Bonjour Tristesse (1958 film)

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Bonjour Tristesse (Template:Gloss) is a 1958 drama film in CinemaScope,<ref name="BFI: Bonjour Tristesse">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> directed and produced by Otto Preminger from a screenplay by Arthur Laurents based on the novel of the same name by Françoise Sagan. The film stars Deborah Kerr, David Niven, Jean Seberg, Mylène Demongeot and Geoffrey Horne, and features Juliette Gréco, Walter Chiari, Martita Hunt and Roland Culver. It was released by Columbia Pictures. This film had color and black-and-white sequences, a technique unusual for the 1950s, but widely used in silent movies and early sound movies.

Plot

Cécile is a wealthy, free-spirited, idiosyncratic young woman. While she loves her playboy father Raymond dearly (and he loves her dearly), she is bored by suitors and the activities that interest them. While dancing to a performance of "Bonjour Tristesse," she wonders if she will ever find happiness again after what happened a year ago when she was 17 that summer on the French Riviera. The rest of the film chronicles the events of that summer in flashback.

Cécile and Raymond are enjoying their vacation on the Riviera, the latter's latest mistress being Elsa, a flighty, superficial, vain woman. Cécile meets another vacationer, Philippe, a mysterious but attractive young law student, and the two quickly take a liking to one another. One evening, Raymond receives a letter from Anne, an older woman, a dress designer, and a friend of Raymond's late wife, who will be staying at the villa. Anne and Raymond become close, but Cécile finds that Anne threatens to reform the undisciplined way of life that she has shared with her father.

Despite his promises of fidelity to Anne, Raymond cannot give up his playboy life. Helped by Elsa, Raymond's young and flighty mistress, Cécile does her best to break up the relationship with Anne. The combination of the daughter's disdain and the father's rakishness drives Anne to a tragic end.<ref>Bonjour Tristesse (1957) – Trailers, Reviews, Synopsis, Showtimes and Cast. Allmovie.</ref>

Cast

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Critical reception

The film met with a lukewarm critical reception at the time. The British Film Institute's Monthly Film Bulletin wrote<ref>Monthly Film Bulletin, British Film Institute, No. 292. Vol. 25. May 1958. Page 55.</ref> "The best performance is David Niven's; he gives his part a pathetic touch that the writing never attains. Jean Seberg, who speaks rather than acts her lines, turns in the least effective performance. Bonjour Tristesse is an elegant, ice cold, charade of emotions, completely artificial and eventually torpid." Others enjoyed it rather more and it had some unexpected fans. François Truffaut described Seberg as "The best actress in Europe". Jean-Luc Godard said "The character played by Jean Seberg (in Breathless) was a continuation of her role in Bonjour Tristesse, I could have taken the last shot of Preminger's film and started after dissolving to a title: "Three years later". An article in The Guardian,<ref>Template:Cite news</ref> in 2012 described it as "an example of Hollywood's golden age, and both its star and its famously tyrannical director are ripe for rediscovery." Stanley Kauffmann described Bonjour Tristesse as tedious.<ref>Template:Cite book</ref>

On Rotten Tomatoes, the movie has an approval rating of 84% based on reviews from 25 critics.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Critic Keith Uhlich of Time Out New York wrote: "the director uses the expansive CinemaScope frame and his eye for luxuriant, clinical mise en scène to soberly probe rather than gleefully prod. The cast is across-the-board exemplary. Niven and Kerr keenly satirize their onscreen iconographies—the cad and the goody-goody, respectively—but it's Seberg who cuts deepest."Template:Citation needed

Remake

A second film adaptation of the novel was released in 2024. It was written and directed by Durga Chew-Bose and stars Lily McInerny, Claes Bang, Nailia Harzoune, Aliocha Schneider, and Chloë Sevigny.

References

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