Carolus-Duran
Template:Short description Template:Infobox artist
Charles Auguste Émile Durand, known as Carolus-DuranTemplate:Sfn (4 July 1837 – 17 February 1917), was a French painter and art instructor. He is noted for his stylish depictions of members of high society in Third Republic France.
Biography
The son of a hotel owner, his first drawing lessons were with a local sculptor named Augustin-Phidias Cadet de Beaupré (1800–?) at the Académie de Lille; then took up painting with François Souchon,<ref>Profile, iment.com. Accessed 17 February 2024.</ref> a student of Jacques-Louis David. He went to Paris in 1853, where he adopted the name "Carolus-Duran".Template:Cn
In 1859, he had his first exhibition at the Salon. That same year, he began attending the Académie Suisse, where he studied until 1861. One of his early influences was the Realism of Gustave Courbet.<ref>Profile, Britannica.com. Accessed 17 February 2024.</ref>
From 1862 to 1866, he travelled to Rome and Spain, thanks to a scholarship granted by his hometown. During that time, he moved away from Courbet's style and became more interested in Diego Velázquez.Template:Sfn<ref>Template:In langMuseo del Prado, museodelprado.es. Accessed 17 February 2024.</ref>
Upon returning to France, he was awarded his first gold medal at the Salon.<ref>Un artiste à réévaluer : Carolus-Duran , "Art Nouveau et Jugendstil. Courants artistiques et littéraires de 1880 à 1920", April 2012.</ref> His picture "Murdered", or "The Assassination" (1866), was one of his first successes, but he became best known afterwards as a portrait-painter, and as the head of one of the principal ateliers in Paris, where some of the most brilliant artists of a later generation were his pupils.Template:Sfn
In 1867, he became one of the nine members of the "Société Japonaise du Jinglar" (a type of wine); a group that included Henri Fantin-Latour, Félix Bracquemond and Marc-Louis Solon. They would meet once a month in Sèvres for a dinner "à la Japonaise".Template:Cn
He married Template:Ill, a pastellist and miniaturist who had posed for his painting "The Lady in Gloves" in 1869.<ref>"The Lady with the Glove", Musee-orsay.fr. Accessed 17 February 2024.</ref> They had three children. Their eldest daughter, Marie-Anne, married the playwright Georges Feydeau.
After 1870, he devoted himself almost entirely to portraits. While many of his paintings depicted wealthy patrons in elegant clothing, he also notably painted a portrait of his gardener which stands in contrast to his other works in its loose strokes and earth tones.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> His success allowed him to open a studio on the Boulevard du Montparnasse, where he also gave painting lessons. He was named a Knight in the Légion d'honneur in 1872; being promoted to Officer in 1878, Commander in 1889 and Grand Officer in 1900.<ref>Profile, ArtHermitage.org. Accessed 17 February 2024.</ref>
In 1889 and 1900 he served on the juries at the Expositions Universelles. In 1890, he was one of the co-founders of the second Société Nationale des Beaux-Arts and he was elected a member of the Template:Lang in 1904. The following year, he was appointed Director of the French Academy in Rome, a position he held until 1913.<ref>Smithsonian American Art Museum</ref>
He was a frequent visitor to the resort at Fréjus, where he owned a small villa. Following his death at age 79, the resort named a plaza and a beach after him.Template:Cn
Pupils
His pupils reportedly included John Singer Sargent,<ref>Trevor Fairbrother, John Singer Sargent, New York: Harry N. Abrams, 1994, p. 13; Template:ISBN</ref> Hiram Reynolds Bloomer,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Irving Ramsey Wiles, Ralph Wormeley Curtis, Francis Brooks Chadwick, Emma Chadwick Jan Stanisławski (painter), Kenyon Cox<ref>Ann Lee Morgan, The Oxford Dictionary of American Art and Artists</ref> Theodore Robinson,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Mariquita Jenny Moberly.<ref name="LFA">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Mariette Leslie Cotton,<ref>Template:Cite book</ref> Maximilien Luce, James Carroll Beckwith, Will Hicok Low, Mary Fairchild MacMonnies Low, Alexandre Jean-Baptiste Brun,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Robert Alan Mowbray Stevenson, Lucy Lee-Robbins,<ref name="Oxford">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Ramón Casas i Carbó, Ernest Ange Duez and James Cadenhead<ref>Mowat, Alison (Ed.) (2013), James Cadenhead RSA RSW 1858 - 1927: His Letters Home as a Young Man, Alison Mowat, pp. 98-100</ref>
Selected works
-
Madame Henry Fouquier
(1876) -
Édouard Manet (1880)
-
Natalie Clifford Barney
at age ten (ca. 1886–1887) -
The Artist's Daughter,
Marie-Anne (1874) -
Marie-Anne as Madame Feydeau (1897)
-
Georges Feydeau
(ca. 1900) -
Portrait of Emily Warren Roebling (ca. 1896), Brooklyn Museum
-
Merrymakers
(1870) -
Le Baiser (The Kiss)
(1868) Self-portrait with his wife as newlyweds. -
Mademoiselle de Lancey
-
Equestrian Portrait of Mademoiselle Croizette (1873)
-
The Poet with the Mandolin (1887)
-
Maria Pia of Savoy, Queen of Portugal (1883)
-
Spanish Woman (Portrait of Eva Gonzalès?) (1876), oil on panel, Clark Art Institute
References
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External links
- Pages with broken file links
- Wikipedia articles incorporating text from the 1911 Encyclopædia Britannica
- 1837 births
- 1917 deaths
- 19th-century French painters
- 20th-century French male artists
- 20th-century French painters
- French male painters
- French portrait painters
- Grand Cross of the Legion of Honour
- Members of the Académie des beaux-arts
- Members of the Ligue de la patrie française
- Artists from Lille
- Painters from Hauts-de-France
- 19th-century French male artists