View source for The Evil Dead

{{Short description|1981 film by Sam Raimi}}
{{About|the 1981 film|the video game|The Evil Dead (video game){{!}}''The Evil Dead'' (video game)|the franchise|Evil Dead{{!}}''Evil Dead''|other uses|The Evil Dead (disambiguation)}}
{{redirect|La Casa (film)|the 2024 Spanish film|La casa (2024 film)}}
{{Good article}}
{{Use American English|date=October 2019}}
{{Use mdy dates|date=March 2022}}
{{Infobox film
| name           = The Evil Dead
| image          = Evil dead ver1.jpg
| alt            = 
| caption        = 1983 theatrical release poster
| director       = [[Sam Raimi]]
| producer       = [[Robert Tapert|Robert G. Tapert]]
| writer         = Sam Raimi
| starring       = {{Plainlist|
* [[Bruce Campbell]]
* [[Ellen Sandweiss]]
* Richard DeManincor
* [[Betsy Baker]]
* Theresa Tilly
}}
| music          = [[Joseph LoDuca|Joe Loduca]]
| cinematography = Tim Philo
| editing        = Edna Ruth Paul
| studio         = Renaissance Pictures
| distributor    = [[New Line Cinema]]
| released       = {{Film date|1981|10|15|[[Redford Theatre]]|ref1=<ref>{{cite web|url=https://bloody-disgusting.com/editorials/3410143/35th-anniversary-evil-dead/|title="Join Us" in Celebrating the 35th Anniversary of ''The Evil Dead''!|last=Thurman|first=Trace|work=[[Bloody Disgusting]]|date=October 15, 2016|access-date=August 21, 2018|archive-date=August 22, 2018|archive-url=https://web.archive.org/web/20180822023207/https://bloody-disgusting.com/editorials/3410143/35th-anniversary-evil-dead/|url-status=live}}</ref>|1983|04|15|United States}}
| runtime        = 85 minutes<ref>{{cite web|title=''The Evil Dead'' (18))|url= https://www.bbfc.co.uk/release/the-evil-dead-q29sbgvjdglvbjpwwc0zmtawndm |work=[[British Board of Film Classification]]|date=October 4, 1982|access-date=March 28, 2013|archive-date=October 24, 2014|archive-url=https://web.archive.org/web/20141024043712/http://www.bbfc.co.uk/releases/evil-dead-3|url-status=live}}</ref>
| country        = United States
| language       = English
| budget         = $375,000<ref name="BobbieWygant" />
| gross          = $29.4 million
}}

'''''The Evil Dead''''' is a 1981 American [[independent film|independent]] [[supernatural horror film]] written and directed by [[Sam Raimi]] (in his feature directorial debut). The film stars [[Bruce Campbell]], [[Ellen Sandweiss]], Richard DeManincor, [[Betsy Baker]], and Theresa Tilly as five college students vacationing in an isolated cabin in the woods, where they find an audio tape that, when played, releases a legion of [[demon]]s and spirits. Four members of the group suffer from [[demonic possession]], forcing the fifth member, [[Ash Williams]] (Campbell), to survive an onslaught of increasingly gory mayhem.

Raimi, Campbell, producer [[Robert Tapert|Robert G. Tapert]], and their friends produced the 1978 [[short film]] ''[[Within the Woods]]'' as a [[proof of concept]] to build the interest of potential investors, which secured US$90,000 to begin work on ''The Evil Dead''. [[Principal photography]] took place on location in a remote cabin in [[Morristown, Tennessee]], in a filming process that proved extremely uncomfortable for the cast and crew. The film's extensive [[prosthetic makeup]] and [[stop-motion animation|stop-motion]] effects were created by artist [[Tom Sullivan (special effects artist)|Tom Sullivan]]. The completed film had its first, private screening for friends and family at the [[Redford Theatre]] in Detroit on October 15, 1981, which attracted the interest of producer [[Irvin Shapiro]], who helped screen the film at the [[1982 Cannes Film Festival]]. Horror author [[Stephen King]] gave a rave review of the film, which resulted in [[New Line Cinema]] acquiring its distribution rights and giving it a wide theatrical release on April 15, 1983.

''The Evil Dead'' grossed $2.4 million in the United States and $27 million overseas, for a worldwide gross of $29.4 million. Both early and later critical reception were universally positive; in the years since its release, the film has developed a reputation as one of the most significant [[cult film|cult classic]]s, having been cited among the greatest horror films of all time, and one of the most successful independent films. It launched the careers of Raimi, Tapert, and Campbell, who have continued to collaborate on several films together, such as Raimi's [[Spider-Man (2002 film series)|''Spider-Man'' trilogy]].

''The Evil Dead'' spawned a [[Evil Dead|media franchise]], beginning with two [[sequel|successor]]s written and directed by Raimi, ''[[Evil Dead II]]'' (1987) and ''[[Army of Darkness]]'' (1992), a fourth film, ''[[Evil Dead (2013 film)|Evil Dead]]'' (2013), which serves as a soft [[Reboot (fiction)|reboot]] and continuation, a follow-up television series, ''[[Ash vs Evil Dead]]'', which aired from 2015 to 2018, and a fifth film, ''[[Evil Dead Rise]]'' (2023); the franchise also includes video games and [[Army of Darkness (comics)|comic books]]. The film's protagonist Ash Williams is considered to be a [[cultural icon]].<ref>{{Cite web|date=December 1, 2008|title=Empire's The 100 Greatest Movie Characters of All Time|url=https://www.slashfilm.com/empires-the-100-greatest-movie-characters-of-all-time/|access-date=October 4, 2020|website=/Film|language=en-US|archive-date=September 21, 2020|archive-url=https://web.archive.org/web/20200921171052/https://www.slashfilm.com/empires-the-100-greatest-movie-characters-of-all-time/|url-status=live}}</ref>

==Plot==
<!-- Per [[WP:FILMPLOT]], plot summaries should be between 400 and 700 words. As of August 12, 2020, the word count for this plot summary is 684 words.--><!-- Please keep the necessary improvements to this section (grammar, style, coherence, general-audience friendliness, etc.) within those guidelines.-->
Five [[Michigan State University]] students – [[Ash Williams]], his girlfriend Linda, his sister Cheryl, their friend Scott, and Scott's girlfriend Shelly – vacation at a remote cabin in the rural hills of  [[Tennessee]]. Approaching the cabin, the group notices the porch swing move independently, however, it stops as Scott grabs the door key. While Cheryl draws a picture of an old clock, the clock stops, and she hears a faint voice instruct her to "join us." Her hand becomes possessed, turns pale, and draws a picture of a book with a face on its cover. Although shaken, she does not mention the incident.

When the cellar trapdoor flies open during dinner, Shelly, Linda, and Cheryl stay upstairs as Ash and Scott investigate the cellar. They find the ''[[Necronomicon#In popular culture|Naturom Demonto]]'', a [[Sumer]]ian version of the Egyptian ''[[Book of the Dead]]'', along with an archaeologist's [[tape recorder]]. Scott later plays a tape of [[incantation]]s that resurrect a demonic entity. Cheryl yells for Scott to turn off the tape recorder, and a tree branch breaks one of the cabin's windows. Later that evening, an agitated Cheryl heads into the woods to investigate strange noises, and she is attacked and raped by [[Demonic possession|demonically possessed]] trees. When she escapes and returns to the cabin bruised and anguished, Ash agrees to take her back into town, only to discover that the bridge has been destroyed. They return to the cabin, where Ash learns from the tape that the only possible way to kill the entity is to dismember the possessed host. As Linda and Shelly play [[Spades (card game)|spades]], Cheryl correctly calls out the cards without looking at them, turns into a white-eyed zombie known as a “Deadite,” and begins levitating. In a raspy voice, she threatens to kill everyone and stabs Linda in the ankle with a pencil, as well as throwing Ash into a shelf. Scott knocks Cheryl into the cellar and locks her inside.

Everyone fights about what to do. Having become paranoid upon seeing Cheryl's demonic transformation, Shelly goes to her room but is drawn to look out of her window, where an unseen demon crashes through and attacks her, which turns her into a Deadite. She attacks Scott before he pushes her into the fireplace, and then stabbing her in the back with a Sumerian dagger, apparently killing her. When she reanimates, Scott dismembers her with an axe and then buries her remains. Shaken by the experience, Scott leaves to find a way back to town. He returns shortly after, mortally wounded by the possessed trees, and dies while warning Ash that the trees will not allow their escape. Ash checks on Linda and realizes that she has become possessed. She attacks Ash, who stabs her with the Sumerian dagger. Unwilling to dismember her, he buries her instead. She revives and attacks him, forcing him to decapitate her with a shovel. Her headless body bleeds on his face as it attempts to rape him. He escapes as Linda dies and then retreats to the cabin.

Back inside, Ash discovers that Cheryl has escaped the cellar. Cheryl eludes Ash and attempts to choke him. Ash escapes her grasp and then shoots Cheryl in the jaw. As Ash is barricading the door, Scott's dead body reanimates into a Deadite. Scott attacks Ash and inadvertently knocks the book close to the fireplace. Ash gouges Scott's eyes out and pulls a tree branch from Scott's stomach, causing him to bleed out and fall to the ground. Cheryl breaks through the door and knocks Ash to the floor. As Scott and Cheryl continue to attack Ash on the ground, Ash grabs the book and throws it into the fireplace. While the book burns, the Deadites freeze in place and decompose rapidly. Large appendages burst from both corpses, covering Ash in blood. Dawn breaks, and Ash stumbles outside. As he walks away from the cabin, an unseen demon races through the forest and attacks him as he screams in terror.

==Cast==
* [[Bruce Campbell]] as [[Ash Williams]], a young man who goes away with his friends to an old cabin in the woods, where they stumble upon the [[Necronomicon|Naturom Demonto]], the [[Sumer|Sumerian]] [[Book of the Dead]]
* [[Ellen Sandweiss]] as [[List of Evil Dead characters#Cheryl Williams|Cheryl Williams]], Ash's younger sister
* Richard DeManincor as [[List of Evil Dead characters#Scotty|Scotty]], a friend of Ash (credited as Hal Delrich)
* [[Betsy Baker]] as [[List of Evil Dead characters#Linda|Linda]], Ash's girlfriend
* Theresa Tilly as [[List of Evil Dead characters#Shelly|Shelly]], Scotty's girlfriend (credited as Sarah York)

* [[Sam Raimi]] as Local Fisherman and the voice of the Evil Dead (uncredited)<ref name="BFI">{{cite web|url=https://www.bfi.org.uk/films-tv-people/4ce2b713b30c5|title=The Evil Dead (1982)|website=[[BFI]]|access-date=May 31, 2020|archive-date=August 7, 2020|archive-url=https://web.archive.org/web/20200807131240/https://www.bfi.org.uk/films-tv-people/4ce2b713b30c5|url-status=dead}}</ref>
* [[Robert Tapert|Robert G. Tapert]] as Local Fisherman (uncredited)<ref name="BFI" />
* Bob Dorian as the voice of Professor Knowby (uncredited)

==Production==
[[File:Sam Raimi by Gage Skidmore.jpg|alt=A man sitting next to a microphone placed on a table.|[[Sam Raimi]] wrote and directed the short film ''[[Within the Woods]]'' to generate the interest of investors for ''The Evil Dead''. |thumb|right|upright]]

===Background and writing===
[[Sam Raimi]] and [[Bruce Campbell]] grew up together, and have been friends from an early age.{{sfn|Dixon|2010|p=161}} The duo made several low-budget [[Super 8 mm film]] projects together.{{sfn|Campbell|2002|p=65}} Several were comedies, including ''[[Clockwork (film)|Clockwork]]'' and ''[[It's Murder!]]''.{{sfn|Egan|2011|p=16}}{{sfn|Campbell|2002|p=66}} Shooting a suspense scene in ''It's Murder!'' inspired them to approach careers in the horror genre; after researching horror cinema at [[drive-in theater]]s, Raimi was set on directing a horror film, opting to shoot a [[proof of concept]] [[short film]] – described by the director as a "prototype" – that would attract the interest of financiers, and use the funds raised to shoot a full-length project.{{sfn|Campbell|2002|p=66}}{{sfn|Becker|2006|p=64}} The short film that Raimi created was called ''[[Within the Woods]]'', which was produced for $1,600.{{sfn|Lamberson|2008|p=84}} For ''The Evil Dead'', Raimi required over $100,000.{{sfn|Campbell|2002|p=85–88}}

To generate funds to produce the film, Raimi approached Phil Gillis, a lawyer to one of his friends.{{sfn|Campbell|2002|p=85–88}}{{sfn|Konow|2012|p=412–413}} Raimi showed him ''Within the Woods'', and although Gillis was not impressed by the short film, he offered Raimi legal advice on how to produce ''The Evil Dead''. With his advice in mind, Raimi asked a variety of people for donations, and even eventually "begged" some.{{sfn|Campbell|2002|p=85–88}} Campbell had to ask several of his own family members, and Raimi asked every individual he thought might be interested.{{sfn|Campbell|2002|p=85–88}} He eventually raised enough money to produce a full-length film, though not the full amount he originally wanted.{{sfn|Campbell|2002|p=85–88}} Raimi said the film cost $375,000.<ref name="BobbieWygant">{{cite AV media|url=https://www.youtube.com/watch?v=6Ccmkooeo5g&t=627s| archive-url=https://ghostarchive.org/varchive/youtube/20211211/6Ccmkooeo5g| archive-date=December 11, 2021|title=Sam Raimi "Darkman" 8/4/90 - Bobbie Wygant Archive|date=September 18, 2020|access-date=April 15, 2021|via=YouTube|url-status=live}}{{cbignore}}</ref>

With enough money to produce the film, Raimi and Campbell set out to make what was then titled ''Book of the Dead'', a name inspired by Raimi's interest in the fiction of [[H. P. Lovecraft]].{{sfn|Campbell|2002|p=66}}<ref name="thingstoknow"/> The film was supposed to be a remake of ''Within the Woods'', with higher production values and a full-length running time. Raimi turned 20 just before shooting began, and he considered the project his "[[rite of passage]]".{{sfn|Campbell|2002|p=95}}

===Pre-production and casting===
[[File:Betsy Baker, Ellen Sandweiss, and Theresa Tilly.jpg|thumb|[[Betsy Baker]], [[Ellen Sandweiss]], and [[Theresa Tilly]] in 2009]]

Raimi asked for help and assistance from several of his friends and past collaborators to make ''The Evil Dead''.{{sfn|Campbell|2002|p=95}} Campbell offered to produce the film alongside Tapert, and was subsequently cast as [[Ash Williams]], the main character, since his producing responsibilities made him the only actor willing to stay during the production's entirety.{{sfn|Kenneth Muir|2004|p=23–24}} To acquire more actors for the project, Raimi put an ad in ''[[The Detroit News]]''. [[Betsy Baker]] was one of the actresses who responded, and [[Ellen Sandweiss]], who appeared in ''Within the Woods'', was also cast.{{sfn|Campbell|2002|p=95}} The crew consisted almost entirely of Raimi and Campbell's friends and family. The special make-up effects artist for ''Within the Woods'', [[Tom Sullivan (special effects artist)|Tom Sullivan]], was brought on to compose the effects after expressing a positive reaction to working with Raimi.{{sfn|Kenneth Muir|2004|p=23–24}} He helped create many of the film's [[foam latex]] and [[fake blood]] effects, and added coffee as an extra ingredient to the traditional fake blood formula of [[corn syrup]] and [[food coloring]].<ref>{{cite web |last=Konow |first=David |date=July 21, 2014 |title=How The Evil Dead's Tom Sullivan Mastered Low-Budget Effects |url=https://www.tested.com/art/movies/462662-how-evil-deads-tom-sullivan-mastered-low-budget-effects/ |url-status=dead |archive-url=https://web.archive.org/web/20190217220311/https://www.tested.com/art/movies/462662-how-evil-deads-tom-sullivan-mastered-low-budget-effects/ |archive-date=February 17, 2019 |access-date=February 17, 2019 |website=Tested.com}}</ref><ref>{{cite web|url=https://medium.com/applaudience/evil-dead-effects-master-tom-sullivan-honored-39568ab07b21|title="Evil Dead" Effects Master Tom Sullivan Honored|last=Grabowski|first=William|date=January 19, 2017|website=[[Medium (website)|Medium]]|access-date=February 17, 2019|archive-date=February 18, 2019|archive-url=https://web.archive.org/web/20190218082024/https://medium.com/applaudience/evil-dead-effects-master-tom-sullivan-honored-39568ab07b21|url-status=live}}</ref>

Without any formal assistance from location scouts, the cast had to find filming locations on their own. The crew initially attempted to shoot the film in Raimi's hometown of [[Royal Oak, Michigan]], but instead chose [[Morristown, Tennessee]], as it was the only state that expressed enthusiasm for the project. The crew quickly found a remote cabin located several miles away from any other buildings. During pre-production, the 13 crew members had to stay at the cabin, leading to several people sleeping in the same room. The living conditions were notoriously difficult, with several arguments breaking out between crew members.{{sfn|Campbell|2002|p=96–98}}

Steve Frankel was the only carpenter on set, which made him the art direction's sole contributor.{{sfn|Campbell|2002|p=93–94}} For exterior shots, Frankel had to produce several elaborate props with a circular saw. Otherwise, the cabin mostly remained the way it was found during production. The cabin had no plumbing, but phone lines were connected to it.{{sfn|Campbell|2002|p=96–98}}{{sfn|Egan|2011|p=14}}

===Principal photography===
The film was made on [[Kodak]] [[16mm]] film stock with a rented camera.<ref>{{Cite web |last=Reilly |first=Claire |date=November 2, 2016 |title=Bruce Campbell on 16mm film, iPhones and why horror must go 'up the butt' |url=https://www.cnet.com/culture/bruce-campbell-ash-evil-dead-iphones-horror-starz-stan/ |access-date=March 17, 2022 |website=CNET |language=en |archive-date=March 17, 2022 |archive-url=https://web.archive.org/web/20220317125428/https://www.cnet.com/culture/bruce-campbell-ash-evil-dead-iphones-horror-starz-stan/ |url-status=live }}</ref> The inexperienced crew made filming a "comedy of errors".{{sfn|Campbell|2002|p=101}} The first day of filming led to them getting lost in the woods during a scene shot on a bridge.{{sfn|Campbell|2002|p=101}} Several crew members were injured during the shoot, and because of the cabin's remoteness, securing medical assistance was difficult.{{sfn|Konow|2012|p=419–422}} One notably gruesome moment on set involved ripping off Baker's eyelashes during removal of her face-mask.{{sfn|Campbell|2002|p=93–94}} Because of the low budget, contact lenses as thick as glass{{clarify|date=May 2021|reason=How thick is glass?}} had to be applied to the actors to achieve the "demonic eyes" effect.{{sfn|Campbell|2002|p=93–94}} The lenses took ten minutes to apply, and could only be left on for about 15 minutes because eyes could not "breathe" with them applied.{{sfn|Campbell|2002|p=93–94}} Campbell later commented that to get the effect of wearing these lenses, they had to put "[[Tupperware]]" over their eyes.{{sfn|Campbell|2002|p=93–94}}

Raimi developed a sense of ''[[mise en scène]]'', coming up with ideas for scenes at a fast rate.{{sfn|Konow|2012|p=412–413}} He had drawn several crude illustrations to help him break down the flow of scenes. The crew was surprised when Raimi began using [[Dutch angle]]s during shots to build atmosphere during scenes.{{sfn|Campbell|2002|p=102–103}} To accommodate Raimi's style of direction, several elaborate, low-budget rigs had to be built, since the crew could not afford a [[camera dolly]]. One involved the "vas-o-cam", which relied on a mounted camera that was slid down long wooden platforms to create a more fluid sense of motion.{{sfn|Campbell|2002|p=102–103}}

[[File:WW Chicago 2015 - Evil Dead 15 (21037548012).jpg|Sam Raimi's brother [[Ted Raimi]] was the "[[fake shemp]]" in several scenes.|thumb|left|upright]]

A camera trick used to emulate a [[Steadicam]] inexpensively was the "[[shaky camera|shaky cam]]", which involved mounting the camera to a piece of wood and having two camera operators sprint around the swamp.<ref>{{cite web|url=http://www.tested.com/art/movies/454928-low-budget-camera-tech-sam-raimis-evil-dead/|title=The Low Budget Camera Tech of Sam Raimi's Evil Dead|last=Konow|first=David|date=April 18, 2013|website=Tested.com|access-date=May 7, 2013|archive-date=April 20, 2013|archive-url=https://web.archive.org/web/20130420024719/http://www.tested.com/art/movies/454928-low-budget-camera-tech-sam-raimis-evil-dead/|url-status=dead}}</ref> During scenes involving the unseen force in the woods watching the characters, Raimi had to run through the woods with the makeshift rig, jumping over logs and stones.{{sfn|Campbell|2002|p=102–103}} This often proved difficult due to mist in the swamp.{{sfn|Kenneth Muir|2004|p=309}} The film's final scene was shot with the camera mounted to a bike, while it was quickly driven through the cabin to create a seamless [[long take]].{{sfn|Campbell|2002|p=102–103}}

Raimi had been a big fan of ''[[The Three Stooges]]'' during his youth, which inspired him to use "[[Fake Shemp]]s" during production.{{sfn|Egan|2011|p=16}}{{sfn|Konow|2012|p=412–413}}{{sfn|Kenneth Muir|2004|p=115}} In any scene that required a background shot of a character, he used another actor as a substitute if the original actor was preoccupied.{{sfn|Campbell|2002|p=111–112}} During a [[close-up]] involving Richard DeManicor's hand opening a curtain, Raimi used his own hand in the scene since it was more convenient.{{Citation needed|date=May 2019}} His brother [[Ted Raimi]] was used as a "Fake Shemp" in many scenes when the original actor was either busy or preoccupied.{{sfn|Campbell|2002|p=111–112}}

Raimi enjoyed "torturing" his actors.<ref name="ouch">{{cite video|title=One by One We Will Take You: The Untold Saga of The Evil Dead|type=documentary|location=''The Evil Dead'' Ultimate Edition DVD|year=2007|publisher=Anchor Bay Entertainment}}</ref>{{sfn|Kenneth Muir|2004|p=507}} Raimi believed that to capture pain and anger in his actors, he had to abuse them a little at times, saying, "if everyone was in extreme pain and misery, that would translate into a horror".<ref name="ouch"/> Producer [[Robert Tapert]] agreed with Raimi, commenting that he "enjoyed when an actor bleeds."<ref name="ouch"/> While shooting a scene with Campbell running down a hill, Campbell tripped and injured his leg.{{sfn|Campbell|2002|p=107–109}} Raimi enjoyed poking Campbell's injury with a stick he found in the woods. Because of the copious amounts of blood in the film, the crew produced gallons of [[fake blood]] with [[Associated British Foods|Karo corn syrup]].{{sfn|Konow|2012|p=419–422}}{{sfn|Campbell|2002|p=107–109}} It took Campbell hours to remove the sticky substance from himself.{{sfn|Campbell|2002|p=107–109}} Several actors had inadvertently been stabbed or thrown into objects during production.<ref name="ouch"/>{{sfn|Campbell|2002|p=107–109}} During the last few days on set, the conditions had become so extreme the crew began burning furniture to stay warm. Since at that point only exterior shots needed to be filmed, they burned nearly every piece of furniture left.{{sfn|Campbell|2002|p=116–117}} Several actors went days without showering, and because of the freezing conditions, several caught [[Common cold|colds]] and other illnesses. Campbell later described the filming process as nearly "twelve weeks of mirthless exercise in agony", though he allowed that he did manage to have fun while on set.{{sfn|Campbell|2002|p=107–109}} On January 23, 1980, filming was finished and almost every crew member left the set to return home, with Campbell staying with Raimi.{{sfn|Campbell|2002|p=116–117}} While looking over the footage that had been shot, Raimi discovered that a few [[Pick-up (filmmaking)|pick-ups]] were required to fill in missing shots. Four days of re-shoots were then done to complete the film.{{sfn|Campbell|2002|p=128}} The final moment involved Campbell having "monster-guts" splattered on him in the basement.{{sfn|Campbell|2002|p=128}}

Summing up the production decades later, Campbell remarked: "It's low-budget, it's got rough edges," but even so, "there are parts of that movie that are visually stunning."<ref>{{cite web|title=Actor Bruce Campbell opens up about filming 'Evil Dead' as film celebrates 40th anniversary|url=https://www.dispatch.com/story/entertainment/2021/10/06/bruce-campbell-candid-making-evil-dead-40-years-ago/5992194001/|last=Tonguette|first=Peter|publisher=The Columbus Dispatch|date=October 6, 2021|access-date=October 18, 2021|archive-date=October 18, 2021|archive-url=https://web.archive.org/web/20211018173542/https://www.dispatch.com/story/entertainment/2021/10/06/bruce-campbell-candid-making-evil-dead-40-years-ago/5992194001/|url-status=live}}</ref>

===Editing===
[[File:COEN Brothers (cannesPH).jpg|alt=Two men in button-up shirts smiling.|Joel Coen ''(pictured right'') of the [[Coen brothers]] helped to edit the film.|thumb|right]]

After the extensive filming process, Raimi had a "mountain of footage" that he had to put together.{{sfn|Konow|2012|p=419–422}}{{sfn|Campbell|2002|p=129–132}} He chose a [[Detroit]] editing association, where he met Edna Paul, to cut the film. Paul's assistant was Joel Coen of the [[Coen brothers]], who helped with the film's editing.{{sfn|Campbell|2002|p=129–132}}{{sfn|Eddie|2010|p=15}} Paul edited a majority of the film, although Coen edited the shed sequence. Coen had been inspired by Raimi's ''Within the Woods'' and liked the idea of producing a prototype film to help build the interest of investors.{{sfn|Eddie|2010|p=15}}{{sfn|Pooley|1987|p=44}} Joel used the concept to help make ''[[Blood Simple]]'' with his brother Ethan, and he and Raimi became friends following the editing process.<ref name="thingstoknow">{{cite web|url=http://blogs.amctv.com/movie-blog/2010/10/evil-dead-facts.php|title=Ten Things You Might Not Know About the Evil Dead Trilogy|author=AMC staff|date=October 28, 2008|website=[[AMC (TV channel)|Filmcritic.com]]|archive-url=https://web.archive.org/web/20111227054237/http://blogs.amctv.com/movie-blog/2010/10/evil-dead-facts.php|archive-date=December 27, 2011|url-status=dead|access-date=July 12, 2012}}</ref>{{sfn|Pooley|1987|p=44}}

The film's first cut ran at around 117 minutes, which Campbell called an impressive achievement in light of the 65-minute length of the [[screenplay]]. The cut scenes were to focus on the main character's lamentation of not being able to save the victims from their deaths, but was edited down to make the film less "grim and depressing" and to be a more marketable 85 minutes.{{sfn|Campbell|2002|p=129–132}} Raimi was inspired by the fact that [[Brian De Palma]] was editing his own film ''[[Blow Out]]'' with [[John Travolta]] at the same [[Sound stage|sound facility]].{{sfn|Campbell|2002|p=129–132}} One of the most intricate moments during editing was the [[Stop motion|stop-motion animation]] sequence where the corpses "melted", which took hours to cut properly.{{sfn|Campbell|2002|p=129–132}} The film had unique [[Sound effect|sounds]] that required extensive recording from the crew.{{sfn|Campbell|2002|p=129–132}}{{sfn|Egan|2011|p=17}} Several sounds were not recorded properly during shooting, which meant the effects had to be redone in the [[Film editing|editing rooms]]. Dead [[chicken]]s were stabbed to replicate the sounds of mutilated flesh, and Campbell had to scream into a microphone for several hours.{{sfn|Campbell|2002|p=129–132}}

Much like ''Within the Woods'', ''The Evil Dead'' needed to be blown up to [[35 mm movie film|35mm]], the industry standard, to be played at movie theaters.{{sfn|Campbell|2002|p=129–132}} The relatively large budget made this a much simpler process with ''The Evil Dead'' than it had been with the short film.{{sfn|Campbell|2002|p=129–132}}

==Promotion and distribution rights==
[[File:RedfordTheatreMarquee.jpg|alt=View of a movie theater marquee.|thumb|right|''The Evil Dead'' premiered at the [[Redford Theatre]] because Bruce Campbell watched films there as a child.]]

With the film completed, Raimi and the crew decided to celebrate with a "[[Film premiere|big premiere]]".{{sfn|Campbell|2002|p=125–126}} They chose to screen the film at Detroit's [[Redford Theatre]], which Campbell had often visited as a child.{{sfn|Konow|2012|p=419–422}} Raimi opted to have the most theatrical premiere possible, using custom [[Theater ticket|tickets]] and wind tracks{{Clarify|reason=What is a wind track?|date=October 2021}} set in the theater, and ordering [[ambulance]]s outside the theater to build [[Atmosphere (architecture and spatial design)|atmosphere]].{{sfn|Campbell|2002|p=125–126}}{{sfn|Kawin|2012|p=13}} The premiere setup was inspired by horror director [[William Castle]], who would often attempt to scare his audiences by using [[gimmick]]s. Local turnout for the premiere exceeded the cast's expectations, with a thousand patrons showing up. The audiences responded enthusiastically to the premiere, which led to Raimi's idea of "touring" the film to build hype.{{sfn|Campbell|2002|p=125–126}}

Raimi showed the film to anyone willing to watch it, booking meetings with distribution agents and anyone with experience in the [[film industry]].{{sfn|Campbell|2002|p=136–137}} Eventually Raimi came across [[Irvin Shapiro]], the man who was responsible for the distribution of [[George A. Romero]]'s ''[[Night of the Living Dead]]'' and other famous horror films.{{sfn|Konow|2012|p=422–425}}{{sfn|Warren|2000|p=125–126}} Upon first viewing the film, he joked that while it "wasn't ''[[Gone with the Wind (film)|Gone with the Wind]]''", it had commercial potential, and he expressed an interest in distributing it.{{sfn|Campbell|2002|p=136–137}} It was his idea not to use the then-title ''Book of the Dead'', because he thought it made the film sound boring. Raimi brainstormed several ideas, eventually going with ''The Evil Dead'', deemed the "least worst" title.{{sfn|Campbell|2002|p=136–137}} Shapiro also advised distributing the film worldwide to garner a larger income, though it required a further financial investment by Raimi, who managed to scrape together what little money he had.{{sfn|Campbell|2002|p=136–137}}

[[File:Stephen King, Comicon.jpg|alt=Close-up of a man wearing glasses.|thumb|left|upright|[[Stephen King]] cited ''The Evil Dead'' as one of his favorite films, which brought the interest of [[New Line Cinema]].]]
Shapiro was a founder of the [[Cannes Film Festival]], and allowed Raimi to screen the film at the [[1982 Cannes Film Festival|1982 festival]] out of competition.{{sfn|Egan|2011|p=24}}{{sfn|Collings|2008|p=26}} [[Stephen King]] was present at its screening and gave the film a rave review. ''[[USA Today]]'' released an article about King's favorite horror films; the author cited ''The Evil Dead'' as his fifth favorite film of the genre.{{sfn|Collings|2008|p=26}} The film severely affected King, who commented that while watching the film at Cannes, he was "registering things [he] had never seen in a movie before".{{sfn|Egan|2011|p=20}} He became one of the film's largest supporters during the early efforts to find a distributor, eventually describing it as the "most ferociously original film of the year", a quote used in the film's promotional pieces.<ref name="thingstoknow"/>{{sfn|Collings|2007|p=157}} King's comments attracted the interest of [[Film criticism|critics]], who otherwise would likely have dismissed the low-budget thriller.{{sfn|Egan|2011|p=20}}{{sfn|Campbell|2002|p=151–152}}

The [[Film promotion|film's press]] attracted the attention of British film distribution agent [[Stephen Woolley]].{{sfn|Finney|1997|p=58}}{{sfn|Chibnall|2001|p=184}} Though he considered the film a big risk, Woolley decided to take on the job of releasing the film in the United Kingdom.{{sfn|Finney|1997|p=55}} The film was promoted in an unconventional manner for a film of its budget, receiving marketing on par with that of larger budget films.{{sfn|Campbell|2002|p=151–152}}{{sfn|Egan|2011|p=19}} Dozens of promotional pieces, including [[film poster]]s and [[Trailer (promotion)|trailers]], were showcased in the UK, heavy promotion rarely expended on such a low-budget film.{{sfn|Egan|2011|p=27}} Woolley was impressed by Raimi, whom he called "charming", and was an admirer of the film, which led to his taking more risks with the film's promotion than he normally would have.{{sfn|Egan|2011|p=19}}{{sfn|Newman|2011|p=38}}

''[[Fangoria]]'' started covering the film in late 1982, writing several articles about the film's long production history.{{sfn|Egan|2011|p=21}} Early critical reception at the time was very positive, and along with ''Fangoria'', King and Shapiro's approval, the film generated an impressive amount of interest before its commercial premiere.{{sfn|Campbell|2002|p=151–152}} [[New Line Cinema]], one of the distributors interested in the film, negotiated an agreement to distribute it domestically.{{sfn|Konow|2012|p=422–425}} The film had several "sneak previews" before its commercial release, including screenings in New York and Detroit. Audience reception at both screenings was widely enthusiastic, and interest was built for the film to such an extent that wider distribution was planned. New Line Cinema wrote Raimi a [[Cheque|check]] large enough to pay off all the investors, and decided to release the film in an unusual manner:{{sfn|Konow|2012|p=422–425}} simultaneously into both cinemas and onto [[VHS]], with substantial domestic promotion.{{sfn|Egan|2011|p=24}}

==Release==
===Theatrical===
Because of its large promotional campaign, the film performed above expectations at the [[box office]].{{sfn|Egan|2011|p=24}} However, the initial domestic [[Gross (economics)|gross]] was described as "disappointing."{{sfn|Egan|2011|p=26–28}} The movie opened in 15 theaters and grossed $108,000 in its opening weekend.{{sfn|Egan|2011|p=26–28}} Word of mouth later spread, and the film became a "[[sleeper hit]]". It grossed $2,400,000 domestically, nearly eight times its [[production budget]]. Sources differ as to whether it grossed $261,944 overseas, for a worldwide gross of $2,661,944, or $27 million overseas, for a worldwide gross of $29.4 million.<ref name="BOM">{{cite web|url=https://boxofficemojo.com/movies/?id=evildead.htm|title=The Evil Dead|website=[[Box Office Mojo]]|publisher=[[IMDb]]|access-date=May 19, 2012|archive-date=April 19, 2012|archive-url=https://web.archive.org/web/20120419064455/http://boxofficemojo.com/movies/?id=evildead.htm|url-status=live}}</ref><ref name="TheNumbers">{{cite web|url=https://www.the-numbers.com/movie/Evil-Dead-The#tab=summary|title=The Evil Dead (1983)|work=[[The Numbers (website)|The Numbers]]|access-date=October 23, 2019|archive-date=July 10, 2019|archive-url=https://web.archive.org/web/20190710014855/https://www.the-numbers.com/movie/Evil-Dead-The#tab=summary|url-status=live}}</ref>{{sfn|Egan|2011|p=26–28}} Raimi said in 1990 that the film "did very well overseas and did very poorly domestically" and that its investors earned a return of "about five times their initial investment."<ref name="BobbieWygant" />

===Rating===
The film's release was met with [[controversy]], as Raimi had made the film as gruesome as possible with neither interest in nor fear of [[Film censorship in the United States|censorship]]. Writer Bruce Kawin described ''The Evil Dead'' as one of the most notorious [[splatter film]]s of its day, along with ''[[Cannibal Holocaust]]'' and ''[[I Spit on Your Grave]]''.{{sfn|Egan|2011|p=17}}{{sfn|Staiger|2005|p=125}}

In the UK, the film was trimmed by 49 seconds before it was granted an [[X rating#United Kingdom|X certificate]] for cinema release. This censored version was also released on home video; at the time there was no requirement that films had to be classified for video release. An anti-media organization campaign led to the film being branded a "video nasty". When the Video Recordings Act was passed in 1984, the video version was banned. In 1990, an additional 66 seconds were cut from the already censored version, earning the film an 18 certificate for home video release. Finally, in 2000, the uncut version received an 18 certificate for both cinema and home video.<ref>{{cite web|url=https://www.bbfc.co.uk/education/case-studies/the-evil-dead|title=The Evil Dead|website=bbfc.co.uk|date=August 3, 2020|access-date=February 14, 2022|archive-date=February 14, 2022|archive-url=https://web.archive.org/web/20220214112617/https://www.bbfc.co.uk/education/case-studies/the-evil-dead|url-status=live}}</ref>

In the US, the film received an [[X rating#United States|X rating]]. Films with this label were quite violent and disturbing, and the [[Film rating|rating]] was often held by [[pornographic film|pornographic]] films.{{sfn|Hantke|2004|p=160}} The film has since been re-rated [[NC-17]] for “substantial graphic horror violence and gore”,<ref>{{Cite web |title=The Evil Dead |url=https://www.filmratings.com/Search?filmTitle=evil+dead&x=0&y=0 |access-date=2024-10-25 |website=www.filmratings.com |publisher=Motion Picture Association}}</ref><ref>{{Cite web|url=https://www.rottentomatoes.com/m/the-evil-dead|title=The Evil Dead|website=[[Rotten Tomatoes]]|access-date=February 23, 2022|archive-date=February 2, 2022|archive-url=https://web.archive.org/web/20220202141028/https://www.rottentomatoes.com/m/the-evil-dead|url-status=live}}</ref> though many recent home media releases have been released without a rating.<ref>{{Cite web |title=Anchor Bay DVD release |url=https://m.media-amazon.com/images/I/91ZB1-Vj0VL._SX522_.jpg |url-status=live |archive-url=https://web.archive.org/web/20220212200730/https://m.media-amazon.com/images/I/91ZB1-Vj0VL._SX522_.jpg |archive-date=2022-02-12 |via=Amazon}}</ref><ref>{{Cite web |date=2021-12-16 |title=The Evil Dead – Ultimate Edition (2007) R1 DVD Cover |url=https://dvdcover.com/the-evil-dead-ultimate-edition-2007-r1-dvd-cover/ |url-status=live |archive-url=https://web.archive.org/web/20220214234642/https://dvdcover.com/the-evil-dead-ultimate-edition-2007-r1-dvd-cover/ |archive-date=February 14, 2022 |website=DVDcover.com}}</ref>

The film was, and is still, [[List of banned films|banned]] either theatrically or on video in some countries.<ref>{{cite web|url=https://www.independent.co.uk/arts-entertainment/films/features/banned-the-most-controversial-films-1768299.html?action=gallery&ino=10|title=BANNED: The most controversial films|last=Davis|first=Laura|date=October 5, 2010|work=[[The Independent]]|access-date=August 11, 2012|archive-date=February 26, 2014|archive-url=https://web.archive.org/web/20140226204839/http://www.independent.co.uk/arts-entertainment/films/features/banned-the-most-controversial-films-1768299.html?action=gallery&ino=10|url-status=live}}</ref>{{sfn|Xavier|2004|p=195}}

===Home media release===
The first VHS release of ''The Evil Dead'' was released by [[Thorn EMI]] in 1983, and Thorn's successor company [[Home Box Office, Inc.#Home video|HBO/Cannon Video]] later repackaged the film. Former HBO Video's partner Congress Video, a company notable for [[public domain]] films, issued its version in 1989.<ref>{{cite book|title=The gorehound's guide to splatter films of the 1980s|author=Stine, Scott Aaron|publisher=McFarland|year=2003|page=114|isbn=0-7864-1532-0|quote=The Evil Dead (ABE; 85m); The Evil Dead (CNG; 89(85)m); The Evil Dead (EMI; 85m)}}</ref><ref>{{cite book|title=Bowker's Complete Video Directory 1994|publisher=[[R.R. Bowker]]|page=266|year=1994|isbn=978-0-8352-3391-0}}</ref>

In its first week of video release, the film made £100,000 in the UK. It quickly became that week's bestselling video release, and later became the year's bestselling video in the UK, out-grossing large-budget horror releases such as ''[[The Shining (film)|The Shining]]''.{{sfn|Campbell|2002|p=151–152}} Its impressive European performance was chalked up to its heavy promotion there and the more open-minded nature of European audiences.{{sfn|Egan|2011|p=26–28}}

The resurgence of ''The Evil Dead'' in the home-video market came through two companies that restored the film from its negatives and issued special editions in 1998: [[Anchor Bay Entertainment]] on VHS, and [[Elite Entertainment]] on [[LaserDisc]]. Anchor Bay was responsible for the film's first [[DVD]] release on January 19, 1999, along with Elite releasing the special collector's edition DVD on March 30, 1999, and between them, Elite and Anchor Bay have released six different DVD versions of ''The Evil Dead'', most notably the 2002 "Book Of The Dead" edition, packaged in a latex replica of the ''Necronomicon'' sculpted by Tom Sullivan and the 2007 three disc "Ultimate Edition" which contained the widescreen and original full frame versions of the movie.{{sfn|Egan|2011|p=52-3}} The film's high-definition debut was in a 2010 [[Blu-ray]].<ref>{{cite web|url=https://ign.com/articles/2010/09/03/the-evil-dead-blu-ray-review|title=The Evil Dead Blu-ray Review|last=White|first=Cindy|date=September 3, 2010|website=[[IGN]]|access-date=May 7, 2013|archive-date=September 25, 2012|archive-url=https://web.archive.org/web/20120925061353/http://www.ign.com/articles/2010/09/03/the-evil-dead-blu-ray-review|url-status=live}}</ref>

[[Lionsgate Films]] released a 4K [[Ultra HD Blu-ray]] edition of ''The Evil Dead'' on October 9, 2018.<ref>{{cite web|url=https://bloody-disgusting.com/home-video/3514073/lionsgate-gives-evil-dead-4k-treatment-october/|title=Lionsgate Gives 'The Evil Dead' the 4K Treatment This October!|last1=Miska|first1=Brad|website=[[Bloody Disgusting]]|access-date=August 8, 2018|date=August 6, 2018|archive-date=August 7, 2018|archive-url=https://web.archive.org/web/20180807113424/https://bloody-disgusting.com/home-video/3514073/lionsgate-gives-evil-dead-4k-treatment-october/|url-status=live}}</ref><ref>{{cite web|url=http://www.blu-ray.com/movies/The-Evil-Dead-4K-Blu-ray/211492/|title=The Evil Dead 4K Blu-ray|website=Blu-ray.com|access-date=August 8, 2018|archive-date=August 8, 2018|archive-url=https://web.archive.org/web/20180808203112/http://www.blu-ray.com/movies/The-Evil-Dead-4K-Blu-ray/211492/|url-status=live}}</ref>

==Reception==

===Critical response===
Upon its release, contemporary critical opinion was largely positive.{{sfn|Konow|2012|p=422–425}} Bob Martin, editor of ''Fangoria'', reviewed the film before its formal premiere and proclaimed that it "might be the exception to the usual run of low-budget horror films".{{sfn|Egan|2011|p=21}}<ref>{{Cite journal|last=Martin|first=Bob|date=November 1982|title=Evil Dead|url=https://archive.org/details/Fangoria_023_c2c_1982_Evil_Dead_scan_by_SproutHatesWatermarks_S/page/n19|journal=[[Fangoria]]|issue=23|pages=20–23|via=[[Internet Archive]]}}</ref> He followed up on this praise after the film's premiere, stating: "Since I started editing this magazine, I have not seen ''any'' new film that I could recommend to our readers with more confidence that it would be loved, embraced and hailed as a new milestone in graphic horror".<ref>{{Cite journal|last=Martin|first=Bob|date=May 1983|title=The FX of Evil Dead|url=https://archive.org/details/Fangoria_027/page/n21|journal=[[Fangoria]]|issue=27|pages=19–22|via=[[Internet Archive]]}}</ref> The ''[[Los Angeles Times]]'' called the film an "instant classic", proclaiming it as "probably the grisliest well-made movie ever."{{sfn|Campbell|2002|p=151–152}}{{sfn|Egan|2011|p=22}} In a 1982 review, staff from ''[[Variety (magazine)|Variety]]'' wrote that the film "emerges as the ''[[ne plus ultra]]'' of low-budget gore and shock effect", commenting that the "powerful" and inventive camerawork was key to creating a sense of dread.<ref>{{cite web|url=https://variety.com/review/VE1117790757?refcatid=31|title=The Evil Dead|date=December 31, 1982|work=[[Variety (magazine)|Variety]]|archive-url=https://web.archive.org/web/20120104083311/https://variety.com/review/VE1117790757?refcatid=31|archive-date=January 4, 2012|url-status=dead|access-date=January 31, 2012}}</ref>

British press for the film was positive; [[Kim Newman]] of ''[[Monthly Film Bulletin]]'', Richard Cook of ''[[NME]]'' and Julian Petley of ''Film and Filming'' all gave the film good reviews during its early release.{{sfn|Egan|2011|p=22}} Petley and Cook compared the film to other contemporary horror films, writing that the film expressed more imagination and "youthful enthusiasm" than an average horror film.{{sfn|Egan|2011|p=22}} Cook described the camera work by Raimi as "audacious", stating that the film's visceral nature was greatly helped by the style of direction.{{sfn|Egan|2011|p=22}} Woolley, Newman and several critics complimented the film for its unexpected use of [[black comedy]], which elevated the film above its genre's potential trappings.{{sfn|Egan|2011|p=22}} All three critics compared the film to the surrealistic work of [[Georges Franju]] and [[Jean Cocteau]], noting the cinephilic references to Cocteau's film ''[[Orpheus (film)|Orpheus]]''.{{sfn|Egan|2011|p=22}} Writer [[Lynn Schofield Clark]] in her novel ''From Angels to Aliens'' compared the film to better-known horror films such as ''[[The Exorcist (film)|The Exorcist]]'' and ''[[The Omen]]'', citing it as a key supernatural thriller.{{sfn|Clark|2005|pp=26–28}}

===Later response===
{{Rotten Tomatoes prose|86|7.70|85|So scrappy that it feels as illicit as a book found in the woods, ''The Evil Dead'' is a stomach-churning achievement in bad taste that marks a startling debut for wunderkind Sam Raimi.|ref=yes}} {{Metacritic film prose|71|11|ref=yes|access-date=7 October 2025}} ''[[Empire (film magazine)|Empire]]'' stated the film's "reputation was deserved", writing that the film was impressive considering its low budget and the cast's inexperience. He commented that the film successfully blended the "bizarre" combination of ''Night of the Living Dead'', ''[[The Texas Chain Saw Massacre]]'' and ''The Three Stooges''.<ref>{{cite web|url=https://empireonline.com/reviews/reviewcomplete.asp?DVDID=7240|title=The Evil Dead|author=Empire Staff|date=September 24, 2007|work=[[Empire (magazine)|Empire]]|archive-url=https://web.archive.org/web/20121106053201/https://empireonline.com/reviews/reviewcomplete.asp?DVDID=7240|archive-date=November 6, 2012|url-status=dead|access-date=January 31, 2012}}</ref> A reviewer for [[Film4]] rated ''The Evil Dead'' four-and-a-half stars out of five, musing that the film was "energetic, original and icky" and concluding that Raimi's "splat-stick debut is a tight little horror classic that deserves its cult reputation, despite the best efforts of the censors."<ref>{{cite web|url=http://www.film4.com/reviews/1983/the-evil-dead|title=The Evil Dead review|work=[[Film4]]|archive-url=https://web.archive.org/web/20100830204151/http://www.film4.com/reviews/1983/the-evil-dead|archive-date=August 30, 2010|url-status=dead|access-date=October 11, 2012}}</ref>

''[[Slant Magazine|Slant]]''{{'}}s Ed Gonzales compared the film to [[Dario Argento]]'s work, citing Raimi's "unnerving wide angle work" as an important factor to the film's atmosphere. He mused that Raimi possessed an "almost unreal ability to suggest the presence of intangible evil", which was what prevented the movie from being "B-movie schlock".<ref>Gonzales, Ed (March 6, 2002). [https://slantmagazine.com/film/review/the-evil-dead/112 Review: ''The Evil Dead''] {{Webarchive|url=https://web.archive.org/web/20131029202250/http://www.slantmagazine.com/film/review/the-evil-dead/112 |date=October 29, 2013 }}. ''[[Slant Magazine|Slant]]''. Retrieved on November 20, 2010.</ref> [[BBC]] critic Martyn Glanville awarded the film four stars out of five, writing that for Raimi, it served as a better debut film than [[Tobe Hooper]]'s ''[[The Texas Chain Saw Massacre]]'' or [[Wes Craven]]'s ''[[The Last House on the Left (1972 film)|The Last House on the Left]]''. Glanville noted that other than the "ill-advised trees-that-rape scene", the film is "one of the great modern horror films, and even more impressive when one considers its modest production values."<ref>{{cite web|url=https://www.bbc.co.uk/films/2001/03/02/the_evil_dead_1982_review.shtml|title=The Evil Dead (1982)|last=Glanville|first=Martyn|date=March 5, 2001|publisher=[[BBC]]|archive-url=https://web.archive.org/web/20010305142803/http://www.bbc.co.uk/films/2001/03/02/the_evil_dead_1982_review.shtml|archive-date=March 5, 2001|url-status=dead|access-date=July 12, 2012}}</ref>

[[AMC (TV channel)|Filmcritic.com]]'s [[Christopher Null]] gave the film the same rating as Glanville, writing that "Raimi's biggest grossout is schlock horror done the right way" and comparing it to Romero's ''Night of the Living Dead'' in its ability to create stark atmosphere.<ref>{{cite web|url=http://movies.amctv.com/movie/1983/The+Evil+Dead|title=The Evil Dead (1983)|last=Null|first=Christopher|date=January 1, 2001|website=Movies.AMCTV.com|archive-url=https://web.archive.org/web/20120818042106/http://movies.amctv.com/movie/1983/The+Evil+Dead|archive-date=August 18, 2012|url-status=dead|access-date=July 12, 2012}}</ref> ''[[Chicago Reader]]'' writer Pat Graham commented that the film featured several "clever" turns on the standard horror formula, adding that Raimi's "anything-for-an-effect enthusiasm pays off in lots of formally inventive bits."<ref>{{cite web|url=http://www.chicagoreader.com/chicago/the-evil-dead/Film?oid=1736507|title=The Evil Dead|last=Graham|first=Pat|date=January 1, 2001|work=[[Chicago Reader]]|publisher=Wrapports|access-date=July 12, 2012|archive-date=November 17, 2012|archive-url=https://web.archive.org/web/20121117092946/http://www.chicagoreader.com/chicago/the-evil-dead/Film?oid=1736507|url-status=live}}</ref> ''[[Time Out (magazine)|Time Out]]'' critic Stephen Garrett, referred to the make-up effects in the climax as "amazing", and commented that although the film was light on character development, it "blends comic fantasy" with "atmospheric horror ... to impressive effect".<ref>{{cite web|url=https://timeout.com/film/reviews/64080/the_evil_dead.html|title=The Evil Dead (1981)|last=Graham|first=Pat|date=January 26, 2005|work=[[Time Out (magazine)|Time Out]]|archive-url=https://web.archive.org/web/20141106005731/https://timeout.com/film/reviews/64080/the_evil_dead.html|archive-date=November 6, 2014|url-status=dead|access-date=July 12, 2012}}</ref> The same site later cited the film as the 41st greatest horror movie ever made.<ref>{{cite web|url=https://timeout.com/london/feature/2420/100-best-horror-films-the-list/6|title=The 100 best horror films|last1=Adams|first1=Derek|last2=Calhoun|first2=Dave|work=[[Time Out (magazine)|Time Out]]|archive-url=https://web.archive.org/web/20120629120148/https://timeout.com/london/feature/2420/100-best-horror-films-the-list/6|archive-date=June 29, 2012|url-status=dead|access-date=July 12, 2012|last3=Clarke|first3=Cath|last4=Cohen|first4=Sarah|last5=Floyd|first5=Nigel|last6=Huddleston|first6=Tom}}</ref> Phelim O'Neill of ''[[The Guardian]]'' combined ''The Evil Dead'' and its sequel ''[[Evil Dead II]]'' and listed them as the 23rd best horror film ever made, announcing that the former film "stands above its mostly forgotten peers in the 80s horror boom."<ref>O'Neill, Phelim (October 22, 2010). [https://www.theguardian.com/film/2010/oct/22/evil-dead-raimi-horror The Evil Dead/Evil Dead II: No 23 best horror film of all time] {{Webarchive|url=https://web.archive.org/web/20160321111911/http://www.theguardian.com/film/2010/oct/22/evil-dead-raimi-horror |date=March 21, 2016 }}. ''[[The Guardian]]''. Retrieved on November 19, 2010.</ref> Don Summer, in his book ''Horror Movie Freak'', and writer Kate Egan have both cited the film as a horror classic.{{sfn|Egan|2011|p=26–28}}{{sfn|Summer|2007|p=165}}

J.C. Maçek III of ''[[PopMatters]]'' said: "What is unquestionable is that the Raimis and their pals created a monster in ''The Evil Dead''. It started as a disastrous failure to obtain a big break with a too long, too perilous shoot (note Campbell's changing hairstyle in the various scenes of the one-day plot). The film went through name changes and bannings only to survive as not only 'the ultimate experience in grueling horror' but as an oft-imitated and cashed-in-on classic, with 30 years of positive reviews to prove it."<ref name="PM"/>

==Aftermath==
[[File:Bruce Campbell .jpg|alt=A man sitting at a table with a VHS on the table.|[[Bruce Campbell]] at a fan convention, signing a [[VHS]] copy of ''The Evil Dead''.|thumb|right|upright]]

While ''The Evil Dead'' received favorable critical comment when it was initially released, it failed to establish Raimi's reputation.{{sfn|Egan|2011|p=22}} It was, however, a box-office success, which led to Campbell and Raimi teaming up again for the release of another movie.{{sfn|Campbell|2002|p=161–163}} [[Coen brothers|Joel Coen]] and his brother [[Coen brothers|Ethan]] had collaborated as directors and released the film ''[[Blood Simple]]'', to critical acclaim.{{sfn|Žižek|2000|p=111}} According to Campbell, Ethan, then an accountant, expressed surprise when the duo succeeded.{{sfn|Campbell|2002|p=161–163}} The Coen brothers and Raimi collaborated on a screenplay, which was released shortly after ''The Evil Dead''. The film, ''[[Crimewave]]'', was a box-office failure.{{sfn|Campbell|2002|p=161–163}} The film's production was a "disaster", according to Campbell, who stated that "missteps" like ''Crimewave'' usually lead to the end of a director's career.{{sfn|Campbell|2002|p=171}} Other people involved with the film expressed similar disappointment with the project.{{sfn|Campbell|2002|p=161–163}}{{sfn|Paul|2007|p=121}} Fortunately, Raimi had the studio support to make a sequel to ''The Evil Dead'', which he initially decided to make out of desperation.{{sfn|Campbell|2002|p=171}}

===Sequels===

''The Evil Dead'' was followed by a series of sequels. The franchise is noted from attracting attention for each sequel featuring more comedic qualities than the last, progressing into "weirder" territory with each film.{{sfn|Konow|2012|p=429–434}} ''[[Evil Dead II|Evil Dead II: Dead by Dawn]]'' was a [[black comedy]]-horror film which released in 1987, and was a box-office success.{{sfn|Kenneth Muir|2004|p=101}} It received general acclaim from critics, and is often considered to be superior to the first film.{{sfn|Konow|2012|p=429–434}} This was followed by ''[[Army of Darkness]]'', a [[Comedy film|comedy]] [[Fantasy film|fantasy]]-horror film released in 1992. At that time, Raimi had become a successful director, attracting Hollywood's interest.{{sfn|Campbell|2002|p=207}} His [[superhero film]] ''[[Darkman]]'' (1990) was another box-office success, which led to an increased budget for ''Army of Darkness''.{{sfn|Konow|2012|p=429–434}}{{sfn|Harris|2002|p=51–52}}{{sfn|Kenneth Muir|2004|p=138}} ''Army of Darkness'' had 22.8 times the budget of the original ''Evil Dead'', though it was not considered to be a box-office success like its two predecessors.{{sfn|Campbell|2002|p=207}}{{sfn|Campbell|2002|p=217–218}} It was met with mostly positive critical reception.{{sfn|Konow|2012|p=429–434}} After any additional installments suffered through [[development hell]], a [[Supernatural horror film|supernatural-horror]] [[reboot (fiction)|soft reboot]]/[[Sequel#Classifications|legacy sequel]] titled ''[[Evil Dead (2013 film)|Evil Dead]]'' was released in 2013, featuring [[Jane Levy]] as the main character Mia Allen. Directed and co-written by [[Fede Álvarez]], the film was produced by Raimi and Campbell. The film, which was a departure from the humor of the previous two films, was a moderate box office success and was praised for its dark and bloody story. While various projects going through varying stages of development, a continuation was released as a television series titled, ''[[Ash vs. Evil Dead]]''. Created and executive produced by Sam Raimi, the series aired from 2015 to 2018.

After further film installments once again remained in development hell for a number of years, a fifth feature film titled ''[[Evil Dead Rise]]'' was announced to be in development. The project began filming in June 2021, with Irish filmmaker [[Lee Cronin (director)|Lee Cronin]] serving as writer/director. Though Campbell reprised his role as Ashley "Ash" J. Williams in each of the proceeding sequels, he did not appear in the film.{{sfn|Campbell|2002|p=207}}{{sfn|Konow|2012|p=429–434}} The film was released theatrically on April 21, 2023, by [[Warner Bros. Pictures]].<ref>{{Cite web |last=D'Alessandro |first=Anthony |date=2022-08-24 |title='Aquaman 2' Heads To Christmas 2023, 'Shazam: Fury Of The Gods' Goes To March; HBO Max Pics 'House Party' & 'Evil Dead Rise' Going Theatrical – Warner Bros. Release Date Changes |url=https://deadline.com/2022/08/aquaman-2-shazam-fury-of-the-gods-hbo-max-house-party-evil-dead-rise-1235099521/ |access-date=2023-01-05 |website=Deadline |language=en-US |archive-date=September 1, 2022 |archive-url=https://web.archive.org/web/20220901092842/https://deadline.com/2022/08/aquaman-2-shazam-fury-of-the-gods-hbo-max-house-party-evil-dead-rise-1235099521/ |url-status=live }}</ref>

====Foreign market====
Unofficial sequels were made in Italy, where the film was known as ''La Casa'' ("The House"). Produced by [[Joe D'Amato]]'s Filmirage, two mostly unrelated films were released and marketed as [[La Casa (film series)|sequels to ''Evil Dead II'']]: [[Umberto Lenzi]]'s ''La Casa 3: [[Ghosthouse (film)|Ghosthouse]]'' and ''La Casa 4: [[Witchery (film)|Witchery]]'' starring [[Linda Blair]] and [[David Hasselhoff]]. The final film was released in 1990 and titled, ''La Casa 5: [[Beyond Darkness]]''.<ref name="PM"/><ref>{{cite book|title=Erotismo, orrore e pornografia secondo Joe D'Amato|language=it|page=168|first=Gordiano|last=Lupi|publisher=Mondo Ignoto|year=2004|isbn=88-89084-49-9}}</ref> The film ''[[House II: The Second Story]]'' was reissued and retitled in Italy as ''La Casa 6''; followed by ''[[The Horror Show]]'' which was released in Italy as ''La Casa 7''.<ref name="PM">{{cite web|url=https://popmatters.com/pm/column/170551-books-of-the-dead-the-followers-and-clones-of-the-evil-dead/|title=Books of the Dead: The Followers and Clones of 'The Evil Dead'|last=Maçek III|first=J. C.|date=April 26, 2013|work=[[PopMatters]]|access-date=November 15, 2019|archive-date=August 30, 2013|archive-url=https://web.archive.org/web/20130830001425/http://www.popmatters.com/pm/column/170551-books-of-the-dead-the-followers-and-clones-of-the-evil-dead/|url-status=dead}}</ref>

In 2008, an unofficial remake was also produced in India under the title ''Bach Ke Zara''.<ref>{{cite web|url=https://bloody-disgusting.com/editorials/3406964/5-hilarious-moments-bollywoods-evil-dead-rip-off/|title=5 Hilarious Moments from Bollywood’s ‘Evil Dead’ Rip-Off|website=[[Bloody Disgusting]]|access-date=17 September 2016}}</ref>

===Legacy===
The original ''Evil Dead'' trilogy of films has been recognized as one of the most successful [[cult film]] series in history.{{sfn|Egan|2011|p=26–28}}{{sfn|Campbell|2002|p=319}}{{sfn|Lavery|2009|p=217–218}} David Lavery, in his book ''The Essential Cult TV Reader'', surmised that Campbell's "career is a practical guide to becoming a cult idol".{{sfn|Lavery|2009|p=217–218}} The film launched the careers of Raimi and Campbell, who have since collaborated frequently.{{sfn|Campbell|2002|p=337}} Raimi has worked with Campbell in virtually all of his films since, and Campbell has appeared in cameo roles in all three of Raimi's [[Spider-Man (2002 film series)|''Spider-Man'' films]]{{sfn|Campbell|2002|p=337}} (as well as a very brief appearance at the end of ''Darkman''), which have become some of the highest-grossing films in history.{{sfn|Campbell|2002|p=337}}<ref name="BOMINT">{{cite web|url=https://boxofficemojo.com/movies/?page=intl&id=spiderman.htm|title=Spider-Man (2002) – International Box Office Results|website=[[Box Office Mojo]]|publisher=[[IMDb]]|access-date=April 8, 2010|archive-date=January 17, 2010|archive-url=https://web.archive.org/web/20100117213827/http://www.boxofficemojo.com/movies/?page=intl&id=spiderman.htm|url-status=live}}</ref> Though it has often been considered an odd choice for Raimi, a director known for his violent horror films, to direct a family-friendly franchise, the hiring was mostly inspired by Raimi's passion for comic books as a child.{{sfn|Campbell|2002|p=337}}<ref name="HBO">{{cite video | title = HBO Making-Of ''Spider-Man'' | medium = DVD | publisher = Sony |date = 2002}}</ref> Raimi returned to the horror-comedy genre in 2009 with ''[[Drag Me to Hell]]''.<ref>{{cite web|url=http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20090603/REVIEWS/906079997/1001|title='Drag Me to Hell' Review|last=Ebert|first=Roger|author-link=Roger Ebert|date=June 3, 2009|work=[[RogerEbert.com]]|access-date=June 28, 2009|archive-date=June 15, 2009|archive-url=https://web.archive.org/web/20090615041732/http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20090603/REVIEWS/906079997/1001|url-status=live}}</ref>

Critics have often compared Campbell's later performances to his role in ''Evil Dead'', which has been called his defining role.{{sfn|Kenneth Muir|2004|p=112}}<ref name="BLEND">{{cite web|url=https://cinemablend.com/dvdnews/FlixWorthy-Celebrates-Ash-Wednesday-With-Best-Streaming-Bruce-Campbell-30581.html|title=FlixWorthy Celebrates Ash Wednesday With The Best Of Streaming Bruce Campbell|last=Wharton|first=David|date=March 9, 2011|work=Cinema Blend|access-date=November 28, 2011|archive-date=January 28, 2012|archive-url=https://web.archive.org/web/20120128080718/http://www.cinemablend.com/dvdnews/FlixWorthy-Celebrates-Ash-Wednesday-With-Best-Streaming-Bruce-Campbell-30581.html|url-status=live}}</ref> Campbell's performance as Ash has been compared to roles ranging from his performance of [[Elvis Presley]] in the film ''[[Bubba Ho-tep]]'' to the bigamous demon in ''[[The X-Files]]'' episode "[[Terms of Endearment (The X-Files)|Terms of Endearment]]".<ref name="sixth">{{cite web|url=http://ca.ign.com/articles/2008/07/18/top-10-x-files-guest-stars?page=3|title=Top 10 X-Files Guest Stars|last=Seghers|first=Christine|date=July 17, 2008|work=[[IGN]]|access-date=August 11, 2011|archive-date=January 26, 2013|archive-url=https://archive.today/20130126021025/http://ca.ign.com/articles/2008/07/18/top-10-x-files-guest-stars?page=3|url-status=live}}</ref><ref>{{cite web|url=https://www.bbc.co.uk/films/2004/09/20/bubba_ho_tep_2004_review.shtml|title=Bubba Ho-Tep (2004)|last=Russell|first=Jamie|date=October 4, 2001|website=[[BBC]]|archive-url=https://web.archive.org/web/20120502172623/http://www.bbc.co.uk/films/2004/09/20/bubba_ho_tep_2004_review.shtml|archive-date=May 2, 2012|url-status=dead|access-date=July 12, 2012}}</ref> Campbell's fan base gradually developed after the release of ''Evil Dead II'' and his short-lived series ''[[The Adventures of Brisco County, Jr.]]''.{{sfn|Campbell|2002|p=245–248}} He is a regular favorite at most fan conventions and often draws sold-out auditoriums at his public appearances.{{sfn|Lowry|1995|p=19–21}} ''The Evil Dead'' developed a substantial cult following throughout the years, and has often been cited as a defining cult classic.{{sfn|Egan|2011|p=26–28}}{{sfn|Campbell|2002|p=245–248}}

''The Evil Dead'' has spawned a media franchise. A video game adaptation [[The Evil Dead (video game)|of the same name]] was released for the [[Commodore 64]] in 1984, as was a trilogy of survival horror games in the 1990s and early 2000s: ''[[Evil Dead: Hail to the King]]'', ''[[Evil Dead: A Fistful of Boomstick]]'' and ''[[Evil Dead: Regeneration]]''.<ref name="retro">{{cite journal |title=Horror Movie Licenses |journal=[[Retro Gamer]] |author=Staff |page=71 |issue=1 |date=January 2004}}</ref> Ted Raimi did voices for the trilogy, and Campbell returned as the voice of Ash. The character Ash became the main character of a [[Army of Darkness (comics)|comic book franchise]].<ref name="what">[http://forum.newsarama.com/showthread.php?t=125014 WW: Chicago – ''Freddy vs. Jason vs. Ash'' Coming in November] {{webarchive|url=https://web.archive.org/web/20070925035550/http://forum.newsarama.com/showthread.php?t=125014|date=September 25, 2007|title=}}, August 12, 2007, [[Newsarama]]</ref> Ash has fought both [[Freddy Krueger]] and [[Jason Voorhees]] in the ''[[Freddy vs. Jason vs. Ash]]'' series, [[Herbert West]] in ''Army of Darkness vs. [[Re-Animator (film series)|Re-Animator]]'', zombie versions of the [[Marvel Comics]] superheroes in ''[[Marvel Zombies vs. The Army of Darkness]]'', and has even saved the life of a [[Barack Obama in comics|fictional]] [[Barack Obama]] in ''[[Army of Darkness (comics)#Army of Darkness: Ash Saves Obama (#1-4)|Army of Darkness: Ash Saves Obama]]''.<ref>{{cite web|url=http://splashpage.mtv.com/2009/05/27/army-of-darkness-ash-saves-obama-artist-todd-nauck-on-spider-man-barack-celebrity-team-ups/|title='Army Of Darkness: Ash Saves Obama' Artist Todd Nauck On Spider-Man, Barack & Celebrity Team-Ups|last=Phegley|first=Kiel|date=May 27, 2009|website=[[MTV]]|archive-url=https://web.archive.org/web/20120509071212/http://splashpage.mtv.com/2009/05/27/army-of-darkness-ash-saves-obama-artist-todd-nauck-on-spider-man-barack-celebrity-team-ups/|archive-date=May 9, 2012|url-status=dead|access-date=July 12, 2012}}</ref><ref>{{cite web|url=http://marvel.com/news/story/922/marvel_zombies_vs_army_of_darkness_1_goes_back_to_press|title=Marvel Zombies vs. Army of Darkness #1 Goes Back to Press|date=March 27, 2007|website=[[Marvel Comics]]|archive-url=https://web.archive.org/web/20120910224439/http://marvel.com/news/story/922/marvel_zombies_vs_army_of_darkness_1_goes_back_to_press|archive-date=September 10, 2012|url-status=dead|access-date=July 12, 2012}}</ref> In January 2008, [[Dark Horse Comics]] began releasing a four-part monthly comic book [[Limited series (comics)|mini-series]], written by [[Mark Verheiden]] and drawn by [[John Bolton (illustrator)|John Bolton]], based on ''The Evil Dead''.<ref>{{cite web|url=http://www.heroesassemble.com/the-evil-dead-1-movie-adaptation-dark-horse-comics-1606-p.asp|title=The Evil Dead #1 Movie Adaptation Dark Horse Comics|website=HeroesAssemble.com|access-date=July 12, 2012|archive-date=March 4, 2016|archive-url=https://web.archive.org/web/20160304041615/http://www.heroesassemble.com/the-evil-dead-1-movie-adaptation-dark-horse-comics-1606-p.asp|url-status=live}}</ref> The film has also inspired a [[Broadway musical|stage musical]], ''[[Evil Dead: The Musical]]'', which was produced with the permission of Raimi and Campbell. The musical has run on and off since its inception in 2003.<ref name="HoboTrashCan">{{cite web|url=http://www.hobotrashcan.com/hangingaround/evildead.php|title=Hanging Around&nbsp;... Evil Dead: The Musical|last=Murphy|first=Joel|date=November 2006|work=HoboTrashcan.com|access-date=July 18, 2007|archive-date=September 12, 2007|archive-url=https://web.archive.org/web/20070912012341/http://www.hobotrashcan.com/hangingaround/evildead.php|url-status=live}}</ref>

After the film was released, many people began to trespass onto the filming location in Morristown. In 1982, the cabin was burned down by the owners, who were tired of the attention. Although the cabin is now gone, the chimney remains, which many people now take stones from when they trespass onto the location.<ref>{{Cite web|url=http://www.bookofthedead.ws/website/the_evil_dead_locations.html|title=Locations|website=www.bookofthedead.ws|access-date=January 20, 2019|archive-date=January 20, 2019|archive-url=https://web.archive.org/web/20190120144204/http://www.bookofthedead.ws/website/the_evil_dead_locations.html|url-status=live}}</ref>

In 2022, a video game adaptation of the series called ''[[Evil Dead: The Game]]'' was released.

In 2021, [[Heavy metal music|heavy metal]] band [[Ice Nine Kills]] released a song titled "Ex-Mørtis" on their album ''[[The Silver Scream 2: Welcome to Horrorwood]]'', which is composed of songs each explicitly linked to specific horror media per the album's booklet of liner notes; "Ex-Mørtis" is stated to be inspired by ''The Evil Dead''.<ref name="Rock Sins">{{cite web|url=https://www.rocksins.com/2021/10/ice-nine-kills-the-silver-scream-2-welcome-to-horrorwood-44289/|title=Ice Nine Kills – The Silver Scream 2: Welcome To Horrorwood|website=Rock Sins|last=Crampton|first=Simon|date=October 15, 2021|accessdate=November 3, 2021|archive-date=October 29, 2021|archive-url=https://web.archive.org/web/20211029174204/https://www.rocksins.com/2021/10/ice-nine-kills-the-silver-scream-2-welcome-to-horrorwood-44289/|url-status=live}}</ref><ref name="Wall of Sound">{{cite web|url=https://wallofsoundau.com/2021/10/15/ice-nine-kills-the-silver-scream-2-welcome-to-horrorwood-album-review/|title=Ice Nine Kills - The Silver Scream 2: Welcome To Horrorwood (Album Review)|publisher=Wall Of Sound|last=Hurcom|first=Carys|date=October 14, 2021|access-date=October 15, 2021|archive-date=November 10, 2021|archive-url=https://web.archive.org/web/20211110052119/https://wallofsoundau.com/2021/10/15/ice-nine-kills-the-silver-scream-2-welcome-to-horrorwood-album-review/|url-status=live}}</ref><ref name="Distorted Sound">{{cite web|url=https://distortedsoundmag.com/album-review-the-silver-scream-2-welcome-to-horrorwood-ice-nine-kills/|title=Album Review: Ice Nine Kills - The Silver Scream 2: Welcome To Horrorwood|publisher=Distorted Sound|last=Ray|first=Graham|date=October 15, 2021|access-date=October 15, 2021|archive-date=October 26, 2021|archive-url=https://web.archive.org/web/20211026215349/https://distortedsoundmag.com/album-review-the-silver-scream-2-welcome-to-horrorwood-ice-nine-kills/|url-status=live}}</ref><ref name="booklet">{{cite AV media notes|title= Welcome to Horrorwood: The Silver Scream 2 |year= 2021 |type= booklet |publisher=[[Fearless Records|Fearless]]}}</ref>

==See also==
*[[List of cult films]]

==References==
{{Reflist}}

==Bibliography==
{{refbegin|30em|indent=yes}}
* {{cite book |last=Campbell |first=Bruce |year=2002 |title=If Chins Could Kill: Confessions of a B Movie Actor |publisher=L.A. Weekly Books |isbn=978-0-312-29145-7}}
* {{cite book |last=Lamberson |first=Gregory |year=2008 |title=Cheap Scares!: Low Budget Horror Filmmakers Share Their Secrets |publisher=McFarland |isbn=978-0-7864-3706-1}}
* {{cite book |last=Dixon |first=Wheeler Winston |year=2010 |title=A History of Horror |publisher=Rutgers University Press |isbn=978-0-8135-4796-1}}
* {{cite book |last=Becker |first=Josh |year=2006 |title=The Complete Guide to Low-Budget Feature Filmmaking |publisher=Point Blank |isbn=978-0-8095-5690-8}}
* {{Cite book |last=Kenneth Muir |first=John |year=2004 |title=The Unseen Force: the Films of Sam Raimi |url=https://archive.org/details/unseenforcefi00muir |url-access=registration |publisher=Applause Theatre & Cinema Books |isbn=978-1-55783-607-6}}
* {{Cite book |last=Eddie |first=Robson |year=2010 |title=Coen Brothers (Virgin Film) |publisher=Virgin Books |isbn=978-0-7535-1268-5}}
* {{Cite book |last=Kenneth Muir |first=John |year=2007 |title=Horror Films of the 1980s |publisher=Virgin Books |isbn=978-0-7864-2821-2}}
* {{Cite book |last=Pooley |first=Eric |year=1987 |title=Warped in America: The Dark Visions of Joel and Ethan Coen |publisher=[[New York (magazine)|New York]] |isbn=978-0-7864-2821-2}}
* {{cite book |last=Warren |first=Bill |year=2000 |title=The Evil Dead Companion |publisher=Titan Books |isbn=1-84023-187-4}}
* {{cite book |last=Collings |first=Michael R. |year=2008 |title=The Films of Stephen King: From Carrie to Secret Window |publisher=Palgrave Macmillan |isbn=978-0-230-60131-4}}
* {{cite book |last=Egan |first=Kate |year=2011 |title=The Evil Dead |publisher=Wallflower Press |isbn=978-1-906660-34-5}}
* {{cite book |last=Collings |first=Michael R. |year=2007 |title=Scaring Us to Death: The Impact of Stephen King on Popular Culture |publisher=Borgo Press |isbn=978-0-930261-37-5}}
* {{cite book |last=Kerekes |first=David |year=2000 |title=See No Evil: Banned Films and Video Controversy |publisher=Critical Vision |isbn=978-1-900486-10-1}}
* {{cite book |last=Hantke |first=Steffen |year=2004 |title=Horror Film: Creating and Marketing Fear |publisher=University Press of Mississippi |isbn=978-1-57806-692-6}}
* {{cite book |last=Xavier |first=Mendik |year=2004 |title=Alternative Europe: Eurotrash and Exploitation Cinema Since 1945 |publisher=Wallflower Press |isbn=978-1-903364-93-2}}
* {{cite book |last=Kawin |first=Bruce F. |year=2012 |title=Horror and the Horror Film (New Perspectives on World Cinema) |publisher=Anthem Press |isbn=978-0-85728-450-1}}
* {{cite book |last=Staiger |first=Janet |year=2005 |title=Media Reception Studies |publisher=[[NYU Press]] |isbn=978-0-8147-8135-7}}
* {{cite book |last=Finney |first=Angus |year=1997 |title=The Egos Have Landed: Rise and Fall of Palace Pictures |publisher=Arrow Books Ltd |isbn=978-0-7493-1946-5}}
* {{cite book |last=Chibnall |first=Steve |year=2001 |title=British Horror Cinema |publisher=Routledge |isbn=978-0-415-23004-9}}
* {{cite book |last=Newman |first=Kim |year=2011 |title=Nightmare Movies: Horror on Screen Since the 1960s |publisher=Bloomsbury Publishing |isbn=978-1-4088-0503-9}}
* {{cite book |last= Clark |first=Lynn Schofield |year=2005 |title=From Angels to Aliens: Teenagers, the Media, and the Supernatural |publisher=[[Oxford University Press]] |isbn=978-0-19-530023-9}}
* {{cite book |last=Summer |first=Don |year=2007 |title=Horror Movie Freak |publisher=Unknown Binding |asin=B004434G7M}}
* {{cite book |last=Žižek |first=Slavoj |year=2000 |title=The Ticklish Subject: The Absent Centre of Political Ontology |publisher=Verso |isbn=978-1-85984-291-1}}
* {{cite book |last=Paul |first=Louis |year=2007 |title=Tales from the Cult Film Trenches: Interviews with 36 Actors from Horror, Science Fiction and Exploitation Cinema |publisher=McFarland & Company |isbn=978-0-7864-2994-3}}
* {{cite book |last=Harris |first=J. P. |year=2002 |title=Time Capsule: Reviews of horror, science fiction and fantasy films and TV shows from 1987 to 1991 |publisher=iUniverse |isbn=978-0-595-21336-8}}
* {{cite book |last=Lavery |first=David |year=2009 |title=The Essential Cult TV Reader (Essential Readers in Contemporary Media) |publisher=The University Press of Kentucky |isbn=978-0-8131-2568-8}}
* {{Cite book |last=Lowry |first=Brian |year=1995 |title=The Truth is Out There: The Official Guide to the X-Files |publisher=Harper Prism 5 |isbn=978-0-06-105330-6}}
* {{Cite book |last=Kay |first=Glenn |year=2008 |title=Zombie Movies: The Ultimate Guide |publisher=Chicago Review Press |isbn=978-1-55652-770-8}}
* {{Cite book |last=Konow |first=David |year=2012 |title=Reel Terror: The Scary, Bloody, Gory, Hundred-Year History of Classic Horror Films |publisher=[[St. Martin's Press]] |isbn=978-0-312-66883-9}}
* {{Cite encyclopedia |year=2020 |title=Evil from an Ancient Past and the Archaeology of the Beyond: An Analysis of the Movies ''The Exorcist ''(1973) and ''The Evil Dead'' (1981) |publisher=Lockwood Press |location=Atlanta |last=Verderame |first=Lorenzo |editor-last=Verderame |editor-first=L. |editor2-first=A. |editor2-last=Garcia-Ventura |encyclopedia=Receptions of the Ancient Near East in Popular Culture and Beyond |pages=159–179 |url=https://www.lockwoodpress.com/product-page/receptions-of-the-ancient-near-east-in-popular-culture-and-beyond}}
{{refend}}

==External links==
* {{IMDb title|0083907}}
* {{Mojo title|theevildead}}
* {{Rotten Tomatoes|the_evil_dead}}
* [https://evildeadarchives.com/films/the-evil-dead/ The Evil Dead at Evil Dead Archives]

{{Evil Dead}}
{{Sam Raimi}}
{{Authority control}}
{{DEFAULTSORT:Evil Dead, The}}
[[Category:The Evil Dead (franchise) films]]
[[Category:1981 directorial debut films]]
[[Category:1981 films]]
[[Category:1981 horror films]]
[[Category:1981 independent films]]
[[Category:1980s American films]]
[[Category:1980s English-language films]]
[[Category:1980s exploitation films]]
[[Category:1980s horror thriller films]]
[[Category:1980s teen horror films]]
[[Category:1980s supernatural horror films]]
[[Category:1980s dark fantasy films]]
[[Category:American dark fantasy films]]
[[Category:American exploitation films]]
[[Category:American haunted house films]]
[[Category:American splatter films]]
[[Category:American supernatural horror films]]
[[Category:American teen horror films]]
[[Category:Censored films]]
[[Category:Demons in film]]
[[Category:Features based on short films]]
[[Category:Films about archaeology]]
[[Category:Films about rape in the United States]]
[[Category:Films about spirit possession]]
[[Category:Films about vacationing]]
[[Category:Films directed by Sam Raimi]]
[[Category:Films set in 1982]]
[[Category:Films set in forests]]
[[Category:Films set in Tennessee]]
[[Category:Films shot in 16 mm film]]
[[Category:Films shot in Detroit]]
[[Category:Films shot in Michigan]]
[[Category:Films shot in Tennessee]]
[[Category:Films using stop-motion animation]]
[[Category:Films with screenplays by Sam Raimi]]
[[Category:New Line Cinema films]]
[[Category:Renaissance Pictures productions]]
[[Category:Video nasties]]
[[Category:Films scored by Joseph LoDuca]]
[[Category:English-language horror thriller films]]
[[Category:English-language independent films]]
[[Category:English-language fantasy films]]
[[Category:Saturn Award–winning films]]