View source for Pat Hare

{{Infobox musical artist
| name             = Pat Hare
| image            = File:American blues guitarist Pat Hare.png
| caption          = Hare in 1959
| image_size       = 
| background       = solo_singer
| birth_name       = Auburn Hare
| alias            = 
| birth_date       = {{birth date|1930|12|20|mf=y}}
| birth_place      = [[Cherry Valley, Arkansas]], U.S.
| death_date       = {{death date and age|1980|9|26|1930|12|20|mf=y}}
| death_place      = [[Saint Paul, Minnesota]], U.S.
| instrument       = {{hlist|Guitar|vocals}}
| genre            = [[Blues]]
| occupation       = {{hlist|Musician|songwriter}}
| years_active     = Early 1950s–1963
}}

'''Auburn "Pat" Hare''' (December 20, 1930 – September 26, 1980) was an American [[electric blues]] guitarist and singer.<ref name="AMG">{{cite web |url={{AllMusic|class=artist|id=p84274/biography|pure_url=yes}} |title=Pat Hare |author=Koda, Cub |publisher=[[AllMusic]] |access-date=January 25, 2010}}</ref> His heavily [[distortion (music)|distorted]], [[power chord]]–driven electric guitar performances in the early 1950s is considered an important precursor of [[heavy metal music]].<ref name="palmer">[[Robert Palmer (American writer)|Palmer, Robert]] (1992). "Church of the Sonic Guitar". pp. 13–38 in Anthony DeCurtis, ''Present Tense'', [[Duke University Press]]. pp. 24–27. {{ISBN|0-8223-1265-4}}.</ref> His guitar work with [[Junior Parker|Little Junior's Blue Flames]] had a major influence on the [[rockabilly]] style,<ref name="gillett1984"/> and his guitar playing on [[blues]] records by artists such as [[Muddy Waters]] was influential among 1960s [[British Invasion]] [[blues rock]] bands such as the [[The Rolling Stones|Rolling Stones]] and the [[The Yardbirds|Yardbirds]].<ref name="palmer"/>

==Biography==
Hare, who was [[African-American]], was born in [[Cherry Valley, Arkansas]]. He recorded at the [[Sun Studio]] in [[Memphis, Tennessee]], serving as a sideman for [[Howlin' Wolf]], [[James Cotton]], [[Muddy Waters]], [[Bobby Bland]] and other artists. Hare was one of the first guitarists to purposely use the effects of [[Distortion (music)|distortion]] in his playing.<ref name="AMG"/>

In 1951, he joined a blues band formed by [[Junior Parker]], called Little Junior's Blue Flames.<ref>{{cite web |url= https://www.pbs.org/theblues/roadtrip/mem-louissongs.html |title=The Blues. Blues Road Trip. Memphis and St. Louis |publisher=PBS |access-date=2015-11-04}}</ref> He played the electric guitar solo on "[[Mystery Train|Love My Baby]]" (1953), which later inspired the [[rockabilly]] style.<ref name="gillett1984">{{cite book|last=Gillett|first=Charlie|title=The Sound of the City: The Rise of Rock and Roll|year=1984|publisher=[[Pantheon Books]]|location=New York|isbn=0394726383|url=https://archive.org/details/soundofcityriseo00gillett|url-access=registration|edition=Rev.|access-date=6 July 2012|quote="Love My Baby" in particular featured some blistering guitar playing by Pat Hare, which inspired the rockabilly style....}}</ref> One of their biggest hits was "[[Next Time You See Me]]",<ref name="Vera">{{Cite book | last = Vera | first = Billy | title = Junior's Blues &ndash; The Duke Recordings Volume One ''(liner notes)'' | publisher = Duke/MCA | date = 1992 | pages = 4&ndash;5 | id = MCAD-10669 }}</ref> which in 1957 reached number 5 on the [[Hot R&B/Hip-Hop Songs|Billboard R&B]] chart and number 74 on the [[Billboard Hot 100|''Billboard'' Hot 100]] pop chart.<ref name="Whitburn">{{Cite book | last = Whitburn | first = Joel | title = Top R&B Singles 1942&ndash;1988 | publisher = Record Research | date = 1988 | page = [https://archive.org/details/joelwhitburnstop00whit/page/319 319] |url= https://archive.org/details/joelwhitburnstop00whit/page/319 | isbn = 0-89820-068-7 | url-access = registration }}</ref>

His [[guitar solo]] on James Cotton's [[electric blues]] record "Cotton Crop Blues" (1954) was the first recorded use of heavily distorted [[power chord]]s, later an element of [[heavy metal music]]. According to [[Robert Palmer (American writer)|Robert Palmer]], "Rarely has a grittier, nastier, more ferocious electric guitar sound been captured on record, before or since, and Hare's repeated use of a rapid series of two downward-modulating power chords, the second of which is allowed to hang menacingly in the air, is a kind of hook or structural glue. [...] The first heavy metal record? I'd say yes, with tongue only slightly in cheek."<ref name="palmer"/> The other side of the single was "Hold Me in Your Arms"; both songs "featured a guitar sound so overdriven that with the historical distance of several decades, it now sounds like a direct line to the coarse, distorted tones favored by modern [[rock music|rock]] players." According to Allmusic, "what is now easily attainable by 16-year-old kids on modern-day [[Effects unit|effects pedals]] just by stomping on a switch, Hare was accomplishing with his fingers and turning the volume knob on his Sears & Roebuck cereal-box-sized [[guitar amplifier|amp]] all the way to the right until the speaker was screaming."<ref name="AMG"/>

Hare was reported to have been introverted when sober (once married to Dorothy Mae Good, with whom he had a son and two daughters), but he had a serious problem with alcohol abuse.<ref name="AMG"/> Shortly after the "Cotton Crop Blues" recording, he recorded a version of the early 1940s [[Doctor Clayton]] song "I'm Gonna Murder My Baby" on May 14, 1954, which has since been released on the 1990 [[Rhino Records]] compilation album ''Blue Flames: A Sun Blues Collection''. The record also features power chords, which remains "most fundamental in modern rock" as "the basic structure for riff-building in heavy metal bands." According to Robert Palmer, the song is "as heavy metal as it gets."<ref name="palmer"/> According to the album liner notes, "I'm Gonna Murder My Baby" is "doubly morbid because he did just that". In December 1963, Hare shot his girlfriend dead in [[Minneapolis]] and also shot a policeman who came to investigate.<ref name=gordon174>{{cite book|last=Gordon|first=Robert|title=Can't Be Satisfied: The Life and Times of Muddy Waters|year=2003|publisher=Back Bay Books|isbn=0-316-16494-1|pages=174–175}}</ref> At the time of his arrest, he gave police his occupation as "window washer". He had been fired from the Muddy Waters before moving to Minnesota (replaced in the band by the guitarist [[James "Pee Wee" Madison]]).<ref name="AMG"/><ref name=gordon>{{cite book|last=Gordon|first=Robert|title=Can't Be Satisfied: The Life and Times of Muddy Waters|year=2003|publisher=Back Bay Books|isbn=0-316-16494-1|pages=202–203}}</ref> Hare pleaded guilty to murder and spent the last 16 years of his life in prison, where he formed a band named Sounds Incarcerated.<ref name=gordon174/> He developed lung cancer in prison and died in 1980 in Saint Paul, Minnesota.

==References==
{{Reflist}}

==External links==
* [http://www.wirz.de/music/hare.htm Illustrated Pat Hare discography]

{{Authority control}}

{{DEFAULTSORT:Hare, Pat}}
[[Category:1930 births]]
[[Category:1980 deaths]]
[[Category:American blues singers]]
[[Category:American blues guitarists]]
[[Category:American male guitarists]]
[[Category:Deaths from lung cancer in Minnesota]]
[[Category:Memphis blues musicians]]
[[Category:Electric blues musicians]]
[[Category:Sun Records artists]]
[[Category:People from Cherry Valley, Arkansas]]
[[Category:African-American guitarists]]
[[Category:20th-century American guitarists]]
[[Category:20th-century African-American male singers]]
[[Category:20th-century American male singers]]
[[Category:20th-century American singers]]