Anagrammatic poetry

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The poem "Anagram" from the 1633 edition of George Herbert's The Temple, connecting the words Mary and army

Anagrammatic poetry is poetry with the constrained form that either each line or each verse is an anagram of all other lines or verses in the poem.

A poet that specializes in anagrams is an anagrammarian.<ref>"Tea with Kevin McFadden. An Interview by F. David Mencken". Archipelago. Volume 6, number 2. http://www.archipelago.org/vol6-2/recommend.htm</ref>

Writing anagrammatic poetry is a form of a constrained writing similar to writing pangrams or long alliterations.

List of anagrammatic poems

  • Archive of Literary Anagrams:<ref>{{#invoke:citation/CS1|citation

|CitationClass=web }}</ref> Hundreds of long anagrams of poetic and literary subjects by over 50 contributors, including the longest literary anagram ever created.

  • Eight Poems in the Manner of OuLiPo, by Kevin McFadden<ref>{{#invoke:citation/CS1|citation

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  • Oh Damn! Must I Refrigerate?:<ref>{{#invoke:citation/CS1|citation

|CitationClass=web }}</ref> Anagrammatic poem by Cory Calhoun of the title and first eight lines of Shakespeare's sonnet "The Marriage of True Minds."

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  • Rishi Talks to Katie:<ref>{{#invoke:citation/CS1|citation

|CitationClass=web }}</ref> a dialogue between two high school students: a text's sentences are rearranged, then its words, then its letters

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  • The Uncertainty of the Poet, by Wendy Cope, is a gentle poem that repeatedly shuffles its words.

See also

References

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