Focus Features
Template:Short description Template:Redirect Template:Use mdy dates Template:Infobox company Focus Features LLC is an American independent film production and distribution company, owned by Comcast as a unit of Universal Pictures, which is itself a unit of Comcast's division NBCUniversal. Founded in 2002, Focus Features distributes independent and foreign films in the United States and internationally.
In November 2018, The Hollywood Reporter named Focus Features "Distributor of the Year" for its success behind the year's breakout documentary film Won't You Be My Neighbor? and Spike Lee's BlacKkKlansman.<ref>Template:Cite web</ref> The studio's most successful film to date is Downton Abbey, which garnered $194.3 million at the worldwide box office.<ref>Template:Cite web</ref>
Focus Features' films have yielded numerous awards nominations. Its 175 Academy Award nominations include 19 for Best Picture, with 35 Oscar wins across various categories.<ref>Template:Cite web</ref> However, as of 2025, Focus Features ranks as the distributor with the most Best Picture nominations without a win.Template:Efn<ref>Template:Cite web</ref><ref>Template:Cite web</ref>
History
Focus Features was formed in 2002 by James Schamus<ref name=":0">Template:Cite web</ref> and David Linde<ref name=":0" /> and formed from the divisional merger of USA Films, Universal Focus and Good Machine, as well as several assets of the Vivendi-affiliated film studio StudioCanal.<ref>Template:Cite web</ref> USA Films was created by Barry Diller in 1999 when he purchased Interscope Communications, certain assets of the film division of Propaganda Films, October Films and Gramercy Pictures from Seagram and merged the three labels together;<ref>Template:Cite web</ref><ref>Template:Cite web</ref><ref name="Interscope Communications" /><ref>Template:Cite web</ref> USA Films was led by Scott Greenstein.<ref>"Beauty leads wide open Oscar field", New York Times Accessed April 22, 2014.</ref> Universal Focus was the specialty film arm of Universal Pictures that was created in 1999 as Universal Classics, which was led by Paul Hardart and Claudia Gray, to replace the October Films label in order to get a group of titles to be distributed by USA Films, focused on the marketing of niche-based acquisitions by Universal Pictures International, Working Title, WT2 Productions, Revolution Films and DNA Films, and eventually rebranded into Universal Focus by 2000.<ref>Template:Cite web</ref><ref>Template:Cite web</ref>
In March 2004, Focus Features revived Rogue Pictures as a genre label, which was once used by October Films in the late 1990s. Rogue Pictures would be led by the same team who led the standard Focus management.<ref>Template:Cite web</ref>
On October 2, 2013, James Schamus was fired from his position as CEO of Focus, with the New York offices being shut down in the process. He was succeeded by Peter Schlessel, whose company FilmDistrict would be merged into Focus and folded into the trade name High Top Releasing. This became effective in January 2014, and several titles developed under FilmDistrict would be released under Focus.<ref>Template:Cite web</ref> Under Schlessel, the company began to acquire films with a wider commercial appeal, much like his previous company.<ref>Template:Cite web</ref><ref>Template:Cite web</ref> In May 2015, Gramercy Pictures was revived by Focus as a genre label, that was on action, sci-fi, and horror films.<ref>Template:Cite news</ref>
In February 2016, Focus merged with Universal Pictures International Productions as part of a new strategy to "align the acquisition and production of specialty films in the global market".<ref>Template:Cite news</ref><ref>Template:Cite news</ref><ref>Template:Cite news</ref> Following this, along with several disappointing box office returns, Schlessel was let go from the company and replaced with Peter Kujawski.<ref>Template:Cite web</ref>
In April 2017, Vine Alternative Investments re-acquired the pre-2008 Rogue film library from Focus Features.<ref>Template:Cite web</ref>
Focus World
In August 2011, Focus Features launched Focus World, a label focusing on the video on demand market with initial plans to distribute 15 films per year, with one film being released per month.<ref>Template:Cite web</ref>
Distribution partners
Australia
- Roadshow Entertainment (2003–2009)
- Icon Film Distribution (2004–2012)
- Universal Pictures International (2006–present)
United Kingdom
- Momentum Pictures (now Entertainment One) (2006–2014)
- Entertainment Film Distributors (2002–2008)
- Universal Pictures International (2004–present)
Canada
- Alliance Atlantis/Alliance Films (2002–2013)
- Entertainment One (2013–2016)
- Universal Pictures (2016–present)
As a distributor, Focus' most successful release in North America to date is the 2019 film Downton Abbey, which earned $84.5 million during its first weekend at the box office and surpassing Brokeback Mountain, which earned $83 million at the North American box office.<ref>Template:Cite web</ref> However, this is not counting the domestic total of Traffic, which earned $124.1 million under the USA Films banner. The animated film Coraline was also highly profitable for the company. Although suffering its share of unsuccessful releases, Focus has been consistently profitable, and its international sales arm (unusual among studio specialty film divisions) allows it to receive the foreign as well as domestic revenues from its releases.<ref>Claudia Eller, "Positive cash flow through hits and misses makes Focus Features an attractive asset", Los Angeles Times, May 25, 2010.</ref> Its DVD and movie rights revenues are boosted by cult classics including Wet Hot American Summer.
Filmography
Highest-grossing films
| Rank | Title | Year | Worldwide Gross |
|---|---|---|---|
| 1 | Downton Abbey | 2019 | $194,694,725 |
| 2 | Coraline | 2009 | $185,860,104 |
| 3 | Nosferatu | 2024 | $180,774,059 |
| 4 | Brokeback Mountain | 2005 | $178,064,141 |
| 5 | Burn After Reading | 2008 | $163,728,902 |
| 6 | Darkest Hour | 2017 | $150,847,274 |
| 7 | Atonement | 2007 | $129,266,061 |
| 8 | The Theory of Everything | 2014 | $123,726,688 |
| 9 | Pride & Prejudice | 2005 | $121,616,555 |
| 10 | The Pianist | 2002 | $120,072,577 |
| 11 | Lost In Translation | 2003 | $118,688,756 |
| 12 | Insidious Chapter 3 | 2015 | $112,983,889 |
| 13 | The Boxtrolls | 2014 | $108,255,770 |
| 14 | Paranorman | 2012 | $107,139,399 |
| 15 | Conclave | 2024 | $112,062,067 |
| 16 | Atomic Blonde | 2017 | $100,014,025 |
| 17 | BlacKkKlansman | 2018 | $93,413,709 |
| 18 | Downton Abbey: A New Era | 2022 | $92,651,384 |
| 19 | The Constant Gardener | 2005 | $82,468,097 |
| 20 | Tinker Tailor Soldier Spy | 2011 | $81,515,369 |
| 21 | The Other Boleyn Girl | 2008 | $78,201,830 |
| 22 | Kubo And The Two Strings | 2016 | $76,249,438 |
| 23 | Eternal Sunshine Of The Spotless Mind | 2004 | $73,393,419 |
| 24 | The Northman | 2022 | $69,633,110 |
| 25 | Anna Karenina | 2012 | $68,929,150 |