Come as You Are (Nirvana song)
Template:Short description Template:Use American English Template:Use mdy dates Template:Infobox song
"Come as You Are" is a song by American rock band Nirvana, written by frontman and guitarist Kurt Cobain. It is the third track and the second single from the band's second studio album Nevermind, the single released in March 1992. It was the band's second and final American Top 40 hit, reaching number 32 on the Billboard Hot 100. It was also their second UK Top 10 hit, reaching number 9 on the UK Singles Chart. The single reached the Top 10 in eight countries and the Top 40 in eleven further countries.
The unexpected success of the album's lead single, "Smells Like Teen Spirit" drew Nirvana to mainstream success, with Nevermind being released two weeks after the single's release. Following the album's release, the band and its management company debated whether to release "Come as You Are" or "In Bloom" as the next single from the album due to Cobain's concerns over similarity of the former with Killing Joke song "Eighties" (1984). After some persuasion by the management company, Cobain agreed to release "Come as You Are" as the second single because of its commercial potential. Killing Joke were upset over the song, and there were rumors that a lawsuit had been filed over the song, though the suit never materialized.<ref>Template:Cite magazine</ref> Killing Joke guitarist Geordie Walker was said to be upset about the whole situation, and he felt that Nirvana handled the matter poorly. Similarities between "Come as You Are" and "Life Goes On" by the Damned have also been noted.
The music video for "Come as You Are" was directed by Kevin Kerslake, who drew inspiration for it from the cover artwork of Nevermind. Rolling Stone ranked "Come as You Are" 445th on its list of "The 500 Greatest Songs of All Time", and it placed 452nd on the 2010 edition of the list.
Background and recording
"Come as You Are" was one of the few new songs Nirvana recorded onto the rehearsal tape the group sent to producer Butch Vig prior to the recording of Nevermind in 1991.Template:Sfn The group recorded the song with Vig during album sessions at Sound City Studios in Van Nuys, California, in early 1991. Cobain recorded his guitar solo in two takes, as well as three takes of vocals, of which the first was used.Template:Sfn Vig then asked Cobain to double track his vocals throughout the entire song. During the harmony overdub session, Cobain accidentally sang the phrase "No, I don't have a gun," appearing the fourth time he sings the word "memoria" after the guitar solo. When this mistake was discovered, Cobain decided to keep it in the final recording. Vig sampled Cobain singing "memoria" from the middle of the song and placed it in the background of the song near the end twice.Template:Sfn The band also performed an acoustic version of the song during their MTV Unplugged performance on November 18, 1993. The recording later appeared on the live album of the performance, released about a year later in November 1994.<ref>Template:Cite magazine</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
Composition and lyrics
"Come as You Are" is an alternative rock song that lasts for a duration of three minutes and thirty-eight seconds.<ref name="Cobain" /> According to the sheet music published at Musicnotes.com by BMG Rights Management, it is written in the time signature of common time, with a heavy rock tempo of 120 beats per minute.<ref name="Cobain"/> "Come as You Are" is composed in the key of E minor, and Kurt Cobain's vocal range spans one octave and one note, from a low of E3 to a high of [[F (musical note)|FTemplate:Sharp4]].<ref name="Cobain"/> The song alternates between the chords of E5 and D5 during the verses and Esus4 and G in the pre-chorus, while at the refrain it changes to the chord progression of A–C5.<ref name="Cobain"/> It begins with Cobain playing an unaccompanied guitar riff for eight seconds. Cobain used an Electro-Harmonix Small Clone guitar chorus pedal to give his instrument a "watery" or "echoey" tone during the verses and pre-choruses and as a result of which, the pedal has been associated with the song ever since. He is joined by the rest of the band for the first verse, which is moody and subdued. Once the band reaches the chorus, the song reaches full volume. The shift in dynamics is a technique Nirvana used on many of its songs.<ref>Template:Cite magazine</ref> The song features one of Cobain's longest guitar solos. "Kurt really did not play a lot of solos," Vig said. "This one is more of a melodic part based on the vocal melody. It's not trying to show off pyrotechnics. It complements the melody of the song."Template:Sfn
Template:Listen Many have speculated the song to be about heroin,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name=":0">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name=":1">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> which Cobain was struggling with at the time of writing and recording.<ref>Template:Cite magazine</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The lyrics "Come doused in mud, soaked in bleach" speak directly to a Seattle-area HIV prevention campaign from the time period encouraging addicts to sterilize their needles with bleach before using them with the tagline "If doused in mud, soak in bleach", and "As a friend, as a trend, as a known enemy", for some, was further allegory of addiction to the drug.<ref name=":0" /><ref name=":1" /><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> After Cobain's death, Sub Pop records approached G. Alan Marlatt at the University of Washington to set up a memorial fund to establish an addiction treatment center titled the "Come as You Are" center, but the funding fell through after the record label was sold to Warner Music Group.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
Cobain described the lyrics of "Come as You Are" as contradictory, and said the song was about "people and what they're expected to act like."Template:Sfn<ref name=":1" /> Pointing to the line "Take your time, hurry up, choice is yours, don't be late," essayist Catherine J. Creswell writes that in Cobain's lyrics, Template:Nowrap clump into strings of empty clichés whose own ostensible meaning is forced into contradictions or simple rhyme sound."<ref>Ulrich, John M.; Harris, Andrea L. Genxegesis: Essays on Alternative Youth (sub)culture. Popular Press. 2003. p. 81.</ref>
In light of Cobain's suicide in 1994, AllMusic's Mark Deming suggests that hearing "Cobain sing 'and I swear that I don't have a gun' gives 'Come as You Are' an edge it was never meant to have when [Nevermind] was first released in 1991." Deming reasons that the "I don't have a gun" lyric is Cobain's "attempt to reassure listeners that ... his target is the world at large rather than the individuals in it, and that there was still room in this damaged world for everyone."<ref name="AMG">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Others have suggested the lyrics regarding the "gun" are metaphors for escapism and turmoil found in heroin usage.<ref name=":1" /><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
Release
Template:Music ratings Wary of the similarity between the main riff of "Come as You Are" and English post-punk band Killing Joke's 1985 single "Eighties", Nirvana and its management were unsure about releasing the song as the second single from Nevermind. Danny Goldberg, head of Nirvana's management Gold Mountain, later revealed that "[w]e couldn't decide between 'Come as You Are' and 'In Bloom.' Kurt was nervous about 'Come as You Are' because it was too similar to a Killing Joke song but we all thought it was still the better song to go with. And, he was right, Killing Joke later did complain about it."<ref name="RS">Borzillo-Vrenna, Carrie. "Nirvana Pay Back Killing Joke" Template:Webarchive. Rolling Stone. April 10, 2003. Retrieved on October 1, 2008.</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Nirvana biographer Everett True writes that "Come as You Are" was eventually chosen for release as a single because "Goldberg favoured the more obviously commercial song".Template:Sfn
It was anticipated that the first single from Nevermind, "Smells Like Teen Spirit", would be a "base-building alternative cut", while "Come as You Are" would be able to cross over into other radio formats. However, "Smells Like Teen Spirit" became a surprise hit and boosted the band's popularity, whereas "Come as You Are" served to maintain it.Template:Sfn After its release as a single in March 1992, "Come as You Are" peaked at number 32 on the Billboard Hot 100. The single stayed on the chart for 18 weeks.<ref name="RS CAYA">"Come As You Are". Rolling Stone. December 9, 2004. Retrieved on June 4, 2008.</ref> The song also reached number three on the Billboard Mainstream and Modern Rock Tracks charts.<ref name="Billboard singles">[[[:Template:BillboardURLbyName]] Nirvana Artist Chart History: Singles]. Billboard.com. Retrieved on June 4, 2008.</ref> The single also broke the top 10 of the UK Singles Chart, peaking at the ninth spot,<ref name="UK single">Roberts, David, ed. British Hit Singles & Albums. 19th edition. HIT Entertainment, 2006. Template:ISBN.</ref> where it was also the week's highest new entry.<ref>Template:Cite magazine</ref> In Israel, it was voted in at number 3 on the IBA's "Voice of Israel" singles chart.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> This song ranked number 82 in BlenderTemplate:'s "The 500 Greatest Songs Since You Were Born",<ref name=blender>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and 452nd on Rolling Stone's "500 Greatest Songs of All Time".<ref name=blender/> In 2019, the song was placed at number 17 on Rolling StoneTemplate:'s ranking of 102 Nirvana songs.<ref>Template:Cite magazine</ref>
Although members of Killing Joke claimed the main guitar riff of "Come as You Are" plagiarized the riff of "Eighties", the band reportedly did not file a copyright infringement lawsuit, which Rolling Stone magazine attributes to "personal and financial reasons".<ref name="RS"/> However, conflicting reports state that Killing Joke did file a lawsuit but that it was either thrown out of court,<ref>"Conspiracy of Two". Kerrang!. April 12, 2003</ref> or that it was dropped following Cobain's death.<ref>"Interview with Killing Joke's Geordie". BBC. Retrieved on October 1, 2008.</ref> Geordie Walker, Killing Joke's guitar player, said that the band was "very pissed off about that, but it's obvious to everyone. We had two separate musicologists' reports saying it was. Our publisher sent their publisher a letter saying it was and they went 'Boo, never heard of ya!', but the hysterical thing about Nirvana saying they'd never heard of us was that they'd already sent us a Christmas card!"<ref>Slater, Tim. "Killing Joke interview". Guitarist. December 1994.</ref>
Later it was also noted that a third song, the Damned's "Life Goes On", pre-dated both and contained a similar riff to both songs.<ref>Template:Cite magazine</ref>
In 1999, "Come as You Are" was voted in at number 49 in Kerrang! magazine's "100 Greatest Rock Tracks Ever!".<ref>Template:Cite magazine</ref> As of April 2016, according to Business Insider, "Come as You Are" was the sixth most streamed song from the 1990s on Spotify.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> According to Nielsen Music's year-end report for 2019, "Come as You Are" was the third most-played song of the decade on mainstream rock radio with 134,000 spins. All of the songs in the top 10 were from the 1990s.<ref name="MainstreamRockDecade2010-2019">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
Music video
The music video was directed by Kevin Kerslake, who later directed the videos for "Lithium", "In Bloom", and "Sliver", as well as Pantera's music video for "This Love". After the unsatisfactory experience filming the "Smells Like Teen Spirit" video with Samuel Bayer, Cobain selected Kerslake due to his impressionistic style. Cobain was unable to formulate any ideas beyond homaging the Nevermind album cover and including "a lot of purples and reds", so he let Kerslake conceptualize the video.Template:Sfn Filming took place between January 16-20, 1992.<ref>Template:Cite book</ref><ref name=":2">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The band shot outdoor footage in Wattles Park in Hollywood Hills a few days prior to the main video shoot. This took place in an Air National Guard hangar at Van Nuys Airport.<ref name=":2" /> Kerslake projected this footage in the background of many shots in the main part of the video.Template:Sfn
The video features the band in a dark room, where the appearance of falling water in front of the band distorts and blurs the band members' forms (an idea suggested by Cobain).Template:Sfn Throughout the video, clips such as cells multiplying at an incredible rate and an unborn organism in its embryonic stages are shown. The video also features Kurt Cobain swinging violently on a chandelier as water begins to flow into the room as well as a dog wearing a cone collar trying to go down stairs, a baby swimming underwater (a reference to the cover of Nevermind), and a pistol sinking. Towards the end, a clip of the band appears, with Cobain in the front, lying on the ground and kissing the camera.
The music video was placed into heavy rotation on MTV in the US.<ref>
- Template:Cite magazine
- Template:Cite magazine</ref> It was placed into the Buzz Bin on MTV Europe,<ref>
- Template:Cite magazine
- Template:Cite magazine
- Template:Cite magazine
- Template:Cite magazine</ref> before being placed into active and heavy rotation.<ref>
- Template:Cite magazine
- Template:Cite magazine
- Template:Cite magazine
- Template:Cite magazine
- Template:Cite magazine</ref> It was also played on MTV Australia, Rage and Video Smash Hits in Australia.<ref>
- Template:Cite magazine
- Template:Cite magazine
- Template:Cite magazine
- Template:Cite magazine</ref>
In his biography, The Storyteller, Grohl wrote that he can no longer watch the video because it reminds him what a bad state that Cobain was in at the time due to his heroin abuse.<ref>Template:Cite book</ref>
Legacy
In 2005, a sign was put up in Aberdeen, Washington, Cobain's hometown, that reads "Welcome to Aberdeen: Come As You Are" as a tribute to Cobain. The sign was paid for and created by the Kurt Cobain Memorial Committee, a non-profit organization created in May 2004 to honor Cobain. Founded by author Jeff Burlingame and Aberdeen City Councilman Paul Fritts, the committee also plans to create a Kurt Cobain Memorial Park and a youth center in Aberdeen.<ref>Kaufman, Gil. "Kurt Cobain's Hometown Adds 'Come As You Are' To Welcome Sign". MTV. April 11, 2005. Retrieved on October 1, 2008</ref>
The song appears in two scenes of Definitely, Maybe, a 2008 film starring Ryan Reynolds, and is a thematic element.<ref>Template:Cite news</ref><ref>Template:Cite news</ref>
The 2016 film As You Are was named after the Nirvana track. The plot "revolves around a trio of high schoolers in the 1990s, trying to find their way through the difficult maze of adolescence."<ref>Template:Cite news</ref>
A cover of the song, performed by Civil Twilight, appears in the end scene of the Defiance episode Down in the Ground Where the Dead Men Go.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Elvis impersonator Jim "The King" Brown also covered the song on his 1998 album Gravelands, as did Caetano Veloso in 2004.
A remix of the song was used for trailers of Marvel's 2017 Netflix series The Defenders.<ref>Chitwood, Adam. "'The Defenders' Teaser Previews Marvel's Netflix Team-Up Series; 2017 Release Date Confirmed". Collider. July 21, 2016. Retrieved on July 22, 2016</ref> It also made an appearance in the 2019 film Captain Marvel,<ref>Template:Cite news</ref><ref>Template:Cite news</ref> and subsequently peaked at number 11 on the Billboard Hot Rock Songs chart with a 267 percent increase to 2000 downloads sold and a 30 percent increase to 2.8 million US streams in week ending March 14, 2019.<ref>Template:Cite magazine</ref>
The song "Adam's Song" by Blink-182 references "Come as You Are." "Come as You Are" features the lyrics, "Take your time, hurry up, the choice is yours, don't be late," while "Adam's Song," in turn, features the lyrics, "I took my time, I hurried up, the choice was mine, I didn't think enough."<ref>Template:Cite news</ref>
The song was also featured in the closing credits of the Season 2 finale of the Apple TV+ alternative history series For All Mankind.<ref>Template:Cite magazine</ref>
"Come As You Are (House Mix)" is an electronic tribute with trumpeter Maurice "Mobetta" Brown and house music DJ Chip E. from Nirvana Reimagined as House and Techno by producers Jonathan Hay and Cain McKnight.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
The song was used in the Luca Guadagnino film Queer, during the introduction of the character Eugene Allerton (played by Drew Starkey).<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
Track listing
Template:Col-begin Template:Col-break UK 7" single Template:Small
- "Come as You Are" – 3:38
- "Endless, Nameless" – 6:40
US 7" single Template:Small
- "Come as You Are" – 3:38
- "Drain You" (live) – 3:35
UK 12" single Template:Small
- "Come as You Are" – 3:38
- "Endless, Nameless" – 6:40
- "Drain You" (live) – 3:35
UK 12" picture disc Template:Small
- "Come as You Are" – 3:38
- "Endless, Nameless" – 6:40
- "School" (live) – 2:31
UK CD single Template:Small
- "Come as You Are" – 3:38
- "Endless, Nameless" – 6:40
- "School" (live) – 2:31
- "Drain You" (live) – 3:35
US CD single Template:Small
- "Come as You Are" – 3:38
- "School" (live) – 2:31
- "Drain You" (live) – 3:35
Japanese mini CD single Template:Small
- "Come as You Are" – 3:38
- "Endless, Nameless" – 6:40
US cassette single Template:Small
- "Come as You Are" – 3:38
- "Drain You" (live) – 3:35
Australian cassette single Template:Small
- "Come as You Are" – 3:38
- "Endless, Nameless" – 6:40
Personnel
Personnel adapted from Nevermind liner notes<ref name=linernotes>Template:Cite AV media notes</ref>
Nirvana
- Kurt CobainTemplate:Sndvocals, guitar
- Krist NovoselicTemplate:Sndbass guitar
- Dave GrohlTemplate:Snddrums
Technical
- Butch VigTemplate:Sndrecording, mixing engineer, producer
- NirvanaTemplate:Sndproducer, engineer
Charts
Template:Col-begin Template:Col-2
Weekly charts
| Chart (1992–1993) | Peak position | |
|---|---|---|
| Australia Alternative (ARIA)<ref>Template:Cite magazine</ref> | 1 | |
| Belgium (IFPI Belgium)<ref>Template:Cite magazine</ref> | 5 | |
| Belgium (VRT Top 30 Flanders)<ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
12 |
| Canada Contemporary Album Radio (The Record)<ref>Template:Cite magazine</ref> | 14 | |
| Denmark (Hitlisten)<ref>Template:Cite magazine</ref><ref>Template:Cite news</ref> | 9 | |
| Denmark (ANR North Jutland)<ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
17 |
| European Hot 100 Singles (Music & Media)<ref>Template:Cite magazine</ref> | 15 | |
| European Hit Radio Top 40 (Music & Media)<ref>Template:Cite magazine</ref> | 23 | |
| Finland (The Official Finnish Charts)<ref>Template:Cite magazine</ref><ref>Template:Cite magazine</ref><ref name="Pennanan">Pennanen, Timo. Sisältää hitin: levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1972. Otava Publishing Company Ltd, 2003. Template:ISBN.</ref> | 8 | |
| Italy (Musica e dischi)<ref>Template:Cite magazine</ref> | 8 | |
| Portugal (AFP)<ref>Template:Cite magazine</ref> | 8 | |
| Spain (AFYVE)<ref>Salaverri, Fernando. Sólo éxitos, año an año, 1959-2002. Madrid: Fundación Author-SGAE, 2005. Template:ISBN, p. 602.</ref> | 16 | |
| UK Network Singles (MRIB)<ref>Template:Cite magazine</ref><ref> | 10 | |
| UK Airplay (ERA)<ref>Template:Cite news</ref> | 19 | |
| US Top 100 Pop Singles (Cash Box)<ref>Template:Cite magazine</ref> | 19 | |
| US AOR Tracks (Radio & Records)<ref>Template:Cite magazine</ref><ref>Template:Cite magazine</ref> | 2 |
| Chart (1995–1996) | Peak position |
|---|---|
| Denmark (Tracklisten)<ref>Template:Cite magazine</ref> Charted as part of the Singles box set |
5 |
| Chart (2019) | Peak position |
|---|
| Chart (2025) | Peak position |
|---|
Year-end charts
| Chart (1992) | Position |
|---|---|
| Eurochart Hot 100 Singles (Music & Media)<ref>Template:Cite magazine</ref> | 91 |
| US Album Rock Tracks (Billboard)<ref name="usrockye">Template:Cite magazine</ref> | 5 |
| US Modern Rock Tracks (Billboard)<ref name="usrockye"/> | 4 |
| US AOR Tracks (Radio & Records)<ref>Template:Cite magazine</ref> | 1 |
Decade-end charts
| Chart (2010–2019) | Position | |
|---|---|---|
| Canadian Mainstream Rock Radio (Billboard)<ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
3 |
| US Mainstream Rock (Nielsen Music)<ref name="MainstreamRockDecade2010-2019"/> | 3 |
Certifications
Template:Certification Table Top Template:Certification Table Entry Template:Certification Table Entry Template:Certification Table Entry Template:Certification Table Entry Template:Certification Table Entry Template:Certification Table Entry Template:Certification Table Entry Template:Certification Table Entry Template:Certification Table Entry Template:Certification Table Bottom