Ama Ata Aidoo

Ama Ata Aidoo (23 March 1942 — 31 May 2023<ref>Template:Cite web</ref>) was a Ghanaian author, poet, playwright, politician, and academic.<ref name=Britannica>Template:Cite web</ref><ref>Template:Cite web</ref> She was a Secretary for Education in Ghana from 1982 to 1983 under Jerry Rawlings's PNDC administration. Her first play, The Dilemma of a Ghost, was published in 1965, making Aidoo the first published female African dramatist.<ref name="Horne">Template:Cite book</ref> As a novelist, she won the Commonwealth Writers' Prize in 1992 with the novel Changes. In 2000, she established the Mbaasem Foundation in Accra to promote and support the work of African women writers.<ref name="Mbaasem">Template:Cite web</ref>

Early life

Christina Ama Ata Aidoo was born on 23rd March, 1942<ref>Template:Cite web</ref> in Abeadzi Kyiakor, near Saltpond, in the Central Region of Ghana. She was initially called Christiana Ama Aidoo.<ref>Template:Cite web</ref> Some sources (<ref>Template:Cite news</ref> including Megan Behrent, Brown University, and Africa Who's Who) have stated that she was born on 31st March.<ref>Template:Cite web</ref><ref>Template:Cite book</ref> She had a twin brother, Kwame Ata.<ref>Template:Cite journal</ref><ref>Template:Cite web</ref>

Aidoo was raised in a Fante royal household, the daughter of Nana Yaw Fama, chief of Abeadzi Kyiakor, and Maame Abasema.<ref>"AMA ATA AIDOO (1942–)" Template:Webarchive, Postcolonial African Writers, Routledge, 1998.</ref> Her grandfather was murdered by neocolonialists,<ref>Template:Cite book</ref><ref>Template:Cite book</ref> which brought her father's attention to the importance of educating the children and families of the village on the history and events of the era. This led him to open up the first school in their village and influenced Aidoo to attend Wesley Girls' High School, where she first decided she wanted to be a writer.<ref name=":1">Template:Cite web</ref>

Aidoo later credited her years at Wesley Girls' High School in Cape Coast with nurturing her early interest in literature.<ref>Template:Cite news</ref>

Education

From 1957, Aidoo attended Wesley Girls' Senior High School in Cape Coast.<ref name="Guaardian obit by Lyn Innes">Template:Cite news</ref><ref name="Books&Writers">Template:Cite web</ref> After high school, she enrolled in 1961 at the University of Ghana, Legon, where she obtained the degree of Bachelor of Arts in English and wrote her first play, The Dilemma of a Ghost, in 1964.<ref name=Britannica /> The play was published by Longman the following year, making Aidoo the first published female African dramatist.<ref name=Horne />

Career

After graduating, Aidoo held a fellowship in creative writing at Stanford University in California<ref name=Britannica /> before returning to Ghana in 1969 to teach English at the University of Ghana.<ref>Template:Cite web</ref> She served as a research fellow at the Institute of African Studies there and as a lecturer in English at the University of Cape Coast, where she eventually rose to the position of professor.<ref>Template:Cite book</ref>

Aidoo was appointed Minister of Education under the Provisional National Defence Council in 1982. She resigned after 18 months, realizing that she would be unable to achieve her aim of making education in Ghana freely accessible to all.<ref>"Ama Ata Aidoo" Template:Webarchive, BBC World Service.</ref> She has portrayed the role of African women in contemporary society. She has opined that the idea of nationalism has been deployed by recent leaders as a means of keeping people oppressed.<ref>Livingston, Robert Eric, "Using the Master's Tools: Resistance and the Literature of the African and South Asian Diasporas (review)", Research in African Literatures (Indiana University Press), Volume 33, Number 4, Winter 2002, pp. 219–221. Project MUSE, doi:10.1353/ral.2002.0111.</ref> She criticized those literate Africans who profess to love their country but are seduced by the benefits of the developed world.<ref>Template:Cite journal</ref> She believed in a distinct African identity, which she viewed from a female perspective.<ref>Template:Cite web</ref> She held strong Pan-Africanist views on the necessity of unity among African countries and was outspoken about the centuries of exploitation of the Africa's resources and peoples.<ref>Template:Cite news</ref><ref>Template:Cite web</ref>

In 1983, she moved to live in Zimbabwe, where she continued her work in education, including as a curriculum developer for the Zimbabwe Ministry of Education, as well as writing.<ref name="Encyclopedia.com">Template:Cite web</ref> While in Harare, she published a collection of poems in 1985, Someone Talking to Sometime, and wrote a children's book entitled The Eagle and the Chickens and Other Stories (1986).<ref>Template:Cite news</ref>

In London, England, in 1986, she delivered the Walter Rodney Visions of Africa lecture organized by the support group of Bogle-L'Ouverture publishing house.<ref>"Friends of Bogle" Template:Webarchive, (London Metropolitan Archives), Aim 25, Archives in London and the M25 area.</ref>

Aidoo received a Fulbright Scholarship award in 1988, was writer-in-residence at the University of Richmond, Virginia in 1989,<ref name="Encyclopedia.com" /> and taught various English courses at Hamilton College in Clinton New York in the early mid-1990s.

In 1991, she and African-American poet Jayne Cortez established and co-chaired the Organization of Women Writers of Africa (OWWA),<ref name=Ruffin>Template:Cite book</ref> and board members of OWWA have included J. E. Franklin, Cheryll Y. Greene, Rashidah Ismaili, Louise Meriwether, Maya Angelou, Rosamond S. King, Margaret Busby, Gabrielle Civil, Alexis De Veaux, LaTasha N. Diggs, Zetta Elliott, Donette Francis, Paula Giddings, Renée Larrier, Tess Onwueme, Coumba Touré, Maryse Condé, Nancy Morejón, and Sapphire.<ref>"OWWA’s First 20 Years" Template:Webarchive, Organization of Women Writers of Africa, Inc.</ref>

From 2004 to 2011, Aidoo was a visiting professor in the Africana Studies Department at Brown University.<ref>Template:Cite web</ref>

She chaired the Ghana Association of Writers Book Festival from its inception in 2011.<ref>Template:Cite web</ref><ref>Template:Cite web</ref>

Aidoo was a patron of the Etisalat Prize for Literature (alongside Dele Olojede, Ellah Wakatama Allfrey, Margaret Busby, Sarah Ladipo Manyika, and Zakes Mda), created in 2013 as a platform for African writers of debut novels of fiction.<ref>Template:Cite web</ref><ref>Template:Cite web</ref>

At Yari Yari Ntoaso: Continuing the Dialogue, the symposium of African writers held in Accra, Ghana, in 2013, Aidoo was a plenary speaker, alongside Angela Davis and others.<ref>Template:Cite web</ref>

Writings

Aidoo's plays include The Dilemma of a Ghost, produced at Legon in 1964 (first published in 1965) and Pittsburgh in 1988, and Anowa, published in 1971 and produced at the Gate Theatre in London in 1991.<ref name="Encyclopedia.com" /><ref>Template:Cite web</ref>

Her works of fiction particularly deal with the tension between Western and African worldviews. Her first novel, Our Sister Killjoy, was published in 1977 and remains one of her most popular works. It is notable for portraying a dissenting perspective on sexuality in Africa, and especially LGBT in Africa. Whereas one popular idea on the continent is that homosexuality is alien to Africa and an intrusion of ideas of Western culture into a pure, inherently heterosexual "African" culture, Aidoo portrays the main character of Killjoy as indulging in lesbian fantasies of her own, and maintaining sympathetic relationships with lesbian characters.<ref>Template:Cite encyclopedia</ref>

Many of Aidoo's other protagonists are also women who defy the stereotypical women's roles of their time, as in her play Anowa. Her novel Changes: A Love Story won the 1992 Commonwealth Writers' Prize for Best Book (Africa).<ref>Template:Cite news</ref> She was also an accomplished poet—her collection Someone Talking to Sometime won the Nelson Mandela Prize for Poetry in 1987<ref>Ama Ata Aidoo biography Template:Webarchive, Heinemann/Houghton Mifflin Harcourt.</ref>—and the author of several children's books.

Aidoo contributed the piece "To be a woman" to the 1984 anthology Sisterhood Is Global: The International Women's Movement Anthology, edited by Robin Morgan.<ref name="global">Template:Cite web</ref> Her story "Two Sisters" appears in the 1992 anthology Daughters of Africa, edited by Margaret Busby.<ref>Aidoo, Ama Ata, "Two Sisters", in Margaret Busby (ed.), Daughters of Africa, London: Jonathan Cape, 1992, pp. 532–542.</ref>

In 2000, Aidoo founded the Mbaasem Foundation, a non-governmental organization based in Ghana with a mission "to support the development and sustainability of African women writers and their artistic output",<ref name="Mbaasem" /> which she ran together with her daughter Kinna Likimani<ref>" Ghana international Book fair – Kinna Likimani" Template:Webarchive, YouTube, 2010.</ref> and a board of management.<ref>"Management and Board" Template:Webarchive, Mbaasem Foundation.</ref>

Aidoo was editor of the anthology African Love Stories (Ayebia, 2006),<ref>"Yaba Badoe's African Love Story, 'The RivalTemplate:'" Template:Webarchive, Buried in Print, 16 November 2011.</ref> a collection of 21 stories by writers including Chika Unigwe, Chimamanda Ngozi Adichie, Doreen Baingana, Nawal El Saadawi, Helen Oyeyemi, Leila Aboulela, Molara Ogundipe, Monica Arac de Nyeko, Sarah Ladipo Manyika, Sefi Atta, Sindiwe Magona, and Véronique Tadjo.<ref>Template:Cite web</ref><ref>Template:Cite web</ref> In 2012, Aidoo published Diplomatic Pounds & Other Stories, a compilation of short stories.<ref>"Diplomatic Pounds & Other Stories" Template:Webarchive, via Google Books.</ref>

Death

Aidoo died on 31 May 2023 in Accra.<ref>Template:Cite web</ref><ref>Template:Cite web</ref><ref>Template:Cite news</ref><ref>Template:Cite web</ref><ref>Template:Cite web</ref> Praising her as "an outstanding writer, advocate for women's cause, the cause of Africans and the progressive people around the world", President Nana Akufo-Addo announced that she would be given a state funeral,<ref>Template:Cite web</ref><ref>Template:Cite web</ref> with rites held from 13 July to 16 July,<ref>Template:Cite web</ref><ref>Template:Cite web</ref><ref>Template:Cite web</ref> On 13 July, her funeral took place in the forecourt of the State House,<ref>Template:Cite web</ref> followed by lying-in-state at her home town of Abeadze Kyiakor on 15 July, and a thanksgiving church service and burial on Sunday, 16 July.<ref>Template:Cite news</ref><ref>Template:Cite web</ref>

According to a tribute from the Caine Prize council, Aidoo had been working on a new novel for some years before her death.<ref>Template:Cite web</ref>

Honours and recognition

Aidoo received several awards, including winning the Mbari Club prize in 1962 for her short story "No Sweetness Here",<ref name="Encyclopedia.com" /> and the 1992 Commonwealth Writers' Prize for Best Book (Africa) for her novel Changes.<ref>Template:Cite book</ref>

In 2012, the volume Essays in honour of Ama Ata Aidoo at 70 was published, edited by Anne V. Adams, with contributors including Atukwei Okai, Margaret Busby, Maryse Condé, Micere Mugo, Toyin Falola, Biodun Jeyifo, Kofi Anyidoho, Naana Jane Opoku-Agyemang, Naana Banyiwa Horne, Nana Wilson-Tagoe, Carole Boyce Davies, Emmanuel Akyeampong, James Gibbs, Vincent O. Odamtten, Jane Bryce, Esi Sutherland-Addy, Femi Osofisan, Kwesi Yankah, Abena Busia, Yaba Badoe, Ivor Agyeman-Duah, Chikwenye Okonjo Ogunyemi, Ngugi Wa Thiong'o, Kinna Likimani, and others.<ref>Template:Cite book</ref><ref>Template:Cite web</ref><ref>Template:Cite web</ref>

Aidoo was the subject of a 2014 documentary film, The Art of Ama Ata Aidoo, made by Yaba Badoe.<ref name=AAAA>"The Art of Ama Ata Aidoo – a film by Yaba Badoe" Template:Webarchive, official website.</ref><ref>Ellerson, Beti (December 2013), "Yaba Badoe talks about the documentary film project 'The Art of Ama Ata AidooTemplate:'" Template:Webarchive, African Women in Cinema.</ref><ref>Chambas, Shakira, and Sionne Neely, "The Art of AMA ATA AIDOO: Documentary Film Launch", African Women's Development Fund, 26 September 2014. Template:Webarchive.</ref>

The Aidoo-Snyder Book Prize, awarded by the Women's Caucus of the African Studies Association for an outstanding book published by a woman that prioritizes African women's experiences, is named in honour of Ama Ata Aidoo and of Margaret C. Snyder, who was the founding director of UNIFEM.<ref>"Aidoo-Snyder Book Prize By-Laws", ASA Women's Caucus. Template:Webarchive.</ref>

In 2016, Aidoo's plays The Dilemma of a Ghost and Anowa were included as African Drama selections in the Cambridge International Examinations.<ref>Template:Cite web</ref>

Launched in March 2017, the Ama Ata Aidoo Centre for Creative Writing (Aidoo Centre), under the auspices of the Kojo Yankah School of Communications Studies at the African University College of Communications (AUCC) in Adabraka, Accra, was named in her honour<ref>"AUCC Launches Ama Ata Aidoo Centre for Creative Writing" Template:Webarchive, Modern Ghana, 15 March 2017.</ref>—the first centre of its kind in West Africa, with Nii Ayikwei Parkes as its director.<ref>Murua, James (22 March 2017), Template:Usurped, James Murua Blog. .</ref><ref>Tandoh, Kwamina/Winifred Zuur, "Ama Ata Aidoo Centre for Creative Writing inaugurated" Template:Webarchive, Ghana News Agency, 16 March 2017.</ref>

Selected works

• The Dilemma of a Ghost (play), Accra: Longman, 1965. New York: Macmillan, 1971.<ref name=":1" /><ref>Template:Cite book</ref><ref>Template:Cite encyclopedia</ref><ref>Template:Cite book</ref>
• Anowa (play based on a Ghanaian legend), London: Longman, 1970. New York: Humanities Press, 1970.<ref>Template:Cite web</ref>
• No Sweetness Here: A Collection of Short Stories, London: Longman, 1970. New York: Doubleday.<ref>Template:Cite journal</ref><ref name=":2">Template:Cite web</ref>
• Our Sister Killjoy: or Reflections from a Black-eyed Squint (novel), Longman, 1977.<ref name=":1" /><ref>Kern, Anita, "Ama Ata Aidoo. Our sister killjoy. London: Longman, 1977" Template:Webarchive (review), World Literature Written in English, Volume 17, 1978 – Issue 1, pp. 55–57; via Taylor & Francis Online.</ref>
• Someone Talking to Sometime (poetry collection), Harare: College Press, 1986.<ref name=":2" /><ref name=":0">Template:Cite journal</ref>
• The Eagle and the Chickens and Other Stories (for children), Enugu: Tana Press, 1986.<ref name=":2" />
• Birds and Other Poems, Harare: College Press, 1987.<ref name=":0" />
• An Angry Letter in January (poems), Coventry: Dangaroo Press, 1992, Template:ISSN<ref>Template:Cite journal</ref>
• Changes: A Love Story (novel), London: The Women's Press, 1991. New York: Feminist Press at the City University of New York, 1993.<ref name=":1" /><ref name="simpson">Simpson, Waleska Saltori. Template:"'What Fashion of Loving Was She Ever Going to Consider Adequate?' Subverting the 'Love Story' in Ama Ata Aidoo's Changes". English in Africa, 34.1 (2007): 155–71. Print.</ref>
• The Girl Who Can and Other Stories, Accra: Sub-Saharan Publishers, Template:ISBN; Heinemann African Writers Series, 1997.
• Diplomatic Pounds & Other Stories, Ayebia Clarke Publishing, 2012, Template:ISBN.

As editor

• African Love Stories: An Anthology, Ayebia Clarke Publishing, 2006. Template:ISBN.

Her background

Further reading

• Adams, Anne V. (editor), Essays in Honour of Ama Ata Aidoo at 70: A Reader in African Cultural Studies, Banbury, Oxfordshire, UK: Ayebia Clake Publishing, 2012, Template:ISBN.
• Allen, Nafeesah, "Negotiating with the Diaspora: an Interview with Ama Ata Aidoo", Scholar & Feminist Online, 2009.
• Azodo, Ada Uzoamaka and G. Wilentz, Emerging Perspectives on Ama Ata Aidoo, Africa Research & Publications, 1999.
• Deandrea, Pietro, Fertile Crossings: Metamorphoses of Genre in Anglophone West African Literature. Amsterdam/New York: Rodopi, 2002, pp. 16–22, isbn 9789042014787.
• Frías, María, "An Interview with Ama Ata Aidoo: 'I Learnt my First Feminist Lessons in AfricaTemplate:'", Revista Alicantina de Estudis Ingleses, No. 16, November 2003, pp. 317–335.
• George, Rosemary Marangoly, and Helen Scott, "A New Tail to an Old Tale": An Interview with Ama Ata Aidoo", Novel: A Forum on Fiction, Vol. 26, No. 3, African Literature Issue (Spring 1993), pp. 297–308. JSTOR, https://doi.org/10.2307/1345838.
• Misra, Aditya, "Death in Surprise: Gender and Power Dynamics in Ama Ata Aidoo's Anowa". Journal of Drama Studies, Vol. 6, No. 1, 2012, pp. 81–91.
• Odamtten, Vincent O., The Art of Ama Ata Aidoo: Polylectics and Reading Against Neocolonialism. University Press of Florida, 1994.
• Pujolràs-Noguer, Esther, An African (Auto)biography. Ama Ata Aidoo's Literary Quest: Strangeness, Nation and Tradition, Lap Lambert Academic Publishing, 2012.

External links

• Full-text, searchable works from the Black Drama database.
• "Ama Ata Aidoo and Margaret Busby. The Guardian talks". Recorded at the Institute of Contemporary Arts, London, 1991-04-10. British Library, Sounds.
• "AIDOO, Ama Ata", International Who's Who, accessed 1 September 2006.
• Nafeesah Allen, "Negotiating with the Diaspora | An Interview with Ama Ata Aidoo", The Scholar & Feminist Online, Issue 7.2: Spring 2009 - Rewriting Dispersal: Africana Gender Studies. Barnard Center for Research on Women.
• "Interview with Ama Ata Aidoo". Video interview by Michael Walling, artistic director of Border Crossings theatre company.
• "Ama Ata Aidoo on feminism in Africa – BBC HARDtalk", interview with Zeinab Badawi, 22 July 2014. Via YouTube.
• Kundai Mugwanda-Nyamutenha, "Women's History Month profile: Ama Ata Aidoo", This Is Africa, 30 March 2015.
• Suzanne Kamata, "A Profile of Ama Ata Aidoo", Literary Mama, February 2016.
• Princess Arita Anim, "Ama Ata Aidoo: 'Nobody could tell me writing was a man's jobTemplate:'", DVV International.
• In Memory | "Ama Ata Aidoo (1942–2023)", African Studies Association.
• Bhakti Shringarpure, "Ama Ata Aidoo: Five Decades of Killjoy Feminism", 22 September 2022.