Ararat (film)
Template:Use dmy dates Template:Infobox film Ararat is a 2002 historical-drama film written and directed by Atom Egoyan and starring Charles Aznavour, Christopher Plummer, David Alpay, Arsinée Khanjian, Eric Bogosian, Bruce Greenwood, and Elias Koteas. It is about a family and film crew in Toronto working on a film based loosely on the 1915 defense of Van during the Armenian genocide. In addition to exploring the human impact of that specific historical event, Ararat examines the nature of truth and its representation through art. The genocide is denied by the Government of Turkey, an issue that partially inspired and is explored in the film.
The film was featured out of competition at the 2002 Cannes Film Festival. It won five awards at the 23rd Genie Awards, including Best Motion Picture.
Plot
In Toronto, an Armenian Canadian family is headed by Ani, a widow whose husband attempted to assassinate a Turkish ambassador. Her adult son Raffi is involved in a sexual affair with Celia, his step-sister, who has accused Ani of pushing her father off of a cliff, while Ani insists he slipped and fell. Ani gives art history presentations on Armenian American painter Arshile Gorky, with Celia constantly attending and publicly heckling Ani about concealing the truth.
An Armenian film director, Edward Saroyan, arrives to Toronto with a goal to make a film about the Armenian genocide, the Van Resistance, and Gorky. Ani is hired as a historical consultant, with Raffi working on the project with his mother. An aspiring Turkish Canadian actor named Ali receives his big break when cast as Ottoman governor Jevdet Bey. Ali reads on the history of the genocide, which he had never heard much of before, and offends Raffi when he tells Saroyan that he believes the Ottomans felt the genocide was justified, in light of World War I. Raffi attempts to explain to Ali that the Armenians were citizens of the Ottoman Empire and that the Turks were not at war with them. Ali shrugs the encounter off, saying they were both born in Canada and they should together try to move past the genocide.
After Raffi returns to Canada from a flight to Turkey, he is interrogated at airport security by a retiring customs official named David, who has reason to believe Raffi is involved in a plot to smuggle drugs. Rather than employ drug-sniffing dogs, David prefers to speak to Raffi at length, with Raffi claiming he had taken it upon himself to shoot extra footage in Turkey. In fact, the film is premiering that night. Inspired by his own son, David chooses to believe Raffi is innocent, and releases him. The film reels remain with him, however, which David discovers to contain heroin.
Cast
Themes
Template:Multiple image Issues explored in the film include truth and art. Using a story within a story device, the film explores whether films should recreate war crimes, and whether films can alter facts to communicate more important truths.<ref name="Dawson">Template:Cite web</ref>
Another theme of the film is gaps between generations, as it explores how later generations understand the historical record rather than the Armenian genocide itself.Template:Sfn Numerous Armenian Canadian characters in the film identify symbols with their heritage, such as pictures of Mount Ararat. The fictionalized Arshile Gorky's symbols are a button and a photo of his mother.Template:Sfn Gorky is depicted in the film as a link between the history and current life of the Armenian people.Template:Sfn
Production
Development
Director Atom Egoyan and his wife, actress Arsinée Khanjian, are Armenian Canadians, and some of Egoyan's ancestors had been lost in the genocide. Egoyan had attempted to explain the genocide to their son, Arshile, when he was around six. Arshile asked, "Did the Turks say sorry?"<ref>Template:Cite magazine</ref> The film Ararat is intended as a response to that question.<ref name="Ebert">Template:Cite web</ref>
Producer Robert Lantos had promised that he would support a film about the genocide if Egoyan ever felt prepared to make one.<ref name="Dillon1">Template:Cite web</ref> Alliance Atlantis provided Egoyan a budget of $12 million.<ref name="Dillon">Template:Cite web</ref>
Filming
For cinematography, Egoyan worked with his frequent collaborator Paul Sarossy, with shooting taking place over 45 days during summer 2001. The battle scenes depicting the Defense of Van were shot in Drumheller, Alberta, with some of the soldiers actually being computer generated. The Van villages were also computer generated.<ref name="Dillon"/>
Other scenes were shot at Cherry Beach in Toronto. The film could not be shot in Turkey or at the real Mount Ararat because of Turkey's denial of the genocide.<ref name="Dillon"/>
The film was made prior to the Parliament of Canada voting to recognize the Armenian genocide in 2004.Template:Sfn Egoyan said it was more important that the Turkish government accept the truth.<ref>Template:Cite web</ref>
Release
MGM considered distributing Ararat but Alex Yemenidjian, the chief executive, stated that financially it would not be rational for it to distribute the film; therefore Miramax distributed it instead.<ref name=Welkyp41>Template:Cite journal - Cited: p. 41</ref>
The film was screened out of competition at the 2002 Cannes Film Festival.<ref name="festival-cannes.com">Template:Cite web</ref> The film also played on the opening day of the 2002 Toronto International Film Festival on 5 September.<ref>Template:Cite web</ref> The film opened on 15 November 2002 in Los Angeles, New York City and Toronto.<ref name="Dillon1"/>
When Ararat was released, it was the sole film screened in commercial theaters in the United States in the modern era to be about the Armenian genocide.<ref name=Welkyp41/>
The Italian release of Ararat was intended to for 24 April 2003. However, its showing was unexpectedly banned by Italian authorities a day before the planned release, with the authorities explaining that the film's distributor missed the deadline to apply for a mandatory censorship certificate. The Embassy of Turkey in Rome acknowledged its government did not want the film screened in Italy, but said it was not involved in the decision that the film would not be shown.<ref>Template:Cite web</ref>
Initially Yılmaz Karakoyunlu, the Turkish Minister of State, said that the Turkish government would oppose the film as much as possible. However the Turkish government had given permission for the film to run in Turkey as it was, at the time, trying to increase freedom of expression so Turkey could join the European Union.<ref name=FilmQNatlPride>Template:Cite web</ref> Belge Film had permission from the Turkish government to release the film in Turkey itself, but opted not to when nationalists pledged to "take action".<ref>Template:Cite journal</ref> It ran on the Turkish TV station Kanaltürk four years later.<ref>Template:Cite journal</ref>
Reception
Box office
In the opening week after the limited release on 15 November, the film averaged $35,188 per screen.<ref name="Dillon1"/> It made $162,000 in five theatres by 18 November.<ref>Template:Cite news</ref> By 24 days, it had made US$1.1 million in North America.<ref name="Dillon1"/>
The film completed its run on 30 January 2003, with a gross of $1,555,959 in North America. It grossed $1,187,377 in other territories for a total of $2,743,336.<ref name="mojo">Template:Cite web</ref>
Critical reception
Critical reception was mostly negative.Template:Sfn In Canada, The Globe and Mail wrote "The metaphors are provocative, but too often, the viewer is left puzzled by the mechanics of the delivery."<ref name="Dillon1"/> Brian D. Johnson, writing for Maclean's, called it frustrating, though also interesting, and said it fell short despite ambition.<ref>Template:Cite magazine</ref> The National Post's review stated "Egoyan is almost crippled by a need to show all sides."<ref name="Dillon1"/> At the Toronto International Film Festival, the national panel of judges placed it in the year's top 10.<ref>Template:Cite magazine</ref>
Roger Ebert gave it two and a half stars, calling it "needlessly confusing," saying it "clearly comes from Egoyan's heart" but is "too much, too heavily layered, too needlessly difficult, too opaque." He also said it was disputed whether the film's quote from Adolf Hitler that the Armenian genocide is forgotten is genuine.<ref name="Ebert"/> In The New York Times, Stephen Holden called the film a "profound reflection on historical memory," and "hands down the year's most thought-provoking film."<ref>Template:Cite web</ref> The BBC's Tom Dawson wrote the film "feels clumsy and convoluted" compared to Egoyan's other work.<ref name="Dawson"/>
Ararat holds a 55% approval rating on review aggregator Rotten Tomatoes, based on 78 reviews, with an average rating of 6.3/10. The website's critics consensus reads, "Though Ararat radiates intelligence, its impact is diminished by an overly intricate plot and cerebral style."<ref>Template:Cite web</ref> On Metacritic, the film holds a weighted average score of 62 out of 100 based on 25 reviews, indicating "generally favorable reviews".<ref>Template:Metacritic film. Retrieved 28 June 2008.</ref>
Nationalist criticism
Ethnic Turks in Canada had proposed boycotting films by Disney and its subsidiary companies, and several nationalist critics sent e-mails to Egoyan and established websites arguing that the film's premise is not true.<ref name=FilmQNatlPride/> Some individuals sent threats to Egoyan, including statements that a release of the film could result in danger for Armenians in Turkey.<ref name=Buckley>Template:Cite news</ref> Film Quarterly stated "Ararat touched off a new round of angry denials and charges of hate mongering."<ref name=FilmQNatlPride/>
Accolades
The film won several awards. These included five awards at the 23rd Genie Awards, which Ararat star Arsinée Khanjian co-hosted with actor Peter Keleghan. Egoyan was not present.<ref name="McKay">Template:Cite news</ref>
In 2008, the government of Israel also awarded the Dan David Prize to Egoyan for "creative rendering of the past." Ararat was especially a reason for the honour.<ref>Template:Cite web</ref>
References
Bibliography
External links
- Template:IMDb title
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- Template:Rotten-tomatoes
- Template:Metacritic film
- Canadian Film Encyclopedia
Template:Atom Egoyan Template:Works about the Armenian Genocide Template:ACCT Best Picture Template:National Board of Review Freedom of Expression Award Template:Portalbar
- 2000s war drama films
- 2002 films
- Armenian genocide films
- Armenian-language films
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- Films about filmmaking
- Films directed by Atom Egoyan
- Films scored by Mychael Danna
- Films set in Toronto
- Films shot in Alberta
- Films shot in Toronto
- Alliance Atlantis films
- 2000s French-language films
- French war drama films
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- Best Picture Genie and Canadian Screen Award winners
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