Action-adventure game

An action-adventure game is a video game hybrid genre that combines core elements from both the action game and adventure game genres.

Definition

An action adventure game can be defined as a game with a mix of elements from an action game and an adventure game,<ref>Template:Cite book</ref> especially crucial elements like puzzles<ref>Template:Cite web</ref> inspired by older adventure games.<ref name=":1">Template:Cite web</ref> Action-adventures require many of the same physical skills as action games, but may also offer a storyline, numerous characters, an inventory system, dialogue, and other features of adventure games.<ref name="fundamentals">Template:Cite book</ref> They are typically faster-paced than pure adventure games, because they include both physical and conceptual challenges.<ref name="fundamentals" /> Action-adventure games normally include a combination of complex story elements, which are often displayed for players using audio and video. The story is heavily reliant upon the player character's movement, which triggers story events and thus affects the flow of the game.<ref name=Puzzle2>Template:Cite web</ref> Popular examples of action-adventure games include The Legend of Zelda, God of War,<ref name="fundamentals" /> Grand Theft Auto, and the Tomb Raider series.<ref name="Gal">Template:Cite book</ref>

Relationship to other genres

There is a good deal of controversy over what actually constitutes an action-adventure game.<ref name="Rollings" /> One definition of the term "action-adventure" may be '"An action/adventure game is a game that has enough action in it not to be called an adventure game, but not enough action to be called an action game."<ref name=justadventure>Template:Cite web</ref> In some cases an action game with puzzles will be classified as an action-adventure game, but if these puzzles are quite simple they might be classified as an action game.<ref name="fundamentals" /><ref name="NGen15">Template:Cite magazine</ref> Others see action games as a pure genre, while an action-adventure is an action game that includes situational problem-solving.<ref name=justadventure /><ref name="NGen15" /> Adventure gamers may also be purists, rejecting any game that makes use of physical challenges or time pressure.<ref name="fundamentals" /> Regardless, the action-adventure label is prominent in articles over the internet and media. The term "action-adventure" is usually substituted for a particular subgenre due to its wide scope.

Subgenres

Template:Original research Although action-adventure games are diverse and difficult to classify, there are some distinct subgenres. Many games with gameplay<ref name=":0" /> similar to those in The Legend of Zelda series are called Zelda clones<ref>Template:Cite web</ref> or Zelda-like games.<ref>Template:Cite web</ref><ref>Template:Cite web</ref><ref>Template:Cite news</ref> Popular subgenres include:

Grand Theft Auto clone

A Grand Theft Auto clone belongs to a subgenre of open world action-adventure video games in the third-person perspective. They are characterized by their likeness to the Grand Theft Auto series in either gameplay or overall design.<ref>Template:Cite web</ref><ref name="crackdownqa">Template:Cite web</ref> In these types of open world games, players may find and use a variety of vehicles and weapons while roaming freely in an open world setting.<ref>Sources that refer to Grand Theft Auto popularizing or inventing a genre include:
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iii. Template:Cite web</ref><ref>Sources that refer to games similar to Grand Theft Auto as action-adventure games include:
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v. Template:Cite web</ref><ref>Navarro, Alex (2004-11-11). Template:Cite web Scrapland Review], GameSpot, Retrieved on 2009-6-17</ref>

Metroidvania

Metroidvania is a portmanteau of Metroid and Castlevania; such games are sometimes referred to as "search action",<ref>Template:Cite web</ref> and are generally based on two-dimensional platformers. They emphasize both exploration and puzzle-solving with traditional platform gameplay.<ref name="gamasutra history">Template:Cite web</ref>

Survival horror

Survival horror games emphasize "inventory management" and making sure the player has enough ammunition and recovery items to "survive" the horror setting. This is a thematic genre with diverse gameplay, so not all survival horror games share all the features.<ref>Template:Cite web</ref><ref>Template:Cite web</ref><ref>Template:Cite web</ref><ref>Template:Cite web</ref> The Resident Evil franchise popularized this subgenre.

Gameplay

Template:See also Action-adventure games are faster-paced than pure adventure games, and include physical as well as conceptual challenges<ref name="Rollings">Template:Cite book</ref> where the story is enacted rather than narrated.<ref>Template:Cite journal</ref> While motion-based, often reflexive, actions are required,<ref name=Puzzle2 /> the gameplay still follows a number of adventure game genre tropes (gathering items, exploration of and interaction with one's environment, often including an overworld connecting areas of importance, and puzzle-solving).<ref name="Puzzle1">Template:Cite web</ref> While the controls are arcade-style (character movement, few action commands) there is an ultimate goal beyond a high score.<ref name=Puzzle1 /> In most action-adventure games, the player controls a single avatar as the protagonist.<ref name="fundamentals" /> This type of game is often quite similar to role-playing video games.<ref name="meg">Template:Cite web</ref>

They are distinct from graphic adventures, which sometimes have free-moving central characters, but also a wider variety of commands and fewer or no action game elements and are distinct too from text adventures, characterized by many different commands introduced by the user via a complex text parser and no free-moving character. While they share general gameplay dynamics, action-adventures vary widely in the design of their viewpoints, including bird's eye, side-scrolling, first-person, third-person, over-the-shoulder, or even a 3/4 isometric view.

Many action-adventure games simulate a conversation through a conversation tree. When the player encounters a non-player character, they are allowed to select a choice of what to say. The NPC gives a scripted response to the player, and the game offers the player several new ways to respond.Template:Citation needed

Due to the action-adventure subgenre's broad and inclusive nature, it causes some players to have difficulty finishing a particular game. Companies have devised ways to give the player help, such as offering clues or allowing the player to skip puzzles to compensate for this lack of ability.<ref name=Puzzle3>Template:Cite web</ref>

History

Precursors (1979–1983)

Several games prior to 1984 are considered precursors to the action-adventure genre. Superman (Atari, 1979) is cited by Brett Weiss as an early action-adventure game,<ref name="weiss">Template:Cite book</ref> with Retro Gamer crediting it as the "first to utilize multiple screens as playing area".<ref name="retgamer">Template:Cite web</ref> Mark J.P. Wolf credits Adventure (1980) for the Atari VCS as the earliest-known action-adventure game.<ref>Template:Cite book</ref> The game involves exploring a 2D environment, finding and using items which each have prescribed abilities, and fighting dragons in real-time like in an action game.<ref name="justadventure" /> Muse Software's Castle Wolfenstein (1981) further expanded the formula by combining maze-like exploration, stealth, combat, and item collection. Drawing inspiration from arcade shoot 'em ups, war films (such as The Guns of Navarone), and maze games (such as maze-shooter Berzerk), it laid groundwork for both stealth and action-adventure games.<ref>Template:Cite book</ref><ref name="Maynard">Template:Cite book</ref> shoot 'em ups .<ref>Template:Cite magazine</ref>

According to Wizardry developer Roe R. Adams, early action-adventure games "were basically arcade games done in a fantasy" setting.<ref name="CGW76">Template:Citation</ref> Tutankham, debuted by Konami in January 1982,<ref name="GM194">Template:Cite magazine</ref> was an action-adventure released for arcades.<ref name="Retro">Template:Cite magazine</ref> It combined maze, shoot 'em up, puzzle-solving and adventure elements,<ref name="CVG">Template:Cite magazine</ref><ref name="weiss" /><ref name="Video">Template:Cite magazine</ref> with a 1983 review by Computer and Video Games magazine calling it "the first game that effectively combined the elements of an adventure game with frenetic shoot 'em up gameplay."<ref name="CVG" /> It inspired the similar Time Bandit (1983).<ref name="legend">Template:Cite web</ref> Action Quest, released in May 1982, blended puzzle elements of adventure games into a joystick-controlled, arcade-style action game, which surprised reviewers at the time.<ref name="anderson">Template:Cite magazine</ref><ref name="ca">Template:Cite book</ref>

Mid and late 1980s: The Hybrid genre Takes Shape

According to 1UP's Jeremy Parish, action-adventure games emerged in the mid-1980s as developers sought to combine arcade-style gameplay with exploration and puzzle-solving elements drawn from text adventures and RPGs. While noting some similarities to Adventure, IGN argues that The Legend of Zelda (1986) by Nintendo "helped to establish a new subgenre of action-adventure".<ref name=":0">Template:Cite web</ref> The series featured real-time combat (a swingable sword rather than collision-based attacks), open-ended exploration, item-gated progression, and a persistent world via battery-backed saves. The Legend of Zelda series was the most prolific action-adventure game franchise through to the 2000s.<ref>Template:Cite web</ref> Roe R. Adams also cited the arcade-style side-scrolling fantasy games Castlevania (1986), Trojan (1986) and Wizards & Warriors (1987) as early examples of action-adventure games.<ref name="CGW76" />

Games like Brain Breaker (1985), Xanadu (1985), Metroid (1986) and Vampire Killer (1986) further established the side-scrolling "platform-adventure" format. These games allowed players to explore large, interconnected spaces, collecting upgrades to access previously unreachable areas. Over time, this would evolve into the "Metroidvania" subgenre. Other mid-’80s games, such as Wizards & Warriors (1987), Castlevania (1986), and Trojan (1986), added fantasy themes and action-platformer mechanics to the formula. Meanwhile, games like 005 (1981), and Metal Gear (1987) combined action-adventure exploration with stealth mechanics, laying the foundations for the stealth game subgenre, which would later be popularized in 1998 with the releases of Metal Gear Solid, Tenchu: Stealth Assassins, and Thief: The Dark Project.

The release of cinematic platformer Prince of Persia (1989) by Jordan Mechner marked a major evolution in the genre's visual and mechanical identity. The game introduced rotoscoped animation, realistic movement, and a cinematic presentation. Its blend of puzzle-platforming and deadly traps would go on to inspire numerous "cinematic platformers."<ref>Template:Cite web</ref> It inspired games such as Another World (1991) and Flashback (1992). Another World / Out of This World (1991) pushed visual storytelling and minimal UI even further, inspiring later cinematic adventures and platformers.<ref>Template:Cite web</ref> Alone in the Dark (1992) introduced pre-rendered 3D environments with polygonal characters and fixed camera angles. Often cited as a proto-survival horror, it nonetheless stands within the action-adventure tradition for its combination of real-time combat, puzzle-solving, and exploration which would later be popularized by Resident Evil (1996) and Tomb Raider (1996).

1990s: Genre Branching and 3D Milestones

The early 1990s saw diversification in the genre. The Amazing Spider-Man 2 (1992) was the first action adventure superhero game developed by Bits Studios and published by Acclaim Entertainment and released in 1992.<ref name=":02">Template:Cite web</ref> Super Metroid (1994) refined the Metroidvania formula, emphasizing ability-based gating, readable environments, and seamless world design. On PC, Little Big Adventure (1994) and Fade to Black (1995) experimented with 3D movement and camera systems, albeit with mixed critical results. Resident Evil in particular created the survival horror subgenre, inspiring titles such as Silent Hill (1999) and Fatal Frame (2001).<ref name="justadventure" /> The late ’90s brought 3D camera, lock-on, and context-sensitive actions into focus. The Legend of Zelda: Ocarina of Time (1998) set a new standard for 3D action-adventure games. Its Z-targeting system solved the issue of 3D combat clarity, while context-sensitive interactions and an expansive world made it a template for third-person adventure games.<ref>Template:Cite web</ref> 1998 also saw the release of Metal Gear Solid and Thief: The Dark Project. Metal Gear Solid (1998) popularized cinematic stealth systems, while Thief: The Dark Project (1998) defined the first-person immersive-stealth approach that inspired many later games.<ref>Template:Cite web</ref>

2000s: Parkour, Gadgets, and set-pieces

The decade began with Grand Theft Auto III (2001) which combined the action-adventure template into a modern open-world sandbox, allowing non-linear mission structures and systemic interaction in an urban environment <ref>Template:Cite web</ref> Prince of Persia: The Sands of Time (2003) reintroduced the series with parkour traversal and the rewind mechanic shaping later movement-centric action-adventures.<ref>Template:Cite web</ref> Red Dead is a series of Western-themed action-adventure games published by Rockstar Games beginning with Red Dead Revolver (2004). Assassin's Creed (2007) blended social stealth, open-world exploration, and freerunning born from a Prince of Persia offshoot seeding a long-running stealth-action formula. Uncharted created by Naughty Dog, pushed the “cinematic” action-adventure (snappy traversal, set-pieces, character-driven storytelling).<ref>Template:Cite web</ref><ref>Template:Cite web</ref> Batman: Arkham Asylum (2009) took a 3D, gadget-gated “Metroidvania-like” structure: returning to a hub island with new abilities opening shortcuts, an approach many third-person action-adventures later adopted. In the same year, Shadow Complex (2009) ignited a modern indie Metroidvania revival on digital storefronts.<ref>Template:Cite web</ref>

2010s: Open Worlds, and Systemic Play

Template:Expand section The 2010s were defined by systemic world design and “prestige” storytelling. Telltale Games developed and published the first entry of The Walking Dead a episodic graphic adventure video game series in 2012. The Last of Us series by Naughty Dog set in a post-apocalyptic United States ravaged by cannibalistic humans infected by a mutated fungus debuted with its first entry in 2013. Wolfenstein, a previously first-person shooter franchise shifted towards the action adventure with Wolfenstein: The New Order (2014) after acquisition by Bethesda Softworks. The Legend of Zelda: Breath of the Wild (2017) reimagined the franchise around physics-based interactions, survival elements, and emergent play. Nintendo's developers explicitly cited the original 1986 Legend of Zelda as inspiration, now applied through modern systemic tools.<ref>Template:Cite web</ref><ref>Template:Cite web</ref> God of War (2018) rebooted the franchise with an intimate, single-shot camera, semi-open world structure, and weighty, tactical combat. Critics and developers alike pointed to its seamless narrative integration as a genre milestone.<ref>Template:Cite web</ref> Sony entertainment brought Spider-man games in house with the Marvel's Spider-Man series which began with Marvel's Spider-Man (2018). As of February 2024, this series sold more than 50 million copies, with Marvel's Spider-Man 2 having sold 10 million units.<ref>Template:Cite web</ref> Death Stranding (2019) experimented with asynchronous co-op through a “social strand” system, where players indirectly aided each other by leaving behind infrastructure, items, and messages.<ref>Template:Cite magazine</ref> Star Wars Jedi series of action adventure games based on the Star Wars setting debuted with Star Wars Jedi: Fallen Order (2019).

2020s: Player-Created Solutions and Global Popularity

Template:Expand section Action-adventure games have gone on to become more popular than the pure adventure games and pure platform games that inspired them.<ref>Template:Cite web</ref> Sucker Punch's Ghost of Tsushima (2020) combined stealth-action, a Kurosawa-inspired aesthetic, and smart navigation tools (like the Guiding Wind) to refine open-world action-adventure design.<ref>Template:Cite web</ref> The Legend of Zelda: Tears of the Kingdom (2023) extended the systemic design of Breath of the Wild with Ultrahand and Fuse, enabling open-ended traversal and combat through player-created contraptions. Developers explicitly stated their desire to support emergent gameplay through these tools.<ref>Template:Cite web</ref>

External links

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