Antônio Parreiras
Template:Short description Template:Expand Portuguese

(date unknown, published 1920)
Antônio Diogo da Silva Parreiras (20 January 1860 – 17 October 1937) was a Brazilian painter, designer, and illustrator.
Biography

He was one of nine children and his father was a goldsmith. In 1882, he enrolled at the Academia Imperial de Belas Artes in Rio de Janeiro,<ref name="I">Biography and critical commentary @ the Enciclopédia Itaú Cultural</ref> but left two years later to attend the free painting classes being offered by the German immigrant artist Georg Grimm.<ref name="P">Template:Usurped @ Pitoresco.</ref> In 1885, when Grimm left to work in the countryside, Parreiras became an autodidact.<ref name="E">Biography by Antonio Gasparetto Junior @ InfoEscola.</ref> A year later, one of his works was purchased by Emperor Pedro II.
This allowed him to resume his formal studies and travel to Europe in 1888, entering the Accademia di Belle Arti di Venezia where his teacher was Filippo Carcano.<ref name="I" /> Upon his return to Brazil two years later, he participated in the "Template:Ill". Later that same year, he became a Professor of landscape painting at the Escola Nacional de Belas Artes (ENBA) and, following the example set by Grimm, introduced his students to plein-air painting.<ref name="E" /> Following disagreements with ENBA over changes in the curriculum, he set up his own school called the " Escola do Ar Livre".<ref name="I" />
He was soon doing much of his work in the forests outside Teresópolis. He also received numerous commissions to paint historical scenes and, after 1899, did decorations for the government in public buildings, such as the "Allegory of Apollo and the Goddesses of the Hours", which he created for the Palácio da Liberdade in Belo Horizonte. His female nudes are also considered to be especially well done. From 1906 to 1919, he maintained a second studio in Paris and exhibited at the Salon.<ref name="P" /> He was also named a delegate of the Société Nationale des Beaux-Arts in 1911.
In 1925 he was chosen as Brazil's best artist by the readers of Template:Ill, a magazine created by art critic Gonzaga Duque. The following year, he published his autobiography and was inducted into the "Template:Ill".<ref name="I" /> In 1933, he participated in his last exhibitions; the "Jubileu Artístico" in São Paulo and Niteroi. Four years after his death, his former studio became the Template:Ill.<ref name="E" />
Other selected paintings
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Fantasia (1909)
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The End of Romance (1915)
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Conquest of the Amazon (1907)
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Agony (1915)
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Zumbi (1927)
See also
References
Further reading
- História de um pintor (autobiography), edited by Athayde Parreiras. Diário oficial (reprint, 1943)
- Template:Ill, Antônio Parreiras (1860-1937), pintor de paisagem: gênero e história, Edições Pinakotheke (1981)
- Valéria Salgueiro, Antônio Parreiras: notas e críticas, discursos e contos : coletânea de textos de um pintor paisagista, Editora da Universidade Federal Fluminense (2000) Template:ISBN Notes from the book @ DezenoveVinte [1]
- Maria de Lourdes Eleutério, "Antônio Parreiras", Volume 21 of Coleção Folha Grandes pintores brasileiros, Folha de S.Paulo (2013) Template:ISBN
External links
- Museu Antônio Parreiras homepage.