View source for Printing press

{{Short description|Mechanism that applies ink to a medium}}
{{About|the historical device created by Johannes Gutenberg|the modern technology of printing|Printing}}
{{pp|small=yes}}
{{Use dmy dates|date=August 2017}}
{{Infobox machine
| image             = PrintMus 038.jpg
| caption           = A recreated Gutenberg press at the [[International Printing Museum]] in [[Carson, California]]
| classification    = [[Machine]]
| application       = [[Printing]]
| inventor          = [[Johannes Gutenberg]]
| invented          = {{start date and years ago|1440|df=y|p=y}}
}}
{{History of printing}}
A '''printing press''' is a mechanical device for applying pressure to an [[ink]]ed surface resting upon a [[printing|print]] medium (such as [[paper]] or [[cloth]]), thereby transferring the ink. It marked a dramatic improvement on earlier printing methods in which the cloth, paper, or other medium was brushed or rubbed repeatedly to achieve the transfer of ink and accelerated the process. Typically used for texts, the invention and [[global spread of the printing press]] was one of the most influential events in the second millennium.<ref>For example, in 1999, the [[A&E Network]] ranked [http://www.wmich.edu/mus-gened/mus170/biography100 Gutenberg no. 1 on their "People of the Millennium" countdown] {{Webarchive|url=https://web.archive.org/web/20100829092813/http://www.wmich.edu/mus-gened/mus170/biography100|date=29 August 2010}}. In 1997, [[Time–Life]] magazine picked Gutenberg's invention as the most important of the second millennium {{Cite book |url=https://archive.org/details/lifemillennium1000frie/page/165/mode/1up |title=The Life Millennium : the 100 most important events & people of the past 1000 years |publisher=Life Books, Time Inc.; Distributed by Bulfinch Press |page= 166 |editor=Friedman, Robert |date=1998|isbn=978-0-8212-2557-8 |access-date=20 March 2024}}; the same did four prominent US journalists in their 1998 resume [http://rhsweb.org/library/1000PeopleMillennium.htm 1,000 Years, 1,000 People: Ranking The Men and Women Who Shaped The Millennium] {{Webarchive|url=https://web.archive.org/web/20120303082307/http://rhsweb.org/library/1000PeopleMillennium.htm|date=3 March 2012}}. The [http://www.newadvent.org/cathen/07090a.htm Johann Gutenberg] {{Webarchive|url=https://web.archive.org/web/20080414190953/http://www.newadvent.org/cathen/07090a.htm|date=14 April 2008}} entry of the [[Catholic Encyclopedia]] describes his invention as having made a practically unparalleled cultural impact in the [[Christian era]].</ref><ref>{{harvnb|McLuhan|1962}}; {{harvnb|Eisenstein|1980}}; {{harvnb|Febvre|Martin|1997}}; {{harvnb|Man|2002}}</ref>

In [[Germany]], around 1440, the [[goldsmith]] [[Johannes Gutenberg]] invented the [[movable type|movable-type]] printing press, which started the [[Printing Revolution]]. Modelled on the design of existing [[screw press]]es, a single [[Renaissance]] movable-type printing press could produce up to 3,600 pages per workday,<ref name="Wolf 1974, 67f."/> compared to forty by [[History of typography in East Asia|hand-printing]] and a few by [[scribe|hand-copying]].<ref name="Ch'on Hye-bong 1993, 12"/> Gutenberg's newly devised [[hand mould]] made possible the precise and rapid creation of metal [[movable type]] in large quantities. His two inventions, the hand mould and the movable-type printing press, together drastically reduced the cost of printing books and other documents in Europe, particularly for shorter print runs.

From [[Mainz]], the movable-type printing press spread within several decades to over 200 cities in a dozen European countries.<ref name="Febvre, Lucien; Martin, Henri-Jean 1976 by Anderson, Benedict 1993, 58f.">Febvre, Lucien; Martin, Henri-Jean (1976). ''The Coming of the Book: The Impact of Printing 1450–1800''. London: New Left Books. Quoted in: Anderson, Benedict. ''Comunidades Imaginadas. Reflexiones sobre el origen y la difusión del nacionalismo''. Fondo de cultura económica, Mexico, 1993. {{ISBN|978-968-16-3867-2}}. pp. 58f.</ref> By 1500, printing presses in operation throughout [[Western Europe]] had already produced more than 20 million volumes.<ref name="Febvre, Lucien; Martin, Henri-Jean 1976 by Anderson, Benedict 1993, 58f."/> In the 16th century, with presses spreading further afield, their output rose tenfold to an estimated 150 to 200 million copies.<ref name="Febvre, Lucien; Martin, Henri-Jean 1976 by Anderson, Benedict 1993, 58f."/> The earliest press in the [[Western Hemisphere]] was established by Spaniards in [[New Spain]] in 1539,<ref>{{Cite web |title=College of University Libraries and Learning Sciences News - Research Guides at University of New Mexico |url=https://libguides.unm.edu/blog/the-beginnings-of-printing-in-mexico |access-date=2024-12-19 |website=libguides.unm.edu}}</ref> and by the mid-17th century, the [[Early American publishers and printers|first printing presses arrived in British colonial America]] in response to the increasing demand for [[Bible]]s and other religious literature.<ref>[[Printing press#berthold1970|Bertold, 1970]], pp. 20, 26, 39,</ref> The operation of a press became synonymous with the enterprise of printing and lent its name to a new medium of expression and communication, "[[Newspaper|the press]]".<ref>{{harvnb|Weber|2006|p=387}}: {{quote|At the same time, then, as the printing press in the physical, technological sense was invented, 'the press' in the extended sense of the word also entered the historical stage. The phenomenon of publishing was born.}}</ref>

The spread of mechanical movable type printing in Europe in the [[Renaissance]] introduced the era of [[mass communication]], which permanently altered the structure of society. The relatively unrestricted circulation of information and ideas transcended borders, captured the masses in the [[Reformation]], and threatened the power of political and religious authorities. The sharp increase in [[literacy]] broke the monopoly of the literate elite on education and learning and bolstered the emerging [[middle class]]. Across Europe, the increasing cultural self-awareness of its peoples led to the rise of proto-[[nationalism]] and accelerated the development of European [[vernaculars]], to the detriment of [[Latin]]'s status as [[lingua franca]].<ref>Anderson, Benedict: ''Comunidades Imaginadas. Reflexiones sobre el origen y la difusión del nacionalismo'', Fondo de cultura económica, Mexico 1993, {{ISBN|978-968-16-3867-2}}, pp. 63–76</ref> In the 19th century, the replacement of the hand-operated Gutenberg-style press by steam-powered [[rotary press]]es allowed printing on an industrial scale.<ref>{{harvnb|Gerhardt|1978|p=217}}</ref>

== History ==
{{Main|History of printing}}

=== Economic conditions and intellectual climate ===
{{See also|History of capitalism|Medieval university}}
[[File:Laurentius de Voltolina Vorlesung vor Studenten - Min 1233 - Kupferstichkabinett Berlin.jpg|thumb|A [[medieval university]] class, 1350s]]

The rapid economic and socio-cultural development of [[Late Middle Ages|late medieval society]] in Europe created favorable intellectual and technological conditions for Gutenberg's improved version of the printing press: the entrepreneurial spirit of [[history of capitalism|emerging capitalism]] increasingly made its impact on medieval modes of production, fostering economic thinking and improving the efficiency of traditional work processes. The sharp rise of [[Medieval university|medieval learning]] and literacy amongst the [[middle class]] led to an increased demand for books which the time-consuming hand-copying method fell far short of accommodating.<ref>{{harvnb|Eisenstein|1980}}; {{harvnb|Febvre|Martin|1997}}; {{harvnb|Man|2002}}</ref>

=== Technological factors ===
{{See also|History of Western typography|Medieval technology}}

Technologies preceding the press that led to the press's invention included: [[Papermaking|manufacturing of paper]], development of ink, [[woodblock printing]], and invention of [[eyeglasses]].<ref>{{cite book|last1=Jones|first1=Colin|title=The Cambridge Illustrated History of France|publisher=Cambridge University Press|isbn=978-0-521-43294-8|page=[https://archive.org/details/cambridgeillustr00jone_0/page/133 133]|edition=1st|date=1994-10-20|url-access=registration|url=https://archive.org/details/cambridgeillustr00jone_0}}</ref> At the same time, a number of medieval products and technological processes had reached a level of maturity which allowed their potential use for printing purposes. Gutenberg took up these far-flung strands, combined them into one complete and functioning system, and perfected the printing process through all its stages by adding a number of inventions and innovations of his own:

[[File:Holzspindelkelter von 1702.jpg|thumb|left|Early modern [[wine press]]. Such [[screw press]]es, used in Europe for a wide range of uses, provided Gutenberg with the model for his printing press.]]

The [[screw press]] which allowed direct pressure to be applied on a flat plane was already of great antiquity in Gutenberg's time and was used for a wide range of tasks.<ref>{{harvnb|Wolf|1974|pp=21–35}}</ref> Introduced in the 1st century AD by the [[Roman agriculture|Romans]], it was commonly employed in agricultural production for [[Pressing (wine)|pressing grapes]] for wine and olives for oil, both of which formed an integral part of the [[Mediterranean cuisine|Mediterranean]] and [[Medieval cuisine|medieval diet]].<ref>{{harvnb|Onken|2009}}; {{harvnb|White|1984|pp=31ff.}}; {{harvnb|Schneider|2007|pp=156–159}}</ref> The device was also used from very early on in urban contexts as a cloth press for printing patterns.<ref>{{harvnb|Schneider|2007|p=158}}</ref> Gutenberg may have also been inspired by the paper presses which had spread through the [[Holy Roman Empire|German lands]] since the late 14th century and which worked on the same mechanical principles.<ref>{{harvnb|Schulte|1939|p=56}}</ref>

During the [[Islamic Golden Age]], Arab Muslims were printing texts, including passages from the [[Qur’an]], embracing the Chinese craft of paper making, developed it and adopted it widely in the [[Muslim world]], which led to a major increase in the production of manuscript texts. In [[Egypt]] during the [[Fatimid]] era, the printing technique was adopted reproducing texts on paper strips by hand and supplying them in various copies to meet the demand.<ref name=bloom8>{{cite book |first=Jonathan |last=Bloom |year=2001 |title=Paper Before Print: The History and Impact of Paper in the Islamic World |url=https://archive.org/details/paperbeforeprint00bloo |url-access=limited |location=New Haven |publisher=Yale University Press |isbn=0-300-08955-4 |pages= [https://archive.org/details/paperbeforeprint00bloo/page/n23 8]–10, 42–45}}</ref>

Gutenberg adopted the basic design, thereby mechanizing the printing process.<ref>{{harvnb|Wolf|1974|pp=39ff.}}</ref> Printing, however, put a demand on the machine quite different from pressing. Gutenberg adapted the construction so that the pressing power exerted by the [[platen]] on the paper was now applied both evenly and with the required sudden elasticity. To speed up the printing process, he introduced a movable undertable with a plane surface on which the sheets could be swiftly changed.<ref>{{harvnb|Wolf|1974|pp=39–46}}</ref>

[[File:metal movable type.jpg|thumb|[[Movable type]] sorted in a letter case and loaded in a [[composing stick]] on top]]
The concept of movable type existed prior to 15th&nbsp;century Europe; sporadic evidence that the [[typographical principle]], the idea of creating a text by reusing individual characters, was known and had been cropping up since the 12th&nbsp;century and possibly before (the oldest known application dating back as far as the [[Phaistos disc#Typography|Phaistos disc]]).
The first [[movable type]] was invented by [[History of science and technology in China|Chinese engineer]] [[Bi Sheng]] in the 11th century during the [[Song dynasty]], and a book dating to 1193 recorded the first copper movable type.{{sfn|Wilkinson|2012|p=911}} 

This received limited use compared to woodblock printing. The technology spread outside China, as the oldest printed book using [[Type case|metal movable type]] was the ''[[Jikji]]'', printed in Korea in 1377 during the [[Goryeo]] era. Other notable examples include the [[Prüfening dedicatory inscription|Prüfening inscription]] from Germany, [[letter tiles]] from England and [[Altarpiece of Pellegrino II]] in Italy.<ref>Germany: {{harvnb|Brekle|1995|pp=23–26}}, {{harvnb|Brekle|1997|p=62}}, {{harvnb|Brekle|2005|p=25}}; England: {{harvnb|Lehmann-Haupt|1940|pp=93–97}}, {{harvnb|Brekle|1997|p=62}}; Italy: {{harvnb|Lipinsky|1986|pp=75–80}}, {{harvnb|Koch|1994|p=213}}. Lipinsky surmises that this typographical technique was known in [[Constantinople]] from the 10th to the 12th century and that the [[Venice|Venetians]] received it from there (p. 78).</ref> However, the various techniques employed (imprinting, punching and assembling individual letters) did not have the refinement and efficiency needed to become widely accepted. Tsuen-Hsuin and Needham, and Briggs and Burke suggest that the movable-type printing in China and Korea was rarely employed.<ref name=Needham>{{cite book |title=Paper and Printing |author=Tsien Tsuen-Hsuin |author-link=Tsien Tsuen-Hsuin |author2=Joseph Needham |author2-link=Joseph Needham |series=Science and Civilisation in China|volume=5 part 1|publisher=Cambridge University Press|pages=158, 201|year=1985}}</ref><ref name=Briggs>Briggs, Asa and Burke, Peter (2002). ''A Social History of the Media: From Gutenberg to the Internet'', Polity, Cambridge, pp. 15–23, 61–73.</ref>

Gutenberg greatly improved the process by treating [[typesetting]] and [[printing]] as two separate work steps. A goldsmith by profession, he created his type pieces from a [[lead]]-based [[alloy]] which suited printing purposes so well that it is still used today.<ref name="EB: Printing">"Printing". ''[[Encyclopædia Britannica]]'' (2006).</ref> The mass production of metal letters was achieved by his key invention of a special [[hand mould]], the [[Matrix (printing)|matrix]].<ref name="Childress 2008, 51–55">{{harvnb|Childress|2008|pp=51–55}}</ref> The [[Latin alphabet]] proved to be an enormous advantage in the process because, in contrast to [[Logogram|logographic writing systems]], it allowed the type-setter to represent any text with a theoretical minimum of only around two dozen different letters.<ref>{{harvnb|Childress|2008|pp=51–55}}; {{harvnb|Hellinga|2007|p=208}}: "Gutenberg's invention took full advantage of the degree of abstraction in representing language forms that was offered by the alphabet and by the Western forms of script that were current in the fifteenth century."</ref>

Another factor conducive to printing arose from the book existing in the format of the [[codex]], which had originated in the [[Roman Empire|Roman period]].<ref>{{harvnb|Roberts|Skeat|1983|pp=24–30}}</ref> Considered the most important advance in the history of the book prior to printing itself, the codex had completely replaced the ancient [[scroll]] at the onset of the Middle Ages (AD{{nbsp}}500).<ref>{{harvnb|Roberts|Skeat|1983|pp=1, 38–67, 75}}: "The most momentous development in the history of the book until the invention of printing was the replacement of the roll by the codex; this we may define as a collection of sheets of any material, folded double and fastened together at the back or spine, and usually protected by covers." (p. 1)</ref> The codex holds considerable practical advantages over the scroll format: it is more convenient to read (by turning pages), more compact, and less costly, and both [[recto and verso]] sides could be used for writing or printing, unlike the scroll.<ref>{{harvnb|Roberts|Skeat|1983|pp=45–53}}. Technically speaking, a scroll could be written on its back side, too, but the very few ancient specimens found indicate that this was never considered a viable option. (p. 46)</ref>

[[File:Gutenberg Bible, Lenox Copy, New York Public Library, 2009. Pic 01.jpg|thumb|upright=0.9|A paper [[codex]] of the [[42-line Bible]], Gutenberg's major work]]

A fourth development was the early success of medieval papermakers at mechanizing paper manufacture. The introduction of water-powered [[paper mill]]s, the first certain evidence of which dates to 1282,<ref>{{harvnb|Burns|1996|p=418}}</ref> allowed for a massive expansion of production and replaced the laborious handcraft characteristic of both Chinese<ref>{{harvnb|Thompson|1978|p=169}}; {{harvnb|Tsien|1985|p=68−73}}; {{harvnb|Lucas|2005|p=28, fn. 70}}</ref> and Muslim papermaking.<ref>{{harvnb|Thompson|1978|p=169}}; {{harvnb|Burns|1996|pp=414–417}}</ref> Papermaking centres began to multiply in the late 13th century in [[Italy]], reducing the price of paper to one-sixth of [[parchment]] and then falling further. Papermaking centers reached Germany a century later.<ref>{{harvnb|Burns|1996|p=417}}</ref>

Despite this it appears that the final breakthrough of paper depended just as much on the rapid spread of movable-type printing.<ref>{{harvnb|Febvre|Martin|1997|pp=41–44}}; {{harvnb|Burns|1996|p=419}}: "In the West, the only inhibiting expense in the production of writings for an increasingly literate market was the manual labor of the scribe himself. With his mechanization by movable-type printing in the 1440s, the manufacture of paper, until then relatively confined, began to spread very widely. The Paper Revolution of the thirteenth century thus entered a new era."</ref> Codices of parchment, which in terms of quality is superior to any other [[writing material]],<ref>{{harvnb|Roberts|Skeat|1983|pp=7f.}}: "Despite all that has been said above, even the strongest supporters of papyrus would not deny that parchment of good quality is the finest writing material ever devised by man. It is immensely strong, remains flexible indefinitely under normal conditions, does not deteriorate with age, and possesses a smooth, even surface which is both pleasant to the eye and provides unlimited scope for the finest writing and illumination."</ref> still had a substantial share in Gutenberg's edition of the [[42-line Bible]].<ref>The ratio between paper and parchment copies is estimated at around 150 to 30 ({{harvnb|Hanebutt-Benz|2000|pp=158–189}}).</ref> After much experimentation, Gutenberg managed to overcome the difficulties which traditional water-based inks caused by soaking the paper, and found the formula for an oil-based ink suitable for high-quality printing with metal type.<ref>{{harvnb|Childress|2008|p=60}}</ref>

== Function and approach ==
[[File:Printing press.jpg|thumb|Printing press, engraving by W Lowry after [[John Farey Jr.]], 1819]]
[[File:Printer in 1568-ce.png|thumb|This [[woodcut]] from 1568 shows the left printer removing a page from the press while the one at right inks the text-blocks. Such a duo could reach 14,000 hand movements per working day, printing ca. 3,600 pages in the process.<ref name="Wolf 1974, 67f."/>]]A printing press, in its classical form, is a standing mechanism, ranging from {{convert|5|to|7|ft}} long, {{convert|3|ft}} wide, and {{convert|7|ft}} tall.<ref>{{Cite web |title=Gutenberg Press |url=https://www.printmuseum.org/gutenberg-press |access-date=2024-12-19 |website=International Printing Museum |language=en-US}}</ref> The small individual metal letters known as type would be set up by a compositor into the desired lines of text.<ref name=":0">{{Cite web |title=Life in the old print shop {{!}} Revolutions in Communication |url=https://revolutionsincommunication.com/features/life-in-a-print-shop/ |access-date=2024-12-20 |language=en-US}}</ref> Several lines of text would be arranged at once and were placed in a wooden frame known as a [[Galley proof|galley]]. Once the correct number of pages were composed, the galleys would be laid face up in a frame, also known as a forme,<ref>Lyons 2011, p. 59</ref> which itself is placed onto a flat stone, 'bed,' or 'coffin.' 

The text is inked using two [[Ink ball|balls]], pads mounted on handles. The balls were made of dog skin leather, because it has no pores,<ref>[http://www.pressinstitute.in/file-folder/rindsurvey/Rind%20June%202015%20SN.pdf] RIND Survey (The Press Institute of India- Research Institute for Newspaper Development) June 2015, p14</ref> and stuffed with sheep's wool and were inked. This ink was then applied to the text evenly. One damp piece of paper was then taken from a heap of paper and placed on the tympan. The paper was damp as this lets the type 'bite' into the paper better. Small pins hold the paper in place. The paper is now held between a [[frisket]] and [[tympan]] (two frames covered with paper or parchment).

These are folded down, so that the paper lies on the surface of the inked type. The bed is rolled under the [[platen]], using a [[windlass]] mechanism. A small rotating handle called the 'rounce' is used to do this, and the impression is made with a screw that transmits pressure through the platen. To turn the screw the long handle attached to it is turned. This is known<ref name=":0" /> as the bar or 'Devil's Tail.' In a well-set-up press, the springiness of the paper, frisket, and tympan caused the bar to spring back and raise the platen, the windlass turned again to move the bed back to its original position, the tympan and frisket raised and opened, and the printed sheet removed. Such presses were always worked by hand. After around 1800, iron presses were developed, some of which could be operated by [[steam power]].

The function of the printing press was described by William Skeen in 1872:
{{Blockquote| this sketch represents a press in its completed form, with tympans attached to the end of the carriage, and with the frisket above the tympans. The tympans, inner and outer, are thin iron frames, one fitting into the other, on each of which is stretched a skin of parchment or a breadth of fine cloth. A woollen blanket or two with a few sheets of paper are placed between these, the whole thus forming a thin elastic pad, on which the sheet to be printed is laid. The frisket is a slender frame-work, covered with coarse paper, on which an impression is first taken; the whole of the printed part is then cut out, leaving apertures exactly corresponding with the pages of type on the carriage of the press. The frisket when folded on to the tympans, and both turned down over the forme of types and run in under the platten, preserves the sheet from contact with any thing but the inked surface of the types, when the pull, which brings down the screw and forces the platten to produce the impression, is made by the pressman who works the lever,—to whom is facetiously given the title of "the practitioner at the bar.".<ref>{{cite book|title = Early Typography|last = Skeen|first =William|publisher =Government Printer, Colombo |year =1872|location =Ceylon|pages = 122}}</ref>}}

== Gutenberg's press ==
{{See also|Letterpress printing}}
[[File:Printing and writing materials - their evolution (1904) (14777458662).jpg|thumb|Johannes Gutenberg, 1904 reconstruction]]
[[Johannes Gutenberg]]'s work on the printing press began in approximately 1436 when he partnered with Andreas Dritzehn—a man who had previously instructed in [[Lapidary|gem-cutting]]—and Andreas Heilmann, owner of a paper mill.<ref name="meggs58-69"/> However, it was not until a 1439 [[lawsuit]] against Gutenberg that an official record existed; witnesses' testimony discussed Gutenberg's types, an inventory of metals (including lead), and his type molds.<ref name="meggs58-69"/>

Having previously worked as a professional goldsmith, Gutenberg made skillful use of the knowledge of metals he had learned as a craftsman. He was the first to make type from an [[alloy]] of [[lead]], [[tin]], and [[antimony]], which was critical for producing durable type that produced high-quality printed books and proved to be much better suited for printing than all other known materials. To create these lead types, Gutenberg used what is considered one of his most ingenious inventions,<ref name="meggs58-69">Meggs, Philip B. A History of Graphic Design. John Wiley & Sons, Inc. 1998. (pp 58–69) {{ISBN|0-471-29198-6}}</ref> a special [[Matrix (printing)|matrix]] enabling the quick and precise molding of new type blocks from a uniform template. His [[type case]] is estimated to have contained around 290 separate letter boxes, most of which were required for special characters, [[typographic ligature|ligatures]], [[punctuation marks]], and so forth.<ref>{{harvnb|Mahnke|2009|p=290}}</ref>

Gutenberg is also credited with the introduction of an oil-based [[ink]] which was more durable than the previously used water-based inks. As printing material he used both paper and [[vellum]] (high-quality parchment). In the [[Gutenberg Bible]], Gutenberg made a trial of colour printing for a few of the page headings, present only in some copies.<ref>{{harvnb|Kapr|1996|p=172}}</ref> A later work, the [[Mainz Psalter]] of 1453, presumably designed by Gutenberg but published under the imprint of his successors [[Johann Fust]] and [[Peter Schöffer]], had elaborate red and blue printed initials.<ref>{{harvnb|Kapr|1996|p=203}}</ref>

== The printing revolution ==

The [[printing revolution]] occurred when the spread of the printing press facilitated the wide circulation of information and ideas, acting as an "agent of change" through the societies that it reached.<ref>([[Elizabeth L. Eisenstein|Eisenstein (1980)]])</ref>  Demand for bibles and other religious literature was one of the main drivers of the very rapid initial expansion of printing.<ref>[[Printing press#newgass1958|Newgass, 1958]], pp. 32–33</ref> Much later, printed literature played a major role in rallying support, and opposition, during the lead-up to the [[English Civil War]], and later still the [[American Revolution|American]] and [[French Revolution]]s through newspapers, pamphlets and bulletins.<ref>[[Printing press#bailyn1981|Bailyn, 1981]], pp. 1–3</ref> The advent of the printing press brought with it issues involving censorship and freedom of the press.<ref>[[Printing press#duniway1906|Duniway, 1906]], pp. 54–56</ref>

=== Mass production and spread of printed books ===
{{See also|Global spread of the printing press|List of early modern newspapers}}
[[File:Printing towns incunabula.svg|thumb|left|The spread of printing in the 15th century from [[Mainz]], Germany]]
[[File:European Output of Printed Books ca. 1450–1800.png|thumb|European book output rose from a few million to around one billion copies within a span of less than four centuries.<ref>{{harvnb|Buringh|van Zanden|2009|p=417, table 2}}</ref>]]

The invention of mechanical movable type printing led to a huge increase of printing activities across Europe within only a few decades. From a single print shop in [[Mainz]], Germany, printing had spread to no less than around 270 cities in Central, Western and Eastern Europe by the end of the 15th century.<ref name="ISTC">{{cite web |url=http://www.bl.uk/catalogues/istc/index.html |title=Incunabula Short Title Catalogue |publisher=[[British Library]] |access-date=2 March 2011 |archive-date=12 March 2011 |archive-url=https://web.archive.org/web/20110312185857/http://www.bl.uk/catalogues/istc/index.html |url-status=live }}</ref> As early as 1480, there were printers active in 110 different places in Germany, Italy, [[France]], [[Spain]], the [[Netherlands]], [[Belgium]], [[Switzerland]], [[England]], [[Bohemia]] and [[Poland]].<ref name="Febvre, Lucien; Martin, Henri-Jean 1976 by Anderson, Benedict 1993, 58f."/> From that time on, it is assumed that "the printed book was in universal use in Europe".<ref name="Febvre, Lucien; Martin, Henri-Jean 1976 by Anderson, Benedict 1993, 58f."/>

In Italy, a center of early printing, print shops had been established in 77 cities and towns by 1500. At the end of the following century, 151 locations in Italy had seen at one time printing activities, with a total of nearly three thousand printers known to be active. Despite this proliferation, printing centres soon emerged; thus, one third of the Italian printers published in [[Venice]].<ref>{{harvnb|Borsa|1976|p=314}}; {{harvnb|Borsa|1977|p=166−169}}</ref>

By 1500, the printing presses in operation throughout Western Europe had already produced more than twenty million copies.<ref name="Febvre, Lucien; Martin, Henri-Jean 1976 by Anderson, Benedict 1993, 58f."/> In the following century, their output rose tenfold to an estimated 150 to 200 million copies.<ref name="Febvre, Lucien; Martin, Henri-Jean 1976 by Anderson, Benedict 1993, 58f."/>

European printing presses of around 1600 were capable of producing between 1,500<ref>{{cite journal|last1=Pollak |first1=Michael|title=The performance of the wooden printing press|journal=The Library Quarterly|date=1972|volume=42|issue=2|pages=218–264|doi=10.1086/620028|jstor=4306163|s2cid=144726990}}</ref> and 3,600 impressions per workday.<ref name="Wolf 1974, 67f.">{{harvnb|Wolf|1974|pp=67f.}}: {{quote|From old price tables it can be deduced that the capacity of a printing press around 1600, assuming a fifteen-hour workday, was between 3.200 and 3.600 impressions per day.}}</ref> By comparison, [[Far Eastern]] printing, where the back of the paper was manually rubbed to the page,<ref>Needham 1965, p. 211: {{quote|The outstanding difference between the two ends of the Old World was the absence of screw-presses from China, but this is only another manifestation of the fact that this basic mechanism was foreign to that culture.}} {{harvnb|Widmann|1974|p=34, fn. 14}}: {{quote|In East Asia, both woodblock and movable type printing were manual reproduction techniques, that is hand printing.}} {{harvnb|Duchesne|2006|p=83}}; {{harvnb|Man|2002|pp=112–115}}: {{quote|Chinese paper was suitable only for calligraphy or block-printing; there were no screw-based presses in the east, because they were not wine-drinkers, didn't have olives, and used other means to dry their paper.}} Encyclopædia Britannica 2006: "Printing": {{quote|The second necessary element was the concept of the printing press itself, an idea that had never been conceived in the Far East.}}</ref> did not exceed an output of forty pages per day.<ref name="Ch'on Hye-bong 1993, 12">Ch'on Hye-bong 1993, p. 12: {{quote|This method almost doubled the printing speed and produced more than 40 copies a day. Printing technology reached its peak at this point.}}</ref>

Of [[Erasmus]]'s work, at least 750,000 copies were sold during his lifetime alone (1469–1536).<ref>{{harvnb|Issawi|1980|pp=492}}</ref> In the early days of the Reformation, the revolutionary potential of bulk printing took princes and [[papacy]] alike by surprise. In the period from 1518 to 1524, the publication of books in Germany alone skyrocketed sevenfold; between 1518 and 1520, [[Martin Luther|Luther]]'s tracts were distributed in 300,000 printed copies.<ref>{{harvnb|Duchesne|2006|p=83}}</ref>

The rapidity of typographical text production, as well as the sharp fall in unit costs, led to the issuing of the first [[newspaper]]s (see ''[[Relation (journal)|Relation]]'') which opened up an entirely new field for conveying up-to-date information to the public.<ref>{{harvnb|Weber|2006|pp=387f.}}</ref>

[[Incunable]] are surviving pre-16th century print works which are collected by many of the libraries in Europe and [[North America]].<ref>The British Library [http://www.bl.uk/catalogues/istc/index.html Incunabula Short Title Catalogue] {{Webarchive|url=https://web.archive.org/web/20110312185857/http://www.bl.uk/catalogues/istc/index.html|date=12 March 2011}} gives 29,777 separate ''editions'' (not copies) as of 8 January 2008, which however includes some print items from the 16th century (retrieved 11 March 2010). According to Bettina Wagner: "Das Second-Life der Wiegendrucke. Die Inkunabelsammlung der Bayerischen Staatsbibliothek", in: Griebel, Rolf; Ceynowa, Klaus (eds.): "Information, Innovation, Inspiration. 450 Jahre Bayerische Staatsbibliothek", K G Saur, München 2008, {{ISBN|978-3-598-11772-5}}, pp. 207–224 (207f.), the [[Incunabula Short Title Catalogue]] lists 28,107 editions published before 1501.</ref>

=== Circulation of information and ideas ===
{{See also|The Gutenberg Galaxy}}
[[File:Printing3 Walk of Ideas Berlin.JPG|thumb|upright|[[Walk of Ideas|"Modern Book Printing" sculpture]], commemorating Gutenberg's invention on the occasion of the [[2006 World Cup]] in Germany]]

The printing press was also a factor in the establishment of a community of [[scientists]] who could easily communicate their discoveries through the establishment of widely disseminated scholarly journals, helping to bring on the [[Scientific Revolution]].{{sfn|Eisenstein|1980}}{{pn|date=August 2023}} Because of the printing press, [[author]]ship became more meaningful and profitable. It was suddenly important who had said or written what, and what the precise formulation and time of composition was. This allowed the exact citing of references, producing the rule, "One Author, one work (title), one piece of information" (Giesecke, 1989; 325). Before, the author was less important, since a copy of [[Aristotle]] made in Paris would not be exactly identical to one made in Bologna. For many works prior to the printing press, the name of the author has been entirely lost.{{Citation needed|date=November 2009}}

Because the printing process ensured that the same information fell on the same pages, page numbering, [[Table of contents|tables of contents]], and [[Index (publishing)|indices]] became common, though they previously had not been unknown.{{Citation needed|date=November 2009}} The process of reading also changed, gradually moving over several centuries from oral readings to silent, private reading.{{Citation needed|date=November 2009}} Over the next 200 years, the wider availability of printed materials led to a dramatic rise in the adult literacy rate throughout Europe.<ref>Peck, Josh. "The State of Publishing: Literacy Rates." ''McSweeney's Internet Tendency''. McSweeney, 5 July 2011. Web. 28 August 2014.</ref>

The printing press was an important step towards the [[democratization of knowledge]].<ref>{{Cite news|url=https://www.spiegel.de/international/business/google-s-total-library-putting-the-world-s-books-on-the-web-a-473529.html|title=Google's Total Library: Putting The World's Books On The Web|first=Malte Herwig, DER|last=SPIEGEL|newspaper=Der Spiegel|date=28 March 2007|access-date=11 February 2021|archive-date=28 January 2012|archive-url=https://web.archive.org/web/20120128001828/http://www.spiegel.de/international/business/0,1518,473529-2,00.html|url-status=live}}</ref><ref>{{Cite web|url=http://www.ojr.org/ojr/technology/1057780670.php|title=Howard Rheingold, "Moblogs Seen as a Crystal Ball for a New Era in Online Journalism", ''Online Journalism Review''|date=9 August 2003<!--manual addition from archive-url -- orig-date-given=July 9, 2009-->|archive-url=https://web.archive.org/web/20121014065536/http://www.ojr.org/ojr/technology/1057780670.php|archive-date=14 October 2012|url-status=dead}}</ref> Within 50 or 60 years of the invention of the printing press, the entire [[Classics|classical canon]] had been reprinted and widely promulgated throughout Europe (Eisenstein, 1969; 52). More people had access to knowledge both new and old, more people could discuss these works. Book production became more commercialised, and the first [[copyright]] laws were passed.<ref>{{Cite web|url=http://www.arl.org/focus-areas/copyright-ip/2486-copyright-timeline#.Wl1E7ainHIU|title=Copyright Timeline: A History of Copyright in the United States {{!}} Association of Research Libraries® {{!}} ARL®|last=Eshgh|first=Amy|website=www.arl.org|language=en-gb|access-date=2018-01-16}}</ref> On the other hand, the printing press was criticized for allowing the dissemination of information that may have been incorrect.<ref name="CrickWalsham2004">{{cite book|author1=Julia C. Crick|author2=Alexandra Walsham|title=The uses of script and print, 1300–1700|url=https://books.google.com/books?id=m8005wHw-KsC|access-date=25 March 2011|year=2004|publisher=Cambridge University Press|isbn=978-0-521-81063-0|page=20}}</ref><ref name="Bilton2010">{{cite book|author=Nick Bilton|title=I Live in the Future & Here's How It Works: Why Your World, Work, and Brain Are Being Creatively Disrupted|url=https://books.google.com/books?id=9VXRLlTDNrUC&pg=PA53|access-date=25 March 2011|date=14 September 2010|publisher=Random House Digital, Inc.|isbn=978-0-307-59111-1|page=53}}</ref>

A second outgrowth of this popularization of knowledge was the decline of Latin as the language of most published works, to be replaced by the vernacular language of each area, increasing the variety of published works. The printed word also helped to unify and standardize the spelling and syntax of these vernaculars, in effect 'decreasing' their variability. This rise in importance of national languages as opposed to pan-European Latin is cited{{Who|date=March 2015}} as one of the causes of the rise of [[nationalism]] in Europe.

A third consequence of popularization of printing was on the economy. The printing press was associated with higher levels of city growth.<ref name="Dittmar2011">{{cite news|author1=Jeremiah Dittmar|title=Information technology and economic change: The impact of the printing press|url=http://voxeu.org/article/information-technology-and-economic-change-impact-printing-press|access-date=3 August 2017|publisher=VoxEU}}</ref> The publication of trade-related manuals and books teaching techniques like [[double-entry bookkeeping]] increased the reliability of trade and led to the decline of merchant guilds and the rise of individual traders.<ref name="Raj2017">{{cite news|author1=Prateek Raj|title=How the Postal System and the Printing Press Transformed European Markets|url=http://evonomics.com/europe-markets-guilds-merchants-declined/|access-date=3 August 2017|publisher=Evonomics}}</ref>

== Industrial printing presses ==
{{See also|History of printing}}
At the dawn of the [[Industrial Revolution]], the mechanics of the hand-operated Gutenberg-style press were still essentially unchanged, although new materials in its construction, amongst other innovations, had gradually improved its printing efficiency. By 1800, [[Charles Stanhope, 3rd Earl Stanhope|Lord Stanhope]] had built a press completely from [[cast iron]] which reduced the force required by 90%, while doubling the size of the printed area.<ref name="meggs130-133">Meggs, Philip B. ''A History of Graphic Design''. John Wiley & Sons, Inc. 1998. (pp 130–133) {{ISBN|0-471-29198-6}}</ref> With a capacity of 480 pages per hour, the Stanhope press doubled the output of the old style press.<ref name="Bolza 1967, 80">{{harvnb|Bolza|1967|p=80}}</ref> Nonetheless, the limitations inherent to the traditional method of printing became obvious.

[[File:Koenig's steam press - 1814.png|thumb|[[Friedrich Koenig|Koenig]]'s 1814 steam-powered printing press]]

Two ideas altered the design of the printing press radically: First, the use of steam power for running the machinery, and second the replacement of the printing flatbed with the rotary motion of cylinders. Both elements were for the first time successfully implemented by the German printer [[Friedrich Koenig]] in a series of press designs devised between 1802 and 1818.<ref name="Bolza 1967, 88">{{harvnb|Bolza|1967|p=88}}</ref> Having moved to London in 1804, Koenig soon met [[Thomas Bensley]] and secured financial support for his project in 1807.<ref name="meggs130-133"/> Patented in 1810, Koenig had designed a steam press "much like a hand press connected to a [[steam engine]]."<ref name="meggs130-133"/> In April 1811, the first production trial of this model occurred. He produced his machine with assistance from German engineer [[Andreas Friedrich Bauer]].

In 1814, Koenig and Bauer sold two of their first models to ''[[The Times]]'' in [[London]], capable of 1,100 impressions per hour. The first edition so printed was on 28 November 1814. They improved the early model so that it could print on both sides of a sheet at once. This began the long process of making [[newspaper]]s available to a mass audience, which helped spread literacy. From the 1820s it changed the nature of [[book]] production, forcing a greater standardization in titles and other [[metadata (computing)|metadata]]. Their company [[Koenig & Bauer AG]] is still one of the world's largest manufacturers of printing presses today.

===Rotary press===
The steam-powered [[rotary printing press]], invented in 1843 in the [[United States]] by [[Richard M. Hoe]],<ref name="meggs147">{{Cite book|last=Meggs|first=Philip B.|author-link=Philip B. Meggs|title=A History of Graphic Design|publisher=John Wiley & Sons, Inc.|year=1998|edition=Third|page=147|isbn=978-0-471-29198-5}}</ref> ultimately allowed millions of copies of a page in a single day. Mass production of printed works flourished after the transition to rolled paper, as continuous feed allowed the presses to run at a much faster pace. Hoe's original design operated at up to 2,000 revolutions per hour where each revolution deposited 4 page images, giving the press a throughput of 8,000 pages per hour.<ref>{{cite web |title=Richard March Hoe {{!}} American inventor and manufacturer |url=https://www.britannica.com/biography/Richard-March-Hoe |website=Encyclopedia Britannica |language=en}}</ref> By 1891, The [[New York World]] and Philadelphia Item were operating presses producing either 90,000 4-page sheets per hour or 48,000 8-page sheets.<ref>{{cite book |last1=Peck |first1=Harry Thurston. |title=The International Cyclopædia A Compendium of Human Knowledge, Revised with Large Additions · Volume 12 |url=https://books.google.com/books?id=9YpRAAAAYAAJ |year=1895 |publisher=Dodd, Mead & Company |access-date=28 June 2020 |page=168}}</ref>

In the middle of the 19th century, there was a separate development of [[jobbing presses]], small presses capable of printing small-format pieces such as [[billhead]]s, letterheads, business cards, and envelopes. Jobbing presses were capable of quick setup, with an average setup time for a small job was under 15 minutes, and quick production. Even on treadle-powered jobbing presses it was considered normal to get 1,000 impressions per hour [iph] with one pressman, with speeds of 1,500 iph often attained on simple envelope work.{{Citation needed|date=November 2009}} Job printing emerged as a reasonably cost-effective duplicating solution for commerce at this time.

== Printing capacity ==
The table lists the maximum number of pages which the various press designs could print ''per hour''.

{| class="wikitable"
|+Printing speed of press designs
!Design
!Year
!Impressions per hour
|-
! colspan="3" |Hand-operated presses
|-
|[[Johannes Gutenberg|Gutenberg]]-style
|{{circa|1600}}
|240<ref name="Wolf 1974, 67f."/>
|-
|[[Charles Stanhope, 3rd Earl Stanhope|Stanhope]] press
|{{circa|1800}}
|480<ref name="Bolza 1967, 80"/>
|-
! colspan="3" |Steam-powered presses
|-
| rowspan="4" |[[Friedrich Koenig|Koenig]] press
|1812<!-- British patent nos. 3496 and 3725 -->
|800<ref>{{harvnb|Bolza|1967|p=83}}</ref>
|-
|1813<!-- British patent no. 3725 (Doppelmaschine) -->
|1100<ref>{{harvnb|Bolza|1967|p=87}}</ref>
|-
|1814<!-- British patent no. 3868 -->
|2000<ref name="Bolza 1967, 88"/>
|-
|1818<!-- British patent no. 3868 (Zweitourenmaschine) -->
|2400<ref name="Bolza 1967, 88"/>
|}

== Gallery ==
<gallery mode="packed" heights="150px" style="text-align:left">
File:Handtiegelpresse von 1811.jpg|Printing press from 1811
File:Iserlohn-Druckpresse1-Bubo.JPG|[[Charles Stanhope, 3rd Earl Stanhope|Stanhope]] press from 1842
File:Cccasarealjf.JPG|Imprenta Press V John Sherwin from 1860
File:1890 Reliance Printing Press.jpg|Reliance Printing Press from the 1890s
File:One of Toledo Blade's Big Presses, Toledo, Ohio - DPLA - ac45dd72060a183713cbf7f487305972 (page 1) (cropped).jpg|''[[The Blade (Toledo, Ohio)|Toledo Blade]]'' newspaper printing press
File:Old Threshers Miehle Press Drum.jpg|A Miehle flat-bed cylinder press in operation
</gallery>

== See also ==
<!---♦♦♦ Please keep the list in alphabetical order ♦♦♦--->
General:
* [[Early American publishers and printers]]
* [[Imprimatur]]
* [[Printer's hat]]
* [[Printing]]
* [[Typography]]

Printing presses:
* [[Adana Printing Machines|Adana Printing Presses]]
* [[Albion press]]
* [[Flexography]]
* [[Heidelberg Platen Press]]
* [[Augustus Applegath|Vertical print press]]

Other inventions:
* [[Color printing]]
* [[Composing stick]]
* [[Computer printer]]
* [[Desktop publishing]]
* [[Electronic publishing]]
* [[Lithography]]
* [[Offset printing]]

== Notes ==
{{Reflist|30em}}

== Bibliography ==
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* Encyclopædia Britannica 2006: "Printing". Retrieved 27 November 2006
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* {{Citation
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|year=1939
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* {{Citation|last=Tsien|first=Tsuen-Hsuin|series=Science and Civilisation in China, Chemistry and Chemical Technology (Vol. 5, Part 1)|title=Paper and Printing|publisher=Cambridge University Press|year=1985}}
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== External links ==
{{Commons}}
* [https://web.archive.org/web/20160606062022/http://www.chb.hss.ed.ac.uk/ Centre for the History of the Book] (archived 6 June 2016)
* [https://web.archive.org/web/20070928194729/http://www.citrinitas.com/history_of_viscom/press.html Gutenberg printing] − Photos of ''Incunabula'' and the Gutenberg Bible (1455) (archived 28 September 2007)
* [https://archive.org/details/Printing1947 Internet Archive: Printing (1947)] − a film from the Prelinger Archives explaining the printing industry

{{Letterpress}}

{{Authority control}}

[[Category:Printing|press]]
[[Category:Johannes Gutenberg]]
[[Category:15th-century introductions]]
[[Category:1445 establishments]]
[[Category:Textual scholarship]]
[[Category:15th-century inventions]]
[[Category:German inventions]]
[[Category:1440 in Europe]]
[[Category:1440s in the Holy Roman Empire]]