luhar
| Prem Adib, Pratima Devi, Gulab
|
|-
| ''[[Kanoon (1943 film)|Kanoon]]''
| 1943
| Abdul Rashid Kardar
| Mehtaab, [[Shahu Modak]]
| Silver Jubilee
|-
| ''Namaste''
| 1943
| Mohammed Sadiq Sani
| Wasti, Protima Das, Jagdish Sethi, Misra
| Silver Jubilee
|-
| ''[[Sanjog (1943 film)|Sanjog]]''
| 1943
| Abdul Rashid Kardar
| Charlie, [[Anwar Hussain (actor)|Anwar Hussain]], Mehtab
| Silver Jubilee
|-
| ''[[Geet (1944 film)|Geet]]''
| 1944
| S. U. Sunny
| [[Shahu Modak]], Nirmala, Amir Ali
|
|-
| ''Jeevan''
| 1944
| Mohammed Sadiq
| Wasti, Mehtab, Badri Prasad, Anwar, Shyam Kumar
|
|-
| ''[[Pehle Aap]]''
| 1944
| Abdul Rashid Kardar
| Shamim, Wasti, [[Anwar Hussain (actor)|Anwar Hussain]], Jeevan, Dixit
| Rafi's first song for Naushad "Hindustan Ke Hum Hain" in a chorus<br/>Silver Jubilee
|-
| ''[[Rattan (film)|Rattan]]''<ref name=upperstall/>
| 1944
| S Sadiq
| Amir Banu, Karan Dewan, Swarnalata
| Diamond Jubilee
|-
| ''[[Sanyasi (1945 film)|Sanyasi]]''
| 1945
| Abdul Rashid Kardar
| Shamim, Amar, Misra, Shyam Kumar, Naseem Jr., Gulam Mohamad
| Silver Jubilee
|-
| ''[[Anmol Ghadi]]''<ref name=rediff/>
| 1946
| Mehboob Khan
| Noorjehan, Surinder, Suraiya
| Diamond Jubilee
|-
| ''Keemat''
| 1946
| Nazir Ajmeri
| Amar, Sulochana Chatterjee, A Shah, Sharda, Badri Prasad, Sofia, Anwari, Nawab
|
|-
| ''[[Shahjehan]]''<ref name=rediff/><ref name=upperstall/>
| 1946
| Abdul Rashid Kardar
| Kundan Lal Saigal, Ragini
| Silver Jubilee
|-
| ''[[Dard (1947 film)|Dard]]''<ref name=upperstall/>
| 1947
| Abdul Rashid Kardar
| Uma Devi, Suraiya
| Debut of Singer Uma Devi (Comedy Actress Tuntun) in the song "Afsana Likh Rahi Hoon"<br/>Silver Jubilee
|-
| ''[[Elaan (1947 film)|Elaan]]''
| 1947
| Mehboob Khan
| Himalaywala, [[Leela Mishra]], Shah Nawaz
|
|-
| ''[[Naatak]]''
| 1947
| S. U. Sunny
| Suraiya, Amar, Sofiya, Kanwar, Sham Kumar, Pratima Devi
| Silver Jubilee
|-
| ''[[Anokhi Ada (1948 film)|Anokhi Ada]]''
| 1948
| Mehboob Khan
| Surendra, Naseem Bano, Murad, Cuckoo
| Golden Jubilee
|-
| ''[[Mela (1948 film)|Mela]]''<ref name=rediff/>
| 1948
| S. U. Sunny
| Dilip Kumar, Nargis, Jeevan
| Golden Jubilee
|-
| ''[[Andaz (1949 film)|Andaz]]''<ref name=rediff/><ref name=upperstall/><ref name=Dawn/>
| 1949
| Mehboob Khan
| Dilip Kumar, Raj Kapoor, Nargis
| Golden Jubilee
|-
| ''Chandni Raat''
| 1949
| Mohammed Ehsan
| Shyam, Naseem Bano
|
|-
| ''[[Dillagi (1949 film)|Dillagi]]''<ref name=rediff/><ref name=upperstall/>
| 1949
| Abdul Rashid Kardar
| Shyam, Suraiyya, Sharda, Amir Banu, Amar
| Silver Jubilee
|-
| ''[[Dulari (film)|Dulari]]''<ref name=upperstall/>
| 1949
| Abdul Rashid Kardar
| Suresh, Madhubala, Geeta Bali
| Silver Jubilee
|-
| ''[[Babul (1950 film)|Babul]]''<ref name=Dawn/>
| 1950
| S. U. Sunny
| Dilip Kumar, Nargis
| Also as Producer<br/>Silver Jubilee
|-
| ''[[Dastan (1950 film)|Dastan]]''<ref name=rediff/>
| 1950
| Abdul Rashid Kardar
| Raj Kapoor, Suraiya, Veena, Suresh
| Also as Co-producer<br/>Silver Jubilee
|-
| ''[[Deedar (1951 film)|Deedar]]''
| 1951
| Nitin Bose
| Dilip Kumar, Nimmi, Nargis, Ashok Kumar
| Golden Jubilee
|-
| ''[[Jadoo (1951 film)|Jadoo]]''<ref name=upperstall/>
| 1951
| Abdul Rashid Kardar
| Suresh, Nalini Jaywant
| Also as Co-producer<br/>Silver Jubilee
|-
| ''[[Aan]]''<ref name=upperstall/>
| 1952
| Mehboob Khan
| Dilip Kumar, Nimmi, Nadira
| Golden Jubilee
|-
| ''[[Baiju Bawra (1952 film)|Baiju Bawra]]''<ref name=rediff/><ref name=Dawn/>
| 1952
| Vijay Bhatt
| Bharat Bhushan, Meena Kumari
| Also as Co-producer Film debut of singers Amir Khan and D. V. Paluskar in the song "Aaj gaavat man mero jhoomke"<br/>Diamond Jubilee
|-
| ''[[Deewana (1952 film)|Deewana]]''
| 1952
| Abdul Rashid Kardar
| Suraiya, Suresh, Sumitra Devi, Shyam Kumar
| Silver Jubilee
|-
| ''[[Amar (1954 film)|Amar]]''<ref name=rediff/><ref name=Dawn/>
| 1954
| Mehboob Khan
| Dilip Kumar, Nimmi, Madhubala
|
|-
| ''[[Shabaab (film)|Shabaab]]''<ref name=rediff/><ref name=Dawn/>
| 1954
| Mohammed Sadiq
| Bharat Bhushan, Nutan
| Silver Jubilee
|-
| ''[[Uran Khatola (film)|Uran Khatola]]''<ref name=rediff/>
| 1955
| S. U. Sunny
| Dilip Kumar, Nimmi.
| Also as Producer<br/>Silver Jubilee
|-
| ''[[Mother India]]''<ref name=upperstall/>
| 1957
| Mehboob Khan
| Nargis, Raj Kumar, Rajendra Kumar, Sunil Dutt, Kanhaiyalal
| Diamond Jubilee
|-
| ''[[Sohni Mahiwal (1958 film)|Sohni Mahiwal]]''
| 1958
| Raja Nawathe
| Bharat Bhushan, Nimmi
| Debut of singer [[Mahendra Kapoor]] in the song "Chaand Chhupa Aur Taarey Doobey"
|-
| ''[[Kohinoor (1960 film)|Kohinoor]]''<ref name=Dawn/>
| 1960
| S. U. Sunny
| Dilip Kumar, Meena Kumari, Kumkum, Jeevan
| Golden Jubilee
|-
| ''[[Mughal-e-Azam]]''<ref name=rediff/><ref name=upperstall/><ref name=Dawn/>
| 1960
| Karim Asif
| Dilip Kumar, Madhubala, Prithviraj Kapoor, Durga Khote, Ajit
| Film debut of singer Bade Ghulam Ali Khan in the songs "Shubh din aayo" and "Prem jogan ban ke"<br/>Diamond Jubilee
|-
| ''[[Ganga Jamuna|Gunga Jumna]]''<ref name=upperstall/>
| 1961
| Nitin Bose
| Dilip Kumar, Vyjayantimala Bali
| Lyrics of several songs were in Bhojpuri dialect<br/>Golden Jubilee
|-
| ''[[Son of India (1962 film)|Son of India]]''
| 1962
| Mehboob Khan
| Kamaljit, Kumkum, Sajid, Simi Garewal, Jayant
|
|-
| ''[[Mere Mehboob]]''<ref name=upperstall/><ref name=Dawn/>
| 1963
| [[H. S. Rawail|Harnam Singh Rawail]]
| Rajendra Kumar, Sadhana, Ameeta, Ashok Kumar, Nimmi
| Silver Jubilee
|-
| ''[[Leader (1964 film)|Leader]]''<ref name=upperstall/>
| 1964
| Ram Mukherjee
| Dilip Kumar, Vyjayantimala Bali
|
|-
| ''[[Dil Diya Dard Liya]]''<ref name=rediff/><ref name=upperstall/>
| 1966
| Abdul Rashid Kardar
| Dilip Kumar, Waheeda Rehman, Pran
|
|-
| ''Saaz Aur Awaaz''
| 1966
| Subodh Mukherji
| Saira Banu, Kanhaiyalal, Joy Mukherjee
|
|-
| ''Palki''<ref name=upperstall/><ref name=Dawn/>
| 1967
| S. U. Sunny
| Rajendra Kumar, Waheeda Rehman, Rehman, Johnny Walker
| Also as Writer<br/>
|-
| ''[[Ram Aur Shyam]]''<ref name=upperstall/>
| 1967
| Tapi Chanakya
| Dilip Kumar, Waheeda Rehman, Mumtaz, Pran, Nirupa Roy, Leela Mishra
| Golden Jubilee
|-
| ''[[Aadmi (1968 film)|Aadmi]]''
| 1968
| A. Bhimsingh
| Dilip Kumar, Waheeda Rehman, Manoj Kumar
|
|-
| ''[[Saathi (1968 film)|Saathi]]''
| 1968
| C. V. Sridhar
| Rajendra Kumar, Vyjayantimala Bali, Simi Garewal
|
|-
| ''[[Sunghursh (1968 film)|Sunghursh]]''
| 1968
| Harnam Singh Rawail
| Dilip Kumar, Vyjayanthimala, Balraj Sahni
|
|-
| ''[[Ganwaar]]''
| 1970
| Naresh Kumar
| Rajendra Kumar, Vyjayantimala Bali, Nishi
|
|-
| ''[[Pakeezah]]''<ref name=TheGuardian/>
| 1972
| Kamal Amrohi
| Raj Kumar, Meena Kumari, Ashok Kumar
| Background Score and a few songs<br/>Golden Jubilee
|-
| ''[[Tangewala]]''
| 1972
| Naresh Kumar
| Rajendra Kumar, Mumtaz, Sujit Kumar
|
|-
| ''My Friend''
| 1974
| M Rehman
| Rajeev, Prema Narayan, Utpal Dutt, Jagdeep, Asit Sen, Tuntun
|
|-
| ''[[Sunehra Sansar]]''
| 1975
| Adurti Subba Rao
| Rajendra Kumar, Hema, Mala Sinha
|
|-
| ''[[Aaina (1977 film)|Aaina]]''
| 1977
| Kailasham Balachander
| Mumtaz, Rajesh Khanna
|
|-
| ''[[Chambal Ki Rani]]''
| 1979
| Radhakant
| Mahendra Sandhu, Dara Singh, [[Chand Usmani]]
|
|-
| ''[[Dharam Kanta]]''
| 1982
| Sultan Ahmed
| Raj Kumar, Waheeda Rehman, Jeetendra, Reena Roy, Rajesh Khanna, Sulakhshana Pandit
|
|-
| ''Paan Khaae Sainyyan Humaar''
| 1985
| Sujit Kumar
| Sujit Kumar, Bandini, [[S. N. Tripathi]]
| Bhojpuri film
|-
| ''[[Love and God]]''
| 1986
| [[K. Asif]]
| [[Sanjeev Kumar]], [[Nimmi]], [[Pran (actor)|Pran]]
|
|-
| ''[[Dhwani]]''
| 1988
| A. T. Abu
| Prem Nazir, Jayaram, Shobana
| Malayalam film
|-
| ''[[Teri Payal Mere Geet]]''
| 1989
| Rehman Naushad
| Govinda, Meenakshi Seshadri
|
|-
| ''[[Awaaz De Kahan Hai]]''
| 1990
| Sibte Hassan Rizvi
| Bindu, Annu Kapoor, Satyendra Kapoor
|
|-
| ''[[Guddu (1995 film)|Guddu]]''
| 1995
| Prem Lalwani
| Shah Rukh Khan, Manisha Koirala, Mukesh Khanna
|
|-
| ''[[Taj Mahal: An Eternal Love Story]]''<ref name=upperstall/><ref name=TheGuardian/>
| 2005
| Akbar Khan
| Kabir Bedi, Sonia, Monisha Koirala
|Last released work of Naushad, famous for songs like "Apni Julfein" sung by Hariharan, and other songs
|-
| ''Hubba Khatoon''
| Unreleased
| B. R. Chopra
| Sanjay Khan, Zeenat Aman
| "Jis Raat Ke Khwaab Aaye", sung by Rafi is released
|}

===Non-film album===
*[[Aathwan Sur – The Other Side of Naushad]] : This was a Ghazal album released in 1998 and had all its songs composed by Naushad and sung by Hariharan and Preeti Uttam Singh.<ref name=TheGuardian>{{cite web|url=https://www.theguardian.com/news/2006/jun/09/guardianobituaries.artsobituaries |title=Naushad Ali: Master of Bollywood film music magic|date=8 June 2006|author=Lalit Mohan Joshi|website=The Guardian (newspaper)|access-date=13 September 2019}}</ref>

===Producer===
* ''[[Maalik]]'' (1958) Music Director for this film was [[Ghulam Mohammed (composer)]]
* ''[[Uran Khatola (film)|Uran Khatola]]'' (1955)
* ''[[Babul (1950 film)|Babul]]'' (1950)
* Jeevan Jyoti (1953, co-producer; music director for this film was SD Burman)
* Gawaiya (1954, co-producer; music director for this film was Ram Ganguly)
* Yasmin (1955, co-producer; music director for this film was C Ramchandra)
* Dastan (1950)
* Jadoo (1951)

===Storywriter===
* Palki (1967)
* [[Teri Payal Mere Geet]] (1989)

==Awards and recognition==
[[File:Naushad 2013 stamp of India.jpg|thumb|upright=1.1|Naushad on a 2013 stamp of India]]
* 1954: [[Filmfare Best Music Director Award]] – [[Baiju Bawra (1952 film)|Baiju Bawra]]<ref name=rediff/>
* 1961: [[Bengal Film Journalists' Association]]'s 'Best Music Director Award' for film [[Gunga Jumna]] (1961)
* 1975: "Naushad Ali", a 30-minute documentary film produced by Television Centre, Mumbai
* 1981: [[Dadasaheb Phalke Award]]<ref name=rediff/><ref name=upperstall/>
* 1984: [[Lata Mangeshkar]] Award (Madhya Pradesh State Government's Award)
* 1987: [[Amir Khusrow]] Award
* 1990: Best Music for [[The Sword of Tipu Sultan]] TV series
* 1992: [[Sangeet Natak Akademi Award]]
* 1992: [[Padma Bhushan]] Award for his lifetime contributions to Indian cinema<ref name=Britannica>{{cite web| url=https://www.britannica.com/biography/Naushad-Ali| title=Naushad Ali {{!}} Indian composer and music director| website=Encyclopædia Britannica| access-date=13 September 2019| archive-url=https://web.archive.org/web/20150919070120/https://www.britannica.com/biography/Naushad-Ali| archive-date=19 September 2015}}</ref>
* 1993: Awadh Ratna Award by Government of [[Uttar Pradesh]]
* 1994: Maharashtra Gaurav Puruskar Award{{sfn | Bharatan | 2019}}
* 2000: [[Screen Lifetime Achievement Award]]{{sfn | Bharatan | 2019}}
* 2008: The [[Carter Road Promenade|Carter Road]] situated at [[Bandra]], was renamed as '''[[Sangeet Samrat Naushad Ali Marg]]''' in his memory<ref name=dna2008>{{cite news|title=Carter Rd becomes history, now Naushad Ali Rd|url=https://www.dnaindia.com/mumbai/report-carter-rd-becomes-history-now-naushad-ali-rd-1162763|access-date=13 September 2019|newspaper=DNA (newspaper)|date=5 May 2008}}</ref>

==Positions held==
* President of Cine Music Directors Association
* Chairman of Indian Performing Rights Society
* President of Maharashtra State Angling Association
* President of Alam-E-Urdu Conference (Delhi)
* The title of Special Executive Magistrate, Mumbai

==Bibliography==
* {{cite book|last=Bharatan|first=Raju |title=Naushadnama: The Life and Music of Naushad|url=https://books.google.com/books?id=mg09BAAAQBAJ&q=the+sword+of+tipu+Sultan+Naushad|year=2014 |publisher=Hay House Inc.|isbn=9789381398630}}

==References==
{{reflist}}

==External links==
{{Commons category|Naushad}}
* {{cite news|url=http://www.dailytimes.com.pk/default.asp?page=2011%5C04%5C28%5Cstory_28-4-2011_pg9_14|title=Naushad Ali – Music composer with rich melodies|author=Dr. [[Amjad Parvez]]
|newspaper=[[Daily Times (Pakistan)|Daily Times]]|date=28 April 2011}}
*[http://www.rediff.com/movies/2006/may/10naushad.htm Khayyam remembers Naushad]
*[https://web.archive.org/web/20070318144616/http://www.hindu.com/2006/05/06/stories/2006050601841300.htm Glowing tribute to Naushad: The Hindu (newspaper)]
*[https://web.archive.org/web/20110427024911/http://www.hindu.com/mag/2006/05/14/stories/2006051400170700.htm Pandit Jasraj on Naushad: The Hindu (newspaper)]
*{{IMDb name|id=0006210}}
*[http://stationhollywood.blogspot.com/2007/12/naushads-relationship-with-rafi.html Naushad Ali] Naushad Ali's Relationship with Mohammed Rafi
*[https://web.archive.org/web/20180713204109/http://www.majroohnaushad.com/ Fan Site of Naushad]
*[https://www.amazon.co.uk/dp/0953473732 Naushad's book Aathwan Sur]
*[http://www.anindianmuslim.com/2006/05/na-mandir-mein-sanam-hotay-na-masjid.html Read a ghazal by Naushad]
*[http://hindi-films-songs.com/naushad-letterhead2.jpg Naushad's Letterhead]

{{Dadasaheb Phalke Award}}
{{PadmaBhushanAwardRecipients 1990–99}}
{{FilmfareAwardBestMusicDirector}}

{{Authority control}}

{{DEFAULTSORT:Naushad}}
[[Category:Filmfare Awards winners]]
[[Category:Recipients of the Sangeet Natak Akademi Award]]
[[Category:Musicians from Lucknow]]
[[Category:1919 births]]
[[Category:2006 deaths]]
[[Category:Dadasaheb Phalke Award recipients]]
[[Category:Hindi film score composers]]
[[Category:20th-century Indian musicians]]
[[Category:Recipients of the Padma Bhushan in arts]]