Cold Spring Harbor (album)

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Template:Use mdy dates Template:Infobox album Template:Music ratings Cold Spring Harbor is the debut studio album by American recording artist Billy Joel, released on November 1, 1971, by Family Productions. The album sold poorly, receiving attention mainly after 1973's Piano Man and later albums became popular. Due to a mastering error, the original LP release ran at a faster speed than originally recorded. In 1983, producer Artie Ripp oversaw a remixed, edited and speed-corrected version of the album. This revised edition was issued by Columbia Records.

Composition and recording

Cold Spring Harbor was named after the hamlet in the town of Huntington, New York, located on Long Island Sound near Joel's hometown. The front cover was photographed at Harbor Road.<ref>Template:Cite web</ref>

The song "Tomorrow Is Today" drew from his period of depression and hospitalization the year before.<ref name="unauthorized">Template:Cite book</ref> When it was released as a single, Record World remarked that Joel had "a flair for dramatic, lush orchestral sounds."<ref name=rw>Template:Cite magazine</ref>

Joel later released live versions of "She's Got a Way" and "Everybody Loves You Now" on his 1981 live album, Songs in the Attic. "She's Got a Way" was also released as a single in early 1982, peaking at No. 23 on the Billboard Hot 100 chart.<ref>Template:Cite book</ref>

Production

Mastering

Through an error in the album's mastering, the songs played slightly too fast, causing Joel's voice to sound unnaturally high, which he later compared to the Bee Gees and Alvin and the Chipmunks. In 1996, Joel recalled that, upon the album's release, he had organized a listening party with his friends and after hearing the album "I was, like, furious. I took the thing and I threw it like a frisbee."<ref name="Wawzenek">Template:Cite web</ref>

Artie Ripp, owner of Family Productions and hence the owner of the original master tapes, was responsible for the production error, and the mistake cost him his friendship with Joel. He had originally signed the 22-year-old Joel to a ten-record contract that stripped Joel of all rights to the original tapes and to the publishing rights to all current and future songs.<ref name="unauthorized"/>

As part of a deal with Columbia Records to release Joel from his contract, Ripp was still able to collect royalties on sales of Joel's records long after Joel's acrimonious departure from Family Productions (up until 1986's The Bridge). Ripp only sold the publishing rights to Joel's song catalog back to Joel reluctantly after intense pressure from CBS/Columbia Records president Walter Yetnikoff, who later stated that he had to threaten Ripp to finalize the deal.<ref name="unauthorized"/><ref name="Shea">Template:Cite AV media</ref><ref>Template:Cite news</ref>

Remix

In July–September 1983, Ripp and Larry Elliot remixed Cold Spring Harbor at Ripp's Fidelity Studios in Studio City, California. The album's speed was adjusted to correct Joel's vocal tone, and to enhance the album's sound, Ripp brought in studio musicians Mike McGee (drums), Al Campbell (synthesizers), and L.D. Dixon (Fender Rhodes) to overdub new rhythm sections on "Everybody Loves You Now" and "Turn Around". In addition, "You Can Make Me Free" was truncated by nearly three minutes (removing most of the original tail-end, fadeout jam), and the bass, drums, and orchestration on "Tomorrow Is Today" were removed.

The remix was released through Columbia Records, without any involvement from Joel.<ref name="Wawzenek"/> In a 2012 interview with actor Alec Baldwin, Joel stated that, despite the remix, he believes that "there's something wrong with it. It just doesn't sound right."<ref>Template:Cite AV media</ref>

Track listing

All songs written by Billy Joel.

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Personnel

Credits adapted from 1971 LP liner notes,<ref>Template:Cite AV media notes</ref> except where otherwise noted.

Musicians

Technical

  • Artie Ripp – producer, director (1971); arranger, conductor, engineer, mixing, editing (1983)<ref name="1983liners"/>
  • Irwin Mazur – executive producer, art direction
  • Jimmie Haskell – arranger, conductor
  • Bob Hughes – engineer, mixing
  • Michael Stone – second engineer
  • Larry Elliott – engineer, mixing, editing (1983)<ref name="1983liners"/>
  • John Bradley – engineer
  • Gordon Watanabe – assistant engineer (1983)<ref name="1983liners"/>
  • Doug Sax – mastering (1983)<ref name="1983liners"/>

Charts

Template:Album chart
Chart (1984) Peak
position
Japanese Albums (Oricon)<ref name="JPCB_s">Template:Cite book</ref> 44
US Billboard 200<ref name = "1984Billboard200">Template:Cite web</ref>Template:Ref label 158

Notes

References

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