Bagatelles, Op. 126 (Beethoven)

Portrait of Ludwig van Beethoven by Johann Stephan Decker in 1824.

The Bagatelles, Op. 126 are six pieces for solo piano composed by Ludwig van Beethoven. They were composed in 1824 and published the next year in his career, in 1825.<ref>B. Levy (1988, 555-557)</ref> Beethoven dedicated them to his brother Nikolaus Johann van Beethoven (1776–1848),<ref>Morris, Edmund. Beethoven: The Universal Composer. New York: Atlas Books / HarperCollins, 2005. Template:ISBN</ref> and wrote to his publisher, Schott Music, that the Opus 126 Bagatelles "are probably the best I've written".<ref name="von Irmer 1975, 7">von Irmer (1975, 7)</ref>

Form

Portrait of Nikolaus Johann van Beethoven, the composer's younger brother and dedicatee of the six bagatelles, c. 1841 by an unknown artist.

This set comprises six short works, as follows:

1. Andante con moto, Cantabile e compiacevole, G major, Template:Music
2. Allegro, G minor, Template:Music
3. Andante, Cantabile e grazioso, ETemplate:Music major, Template:Music
4. Presto, B minor, Template:Music
5. Quasi allegretto, G major, Template:Music
6. Presto, cut time then Andante amabile e con moto, ETemplate:Music major, Template:Music

In prefatory remarks to his edition of the works, Otto von Irmer notes that Beethoven intended the six bagatelles be played in order as a single work, at least insofar as this can be inferred from a marginal annotation Beethoven made in the manuscript: "Ciclus von Kleinigkeiten" (cycle of little pieces).<ref name="von Irmer 1975, 7"/> Lewis Lockwood suggests another reason to regard the work as a unity rather than a collection: starting with the second Bagatelle, the keys of the pieces fall in a regular succession of descending major thirds, a pattern Lockwood also notices in Beethoven's Eroica Symphony and String Quartet No. 12.<ref>Lockwood (2005, 398)</ref>

Analysis

Maurice J. E. Brown, writing in the Grove Dictionary, says of the Bagatelles that they "are thoroughly typical of their composer and show affinities with the greater instrumental works written at the same time." Some possible such affinities are as follows: No. 1 shares the terse, elliptical expression of the first movement of the Piano Sonata, Op. 101; No. 3 shares the style of elaborate, high-register elaboration of a slow melody in triple time, seen in the slow movement of the Hammerklavier Sonata; and the final Bagatelle opens with a chaotic passage reminiscent of the opening of the finale of the Ninth Symphony.

See also

• Bagatelles, Op. 33
• Bagatelles, Op. 119

References

• Levy, David B., "Notes", second series, vol. 44, no. 3 (March 1988), pp. 555–557.
• Grove Dictionary of Music and Musicians, online edition, article "Bagatelle"; the article written by Maurice J. E. Brown, Copyright 2008, Oxford University Press.
• Lockwood, Lewis (2005), Beethoven: The Music and the Life. W. W. Norton.
• von Irmer, Otto (1975) (ed.), Beethoven: Klavierstücke. G. Henle Verlag, Munich.

External links

• Template:IMSLP
• A visual analysis of the Bagatelles: Template:YouTube