Albert Ammons

Albert Clifton Ammons (March 1, 1907 – December 2, 1949)<ref name="bare">Template:Cite book</ref> was an American pianist and player of boogie-woogie, a blues style popular from the late 1930s to the mid-1940s.<ref name="RCJE">Template:Cite book</ref>

Life and career

Ammons was born in Chicago, Illinois.<ref name="LarkinJazz">Template:Cite book</ref> His parents were pianists, and he had learned to play by the age of ten. His interest in boogie-woogie is attributed to his close friendship with Meade Lux Lewis and also his father's interest in the style. Both Albert and Meade would practice together on the piano in the Ammons household. From the age of ten, Ammons learned about chords by marking the depressed keys on the family pianola (player piano) with a pencil and repeated the process until he had mastered it.<ref>Silvester, Peter. A Left Hand Like God: A Study of Boogie-Woogie. pp. 91–92</ref> He also played percussion in a drum and bugle corps as a teenager and was soon performing with bands in clubs in Chicago.<ref name="LarkinJazz"/> After World War I he became interested in the blues, learning by listening to the Chicago pianists Hersal Thomas and the brothers Alonzo and Jimmy Yancey.<ref>Santelli, Robert (2001). The Big Book of Blues. Penguin Books. p. 13. Template:ISBN</ref>

In the early to mid-1920s Ammons worked as a cab driver for the Silver Taxicab Company. In 1924 he met up with his boyhood friend Meade Lux Lewis, who was also then a taxi driver. Soon the two players began working as a team, performing at club parties. Ammons started his own band at the Club DeLisa in 1934 and remained at the club for the next two years.<ref name="russell">Template:Cite book</ref> During that time he played with a five-piece band that included Guy Kelly, Dalbert Bright, Jimmy Hoskins, and Israel Crosby. Ammons also recorded as Albert Ammons's Rhythm Kings for Decca Records in 1936. The Rhythm Kings' version of "Swanee River Boogie" sold a million copies, and their 1936 recording of "Boogie Woogie Stomp" has been described as "the first 12-bar piano based boogie-woogie, [which] was imitated by many jazz bands."<ref name="bare"/>

Ammons moved from Chicago to New York City, where he teamed up with another pianist, Pete Johnson.<ref name="russell"/> The two performed regularly at the Café Society,<ref name="russell"/> occasionally joined by Lewis or by other jazz musicians, including Benny Goodman and Harry James.

On December 23, 1938, Ammons appeared at Carnegie Hall with Johnson and Lewis in From Spirituals to Swing, a concert produced by John H. Hammond, which helped launch the boogie-woogie craze.<ref name="russell"/> Two weeks later, the record producer Alfred Lion, who had attended the concert, started Blue Note Records, recording nine Ammons solos, including "The Blues" and "Boogie Woogie Stomp", eight by Lewis and two duets in a one-day session in a rented recording studio.<ref>Vladimir, Bogdanov (2003). All Music Guide to the Blues: The Definitive Guide to the Blues. Backbeat Books. p. 14. Template:ISBN.</ref>

Ammons' grave at Lincoln Cemetery

In 1941, Ammons's boogie-woogie music was accompanied by drawn-on-film animation in the short film Boogie-Doodle, by Norman McLaren.<ref name=Kirchner>Template:Cite book</ref> Ammons played himself in the movie Boogie-Woogie Dream (1944), with Lena Horne and Johnson.<ref>Template:Cite web</ref> As a sideman with Sippie Wallace in the 1940s Ammons recorded a session with his son, the tenor saxophonist Gene Ammons.<ref name="russell"/> Although the boogie-woogie fad began to die down in 1945, Ammons had no difficulty securing work. He continued to tour as a solo artist, and between 1946 and 1949 recorded his last sides, for Mercury Records, with the bassist Israel Crosby, and took on the position of staff pianist with the Lionel Hampton Orchestra. In 1949 he played at the inauguration of President Harry S. Truman.<ref>Feather, Leonard G. (1960). Encyclopedia of Jazz. Horizon Press. p. 101. Template:ISBN</ref>

During his last years, Ammons played mainly at the Beehive Club and the Tailspin Club in Chicago. Four days before he died, he had been at the Yancey apartment listening to Don Ewell and Jimmy Yancey play. Ammons could play only one song, having just regained the use of his hands after a temporary paralysis.<ref>Silvester, p. 186.</ref><ref>Olderen, Martin van (1975). Liner notes, Albert Ammons: King of Blues and Boogie Woogie 1907–1949. Oldie Blues OL 2807</ref>

Ammons died of natural causes on December 2, 1949, in Chicago, at the age of 42.<ref name="bare"/> He was interred at the Lincoln Cemetery, at Kedzie Avenue in Blue Island, Illinois.

Legacy

Ammons has had a wide influence on countless pianists, such as Jerry Lee Lewis, Dave Alexander, Dr. John, Hadda Brooks, Johnnie Johnson, Ray Bryant, Erroll Garner, Katie Webster and Axel Zwingenberger.

Discography

Notable songs

• "Boogie Woogie Stomp"
• "Boogie Woogie Prayer"
• "Shout for Joy"
• "Woo-Woo" (1939) (Columbia 35958, C44-2)

Selected albums

Year released	Title	Label	Notes
1941	Boogie Woogie<ref name="Birnbaum">Template:Cite book</ref>	Columbia	Compilation
1941	8 to the Bar	RCA Victor	With Pete Johnson
1948	King of Boogie Woogie (1939–1949)	Blues Classics
1951	Boogie Woogie Classics	Blue Note
1975	King of Blues and Boogie Woogie 1907–1949	Oldie Blues
1982	King of Blues and Boogie Woogie 1907–1949 Vol. 2<ref>Template:Cite web</ref>	Oldie Blues
1992	The First Day	Blue Note
2004	The Boogie Woogie Trio, Vols. 1–2	Storyville

Bibliography

• Page, Christopher I. (1997). Boogie Woogie Stomp: Albert Ammons & His Music. Template:ISBN.

See also

• List of blues musicians
• List of boogie woogie musicians
• List of jazz pianists
• List of Mercury Records artists

External links

• E-Notes: Albert Ammons
• BBC: Albert Ammons
• Jazz Police article on Albert Ammons Centennial Celebration
• 1941 short film Boogie-Doodle
• Template:IMDb name
• The story of his life is retold in the 1949 radio drama "Of Blood and the Boogie", a presentation from Destination Freedom, written by Richard Durham