View source for Performing arts

{{Short description|Art forms involving live performance}}
{{distinguish|Performance art}}
{{Use dmy dates|date = October 2019}}{{CS1 config|mode=cs1}}{{multiple issues|{{more citations needed|date=May 2018}}{{Essay-like|date=October 2025}}}}[[File:Labudovo jezero, Balet SNP-a, Jelena Lečić, Andrej Kolčeriju, foto M. Polzović.jpg|thumb|A performance of the ballet ''[[Swan Lake]]'']]
{{Performing arts}}
The '''performing arts''' are [[The arts|arts]] such as [[music]], [[dance]], and [[drama]] which are performed for an audience.<ref>{{Cite web|title=the-performing-arts noun – Definition, pictures, pronunciation and usage notes {{!}} Oxford Advanced Learner's Dictionary at OxfordLearnersDictionaries.com|url=https://www.oxfordlearnersdictionaries.com/us/definition/english/the-performing-arts?q=performing+arts|access-date=2021-01-19|website=www.oxfordlearnersdictionaries.com|archive-date=30 July 2022|archive-url=https://web.archive.org/web/20220730070105/https://www.oxfordlearnersdictionaries.com/us/definition/english/the-performing-arts?q=performing+arts|url-status=live}}</ref> They are different from the [[visual arts]], which involve the use of paint, canvas or various materials to create physical or static [[art objects]]. Performing arts include a range of disciplines which are performed in front of a live audience, including theatre, music, and dance.

[[Theatre]], music, gymnastics, [[object manipulation]], and other kinds of performances are present in all human cultures. The [[history of music]] and [[history of dance|dance]] date to [[pre-historic times]] whereas [[circus skills]] date to at least [[Ancient Egypt]]. Many performing arts are performed professionally. Performance can be in purpose-built buildings, such as theatres and opera houses; on open air stages at festivals; on stages in tents, as in circuses; or on the street.

Live performances before an audience are a form of entertainment. The development of [[Sound recording and reproduction|audio]] and [[video]] recording has allowed for private consumption of the performing arts. The performing arts often aim to express emotions or feelings.<ref>{{cite journal|last=Oliver|first=Sophie Anne|title= Trauma, Bodies, and Performance Art: Towards an Embodied Ethics of Seeing |journal= Continuum|date=February 2010|volume=24|pages=119–129|doi=10.1080/10304310903362775|s2cid=145689520}}</ref>

==Performers==
{{redirect2|Performer|Performers||Performer (disambiguation)}}
[[File:Dancing girls in concert.jpg|thumb|right|Two female dancers in [[Sofia, Bulgaria]]]]
Artists who participate in performing arts in front of an audience are called performers. Examples of these include [[actor]]s, [[comedian]]s, [[dance]]rs, [[Magic (illusion)|magicians]], [[circus]] artists, [[musician]]s, and [[Singing|singers]]. Performing arts are also supported by workers in related fields, such as [[songwriting]], choreography and [[stagecraft]]. Performers often adapt their [[Physical appearance|appearance]], such as with [[costume]]s and [[stage makeup]], [[stage lighting]], and sound.

[[File:Mckenna Theater Stage; SUNY @ New Paltz.jpg|220x124px|thumb|right|alt=A picture of a Theatre, a place to showcase performances to audience.|McKenna Theatre Stage]]

==Types==
Performing arts may include dance, music, opera, theatre and musical theatre, [[Magic (illusion)|magic]], [[illusion]], [[mime]], [[spoken word]], [[puppetry]], [[circus arts]], [[stand-up comedy]], [[Improvisational theatre|improv]], [[professional wrestling]] and [[performance art]].

There is also a specialized form of fine art, in which the artists ''perform'' their work live to an audience. This is called [[performance art]]. Most performance art also involves some form of [[plastic art]], perhaps in the creation of [[props]]. Dance was often referred to as a [[Plastic arts|plastic art]] during the [[modern dance]] era.<ref name="dance">{{cite journal|last1=Mackrell|first1=Judith R.|title=dance|journal=Encyclopædia Britannica |date=19 May 2017|url=https://www.britannica.com/art/dance/Types-of-dance|access-date=14 July 2017|archive-date=7 October 2019|archive-url=https://web.archive.org/web/20191007132340/https://www.britannica.com/art/dance/Types-of-dance|url-status=live}}</ref>

===Theatre===
{{main|Theatre}}
Theatre is the branch of performing arts concerned with acting out stories in front of an audience, using a combination of speech, gesture, music, dance, sound, and spectacle. Any one or more of these elements is considered performing arts. In addition to the standard narrative dialogue style of plays, theater takes such forms as plays, musicals, opera, ballet, [[illusion]], [[mime artist|mime]], [[classical Indian dance]], [[kabuki]], [[Mummers Play|mummers' plays]], [[improvisational theatre]], comedy, [[pantomime]], and non-conventional or contemporary forms like [[postmodern theatre]], [[postdramatic theatre]], or performance art.

===Dance===
{{main|Dance}}
[[File:Chopiniana Baku.jpg|thumb|Scene from the ballet {{lang|fr|[[Les Sylphides]]}}]]
In the context of performing arts, dance generally refers to human [[Motion (physics)|movement]], typically rhythmic and to music, used as a form of audience entertainment in a performance setting. Definitions of what constitutes dance are dependent on [[Society|social]], [[Culture|cultural]], [[aesthetic]], [[artistic]], and moral constraints and range from functional movement (such as [[folk dance]]) to codified, virtuoso techniques such as [[ballet]].<ref name="mackrell">{{cite web|last1=Mackrell|first1=Judith|title=Dance|url=https://www.britannica.com/EBchecked/topic/150714/dance|website=Encyclopædia Britannica|access-date=11 March 2015|archive-date=24 March 2015|archive-url=https://web.archive.org/web/20150324131003/http://www.britannica.com/EBchecked/topic/150714/dance|url-status=live}}</ref>

There is one another modern form of dance that emerged in 19th- 20th century with the name of [[free dance]] style. This form of dance was structured to create a harmonious personality which included features such as physical and spiritual freedom. [[Isadora Duncan]] was the first female dancer who argued about "woman of future" and developed novel vector of choreography using [[Nietzsche]]'s idea of "supreme mind in free mind".<ref>{{cite journal |last1=Nana |first1=Loria |title=Philosophical Context of Contemporary Choreographic Space |journal=GESJ: Musicology and Cultural Science |date=30 June 2015 |volume=11 |issue=1 |pages=64–67 |url=http://gesj.internet-academy.org.ge/download.php?id=2599.pdf |access-date=3 January 2023 |archive-date=3 January 2023 |archive-url=https://web.archive.org/web/20230103132354/http://gesj.internet-academy.org.ge/download.php?id=2599.pdf |url-status=live }}</ref>{{Vague|reason=Sentence is difficult to understand|date=October 2025}}

Dance is a powerful impulse, but the art of dance is that impulse channeled by skillful performers into something that becomes intensely expressive and that may delight spectators who feel no wish to dance themselves. These two concepts of the art of dance—dance as a powerful impulse and dance as a skillfully choreographed art practiced largely by a professional few—are the two most important connecting ideas running through any consideration of the subject. In dance, the connection between the two concepts is stronger than in some other arts, and neither can exist without the other.<ref name="mackrell" />

[[Choreography]] is the art of making dances, and the person who practices this art is called a choreographer.

===Music===
{{main|Music}}
Music is an art form which combines [[Pitch (music)|pitch]], rhythm, and [[Dynamics (music)|dynamic]] to create sound. It can be performed using a variety of instruments and styles and is divided into genres such as [[Folk music|folk]], [[jazz]], [[Hip hop music|hip hop]], pop, and rock, etc. As an art form, music can occur in live or recorded formats, and can be [[Rehearsal|planned]] or [[Musical improvisation|improvised.]]

As music is a [[Proteus|protean]] art, it easily coordinates with words for songs as physical movements do in dance. Moreover, it has a capability of shaping human behaviors as it impacts our emotions.<ref>{{cite journal |last1=Epperson |first1=Gordan |title=music |journal=Encyclopædia Britannica, Inc. |date=11 April 2016 |url=https://www.britannica.com/art/music |access-date=14 July 2017 |archive-date=28 October 2019 |archive-url=https://web.archive.org/web/20191028225258/https://www.britannica.com/art/music |url-status=live }}</ref>

==History== <!-- "History of the performing arts" redirects to here -->
[[File:Sophocles pushkin.jpg|right|thumb|upright|[[Sophocles]]]]

===Western performing arts===
{{main|Western art history}}{{See also|Antitheatricality}}
Starting in the 6th century BC, the [[Classical antiquity|Classical period]] of performing art began in [[Greece]], ushered in by the tragic poets such as [[Sophocles]]. These poets wrote plays which, in some cases, incorporated dance (see [[Euripides]]). The [[Hellenistic civilization|Hellenistic period]] began the widespread use of comedy.

====Middle Ages====
{{main|Middle Ages}}

Between the 9th century and 14th century, performing art in the West was mostly limited to [[Religion|religious]] historical enactments and [[morality play]]s, organized by the [[Roman Catholic Church|Church]] in celebration of holy days and other important events.

====Renaissance====
{{main|Renaissance}}

In the 15th century performing arts, along with the arts in general, saw a revival as the Renaissance began in Italy and spread throughout Europe plays, some of which incorporated dance, which were performed and [[Domenico da Piacenza]] credited with the first use of the term ''ballo'' (in ''De Arte Saltandi et Choreas Ducendi'') instead of ''danza'' (dance) for his ''baletti'' or ''balli''. The term eventually became ''[[Ballet]]''. The first Ballet ''per se'' is thought to be [[Balthasar de Beaujoyeulx]]'s [[Ballet Comique de la Reine]] (1581).
[[File:Jan Miel – Actors from the Commedia dell’Arte on a Wagon in a Town Square.jpg|right|thumb|upright=1.1<!-- requires curly apostrophe --> |''[[Commedia dell'arte]] troupe on a wagon'', by [[Jan Miel]], 1640]]

By the mid-16th century [[Commedia Dell'arte]] became popular in Europe, introducing the use of [[improvisation]]. This period also introduced the [[Elizabethan masque]], featuring music, dance and elaborate costumes as well as professional theatrical companies in England. [[William Shakespeare]]'s plays in the late 16th century developed from this new class of professional performance.

In 1597, the first opera, [[Dafne]] was performed and throughout the 17th century, opera would rapidly become the entertainment of choice for the [[aristocracy]] in most of Europe, and eventually for large numbers of people living in cities and towns throughout Europe.

==== Baroque era ====
{{main|Baroque}}

The Baroque era followed the Renaissance, commencing in the early 17th century It represented a departure from simplicity and austerity of [[Protestant]] art with extensive use of contrast, detail and colour. Accordingly encouraged by the Catholic Church. 

The introduction of the [[proscenium arch]] in Italy during the 17th century established the traditional theatre form that persists to this day. Meanwhile, in England, the [[Puritans]] forbade acting, bringing a halt to performing arts that lasted until 1660. After that, women began to appear in both French and English plays. The French introduced a formal dance instruction in the late 17th century. It is also during this time that the first plays were performed in the [[Thirteen Colonies|American Colonies]].

==== Neoclassicism ====
{{main|Neoclassicism}}

In the mid-18th century, Neoclassicism emerged as a major art movement that drew inspiration from the art and culture of [[classical antiquity]]. 

Music during the neoclassical period was characterised by a greater emphasis on formal order and clarity, including a departure from [[polyphony]] to [[homophony]]. Some of the most well-known composers include [[Joseph Haydn]], [[Wolfgang Amadeus Mozart]], [[Ludwig van Beethoven]], and [[Franz Schubert]].

The introduction of the popular [[comic opera|opera buffa]] brought opera to the masses as an accessible form of performance. [[Wolfgang Amadeus Mozart|Mozart]]'s ''[[The Marriage of Figaro]]'' and ''[[Don Giovanni]]'' are landmarks of the late 18th century opera.

==== Romanticism ====
{{main|Romanticism}}

At the turn of the 19th century, the [[Romantic movement]] ushered in a new era that led first to the spectacles of [[grand opera]] and then to the musical dramas of [[Giuseppe Verdi]] and the ''[[Gesamtkunstwerk]]'' (total work of art) of the operas of [[Richard Wagner]] leading directly to the music of the 20th century.

==== Modern era ====
{{main|Modernism}}

[[File:Vaslav Nijinsky, 1912.jpg|thumb|left|upright|[[Vaslav Nijinsky]] dancing the Faun in ''[[Afternoon of a Faun (Nijinsky)|L'après-midi d'un faune]]'' (1912)]]
The 19th century was a period of growth for the performing arts for all social classes, technical advances such as the introduction of [[Gas lighting|gaslight]] to theatres, [[burlesque]], minstrel dancing, and variety theatre. In ballet, women make great progress in the previously male-dominated art.

[[Modern dance]] began in the late 19th century and early 20th century in response to the restrictions of traditional ballet.
The arrival of [[Sergei Diaghilev]]'s [[Ballets Russes]] (1909–1929) revolutionized ballet and the performing arts generally throughout the Western world, most importantly through Diaghilev's emphasis on collaboration, which brought choreographers, dancers, set designers/artists, composers and musicians together to revitalize and revolutionize ballet. It is extremely complex.

[[Konstantin Stanislavski]]'s [[Stanislavski System|"System"]] revolutionized acting in the early 20th century, and continues to have a major influence on actors of stage and screen to the current day. Both [[impressionism]] and modern realism were introduced to the stage during this period.

With the invention of the motion picture in the late 19th century by [[Thomas Edison]] and the growth of the [[Cinema of the United States|motion picture industry in Hollywood]] in the early 20th century, [[film]] became a dominant performance medium throughout the 20th and 21st centuries.

[[Rhythm and blues]], a cultural phenomenon of black America, rose to prominence in the early 20th century, influencing a range of later popular music styles internationally.

[[File:Street Theatre Show, La Chaux-de-Fonds.jpg|right|thumb|upright=1.15|Modern street theatre performance in La Chaux-de-Fonds]]In the 1930s [[Jean Rosenthal]] introduced what would become modern [[stage lighting]], changing the nature of the stage as the [[Broadway musical]] became a phenomenon in the United States.

====Postwar====
Post-World War II performing arts were highlighted by the resurgence of both ballet and opera in the Western world.

[[Postmodernism]] dominated the performing arts during the 1970s and the 1980s.<ref>{{Cite book |last=Auslander |first=Philip |url=https://bpb-us-w2.wpmucdn.com/sites.gatech.edu/dist/6/11/files/2017/12/Auslander-Postmodernism-and-Performance.pdf |title=The Cambridge Companion to Postmodernism |publisher=Cambridge University Press |date=28 May 2006 |pages=98 |language=en |archive-date=7 December 2023 |access-date=7 December 2023 |archive-url=https://web.archive.org/web/20231207194136/https://bpb-us-w2.wpmucdn.com/sites.gatech.edu/dist/6/11/files/2017/12/Auslander-Postmodernism-and-Performance.pdf |url-status=dead }}</ref>

=== African performing arts ===
Indigenous African performance traditions are rooted in [[ritual]], storytelling, [[African dance|movement]], and [[Music of Africa|music]].<ref>{{Cite web |title=African Traditional Theater or Unknown Performances |url=http://quasianonima.it/2019/09/16/african-traditional-theater-or-unknown-performances/ |access-date=2023-01-25 |website=quasianonima.it |language=it-IT |archive-date=25 January 2023 |archive-url=https://web.archive.org/web/20230125220704/http://quasianonima.it/2019/09/16/african-traditional-theater-or-unknown-performances/ |url-status=live }}</ref> Performances were communal with the storytellers and audience interacting and participating in [[call and response]], which is characterized by a vocalist singing a phrase that is then echoed or responded to with a new phrase by the other performers and/or audience. This ancient tradition is rooted in many African cultures.<ref>{{Cite web |last=Katie |title=The Call And Response In African Culture |url=https://brightstarmusical.com/the-call-and-response-in-african-culture/ |access-date=2023-01-25 |website=brightstarmusical.com |language=en-US |archive-date=25 January 2023 |archive-url=https://web.archive.org/web/20230125220703/https://brightstarmusical.com/the-call-and-response-in-african-culture/ |url-status=live }}</ref>

==== North Africa ====
The earliest recorded theatrical event dates back to 2000 BC with the ceremonial plays of [[Ancient Egypt]]. The story of the god [[Osiris]] was performed annually at festivals throughout the civilization, marking the known beginning of a long relationship between theatre and religion. The [[Dramatic Ramesseum Papyrus]], the oldest surviving illustrated papyrus details the performance during the [[Sed festival|Sed Festival]] and has been used as evidence of the birth of theatrical tradition, which western scholars often attribute to ancient Greece.<ref>{{Cite journal |last=Mahmoud Khelefy |first=Shimaa |date=2022-06-16 |title=The Ramesseum Dramatic Papyri as Evidence of Drama in Ancient Egypt |url=https://mjthr.journals.ekb.eg/article_243269.html |journal=Minia Journal of Tourism and Hospitality Research MJTHR |volume=14 |issue=1 |language=en |pages=59–74 |doi=10.21608/mjthr.2022.140016.1039 |s2cid=249915001 |issn=2735-4741 |access-date=25 January 2023 |archive-date=25 January 2023 |archive-url=https://web.archive.org/web/20230125222022/https://mjthr.journals.ekb.eg/article_243269.html |url-status=live |doi-access=free }}</ref>

==== West Africa ====
A [[Griot]] is a West African oral historian who uses storytelling, poetry, and music to express the genealogies and historical narratives of the tribes they represent, often playing instruments such as the [[Kora (instrument)|kora]].<ref>{{Cite web |title=Griot {{!}} African troubadour-historian {{!}} Britannica |url=https://www.britannica.com/art/griot |access-date=2023-01-25 |website=www.britannica.com |language=en |archive-date=7 March 2023 |archive-url=https://web.archive.org/web/20230307053233/https://www.britannica.com/art/griot |url-status=live }}</ref> This ancient profession is upheld in a position of community leadership.

=== Eastern performing arts ===

====West Asia====
The most popular forms of theater in the [[Islamic Golden Age|medieval Islamic world]] were [[puppet]] theatre (which included hand puppets, [[shadow play]]s and [[marionette]] productions) and live passion plays known as ''ta'ziya'', where actors re-enact episodes from [[Muslim history]]. In particular, [[Shia Islam]]ic plays revolved around the ''[[Shahid|shaheed]]'' (martyrdom) of [[Ali]]'s sons [[Hasan ibn Ali]] and [[Husayn ibn Ali]]. It commonly refers to passion plays about the [[battle of Karbala]] and its prior and subsequent events. [[Lewis Pelly|Sir Lewis Pelly]] begins the preface of his book about Ta'zieh maintaining that "If the success of a drama is to be measured by the effects
which it produces upon the people for whom it is composed, or upon the audiences before whom it is represented, no play has ever surpassed the tragedy known in the Mussulman world as that of [[Hasan ibn Ali|Hasan]] and [[Husayn ibn Ali|Husain]]."
<ref name="Pelly">{{cite book|last1=Pelly|first1=Lewis|title=The Miracle Play of Hasan and Husain|url=https://archive.org/details/in.ernet.dli.2015.175218|date=1879|publisher=W. H. Allen and Co.|isbn=978-1-0152-8641-2|page=III|language=en}}</ref> Years later Peter Chelkowski, professor of Iranian and Islamic studies at [[NYU]], chooses the same words for the beginning of his book 'Ta`ziyeh, ritual and drama in Iran'.<ref name="Chelkowski">{{cite book|last1=Chelkowski|first1=Peter J.|title=Ta'ziyeh: Ritual and Drama in Iran|url=https://archive.org/details/tazyehritualdram0000unse|date=1979|publisher=New York University|isbn=0-8147-1375-0|page=XV|language=en}}</ref>
Live secular plays were known as ''akhraja'', recorded in medieval ''[[Adab (behavior)|adab]]'' literature, though they were less common than puppetry and ''ta'ziya'' theater.<ref>{{citation|last=Moreh |first=Shmuel |author-link=Shmuel Moreh |contribution=Live Theater in Medieval Islam |title=Studies in Islamic History and Civilization |editor=David Ayalon |editor2=[[Moshe Sharon]] |publisher=[[Brill Publishers]] |year=1986 |isbn=978-965-264-014-7 |pages=565–601}}</ref>
[[File:Valiollah Torabi.jpg|thumb|Valiollah Torabi, Iranian naqqāl (storyteller) of Shahnameh]]

====Iran====
{{Main|Persian theatre}}
In [[Iran]] there are other forms of theatrical events such as ''Naghali'' or ''Naqqāli'' (story telling), ''[[Ta'zieh]]'', ''ٰRu-Howzi'', ''[[Siah-Bazi]]'', ''Parde-Khani'', and ''[[Mareke giri]]''. Prior to the twentieth century, storytelling was the most recognized form of entertainment, although today, some forms still remain. One form, ''Naghali,'' was traditionally performed in coffeehouses where the storytellers, or ''Naghals (Naqqāls),'' only recited sections of a story at a time, thus retaining regular cliental. These stories were based on events of historical or religious importance and many referenced poetries from the [[Shahnameh]]. These stories were often altered to bond with the atmosphere or mood of the audience.<ref>{{cite journal |last1=Talebi |first1=Niloufar |title='Memory of a Phoenix Feather': Iranian Storytelling Traditions and Contemporary Theater |journal=World Literature Today |date=2009 |volume=83 |issue=4 |pages=49–53 |id={{Gale|A203229174}} {{Project MUSE|843278}} {{ProQuest|209398361}} |doi=10.1353/wlt.2009.0306 |s2cid=160657511 }}</ref>

====India====
{{main|Theatre in India||Sanskrit drama}}
[[File:Bharatanatyam is a major form of Indian classical dance that originated in the state of Tamil Nadu.jpg|thumb|left|[[Bharatanatyam]], an Indian classical dance that originated in [[Tamil Nadu]]]]
[[File:Gotikua dance.jpg|thumb|left|Gotikua folk dance is one of the well known performances performed by all boys group dressed in the Indian ladies attire [[Saree]].]]

Folk theatre and dramatics can be traced to the religious ritualism of the [[Vedic period|Vedic peoples]] in the [[2nd millennium BC]]. This folk theatre of the misty past was mixed with dance, food, ritualism, plus a depiction of events from daily life. The last element made it the origin of the classical theatre of later times. Many historians, notably D. D. Kosambi, Debiprasad Chattopadhyaya, Adya Rangacharaya, etc. have referred to the prevalence of ritualism amongst [[Indo-Aryans|Indo-Aryan]] tribes in which some members of the tribe acted as if they were wild animals, and some others were the hunters. Those who acted as mammals like goats, buffaloes, reindeer, monkeys, etc. were chased by those playing the role of hunters.{{citation needed|date=January 2023}}

[[Bharata Muni]] (fl. 5th–2nd century BC) was an ancient Indian writer best known for writing the ''[[Natya Shastra of Bharata]]'', a theoretical treatise on Indian performing arts, including theatre, dance, acting, and music, which has been compared to [[Aristotle]]'s ''[[Poetics (Aristotle)|Poetics]]''. Bharata is often known as the father of Indian theatrical arts. His ''Natya Shastra'' seems to be the first attempt to develop the technique or rather art, of drama in a systematic manner. The Natya Shastra tells us not only what is to be portrayed in a drama, but how the portrayal is to be done. Drama, as Bharata Muni says, is the imitation of men and their doings (''loka-vritti''). As men and their doings have to be respected on the stage, so drama in Sanskrit is also known by the term ''rupaka'', which means portrayal.<ref>{{Cite web| title=Bharatmuni's Natyashastra: The Rise of Indian Drama | url=https://www.ijtsrd.com/papers/ijtsrd49615.pdf/ | archive-url=https://web.archive.org/web/20230131092439/https://www.ijtsrd.com/papers/ijtsrd49615.pdf | archive-date=2023-01-31}}</ref>

The ''[[Ramayana]]'' and ''[[Mahabharata]]'' can be considered the first recognized plays that originated in India. These epics provided the inspiration to the earliest Indian dramatists and they do it even today. Indian dramatists such as [[Bhāsa]] in the 2nd century BC wrote plays that were heavily inspired by the ''Ramayana'' and ''Mahabharata''.{{citation needed|date=January 2023}}

[[Kālidāsa]] in the 1st century BC, is arguably considered to be ancient [[India]]'s greatest dramatist. Three famous romantic plays written by Kālidāsa are the ''[[Mālavikāgnimitram]]'' (''Mālavikā and Agnimitra''), ''[[Vikramōrvaśīyam]]'' (''Pertaining to Vikrama and Urvashi''), and ''[[The Recognition of Sakuntala|Abhijñānaśākuntala]]'' (''The Recognition of Shakuntala''). The last was inspired by a story in the ''Mahabharata'' and is the most famous. It was the first to be translated into English and German. In comparison to Bhāsa, who drew heavily from the epics, Kālidāsa can be considered an original playwright.{{citation needed|date=January 2023}}

The next great Indian dramatist was [[Bhavabhuti]] (c. 7th century). He is said to have written the following three plays: ''Malati-Madhava'', ''[[Mahaviracharita]]'' and ''Uttar Ramacharita''. Among these three, the last two cover between them, the entire epic of ''Ramayana''. The powerful Indian emperor [[Harsha]] (606–648) is credited with having written three plays: the comedy ''[[Ratnavali]]'', ''[[Priyadarsika]]'', and the [[Buddhist]] drama ''[[Nagananda]]''. Many other dramatists followed during the [[Middle Ages]].{{citation needed|date=January 2023}}

There were many performing art forms in the southern part of India, Kerala is such a state with different such art forms like [[Koodiyattam]], [[Nangyarkoothu]], [[Kathakali]], [[Chakyar koothu]], [[Thirayattam]] and there were many prominent artists like [[Ramanchakyar|Painkulam Raman Chakyar]] and others.{{citation needed|date=January 2023}}

====China====
{{main|Theatre of China}}
[[File:Hand shadow drama 3.jpg|thumb|upright=.8|Hand shadow drama, China]]

There are references to theatrical entertainments in China as early as 1500 BC during the [[Shang dynasty]]; they often involved music, clowning and acrobatic displays.<ref name="McConachie Sorgenfrei Underiner Nellhaus 2016 p. 153">{{cite book | last1=McConachie | first1=B. | last2=Sorgenfrei | first2=C.F. | last3=Underiner | first3=T. | last4=Nellhaus | first4=T. | title=Theatre Histories: An Introduction | publisher=Taylor & Francis | year=2016 | isbn=978-1-135-04113-7 | url=https://books.google.com/books?id=ZMmjCwAAQBAJ&pg=PA153 | access-date=29 Jun 2023 | page=153 | archive-date=29 June 2023 | archive-url=https://web.archive.org/web/20230629202618/https://books.google.co.uk/books?id=ZMmjCwAAQBAJ&pg=PA153 | url-status=live }}</ref>

The [[Tang dynasty]] is sometimes known as "The Age of 1000 Entertainments". During this era, [[Emperor Xuanzong of Tang]] formed an acting school known as the Children of the [[Pear Garden]] to produce a form of drama that was primarily musical.<ref name="McConachie Sorgenfrei Underiner Nellhaus 2016 p. 153"/>

During the [[Han dynasty]], [[shadow play]], also known as shadow puppetry, first emerged as a recognized form of theatre in China. The plays depicted adventure and fantasy. Symbolic color was prevalent; a black face represented honesty, a red one bravery. The heads were removed at night, in keeping with the old superstition that if left intact, the puppets would come to life. Shadow puppetry is said to have reached its highest point of artistic development in the 11th century, before becoming a tool of the government.{{citation needed|date=January 2023}}

In the [[Song dynasty]], there were many popular plays involving [[acrobatic]]s and music. These developed in the [[Yuan dynasty]] into a more sophisticated form with a four- or five-act structure. Yuan drama spread across China and diversified into numerous regional forms, the best known of which is Beijing Opera, which is still popular today.<ref>{{Cite web |last=Carter |first=James |date=2022-09-28 |title=The origins of Peking Opera |url=https://thechinaproject.com/2022/09/28/the-origins-of-peking-opera/ |access-date=2025-01-18 |website=The China Project |language=en-US}}</ref>

====Thailand====
{{further|Ramakien}}
[[File:WatPhraKeaw Ramayana Chariot.JPG|thumb|[[Hanuman]] on his chariot, a scene from the [[Ramakien]] in [[Wat Phra Kaew]], [[Bangkok]]]]

In [[Thailand]], it has been a tradition from the Middle Ages to stage plays based on plots drawn from Indian epics. In particular, the theatrical version of Thailand's national epic ''[[Ramakien]]'', a version of the Indian ''[[Ramayana]]'', remains popular in Thailand even today.

====Cambodia====
In [[Cambodia]], inscriptions dating back to the 6th century [[AD]] indicates evidence of dancers at a local temple and using puppetry for religious plays. At the ancient capital [[Angkor Wat]], stories from the Indian epics ''Ramayana'' and ''[[Mahabharata]]'' have been carved on the walls of temples and palaces. Similar reliefs are found at [[Borobudur]] in Indonesia.

====Philippines====
In the [[Philippines]], the famous [[epic poetry|epic]] poem [[Ibong Adarna]], originally titled ''"Korido at Buhay na Pinagdaanan ng Tatlong Prinsipeng Magkakapatid na anak nina Haring Fernando at Reyna Valeriana sa Kahariang Berbania"'' (English: "[[Corrido]] and Life Lived by the Three Princes, children of King Fernando and Queen Valeriana in the Kingdom of Berbania") from the 16th century was written by [[José de la Cruz (writer)|José de la Cruz]] during the [[Spanish era]]. Aside from theatrical performances, different films were produced by different film studios/ television productions. The first produced "Ang Ibong Adarna" film was produced by [[LVN Pictures]], the biggest film studio in the history of the Philippines.

[[Florante at Laura]] is an ''"[[awit (poem)|awit]]"'' or a poem consisting of 12-syllable quatrains with the full title ''"Pinagdaanang Buhay ni Florante at ni Laura sa Kahariang Albanya"'' (English: "The History of Florante and Laura in the [[Kingdom of Albania (medieval)|Kingdom of Albania]]") was written by [[Francisco Balagtas]] in 1838 during his imprisonment dedicated to his sweetheart Maria Asuncuion Rivera (nicknamed "M.A.R.", referenced to as "Selya"). The poem has a special part entitled "[[Kay Selya]]" (English: "For Celia") specially dedicated for Rivera.

The [[Philippine]]'s national hero, [[José Rizal]] who is also a novelist, created the two famous poems in the Philippines, ''[[Noli Me Tángere (novel)|Noli Me Tángere]]'' ([[Latin]] for "Touch me not", with an acute accent added on the final word in accordance with [[Spanish orthography]]) (1887) that describes perceived inequities of the Spanish Catholic friars and the ruling government and ''[[El Filibusterismo]]'' (translations: The filibusterism; The Subversive or The Subversion, as in the Locsín English translation, are also possible translations, also known by its alternative English title The Reign of Greed) (1891). The novel's dark theme departs dramatically from the previous novel's hopeful and romantic atmosphere, signifying Ibarra's resort to solving his country's issues through violent means, after his previous attempt in reforming the country's system made no effect and seemed impossible with the corrupt attitude of the Spaniards toward the Filipinos. These novels were written during the [[colonization of the Philippines]] by the [[Spanish Empire]].

All of these literary pieces were under the curriculum of the [[K-12 Program for Junior High Schools]], [[Ibong Adarna]] is under the Grade 7 Curriculum; [[Florante at Laura]] (Grade 8); ''Noli Me Tángere'' (Grade 9); and [[El Filibusterismo]] (Grade 10).

====Japan====
[[File:Kabuki play.jpg|thumb|right|Kabuki play]]
[[File:Performance 1 (in Kagoshima).jpg|thumb|right|Performance in [[Kagoshima]]]]
{{main|Noh|Bunraku|Kabuki|Butoh}}

During the 14th century, there were small companies of actors in [[Japan]] who performed short, sometimes vulgar comedies. A director of one of these companies, Kan'ami (1333–1384), had a son, [[Zeami Motokiyo]] (1363–1443), who was considered one of the finest child actors in Japan. When Kan'ami's company performed for [[Ashikaga Yoshimitsu]] (1358–1408), the {{transliteration|ja|[[shōgun]]}} of Japan, he implored Zeami to have a court education for his arts.<ref>{{Cite web|title=the-noh.com : The Words of Zeami : His Dramatic Life|url=https://www.the-noh.com/en/zeami/index.html|access-date=2021-09-19|website=www.the-noh.com|language=en|archive-date=11 March 2022|archive-url=https://web.archive.org/web/20220311175457/https://www.the-noh.com/en/zeami/index.html|url-status=live}}</ref> After Zeami succeeded his father, he continued to perform and adapt his style into what is today [[Noh]]. A mixture of [[pantomime]] and vocal acrobatics, the Noh style of theatre has become one of Japan's most refined forms of theatrical performance.<ref>{{cite book |last1=Bowers |first1=Faubion |title=Japanese Theatre |date=1974 |publisher=Tuttle |isbn=978-0-8048-1131-6 |oclc=1211914 }}{{page needed|date=January 2023}}</ref>

Japan, after a long period of civil wars and political disarray, was unified and at peace primarily due to {{transliteration|ja|shōgun}} [[Tokugawa Ieyasu]] (1600–1668). However, alarmed at the increasing numbers of Christians within the country due to the proselytizing efforts of Christian missionaries, he cut off contact from Japan to Europe and China and outlawed Christianity. When peace did come, a flourish of cultural influence and growing merchant class demanded its own entertainment. The first form of theatre to flourish was Ningyō jōruri (commonly referred to as [[Bunraku]]). The founder of and main contributor to Ningyō jōruri, [[Chikamatsu Monzaemon]] (1653–1725), turned his form of theatre into a true art form. Ningyō jōruri is a highly stylized form of theatre using puppets, today about {{frac|1|3rd}} the size of a human. The men who control the puppets train to become master puppeteers, when they can then operate the puppet's head and right arm and choose to show their faces during the performance. The other puppeteers, controlling the less important limbs of the puppet, cover themselves and their faces in a black suit, to imply their invisibility. The dialogue is handled by a single person, who uses varied tones of voice and speaking manners to simulate different characters. Chikamatsu wrote thousands of plays during his lifetime, most of which are still used today.{{citation needed|date=January 2023}}

[[Kabuki]] began shortly after Bunraku, legend has it by an actress named Okuni, who lived around the end of the 16th century. Most of kabuki's material came from Noh and Bunraku, and its erratic dance-type movements are also an effect of Bunraku. However, kabuki is less formal and more distant than Noh, yet very popular among the Japanese public. Actors are trained in many varied things including dancing, singing, pantomime, and even acrobatics. Kabuki was first performed by young girls, then by young boys, and by the end of the 16th century, kabuki companies consisted of all men. The men who portrayed women on stage were specifically trained to elicit the essence of a woman in their subtle movements and gestures.{{citation needed|date=January 2023}}

===Americas===
In the [[Pre-Columbian era]], indigenous civilizations of the Americas had established performing arts traditions, before the arrival of Europeans. These included [[Aztec]] and [[Maya civilization|Maya]] rituals and ceremonies, which often involved elaborate dances, music, and theatrical performances.<ref>Kurath, Gertrude P. "Dance and Song Rituals of Six Nations Reserve, Ontario." Ethnomusicology 3, no. 1 (1959): 1-24.</ref> The [[Incan]] rituals and festivals also featured music, dances, and theatrical representations of myths and legends.<ref>Salomon, Frank, and George L. Urioste, eds. The Huarochiri Manuscript: A Testament of Ancient and Colonial Andean Religion. University of Texas Press, 2015.</ref> Northwest Coast cultures, such as the [[Haida people|Haida]], [[Tlingit]], and [[Kwakwaka'wakw]], had traditions of storytelling, mask carving, and ceremonial dances.<ref>Jonaitis, Aldona. "Dances with Masks." In Native Art of the Northwest Coast: A Traveling Exhibition, edited by Aldona Jonaitis, 57–73. Seattle: University of Washington Press, 1995.</ref>

====Colonial Era====
The colonial period brought a fusion of European and indigenous cultural influences. Spanish, French, and British colonizers introduced European theatrical traditions, including plays, operas, and ballets. Indigenous peoples incorporated elements of their traditional performing arts into colonial-era productions.<ref>Matos Moctezuma, Eduardo. Life and Death in the Templo Mayor. University Press of Colorado, 2018.</ref>

===Oceania===
[[Melanesians]] are the [[Indigenous peoples of Oceania|indigenous inhabitants]] of [[Melanesia]], an area stretching from [[New Guinea]] to [[Fiji]].<ref>{{cite web |last1=Keesing |first1=Roger M. |last2=Kahn |first2=Miriam |title=Melanesian culture |website=Encyclopædia Britannica |url=https://www.britannica.com/place/Melanesia |accessdate=23 April 2023 }}</ref> Melanesian dance often exhibits a cultural theme of masculinity where leadership and a unique skill set are important for sharing with the community.<ref name=":02">{{Cite web|title=Oceanic music and dance|url=https://www.britannica.com/art/Oceanic-music|access-date=2021-10-02|website=Encyclopedia Britannica|language=en|archive-date=8 October 2021|archive-url=https://web.archive.org/web/20211008144910/https://www.britannica.com/art/Oceanic-music|url-status=live}}</ref> These dances demonstrate the soldiery of a man; however they can also represent profitability such as encouraging conflict resolutions or healing.<ref>{{cite journal |last1=Eves |first1=Richard |title=Material Culture and the Magical Power of Dance Objects |journal=Oceania |date=November 2009 |volume=79 |issue=3 |pages=250–262 |id={{Gale|A213777333}} {{INIST|22159402}} {{ProQuest|222380632}} |doi=10.1002/j.1834-4461.2009.tb00063.x |jstor=40313179 }}</ref> The costumes of impersonating dancers incorporate large masks and unhuman-like characteristics that act to imitate mythical figures. The music can also act as a voice for these magical personas.<ref name=":02" />

==See also==
{{portal|Arts}}
* [[Entertainment]]
* [[Mixed martial arts]]
* [[Outline of performing arts]]
* [[Performing arts education]]
* [[Performing arts presenters]]
* [[United States copyright law in the performing arts]]
* [[Persian theatre]]
* [[Theatre of Japan]]
* [[Western culture]]

==References==
{{Reflist}}

==External links==
* {{commonscat-inline}}
{{Library resources box
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* [http://asia-perfo-arts.com/ Bibliography of Performing Arts in the East]
* [http://www.eclap.eu/ European Collected Library on Performing Arts]

{{Humanities}}

{{Authority control}}

[[Category:Performing arts| ]]
[[Category:Entertainment]]