Anastasia (1997 film)

Template:Short description Template:Use mdy dates Template:Infobox film Anastasia is a 1997 American animated musical historical fantasy film directed and produced by Don Bluth and Gary Goldman from a screenplay by the writing teams of Susan Gauthier and Bruce Graham, and Bob Tzudiker and Noni White, and based on a story adaptation by Eric Tuchman. It features songs written by Stephen Flaherty and Lynn Ahrens and a musical score composed and conducted by David Newman. The film stars the voices of Meg Ryan, John Cusack, Kelsey Grammer, Christopher Lloyd, Hank Azaria, Bernadette Peters, Kirsten Dunst, and Angela Lansbury. Set in an alternate 1926, it follows an amnesiac Anastasia Romanov who embarks on a journey to discover her past.

Anastasia was the first 20th Century Fox animated feature to be produced by its own animation division, 20th Century Fox Animation, through its subsidiary Fox Animation Studios. The film premiered at the Ziegfeld Theater in New York City on November 14, 1997, and was released in the United States on November 21. The film received generally positive reviews from critics, who praised the animation, voice performances, and soundtrack, though it attracted criticism from some historians for its fantastical retelling of the Grand Duchess. Anastasia grossed $140 million worldwide, making it the most profitable film from Bluth and Fox Animation Studios. It received nominations for several awards, including for Best Original Song ("Journey to the Past") and Best Original Musical or Comedy Score at the 70th Academy Awards.

The success of Anastasia spawned various adaptations of the film into other media, including a direct-to-video spin-off in 1999 and a stage musical in 2016.

Plot

In 1916, at a ball in Saint Petersburg, Russia celebrating the Romanov tricentennial, Dowager Empress Marie gives a music box and a necklace inscribed with the words "Together in Paris" as parting gifts to her youngest granddaughter, 8-year-old Grand Duchess Anastasia. The ball is suddenly interrupted by Grigori Rasputin, the Romanovs’ former royal advisor. The supposed holy man was exposed as a fraud, after wanting to take over Russia until he was finally exiled for treason. Seeking revenge, Rasputin sold his soul in exchange for the power to kill his opponent. His power is manifested in an unholy reliquary he must protect. He uses it to curse the Romanovs and spark the Russian Revolution. As the palace is attacked by revolutionary soldiers, Marie and Anastasia escape through a secret passageway, helped by 10-year-old servant boy Dimitri. Rasputin confronts the two royals on the frozen Little Nevka river, only to fall through the ice and drown. The pair reach a moving train; Marie climbs aboard, but Anastasia falls and hits her head, giving her amnesia.

Ten years later, Russia is now part of the Soviet Union. Rumors of Anastasia's survival spread, and Marie offers 10 million rubles for her safe return. A now 20-year-old Dimitri who is now a conman, and his partner-in-crime, former nobleman Vladimir Valya "Vlad" Vonitsky Vasilovich, search for an Anastasia look-alike so they can collect the reward. Elsewhere, a now 18-year-old Anastasia (now called "Anya") leaves the rural orphanage where she has been living since she got amnesia. Accompanied by a stray puppy she names Pooka, she decides to head to Paris to uncover her past, inspired by the inscription on her necklace, but finds she needs an exit visa. An old woman advises her to see Dimitri at the abandoned palace; there, Dimitri and Vlad are impressed by Anya's resemblance to the "real" Anastasia. They decide to take her to Paris.

Rasputin's albino bat sidekick, Bartok, is nearby and notices his master's dormant reliquary revived by Anya's presence; it drags him to limbo, where he finds Rasputin has survived. Enraged to hear that Anastasia escaped the curse, Rasputin sends his demonic minions from the reliquary to kill her. They sabotage the trio's train as it leaves St. Petersburg and later try to lure Anya into sleepwalking off their ship to France. The trio unwittingly foil both attempts, forcing Rasputin and Bartok to travel back to the surface to kill Anya. Meanwhile, as Dimitri and Vlad teach Anya court etiquette and about the Romanov family's history, Dimitri and Anya begin to fall in love.

The trio eventually reach Paris and visit Marie, who has given up on finding Anastasia after meeting numerous impostors. Despite this, Marie's cousin Sophie quizzes Anya to confirm her identity. Though Anya gives every answer taught to her, Dimitri finally realizes she is the real Anastasia when she vaguely recalls him helping her escape the palace siege. Sophie, also convinced, arranges a meeting with Marie at the Palais Garnier where they watch the Russian ballet version of Cinderella. There, Dimitri tries to establish an introduction but Marie refuses, having heard of Dimitri's initial scheme. Anya overhears the conversation and angrily leaves. Dimitri later abducts Marie in her car to force her to see Anya, finally convincing her when he presents the music box Anastasia dropped during their escape. As Marie and Anya converse, Anya regains her memories; the pair sing the lullaby the music box plays, and are joyfully reunited.

Marie offers Dimitri the reward, recognizing him as the servant boy who saved them, but he declines and intends to leave for St. Petersburg, bidding Vlad farewell. At Anastasia's return celebration, Marie informs her of Dimitri's gesture, leaving Anastasia torn between staying or going with him. Anastasia is then lured to the Pont Alexandre III, where Rasputin traps and attacks her, though Bartok refuses to help him any longer. Dimitri returns to save her, but is injured and knocked unconscious. In the struggle, Anastasia gets Rasputin's reliquary and crushes it, avenging her family as Rasputin disintegrates and dies.

In the aftermath, Anastasia and Dimitri reconcile; they elope, and Anastasia sends a farewell letter to Marie and Sophie, promising to return one day. Bartok shares a kiss with a female bat before bidding the audience farewell.

Voice cast

• Meg Ryan as Anya / Anastasia, an eighteen-year-old orphaned Russian grand duchess, youngest daughter of Tsar Nicholas II and granddaughter of Maria Feodorovna, who sets out on a journey to re-discover her past.
  • Liz Callaway provides the singing voice for Anya / Anastasia.
  • Kirsten Dunst provides the speaking voice for young Anastasia.
  • Lacey Chabert provides the singing voice for young Anastasia.
• John Cusack as Dimitri, a young conman, former servant of the Romanovs, and Anya's love interest.
  • Jonathan Dokuchitz provides the singing voice for Dimitri.
  • Glenn Walker Harris Jr. provides the voice for young Dimitri.
• Kelsey Grammer as Vladimir Valya "Vlad" Vonitsky Vasilovich, a former nobleman-turned-con artist and friend of Dimitri.
• Christopher Lloyd as Grigori Rasputin, an evil, megalomaniac lich sorcerer and former advisor of the Romanovs, who casts a curse upon the family when they exile him for treason.
  • Jim Cummings provides the singing voice of Rasputin.<ref>Template:Cite news</ref>
• Hank Azaria as Bartok, Rasputin's mild-mannered, talking albino bat, who serves as the film's comic relief.
• Angela Lansbury as Maria Feodorovna, the Dowager Empress, mother of Nicholas II, and Anya's paternal grandmother.
• Bernadette Peters as Sophie Stanislovskievna Somorkov-Smirnoff, Maria's first cousin and lady-in-waiting.
• Andrea Martin as:
  • "Comrade" Phlegmenkoff, the orphanage's inconsiderate owner.
  • An old woman
• Rick Jones as:
  • Nicholas II Romanov, the last Tsar of Imperial Russia and Anastasia's father.
  • A revolutionary soldier
  • A servant
  • A ticket agent
• Charity James as an Anastasia imposter
• Debra Mooney as an Actress
• Arthur Malet as:
  • Traveling Man
  • The Romanov's Majordomo
• Frank Welker as Pooka, Anastasia's Pet Dog
  • The Black Pegasus

Victoria Clark, Billy Porter, Patrick Quinn, J. K. Simmons, and Lillias White were among the ensemble and character voices.<ref>Template:Cite book</ref><ref>Template:Cite book</ref><ref>Template:Cite book</ref> Eric Bogosian voiced Lazingo, Rasputin's pet raven, in deleted scenes.

Production

Development

In May 1994, Don Bluth and Gary Goldman had signed a long-term deal to produce animated features with 20th Century Fox, with the studio channeling more than $100 million in constructing a new animation studio.<ref>Template:Cite news</ref> They selected Phoenix, Arizona, for the location of Fox Animation Studios because the state offered the company about $1 million in job training funds and low-interest loans for the state-of-the-art digital animation equipment.<ref name="TucsonCitizen1995">Template:Cite news</ref> It was staffed with 300 artists and technicians, a third of whom worked with Bluth and Goldman in Dublin, Ireland, for Sullivan Bluth Studios.<ref>Template:Cite news</ref> For their first project, the studio insisted they select one out of a dozen existing properties which they owned where Bluth and Goldman suggested adapting The King and I and My Fair Lady,<ref>Template:Cite news</ref> though Bluth and Goldman said it would be impossible to improve on Audrey Hepburn's performance and Lerner and Loewe's score. Following several story suggestions, the idea to adapt Anastasia (1956) originated from Fox Filmed Entertainment CEO Bill Mechanic. They later adapted story elements from Pygmalion with the peasant Anya being molded into a regal woman.<ref name="Battleroyal">Template:Cite news</ref>

Early into production, Bluth and Goldman began researching the actual events through enlisting former CIA agents stationed in Moscow and St. Petersburg.<ref name="OnceUponaNovember">Template:Cite news</ref> Around this same time, screenwriter Eric Tuchman had written a script. Eventually, Bluth and Goldman decided the history of Anastasia and the Romanov dynasty was too dark for their film.<ref name="Battleroyal" /> In 1995, Bruce Graham and Susan Gauthier reworked Tuchman's script into a light-hearted romantic comedy. When Graham and Gauthier moved onto other projects, the husband-and-wife screenwriting team Bob Tzudiker and Noni White were hired for additional rewrites.<ref name="HeatVision">Template:Cite news</ref> Actress Carrie Fisher also made uncredited rewrites of the film, particularly the scene in which Anya leaves the orphanage for Paris.<ref>Template:Cite magazine</ref>

For the villains, Bluth did not take into consideration depicting Vladimir Lenin and the Bolsheviks, initially toying with the idea of a police chief with a vendetta against Anastasia (an idea which the musical adaptation revived in the form of Gleb Vaganov). Instead, they decided to have Grigori Rasputin as the villain with Goldman explaining it was because of "all the different things they did to try to destroy Rasputin and what a horrible man he really was, the more it seemed appetizing to make him the villain".<ref name="OnceUponaNovember" /> In reality, Rasputin was already dead when the Romanovs were assassinated. In addition to this, Bluth created the idea for Bartok, the albino bat, as a sidekick for Rasputin: "I just thought the villain had to have a comic sidekick, just to let everyone know that it was all right to laugh. A bat seemed a natural friend for Rasputin. Making him a white bat came later – just to make him different".<ref>Template:Cite news</ref> Composers Stephen Flaherty and Lynn Ahrens recalled being at the Au Bon Pain in New York City where Rasputin and Bartok were pitched. They were dismayed at the decision to go down a historically inaccurate route; they made their stage musical adaption "more sophisticated, more far-reaching, more political" to encompass their original vision.<ref name=":0">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Creating competition

Leading up to the late 90s, Walt Disney Studios was the leader of animation. 20th Century Fox invested $53 million into creating an animated adaptation of Anastasia. The protagonist was similar to those who were popular with young audiences during this time. They adapted several familiar stories, including the 1956 film Anastasia. The challenge was now taking these stories and adapting them for a younger audience.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Anastasia grossed over $140 million, making it one of the studios most successful projects.<ref name=":14">Template:Cite journal</ref>

Casting

Bluth stated that Meg Ryan was his first and only choice for the title character, but Ryan was indecisive about accepting the role due to its dark historical events.<ref>Template:Cite news</ref> To persuade her, the animation team took an audio clip of Annie Reed from Sleepless in Seattle and created an animation reel based on it which was screened for her following an invitation to the studio. Ryan later accepted the role; in her words "I was blown away that they did that".<ref>Template:Cite news</ref> Before Ryan was cast, Broadway singer and actress Liz Callaway was brought in to record several demos of the songs hoping to land a job in background vocals, but the demos were liked well enough by the songwriters that they were ultimately used in the final film.<ref>Template:Cite news</ref>

After he was cast, John Cusack openly admitted that he couldn't sing;<ref>Template:Cite news</ref> his singing duties were performed by Jonathan Dokuchitz.<ref>Template:Cite news</ref> Goldman had commented that originally, as with the rest of the cast, they were going to have Ryan record her lines separately from the others, with Bluth reading the lines of the other characters to her. However, after Ryan and the directors were finding the method to be too challenging when her character was paired with Dimitri, she and Cusack recorded the dialogue of their characters together, with Goldman noting that "it made a huge difference".<ref name="OnceUponaNovember" />

Peter O'Toole, Patrick Stewart, Jonathan Pryce and Tim Curry were considered for the role of Rasputin, but Christopher Lloyd was hired because of his popularity from the Back to the Future trilogy. Bartok was initially written for Woody Allen, but the studio was reluctant to hire him following revelations of his relationship with his ex-partner Mia Farrow's adoptive daughter, Soon-Yi Previn. Martin Short was also considered, but Hank Azaria won the role ten minutes into his audition.<ref name="OnceUponaNovember" /><ref name="HeatVision" />

Musical score and soundtrack album

Template:See also The film score was composed, co-orchestrated, and conducted by David Newman, whose father, Alfred Newman, composed the score of the 1956 film of the same name.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The songs, of which "Journey to the Past" was nominated for the Academy Award for Best Original Song, were written by Lynn Ahrens and Stephen Flaherty.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The first song they wrote for the project was "Once Upon a December"; it was written during a heatwave "so [they were] sweating and writing winter imagery".<ref name=":0" /> The film's soundtrack was released in CD and audio cassette format on October 28, 1997.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

The pop culture history of Anastasia

Filmmakers took a historical approach to creating the film by adapting both the legend and the 1956 film Anastasia. The changes they made to the story were designed to capture a younger audience and current political climate.

The legend of Anastasia

The legend of the Grand Duchess Anastasia Romanov's survival became a permanent part of pop culture. This is due to the story continuing to be told on stage and film as well as Anna Anderson, the most well believed impersonator. Many other girls did come forward but none as notable as Anderson. Anna Anderson, whose true identity was Franziska Schanzkowska, claimed to be Anastasia in 1922 .<ref name=":05">Template:Cite journal</ref> Some surviving members of the family met with Anderson and the family was divided on the truth of her identity.<ref name=":05" /> In 1991, Anastasia Nikolaevna's remains were discovered, and through DNA testing, Anna Anderson's true identity verified.<ref name=":05" /> Franziska Schanzkowska was the true identity of the woman. She was a Polish factory worker who had spent time in mental institutions.<ref name=":32">Template:Cite news</ref>

Creating an adaptation

Filmmakers had to adapt the truthful history, the legend, and previous productions that told this story for a new, younger audience.

Adapting history

Marcelle Maurette wrote a play titled Anastasia in 1950 based on the idea that she had survived. An English translation was created by Guy Bolton.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Having had success with the 1956 film adaptation of Anastasia, 20th Century Fox knew that audiences would be familiar with the legend of Anastasia Romanov. The continual adaptation of the legend of Anastasia allows for conflicting narratives across multiple platforms, from stage production to film.<ref>Template:Cite journal</ref> This is because it was the continued myth of her surviving gained audience attention rather than the truth.<ref>Template:Cite journal</ref> This allowed filmmakers, Don Bluth and Gary Goldman, the ability to take the legend and create a fairytale from it. Rather than a drama, they set out to create a fantasy, princess like story that would appeal to families. This required some changes. The character of General Sergei Pavlovich Bounine was adapted into Dmitri and his sidekick Vlad. Grigori Rasputin became the film's antagonist. It allowed for a more neutral approach to the Russian politics.<ref name=":14"/> Rasputin was already dead years prior to the murders of the Romanov family. This helped ease audience tension with Russian communism.<ref name=":14"/> However, no matter what adaptation of this story you watch, they will share the same three story elements which are an imposter, greed of searching for the reward money, and the Dowager's process to finding the real Anastasia.<ref name=":14"/>

A new audience

Bluth and Goldman set out with the goal of making a film for families. Taking into account their inspirations and the legend of Anastasia, there were changes that needed to be made in order to make the story attractive to younger audiences. The first notable change is that Anya is not a damsel in distress. She is a woman that is able to create her own way which was different than audiences may have expected.<ref name=":03">Template:Cite journal</ref> The shift of traditional gender norms brought in audiences interested in this new age of female protagonist. Anya would need to be younger than previous adaptations. Historically, she would have been 17 at the time of her execution. She is aged down to be 12 during the events making her a similar age to the Disney Princess as she goes on her journey which would be about 17. These changes provided young audiences a new role model that was different than would be found in a traditional princess story.<ref name=":03" /> Anya is on a search for her true identity. The cast of characters were diverse and from different economic backgrounds. This adaptation prioritized the romanization of the legend. This meant including more fantasy elements and the romantic connection between Anya and Dimitri. Anya's goal was family and belonging instead of greed or corruption.<ref name=":14"/> It was due to these changes that Bluth and Goldman could create a family friendly production.

Release

A bus advertised the film in England.

20th Century Fox scheduled for Anastasia to be released on November 21, 1997, notably a week after the re-release of Disney's The Little Mermaid. Disney claimed it had long-planned for the re-release to coincide with a consumer products campaign leading into Christmas and the film's home video release in March 1998, as well continue the tradition of re-releasing their animated films within a seven-to-eight year interval.<ref name="LATimes">Template:Cite news</ref> In addition to this, Disney would release several competing family films including Flubber on the following weekend, as well as a double feature of George of the Jungle and Hercules.<ref name="LATimes" /> To avoid branding confusion, Disney banned television advertisements for Anastasia from being aired on the ABC program The Wonderful World of Disney.<ref>Template:Cite magazine</ref>

Commenting on the studios' fierce competition, Disney spokesman John Dreyer brushed off allegations of studio rivalry, claiming: "We always re-release our movies around holiday periods". However, Fox executives refused to believe Dreyer's statement with Bill Mechanic responding that "it's a deliberate attempt to be a bully, to kick sand in our face. They can't be trying to maximize their own business; the amount they're spending on advertising is ridiculous... It's a concentrated effort to keep our film from fulfilling its potential".<ref name="Animationbattle" />

Nonetheless, the film has been confused to have been made by Walt Disney Animation Studios due to similar style. This is not helped by the fact that 20th Century Fox, the film's primary distributor, was eventually purchased by the Walt Disney Company in 2019, thus adding the film to the studio's library and increasing confusion even more.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Marketing

Anastasia was accompanied by a marketing campaign of more than $50 million with promotional sponsors from Burger King, Dole Food Company, Hershey, Chesebrough-Ponds, Macy's Thanksgiving Day Parade, Shell Oil, and the 1997 U.S. Figure Skating Championships. Overall, the marketing costs exceeded that of Independence Day by more than 35 percent.<ref>Template:Cite news</ref> For merchandising, Fox selected Galoob to license dolls based on Anastasia.<ref name="Animationbattle">Template:Cite news</ref> Many storybooks adapted from the film were released by Little Golden Books. In August 1997, the SeaWorld theme parks in San Diego and Orlando featured a 40-foot-long, 20-foot-high inflatable playground for children called "Anastasia's Kingdom".<ref>Template:Cite news</ref>

After the acquisition of 21st Century Fox by Disney, in December 2022 Disney released its first merchandise based on the film in the form of a mug to honor its 25th anniversary.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Home media

On April 28, 1998, April 6, 1999, and November 16, 1999, Anastasia was released on VHS, LaserDisc and DVD respectively and sold eight million units.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The film was first rereleased on February 19, 2002, as part of the Fox Family Features lineup alongside Thumbelina and FernGully: The Last Rainforest. The film was again rereleased on a two-disc "Family Fun Edition" DVD with the film in its original theatrical 2.35:1 widescreen format on March 28, 2006. The first disc featured an optional audio commentary from directors/writers Bluth and Goldman, and additional bonus material. The second included a making-of documentary, music video and making-of featurette of Aaliyah's "Journey to the Past", and additional bonus content.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The film was released on Blu-ray on March 22, 2011; this included Bartok the Magnificent in the special features.<ref name="20th Century Studios">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Streaming

Following Disney's acquisition of 20th Century Fox on March 20, 2019, Anastasia became available on Disney+.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name="acquistion">Template:Cite news</ref> In the U.S., it was removed from Disney+ on March 1, 2022, and transferred to Starz on March 18; contrary to popular belief, the film's disappearance bears no connection to the 2022 Russian invasion of Ukraine (Disney had suspended theatrical releases in Russia such as the then-upcoming Turning Red, which led to confusion that AnastasiaTemplate:'s withdrawal was related).<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Anastasia eventually returned to Disney+ on June 2, 2023.

Reception and legacy

Anastasia received mostly positive reviews from critics.<ref>Template:Cite news</ref><ref>Template:Cite news</ref> Review aggregator website Rotten Tomatoes gives the film a score of 83% based on 58 reviews and an average rating of 7.1/10. The website's consensus reads: "Beautiful animation, an affable take on Russian history, and strong voice performances make Anastasia a winning first film from Fox Animation Studios".<ref name=rottentomatoes>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> On Metacritic, the film has a score of 61 out of 100 based on 19 reviews, indicating "generally favorable" reviews.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Roger Ebert of the Chicago Sun-Times awarded the film three-and-a-half out of four stars, praising "the quality of the story" and writing the result as entertaining and sometimes exciting.<ref name=ebertanastasia>Template:Cite news</ref> Gene Siskel of the Chicago Tribune gave Anastasia three stars, calling the lead character "pretty and charming" but criticized the film for a lack of historical accuracy.<ref name=siskelanastasia>Template:Cite news</ref> Kenneth Turan of the Los Angeles Times wrote: "Though originality is not one of its accomplishments, Anastasia is generally pleasant, serviceable and eager to please. And any film that echoes the landscape of Doctor Zhivago is hard to dislike for too long".<ref>Template:Cite news</ref> Todd McCarthy of Variety noted the film was "dazzlingly colorful", but that "all the ingredients thrown into the pot don't congeal entirely congenially, and the artistic touch applied doesn't allow the whole to become more than the sum of its various, but invariably familiar, elements".<ref>Template:Cite news</ref> Margaret McGurk, reviewing for The Cincinnati Enquirer, described the film as "charming" and "entertaining", and calling Anastasia as a tasty tale about a fairy-tale princess.<ref name=cincinnatianastasia>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Lisa Osbourne of Boxoffice called the film "pure family entertainment".<ref name=boxofficeanastasia>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Awarding the film three out of five stars, EmpireTemplate:'s Philip Thomas wrote that it has historical inaccuracies, but is charming.<ref name=empireanastasia>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Several critics have positively compared Anastasia and the Disney films released during the Disney Renaissance, with similar styles of story and animation. Marjorie Baumgarten of The Austin Chronicle awarded the film three out of five stars. Baumgarten wrote that Anastasia "may not beat Disney at its own game, but it sure won't be for lack of trying. ... [t]his sumptuous-looking film clearly spared no expense in its visual rendering; its optical flourishes and attention to detail aim for the Disney gold standard and, for the most part, come pretty darn close".<ref name=austinchronicle>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The PhoenixTemplate:'s Jeffrey Gantz jokingly stated: "[I]f imitation is indeed the sincerest form of flattery, then the folks at Disney should feel royally complimented by Twentieth Century Fox's new animated feature about Tsar Nicholas II's youngest daughter".<ref name=phoenixanastasia>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Owen Gleiberman of Entertainment Weekly wrote that Fox has a beautifully animated musical that can challenge Disney's peer, but also said that Anastasia has inferior animation style compared to Disney's and lacks its magic.<ref name=eweeklygleiberman>Template:Cite magazine</ref>

Russian critical response

Critical reception in Russia was also mostly positive aside from artistic liberties with Russian history. Gemini Films, the Russian distributor of Anastasia, stressed the fact that the story was "not history", but rather "a fairy tale set against the background of real Russian events" in the film's Russian marketing campaign so that its Russian audience would not view it as a historical film.<ref name="GroupedRef1">Template:Cite news</ref> As a result, many Russians praised the film for its art and storytelling and saw it as not a piece of history but another Western import to be enjoyed.<ref name="GroupedRef1" />

Some Russian Orthodox Christians found Anastasia to be an offensive depiction of the Grand Duchess, who was canonized as a new martyr in 1981 by the Russian Orthodox Church Outside Russia.<ref>Template:Cite news</ref> Many historians echoed their sentiments, criticizing the film as a sanitized, sugar-coated reworking of the story of the Czar's youngest daughter.<ref>Template:Cite news</ref> Its filmmakers acknowledged the fact that "Anastasia uses history only as a starting point", but others complained that the film would provide its audience with misleading ideas about Russian history, which, according to the author and historian Suzanne Massie, has been falsified for so many years. Similarly, the amateur historian Bob Atchison said that Anastasia was akin to someone making a film in which Anne Frank "moves to Orlando and opens a crocodile farm with a guy named Mort".<ref name="GroupedRef2" />

Some of Anastasia's contemporary relatives also said that the film was distasteful, but most Romanovs have come to accept the "repeated exploitation of Anastasia's romantic tale... with equanimity".<ref name="GroupedRef2">Template:Cite news</ref>

Box office

A limited release of Anastasia at the Ziegfeld Theatre in New York City on the weekend of November 14, 1997, grossed $120,541.<ref>Template:Cite news</ref> The following weekend, the wide release of Anastasia in the United States earned $14.1 million, ranking second behind Mortal Kombat Annihilation.<ref>Template:Cite news</ref><ref>Template:Cite news</ref> By the end of its theatrical run, Anastasia had grossed $58.4 million in the United States and Canada and $81.4 million internationally.<ref name="mojo">Template:Cite Box Office Mojo</ref> The worldwide gross totaled up to about $139.8 million, making it Don Bluth's highest-grossing film to date and beating out his next highest-grossing film, An American Tail, by about $55 million.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> This was Don Bluth's first financially successful film since All Dogs Go to Heaven.

Accolades

The film was nominated for two Academy Awards, for Best Original Musical or Comedy Score and Best Original Song (for "Journey to the Past").<ref>Template:Cite news</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The R&B singer Aaliyah performed the pop version at the ceremony.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

List of awards and nominations
Award	Category	Nominee(s)	Result	Ref.
Academy Awards	Best Original Musical or Comedy Score	Music by Stephen Flaherty; Lyrics by Lynn Ahrens; Orchestral Score by David Newman	Template:Nom	<ref name="Oscars1998">{{#invoke:citation/CS1|citation	CitationClass=web }}</ref><ref>Titanic Wins Original Dramatic Score and Original Song: 1998 Oscars</ref>
	Best Original Song	"Journey to the Past" Music by Stephen Flaherty; Lyrics by Lynn Ahrens	Template:Nom
Annie Awards	Outstanding Achievement in an Animated Theatrical Feature		Template:Nom	<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>
	Outstanding Individual Achievement for Directing in an Animated Feature Production	Don Bluth and Gary Goldman	Template:Nom
	Outstanding Individual Achievement for Producing in an Animated Feature Production		Template:Nom
	Outstanding Individual Achievement for Writing in an Animated Feature Production	Animation Adaptation by Eric Tuchman; Screenplay by Susan Gauthier, Bruce Graham, Bob Tzudiker, and Noni White	Template:Nom
	Outstanding Individual Achievement for Effects Animation	Peter Matheson	Template:Nom
	Outstanding Individual Achievement for Music in an Animated Feature Production	Songs by Stephen Flaherty and Lynn Ahrens; Score by David Newman	Template:Nom
	Outstanding Individual Achievement for Voice Acting by a Male Performer in an Animated Feature Production	Hank Azaria	Template:Won
	Outstanding Individual Achievement for Voice Acting by a Female Performer in an Animated Feature Production	Angela Lansbury	Template:Nom
		Meg Ryan	Template:Nom
Artios Awards	Best Casting for Animated Voice-Over	Brian Chavanne	Template:Won	<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>
ASCAP Film and Television Music Awards	Most Performed Songs from Motion Pictures	"At the Beginning" Music by Stephen Flaherty; Lyrics by Lynn Ahrens	Template:Won
Awards Circuit Community Awards	Best Animated Feature		Template:Nom
Blockbuster Entertainment Awards	Favorite Animated Family Movie		Template:Nom	<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>
Critics' Choice Awards	Best Family Film		Template:Won	<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>
Dallas–Fort Worth Film Critics Association Awards	Best Animated Film		Template:Won
Golden Globe Awards	Best Original Song – Motion Picture	"Journey to the Past" Music by Stephen Flaherty; Lyrics by Lynn Ahrens	Template:Nom	<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>
		"Once Upon a December" Music by Stephen Flaherty; Lyrics by Lynn Ahrens	Template:Nom
Golden Reel Awards	Best Sound Editing – Animated Feature		Template:Nom
	Best Sound Editing – Music Animation	Brent Brooks and Tom Villano	Template:Won
Kansas City Film Critics Circle Awards	Best Animated Film		Template:Won	<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>
Online Film & Television Association Awards	Best Animated Picture	Don Bluth and Gary Goldman	Template:Won	<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>
	Best Comedy/Musical Score	Stephen Flaherty, Lynn Ahrens, and David Newman	Template:Nom
	Best Original Song	"Once Upon a December" Music by Stephen Flaherty; Lyrics by Lynn Ahrens	Template:Nom
	Best Voice-Over Performance	Hank Azaria	Template:Nom
		Angela Lansbury	Template:Nom
		Meg Ryan	Template:Nom
Satellite Awards	Best Motion Picture – Animated or Mixed Media Film		Template:Nom	<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>
	Best Original Score	David Newman	Template:Nom
	Best Original Song	"Journey to the Past" Music by Stephen Flaherty; Lyrics by Lynn Ahrens	Template:Nom
		"Once Upon a December" Music by Stephen Flaherty; Lyrics by Lynn Ahrens	Template:Nom
Young Artist Awards	Best Family Feature Film – Animation		Template:Won	<ref name="Young Artist Awards">{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>

Adaptations and other media

Ice Follies

Anastasia on Ice is a licensed adaptation produced by Feld Entertainment's Ice Follies that ran from at least 1998 to 1999.<ref>Template:Cite news</ref><ref>Template:Cite news</ref>

Spin-off film

In 1999, a direct-to-video standalone spin-off titled Bartok the Magnificent was released which focuses on the character of Bartok.<ref>Template:Cite news</ref>

Stage musical adaptation

{{#invoke:Labelled list hatnote|labelledList|Main article|Main articles|Main page|Main pages}} Hartford Stage developed a stage production of Anastasia, with the book by Terrence McNally, lyrics by Lynn Ahrens, music by Stephen Flaherty and directed by Darko Tresnjak.<ref>"Hartford Stage Announces Tony Award-winner Darko Tresnjak Will Direct World Premiere of Anastasia" Template:Webarchive Hartford Stage</ref> The production ran from May 13 through June 19, 2016.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

It is an original musical adaptation of the 1997 animated film whilst incorporating some elements from the 1956 Arthur Laurents film. The musical features six songs from the animated film and 16 new songs. Additionally, there have been some newly rewritten characters including Checkist secret police officer Gleb Vaganov (in the place of Rasputin), and Lily, who has been renamed in the place of Sophie.<ref>Viagas, Robert and Hetrick, Adam. "Cast Announced for Ahrens and Flaherty's Stage 'Anastasia'" Template:Webarchive Playbill, March 9, 2016</ref> McNally said: "This is a stage version for a modern theatre audience... The libretto's 'a blend' of old and new... There are characters in the musical that appear in neither the cartoon nor the Ingrid Bergman version".<ref>Rothstein, Mervyn. "What to Expect From Terrence McNally's New 'Anastasia'" Template:Webarchive playbill.com, April 12, 2016</ref>

The Hartford production featured Christy Altomare as Anastasia / Anya, Derek Klena as Dimitri, Mary Beth Peil as The Dowager Empress Maria Feodorovna, Manoel Felciano as Gleb Vaganov, John Bolton as Vladimir, Caroline O'Connor as Lily, and Nicole Scimeca as Young Anastasia.<ref>"'Christy Altomare and derek Klena Will Lead Hartford Stages World Premiere of 'Anastasia'" Template:Webarchive broadwayworld.com, March 9, 2016</ref> The musical transferred to Broadway with much of the original Hartford cast, opening on April 24, 2017, at the Broadhurst Theater<ref>"'Anastasia 'musical arriving on Broadway in 2017" Template:Webarchive Ew.com, June 28, 2016</ref> to mixed reviews.

See also

• Anna Anderson
• Koschei
• List of 20th Century Studios theatrical animated feature films
• Romanov impostors

External links

• Official website
• [https://www.imdb.com/{{#if:

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