Barney's Beanery
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Barney's Beanery is a chain of gastropubs in the Greater Los Angeles Area. John "Barney" Anthony founded it in 1920 in Berkeley, California, and in 1927 he moved it to U.S. Route 66, now Santa Monica Boulevard (State Route 2), in West Hollywood.<ref name="Gelt">Gelt, Jessica. (21 October 2010). "Barney's Beanery Rocks on at 90". Los Angeles Times. Accessed 05 December 2011.</ref> As of 2011, Barney's Beanery had locations in Burbank, Pasadena (taking the ground floor of Q's Billiards at 99 East Colorado Boulevard), Santa Monica, Westwood, Redondo Beach at the Redondo Beach Pier and the original in West Hollywood.<ref>Barney's Beanery - Locations. Accessed 05 December, 2011.</ref>
History
Template:Expand section Barney's relocation to West Hollywood, combined with the fact that the owner extended credit and occasionally gave away food, made the bar popular with people of diverse backgrounds, including artists, writers, and other celebrities. Older Hollywood actors such as Clara Bow, Clark Gable, Errol Flynn, Judy Garland and Rita Hayworth were all regulars in their day.<ref name="Gelt"/><ref name="Collins">Collins (2011), 237</ref> By the 1960s, the neighboring Sunset Strip had become an important music center, and Jim Morrison (who was reportedly thrown out of Barney's for urinating on the bar)<ref name="Gelt"/><ref name="Babylon">Lawson and Rufus (2000), p. 64</ref> and Janis Joplin became regulars (Barney's was the final place Joplin visited before her death in October 1970). Poet Charles Bukowski hung around,<ref name="Collins"/> as did artists Ed Kienholz and others associated with the Ferus Gallery, which was located nearby on La Cienega Boulevard.<ref name="Gelt"/> Quentin Tarantino also allegedly wrote most of the screenplay for his film Pulp Fiction sitting in his favorite booth at the original Barney's Beanery in West Hollywood.<ref>LA Hauntings, Barneys Beanery, Template:Cite web</ref> Jon Taffer got his start in the nightclub and bar industry here as a bartender while performing as a drummer in a live band.<ref>Template:Citation</ref><ref name=MobileBeat>Template:Citation</ref>
Homophobia
In the 1930s,<ref name="White">White (2009), 192-193</ref> 1940s,<ref name="Gelt" /> or around 1953<ref name="OutforGood">Clendinen and Nagourney (1999), 33</ref> John Anthony put up a sign among the old license plates and other ephemera along the wall behind the bar that read "FAGOTSTemplate:Sic – STAY OUT". Though Anthony was known to be antagonistic towards gays,<ref name="Gelt" /><ref name="Priore">Priore, Domenic. "History of Barney's Beanery Template:Webarchive". Accessed 06 December 2011.</ref> going as far as posing (in front of his sign) for a picture in a 1964 Life article on "Homosexuality in America" over a caption where he exclaims "I don't like 'em...",<ref>"Homosexuality in America". Life. 26 June 1964. Accessed December 06, 2011.</ref> the sign ostensibly was put up as a response to pressure from the police who had a tendency towards discriminatory practices against gays and consequently establishments that catered to the group.<ref name="White" /><ref name="OutforGood" />
After Anthony died in 1968, efforts to remove the sign continued. A coalition of gay activist groups organized a zap of the restaurant on February 7, 1970, to push for its removal; the sign came down that day.<ref>Teal, pp. 255–57</ref> The sign was put up and taken down several times over the next 14 years, and the restaurant's matchbooks also bore the line, but that practice ended in December 1984, days after the city of West Hollywood voted itself into existence. Then-mayor Valerie Terrigno, the entire city council and gay rights activists marched into Barney’s and relieved the wall of the offending sign.<ref>Kenney, p. 50</ref> It was held by Morris Kight for many years and now rests in the ONE National Gay & Lesbian Archives.Template:Citation needed
In pop culture
In 1965 Edward Kienholz created “The Beanery,” a life-size sculpture tableaux of the interior, inhabited by poorly dressed store mannequins whose “faces” are clocks set at 10:10. An audiotape of barroom chatter, and the odor of beer, accompanied the display. A newspaper in a vending machine is headlined "Children Kill Children in Vietnam.” The work was first unveiled in the restaurant parking lot, and is now in the Stedelijk Museum Amsterdam.<ref>The Beanery; Interior; Created in 1965 (212517). University of Michigan Art History Department. Accessed December 5, 2011.</ref><ref>Pincus (1994), pp. 71-73</ref>
On the cover of the 1968 Big Brother and the Holding Company album Cheap Thrills, vibes on the song "Turtle Blues" are credited to Barney's Beanery. Also, there is an illustration of the diner by R. Crumb, who did the artwork for the album. Template:Citation needed
In the TV film series Columbo (1971), Columbo often ordered chili at Barney's Beanery. However, the series was not filmed in the actual location.<ref>Template:Cite web</ref>
Country rock band New Riders of the Purple Sage talk of hanging out at Barney's Beanery in their 1973 song Lonesome L.A. Cowboy.<ref>Template:Cite web</ref>
Barney's Beanery appears in the opening credits of the 1978 film Grease.<ref>Template:Cite web</ref>
In Brian DePalma's 1984 film Body Double, the main character, Jake, breaks his sobriety at Barney's after finding out his girlfriend is cheating on him.<ref>Template:Cite web</ref>
Parts of Oliver Stone's 1991 film The Doors were filmed at Barney's Beanery.<ref name="Babylon"/>
Gallery
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Inside Barney's Beanery
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Barney's Beanery sign at night
References
References
- Clendinen, Dudley and Nagourney, Adam (1999). Out for Good: The Struggle to Build a Gay Rights Movement in America. New York: Simon & Schuster. Template:ISBN
- Collins, Judy (2011). Sweet Judy Blue Eyes: My Life in Music. New York: Random House. Template:ISBN
- Kenney, Moira (2001). Mapping Gay L.A.: The Intersection of Place and Politics. Temple University Press. Template:ISBN.
- Lawson, Kristan and Rufus, Anneli. (2000). California Babylon. New York: St. Martin's. Template:ISBN
- Pincus, Robert L. (1994). On a Scale that Competes with the World: The Art of Edward and Nancy Reddin Kienholz. California: UC Press.
- Teal, Donn (1971, reissued 1995). The Gay Militants: How Gay Liberation Began in America, 1969–1971. New York, St. Martin's Press. Template:ISBN (1995 edition).
- White, C. Todd (2009). Pre-Gay LA: A Social History of the Movement for Homosexual Rights. Chicago: University of Illinois Press. Template:ISBN