Arthur Omar
Template:Short description Template:Use mdy dates Template:Infobox artist Arthur Omar (born 1948, Poços de Caldas)<ref>Template:Cite book</ref> is a Brazilian contemporary artist.<ref>Template:Cite book</ref> Omar is a video artist, photographer, filmmaker, and installation artist.
Career
Omar works with cinema, video, photographic installations, music, poetry, and drawing.<ref name="e-flux">Template:Cite news</ref> He also writes essays and theoretical reflections on the process of creation and the nature of images. Themes such as aesthetic ecstasy, sensory and social violence, and the creation of visual metaphors characterize his work.
In 1999, Omar was the subject of a complete retrospective of films and videos at the Museum of Modern Art in New York City.<ref name="e-flux"/><ref name="MoMA press release 10/22/99">Template:Cite web</ref> In 2001, additional retrospectives took place in Rio de Janeiro and São Paulo at the Centro Cultural Banco do Brasil.Template:Citation needed
In the 1997 edition of the São Paulo Bienal, Omar presented Anthropology of the Glorious Face,<ref name="transforma">Template:Cite news</ref> a panel consisting of 99 large-format black-and-white photographs. Some of these images are the origin of the current color series The Mechanical Skin.Template:Citation needed
Awards
In 2001, Omar received awards given by the Associação Paulista de Críticos de Arte for two exhibitions:Template:Clarify The Splendor of Opposites, a series of landscape photographs of the Amazon.Template:Citation needed
Exhibitions
He published the photo albums Antropologia da face gloriosa (Anthropology of the glorious face),<ref name="transforma"/> Zen and the Glorious Art of Photography, and The Splendor of Opposites.Template:Citation needed
In 2005, he exhibited at the Rencontres d'Arles festival, France.Template:Citation needed