Autumn Sonata

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Template:Short description Template:Use dmy dates Template:Infobox film Autumn Sonata (Template:Langx) is a 1978 tragedy film written and directed by Ingmar Bergman, and starring Ingrid Bergman (in her final film role), Liv Ullmann and Lena Nyman. Its plot follows a celebrated classical pianist and her neglected daughter who meet for the first time in years, and chronicles their painful discussions of how they have hurt each other. It was the only collaboration between Ingrid Bergman and Ingmar Bergman (who were not related<ref>Template:Cite web</ref>).<ref>Template:Cite web</ref>

Autumn Sonata was the last of Ingmar Bergman's films to be made for theatrical exhibition; all of his films made after it, even those screened in theatres, were television productions.<ref>Template:Cite web</ref>

Plot

Eva, the wife of Viktor, the village pastor, invites her mother Charlotte for a visit to her rural home after seven years of separation. Charlotte is a world-renowned pianist, aging and eccentric, who has survived several husbands and lived a cosmopolitan life. Eva, though less artistically gifted than her mother—despite having written two books and playing the piano competently—takes pride in her quieter existence as a wife, mother, and caretaker. She now looks after her disabled sister Helena, whom she brought home from the hospital.

Helena is paralyzed and can only communicate in fragmented speech, which Eva alone can understand. Eva is also affected by the emotional distance in her marriage to Viktor, a man she respects but does not love, and by the grief of having lost her young son Erik, who drowned just before his fourth birthday.

Charlotte is surprised to find Helena living there and reacts with visible discomfort, though she gives her a wristwatch as a gift. When Eva plays Chopin’s Prelude No. 2 in A minor on the piano, Charlotte promptly reinterprets the piece herself, offering a technically and emotionally refined version.

That evening, she tells Eva she intends to gift her the family car, claiming she will fly home and purchase a new one—an apparent gesture of generosity. At night, Charlotte is shaken by a nightmare in which one of her daughters appears to be choking her. Her scream awakens Eva, who follows her into the living room, and the two women begin to talk.

Mother and daughter engage in an intense confrontation about their past relationship. Eva accuses Charlotte of having prioritized her career and personal life over motherhood, of having neglected her children emotionally, and even of pressuring her into an abortion during a pregnancy with a man she was actually in love with. Viktor, listening from another room, chooses not to intervene.

Charlotte initially responds with disbelief and self-defense but eventually begins to confront her own failings, acknowledging her emotional detachment and pleading for forgiveness. Meanwhile, Helena—whose condition Eva believes worsened due to Charlotte’s past neglect—painfully crawls out of bed and toward the stairs, calling out weakly, “Mama, come!”

In the morning, Charlotte departs on a train accompanied by her agent and reflects on her unsettling encounter with Helena, asking, "Why couldn't she die?" At home, Viktor desperately tries to ease Helena's severe physical emotional breakdown, while Eva visits the grave of her deceased son, grappling with suicidal thoughts. Eva eventually returns home and writes an apology letter to her mother, which Viktor reads aloud. The scene briefly shifts to a different setting, where Eva appears to read the letter to Charlotte, before returning to Viktor, who seals it, leaving its fate uncertain.

Cast

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Production

Background

Due to his battle with the Swedish tax authorities at the time,Template:Refn Ingmar Bergman produced Autumn Sonata through his West German company, Personafilm GmbH, with main financing from Lew Grade's British ITC Film, and shot the film in an old film studio outside Oslo in Norway.<ref>Ingmar Bergman Face to Face: Autumn Sonata - Shooting the film Template:Webarchive Retrieved 2011-07-11.</ref> Although formally a German production (with the German title, Herbstsonate, being the official original title), the dialogue is in Swedish, most of the crew and actors were Swedish,<ref>Ingmar Bergman Face to Face: Autumn Sonata - Cast and credits Template:Webarchive Retrieved 2011-07-11.</ref> and the world premiere was in Stockholm.<ref>Ingmar Bergman Face to Face: Autumn Sonata - Film facts Template:Webarchive Retrieved 2011-07-11.</ref>

Peter Cowie, in the notes to the Criterion DVD edition of the film, summarizes the production, stating: "Shot in Norway, with British and American backing, and featuring Swedish dialogue, Autumn Sonata emerged from one of the darkest spells in Ingmar Bergman's life. In 1976 he had gone into voluntary exile in Munich after being accused of evading tax on the income from certain films... Autumn Sonata... marks the swan song of Ingrid Bergman’s career, fulfilled her long-held desire to make a film with her namesake."<ref>Template:Cite web</ref>

Music

The piano piece in the film is Frédéric Chopin's Prelude No. 2 in A minor played by Käbi Laretei, whose hands are shown whenever Ingrid Bergman is depicted playing the piano.

Reception

Critical reception

In the Chicago Reader, Dave Kehr opined that Autumn Sonata "makes good chamber music: it's a crafted miniature with Bergman's usual bombast built, for once, into the plot requirements."<ref>Template:Cite news</ref> Conversely, Gary Arnold of The Washington Post felt that its story was "a dubious variation on familiar neurotic themes" in Bergman's work, but also wrote that "one can be impressed by Bergman's instrumentalists while rejecting his composition. ... Autumn Sonata enjoys instant status as an acting showcase."<ref>Template:Cite news</ref> Film critic Roger Ebert ranked the film at No. 5 in his list of 10 Best Films of 1978.<ref>Template:Cite news</ref>

Retrospective evaluation is favorable. In 2002, Keith Phipps of The A.V. Club wrote, "When it was released in 1978, Ingmar Bergman's Autumn Sonata received positive to indifferent reviews, written off by many as a minor work from a great director. ... With the burden of high expectations lifted, Autumn Sonata can finally be seen as an austerely beautiful meditation on death and the not-always-realized possibility of reconciliation across generations."<ref>Template:Cite web</ref> The film has an 85% rating on Rotten Tomatoes from 33 reviews with the consensus: "A melancholy meditation on the unresolvable tension between parent and child, Autumn Sonata is a fitting swan song for the great Ingrid Bergman."<ref>Template:Cite web</ref>

Accolades

Award Date of ceremony Category Recipient(s) Result Template:Ref heading
Academy Awards 9 April 1979 Best Actress Ingrid Bergman Template:Nom <ref>Template:Cite web</ref>
Best Writing (Screenplay Written Directly for the Screen) Ingmar Bergman Template:Nom
Bodil Awards 1979 Best Non-American Film Template:Won <ref>Template:Cite web</ref>
César Awards 1979 Best Foreign Film Template:Nom <ref>Template:Cite web</ref>
David di Donatello Awards 1979 Best Foreign Actress Ingrid Bergman & Liv Ullmann Template:Won Template:Citation needed
Golden Globe Awards 1978 Best Actress in a Motion Picture – Drama Ingrid Bergman Template:Nom <ref>Template:Cite web</ref>
Best Foreign Language Film Template:Won
Los Angeles Film Critics Association 16 December 1978 Best Actress Ingrid Bergman Template:Nom Template:Citation needed
Best Foreign Language Film Autumn Sonata Template:Nom
Nastro d'Argento Awards 1979 Best Foreign Director Ingmar Bergman Template:Won Template:Citation needed
National Board of Review 19 December 1978 Best Director Ingmar Bergman Template:Won <ref>Template:Cite web</ref>
Best Actress Ingrid Bergman Template:Won
Best Foreign Language Film Template:Won
Top Foreign Language Film Template:Won
National Society of Film Critics 4 January 1979 Best Actress Ingrid Bergman Template:Won <ref>Template:Cite web</ref>
New York Film Critics Circle 28 January 1979 Best Director Ingmar Bergman Template:Draw <ref>Template:Cite news</ref>
Best Actress Ingrid Bergman Template:Won
Best Foreign Language Film Template:Draw

Remakes and stage adaptations

See also

Notes

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References

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Template:Ingmar Bergman Template:Golden Globe Award for Best Foreign Language Film 1965–1989 Template:National Board of Review Award for Best Foreign Language Film