CrazySexyCool
Template:Short description Template:For Template:Use mdy dates Template:Infobox album
CrazySexyCool is the second studio album by American girl group TLC, released on November 15, 1994, by LaFace and Arista Records. Following the group's record deal, they released their debut album Ooooooohhh... On the TLC Tip in 1992 to positive reviews and commercial success. The group began working on a follow-up in 1993 but experienced an unproductive recording process due to personal issues, notably those of member Lisa "Left Eye" Lopes, who was struggling with alcoholism and her volatile relationship with football player Andre Rison. The album's recording lasted until September 1994, with Lopes' role diminished while she was in rehab.
CrazySexyCool saw the group reunite with producers Dallas Austin, Kenneth "Babyface" Edmonds, and Jermaine Dupri, as well as new collaborators Organized Noize and Chucky Thompson. It also featured contributions from Sean "Puffy" Combs, who helped with the notable hip hop soul sound; the album featured hip hop beats, funk, deep grooves, propulsive rhythms, and smooth production. The album's lyrical content was seen as a departure from the group's debut and was seen as a coming-of-age project which explored themes such as sexuality, romanticism, inexperience, and youthful optimism.
CrazySexyCool was met with critical acclaim and commercial success, peaking at number three on the Billboard 200, a chart on which it stayed for over two years. It has been certified 12-times platinum by the Recording Industry Association of America (RIAA), making TLC the first girl group in history to be awarded diamond status. It has since sold over 23 million copies worldwide,<ref name="billboard.com">Template:Cite magazine</ref><ref name="nme.com">Template:Cite web</ref> becoming the best-selling album by an American girl group. It has also been featured on Rolling Stone magazine's list of The 500 Greatest Albums of All Time, included in the book 1001 Albums You Must Hear Before You Die, and was listed as a "New Classic" by Entertainment Weekly in 2008.<ref name="newclassic">Template:Cite magazine</ref> The album was ranked at number seven on BillboardTemplate:'s list of the best diamond-certified albums of all time.<ref name="BB-best-diamond">Template:Cite magazine</ref>
Background
Debut album
On February 28, 1991, Tionne Watkins and Lisa Lopes signed production, management, and publishing deals with Pebbitone,<ref name="tlcbankruptcycase">Tionne WATKINS (T'Boz), Lisa Lopes (Left Eye), Rozonda Thomas (Chilli), Debtors. v. LaFace Records, Pebbitone, Inc., Peri Reid d/b/a Pebbitone Music, Movants (In re Watkins) Template:Webarchive, 390 210 BR 394 (Bankr. Court, ND Georgia, 1997) (Cotten, S.). Retrieved February 11, 2013.</ref> with Perri Reid becoming their general manager. The two-member TLC-Skee made its first recorded appearance on a track for LaFace act Damian Dame's self-titled 1991 LP.<ref>Cass, Giles, Heyliger (June 7, 2013). 'Face Time: Damian Dame, "Right Down to It". Popdose. Retrieved February 11, 2014.</ref> Pebbles found the third member in Rozonda Thomas, one of Damian Dame's part-time backup dancers.
Thomas was signed to the act in April 1991,<ref name="tlcbankruptcycase" /> at about which time the group's name was shortened to TLC. To maintain TLC's name as an acronym for the girls' names, Watkins became "T-Boz", Lopes became "Left-Eye", and Thomas became "Chilli." The girls were then signed to LaFace in May through the production deal with Pebbitone;<ref name="tlcbankruptcycase" /> their records would be distributed by Arista Records/BMG. TLC was immediately set up to go into the studio with Reid and Edmonds, Dallas Austin, Jermaine Dupri, and Marley Marl producing their first album, Ooooooohhh... On the TLC Tip. The new trio debuted as backing vocalists on "Rebel (With a Cause)", a track on Jermaine Jackson's sole album for LaFace, You Said (1991).<ref>Template:Cite web</ref>

Production on Ooooooohhh... On the TLC Tip wrapped up in December 1991.<ref>Template:Cite web</ref> The album reached number 14 on the US Billboard 200 and number three on the Top R&B/Hip-Hop Albums chart.<ref name="BB200"/><ref name="BBR&B"/> According to Nielsen SoundScan, it has sold 2.5 million copies in the US.<ref name="askbillboard">Template:Cite magazine</ref> It was eventually certified four-times platinum by the Recording Industry Association of America (RIAA) for shipping four million copies in the US.<ref>Template:Cite certification</ref>
Personal struggles
Lopes was often vocal about her personal life and difficult past. She readily admitted that she had come from an abusive, alcoholic background and struggled with alcohol problems herself. These problems became headline news in 1994, when she set fire to Andre Rison's tennis shoes in a bathtub, which ultimately spread to the mansion they shared, destroying it. Lopes claimed that Rison had beaten her after a night out, and she set fire to his shoes to get back at him. However, she said burning down the house was an accident. Lopes later revealed that she did not have a lot of freedom within the relationship and was abused mentally and physically, having released all her frustrations on the night of the fire.<ref name="mtv.com">Template:Cite web</ref> Lopes, who was sentenced to five years probation and therapy at a halfway house, was never able to shake the incident from her reputation.<ref name="SadRap">Template:Cite web</ref> Her relationship with Rison continued to make headlines, with rumors of an imminent wedding, later debunked by People magazine.<ref>Template:Cite web</ref>
Recording

The album's recording began in late 1993 and continued through till September 1994.<ref>Template:Cite book</ref> The album was recorded at numerous studios, including Doppler Studios, Bosstown Recording Studios, KrossWire Studio and GADaddy's; D.A.R.P. Studios in Atlanta, Georgia; the Music Grinder Studios in Los Angeles, California; and The Hit Factory in New York City.<ref name="notes"/>
During the album's recording, Lopes was forced to have less of an input, as she had pled guilty in an arson accident and was sent to a rehab facility as punishment.<ref>Template:Cite web</ref> The rehab facility only released her for a couple of recording sessions, during which time she cut just a handful of album-worthy rap verses.
For the album's production and writing, the group worked with producers including Babyface, Dallas Austin, Jermaine Dupri and more. Thomas stated that they had used these producers because they always worked with them stating that they worked with Dallas, Babyface, and Dupri on the first album "the only thing we had new was Organized Noize."<ref name="allhiphop.com">Template:Cite web</ref> Phife Dawg from A Tribe Called Quest did the interludes. However, during the album's recording, the band members were not always in the studio together; sometimes they went in one by one due to scheduling conflicts.<ref name="allhiphop.com"/>
"Waterfalls" was written by Lopes with Marqueze Etheridge and Organized Noize, who also produced the song. Watkins and Thomas perform the song with Lopes, who also provides a rap. The background vocals are performed by the members of TLC, as well as Debra Killings and Cee-Lo Green. Speaking of Green's involvement, Watkins said, "He was in Goodie Mob, we grew up together, we go way back. He did and it was amazing! I love his voice."<ref name="fuse">Template:Cite web</ref> The lyrics of the song reference 1990s issues such as violence associated with illegal drug trade and the HIV/AIDS epidemic.<ref name="buzzworthy">Template:Cite web</ref> At the end of the second verse, Watkins sings, "His health is fading and he doesn't know why / Three letters took him to his final resting place." She said that it was important for the group to "get the message across without seeming like preaching."<ref name="behindthesong">Template:Cite web</ref>
Music and lyrics
CrazySexyCool was noted as a departure from the group's debut, and was seen as move away from the group's predominantly rap connections. The songs on the album contained sensual R&B sounds built over edgy hip-hop beats; containing propulsive rhythms along with clap-commanding high production, bouncy funk elements and smooth rhythms.<ref name="consequenceofsound"/>
The album's lyrical content was also seen as a departure from Ooooooohhh... On the TLC Tip. A reviewer from Entertainment Weekly stated that compared to the lyrical content of their debut, which was seen as "kiddie-cute hip-hop", CrazySexyCool is filled with adult-female sexuality, and "hide- and-seek coyness."<ref name="Entertainment Weekly review"/> It was seen as a coming-of-age sophomore album, according to Sheldon Pearce from Consequence of Sound, who stated the album had themes of "guileless and horny twenty something" lyrics that harmlessly explored sexuality and romanticism with the "naïveté that comes from inexperience and youthful optimism."<ref name="consequenceofsound"/> The album lyrics also touch upon themes of relationships from both the impassioned and erotic sides.<ref name="consequenceofsound"/>
Release and promotion
To promote CrazySexyCool, TLC—along with Boyz II Men, Montell Jordan, and Mary J. Blige—performed in the annual Budweiser Superfest Tour in early 1995, consisting of 23 dates in North America. The Atlanta, Chicago and Indianapolis shows featured an expanded roster of performers, including Blackstreet and Monica.<ref>Template:Cite web</ref>
All four singles from the album reached the top five of the Billboard Hot 100, two of them reaching number one.
Lead single, "Creep", topped the Billboard Hot 100 for four weeks, and was one of the biggest singles of 1995, coming in at number three in Billboard Year-End Hot 100 Singles of 1995. It also reached number one on the Hot R&B/Hip-Hop Songs chart.
The second single, "Red Light Special", peaked at number two on the Billboard Hot 100, and number three on the Hot R&B/Hip-Hop Songs chart.
The third single, "Waterfalls", became TLC's most successful song, spending seven weeks at number one. It was also the second-biggest single of 1995 according to Billboard, earning TLC two songs in the top three of the 1995 Billboard year-end chart. Internationally, the song reached the top five in several countries.
"Diggin' on You" was released as the album's fourth and final single, and reached number five on the Billboard Hot 100. It also reached number seven on the Hot R&B/Hip-Hop Songs chart.
Critical reception
CrazySexyCool was met with critical acclaim. In his review for AllMusic, Stephen Thomas Erlewine described the album as a "smooth, seductive collection of contemporary soul reminiscent of both Philly soul and Prince", adding that the material was "consistently strong".<ref name="allmusiccsc"/> Erlewine continued to write that the album is "powered" by new jack swing and hip-hop beats with influences of mid-tempo funk, deep grooves, horns and guitar lines.<ref name="allmusiccsc" /> He also referred to "Waterfalls" as "one of the classic R&B songs of the '90s".<ref name="allmusiccsc"/>
In Rolling StoneTemplate:'s review for "The 500 Greatest Albums of All Time", the article stated that TLC "emerged with the most effervescent and soulful girl-group R&B anyone had seen since the Supremes."<ref name="RS 500 (2012)">Template:Cite magazine</ref>
In 2010, Rolling Stone listed the album at number 43 on their "100 Greatest Albums of the 90s". They stated: "Left Eye, Chilli and T-Boz looked like a one-shot when they first emerged from the nascent Atlanta with 1992's Ain't 2 Proud 2 Beg. But CrazySexyCool was a real shocker, packed bumper to bumper with great songs, sassy vocals and voluptuous beats for burning down the house. 'Creep' celebrates the kicks of illicit lust on the down low, 'Waterfalls' digs deep into Memphis soul and 'If I Was Your Girlfriend' does Prince better than The Artist has all decade. The showstopper: 'Red Light Special', an impossibly steamy make-out ballad that undresses and caresses everyone with ears to hear it. CrazySexyCool established TLC as pop pros who could do it all, combining the body slam of hip-hop and the giddy uplift of a jump-rope rhyme without breaking a nail."<ref>Template:Cite magazine</ref>
In a 2015 article for Consequence of Sound, music critics Michael Madden and Sheldon Pearce write about how the album has impacted artists well into today's era whose R&B sound has been heavily influenced by strong hip-hop elements. "There should probably be more talk of TLC's role in forging the current R&B landscape, which is heavily, if not entirely, influenced by hip-hop culture now. The two genres have seemingly been grafted onto one another, and there's something of a codependent relationship between the two. To that effect, there's something to be said for that dynamic existing here, too, how the album's sequencing contributes to the music's effectiveness and how it still translates to the modern day."<ref name="consequenceofsound"/>
Commercial performance
CrazySexyCool debuted at number 15 on the US Billboard 200, selling 77,500 copies in its first week.<ref>Template:Cite magazine</ref> On the issue dated July 29, 1995, the album peaked at number three with 117,000 units sold.<ref>Template:Cite magazine</ref> The album was certified 12-times platinum by the Recording Industry Association of America (RIAA) on October 11, 2019,<ref name="RIAA"/> and as of July 2017, it had sold 7.7 million copies in the United States, becoming the best-selling album by a female group in the country;<ref name="billboard2017">Template:Cite magazine</ref> it had sold an additional 1.27 million copies through the BMG Music Club as of February 2003.<ref name="bmgclub">Template:Cite web</ref> Internationally, it reached number one in New Zealand, as well as the top five in Australia, Germany, the Netherlands, and the United Kingdom. As of July 2006, CrazySexyCool had sold over 23 million copies worldwide.<ref name="nme.com"/><ref name="billboard.com"/>
Accolades
CrazySexyCool was nominated for six Grammy Awards at the 1996 Grammy Awards. "Waterfalls" was nominated for the Record of the Year. Two of the album's nominations were for its songwriters: Dallas Austin for "Creep", and Babyface for "Red Light Special". TLC ended up winning two awards, Best R&B Album and Best R&B Performance by a Duo or Group with Vocals for "Creep".
TLC also received multiple wins and nominations at the Billboard Music Awards, American Music Awards and Soul Train Music Awards, including Artist of the Year at the 1995 Billboard Music Awards. At the 1995 MTV Video Music Awards, TLC won four awards for the video to "Waterfalls", including Video of the Year and the Viewer's Choice Award.
| Organization | Country | Accolade | Year | Rank | Template:Abbr |
|---|---|---|---|---|---|
| Billboard | United States | All 92 Diamond-Certified Albums Ranked from Worst to Best: Critic's Take | 2016 | 7 | <ref name="BB-best-diamond"/> |
| Complex | United States | The Best R&B Albums of '90s | 2017 | 4 | <ref>Template:Cite web</ref> |
| Entertainment Weekly | United States | The 100 Best Albums from 1983 to 2008 | 2008 | 36 | <ref name="newclassic"/> |
| Template:Sortname | United Kingdom | The Face Recordings of the Year | 1999 | 27 | <ref>Template:Cite web</ref> |
| NPR | United States | The 150 Greatest Albums Made by Women | 2017 | 26 | <ref>Template:Cite web</ref> |
| Q | United Kingdom | Q Readers Greatest Albums Ever | 2003 | 77 | <ref>Template:Cite web</ref> |
| Rock and Roll Hall of Fame | United States | The Definitive 200: Top 200 Albums of All-Time | 2007 | 105 | <ref>Template:Cite web</ref> |
| Rolling Stone | United States | The 500 Greatest Albums of All Time | 2003 | 377 | <ref>Template:Cite magazine</ref> |
| 2012 | 379 | <ref name="RS 500 (2012)"/> | |||
| 2020 | 218 | <ref>Template:Cite magazine</ref> | |||
| Vibe | United States | The 150 Albums That Define the Vibe Era | 2007 | Template:N/a | <ref>Template:Cite magazine</ref> |
Celebration of CrazySexyCool
Template:Infobox concert Celebration of CrazySexyCool is a concert tour of American group TLC. This tour, serving as a celebration of the first album by a girl group to reach Diamond status, comes 27 years after the album release. Consisting of 18 dates across the United States, this tour celebrates what Chilli describes as "the album that really put [TLC] on the map",<ref>Template:Cite web</ref> as the group perform selected songs from the 1994 album, as well as other hits.
Set list
This set list is from the September 14, 2021 concert in Sterling Heights. It is not intended to represent all concerts for the tour.
- "Creep"
- "Hat 2 da Back"
- "Kick Your Game"
- "Girl Talk"
- "Case of the Fake People"
- "Ain't 2 Proud 2 Beg"
- "What About Your Friends"
- "Silly Ho"
- "FanMail"
- "Way Back"
- "American Gold"
- "Sumthin' Wicked This Way Comes"
- "Unpretty"
- "Take Our Time"
- "Red Light Special"
- "Diggin' on You"
- "Baby-Baby-Baby"
- "No Scrubs"
- "Waterfalls"
Track listing
Notes
- Template:Sup signifies a co-producer
- The single vinyl LP edition omits "Case of the Fake People" and "Intermission-lude".
Sample credits
- "Creep" contains a sample of "Hey Young World" by Slick Rick.
- "Switch" contains a sample of "Mr. Big Stuff" by Jean Knight.
Personnel
Credits adapted from the liner notes of CrazySexyCool.<ref name="notes">Template:Cite AV media notes</ref>
Musicians
- Phife – guest appearance Template:Small
- Dallas Austin – instruments Template:Small; keyboards, drums Template:Small; additional keyboards Template:Small
- Sol Messiah – scratching Template:Small
- Rick Sheppard – MIDI, sound design Template:Small
- Debra Killings – background vocals Template:Small
- Jermaine Dupri – additional vocals Template:Small
- LaMarquis "Marq" Jefferson – bass Template:Small
- Babyface – synthesizers, drum programming Template:Small
- T-Boz – background vocals Template:Small
- Chilli – background vocals Template:Small
- Bebé – background vocals Template:Small
- Chucky Thompson – all instruments Template:Small; keyboards, bass, drums Template:Small
- Sean "Puffy" Combs – ad-libs Template:Small
- Dwight Sills – guitar Template:Small
- Organized Noize – drum programming Template:Small; keyboards Template:Small; keyboard programming Template:Small
- Kenneth Wright – Wurlitzer keyboards Template:Small
- Jerry Lloyd – horns Template:Small
- Ronnie Fitch – horns Template:Small
- Charles Nix – horns Template:Small
- Shock – horn arrangements Template:Small
- Edward Stroud – guitar Template:Small
- TLC – background vocals Template:Small
- Thomas "Cee-Lo" Burton – background vocals Template:Small
- Jon-John – synthesizers, drum programming Template:Small
- Colin Wolfe – additional bass Template:Small
- Arnold Hennings – keyboards, drums Template:Small
- Tim Kelley – keyboards Template:Small
- Shorty B – guitar Template:Small
- Mike Patterson – MIDI, sound design Template:Small
- Busta Rhymes – guest appearance Template:Small
- Lisa "Left Eye" Lopes – ad-libs Template:Small
- Trey Lorenz – background vocals Template:Small
- Dre of Outkast – guest appearance Template:Small
- Sir Dean Gant – keyboards Template:Small
- Craig Love – guitar Template:Small
- Martin Terry – guitar Template:Small
- Carlos Glover – bass Template:Small
Technical
- Jermaine Dupri – recording Template:Small; mixing Template:Small; production Template:Small; remix Template:Small
- John Frye – recording assistance Template:Small; mixing assistance Template:Small
- Phil Tan – mixing Template:Small; recording Template:Small
- Dallas Austin – production Template:Small; co-production Template:Small; executive production
- Alvin Speights – recording Template:Small; mixing Template:Small
- Leslie Brathwaite – recording Template:Small; mixing Template:Small
- Carl Glover – recording assistance Template:Small
- Brian Smith – recording assistance Template:Small
- Manuel Seal – co-production Template:Small
- Brian Frye – recording assistance Template:Small
- Babyface – production Template:Small; executive production
- Brad Gilderman – recording Template:Small
- Eric Fischer – recording assistance Template:Small
- Lamont Hyde – recording assistance Template:Small
- Dave Way – mixing Template:Small
- Chucky Thompson – production Template:Small
- Sean "Puffy" Combs – production Template:Small
- Rich Travali – recording, mixing Template:Small
- Organized Noize – production Template:Small
- Nealhpogue – recording Template:Small; mixing Template:Small
- Bernasky – recording assistance Template:Small; mixing assistance Template:Small
- Rico Lumpkins – recording assistance, mixing assistance Template:Small
- Mike Wilson – recording assistance Template:Small
- Jon-John – production Template:Small
- Nash – recording Template:Small
- Arnold Hennings – production Template:Small
- Mike Patterson – recording Template:Small
- Scott Little – recording assistance Template:Small
- Ron Gresham – mixing Template:Small
- NHP Sound, Inc. – recording Template:Small
- Carlos Glover – recording Template:Small
- Blake Eiseman – recording Template:Small
- Alex Lowe – recording assistance Template:Small
- Herb Powers Jr. – mastering
- Antonio M. Reid – executive production
- Sharliss Asbury – project coordination
- Ivy Skoff – project coordination Template:Small
Artwork
- Davett Singletary – creative direction
- Christopher Stern – art direction
- Dah Len – photography
Charts
Template:Col-begin Template:Col-2
Weekly charts
| Chart (1994–1996) | Peak position |
|---|---|
| European Albums (Music & Media)<ref>Template:Cite magazine</ref> | 6 |
| French Albums (IFOP)<ref>Template:Cite web Select "T L C" from the drop-down menu and click "OK".</ref> | 40 |
Year-end charts
| Chart (1995) | Position |
|---|---|
| Australian Albums (ARIA)<ref>Template:Cite magazine</ref> | 59 |
| Belgian Albums (Ultratop Flanders)<ref>Template:Cite web</ref> | 98 |
| Canada Top Albums/CDs (RPM)<ref>Template:Cite magazine</ref> | 10 |
| Dutch Albums (Album Top 100)<ref>Template:Cite web</ref> | 38 |
| European Albums (Music & Media)<ref>Template:Cite magazine</ref> | 49 |
| German Albums (Offizielle Top 100)<ref>Template:Cite web</ref> | 27 |
| New Zealand Albums (RMNZ)<ref>Template:Cite web</ref> | 18 |
| Swedish Albums & Compilations (Sverigetopplistan)<ref>Template:Cite web</ref> | 65 |
| Swiss Albums (Schweizer Hitparade)<ref>Template:Cite web</ref> | 49 |
| UK Albums (OCC)<ref name="UKyearend">Template:Cite web</ref> | 33 |
| US Billboard 200<ref>Template:Cite magazine</ref> | 5 |
| US Top R&B/Hip-Hop Albums (Billboard)<ref>Template:Cite magazine</ref> | 2 |
| Chart (1996) | Position |
|---|---|
| Australian Albums (ARIA)<ref>Template:Cite web</ref> | 31 |
| Dutch Albums (Album Top 100)<ref>Template:Cite web</ref> | 85 |
| UK Albums (OCC)<ref name="UKyearend"/> | 93 |
| US Billboard 200<ref>Template:Cite magazine</ref> | 22 |
| US Top R&B/Hip-Hop Albums (Billboard)<ref>Template:Cite magazine</ref> | 51 |
Decade-end charts
| Chart (1990–1999) | Position |
|---|---|
| US Billboard 200<ref>Template:Cite magazine</ref> | 25 |
All-time charts
| Chart | Position |
|---|---|
| US Billboard 200<ref>Template:Cite magazine</ref> | 126 |
| US Billboard 200 (Women)<ref>Template:Cite magazine</ref> | 35 |
Certifications and sales
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See also
Notes
References
Template:TLC (group) Template:Grammy Award for Best R&B Album