Culture of Macau
Template:Short description Template:Culture of MacauMacau is an autonomous territory within China. A Portuguese colony until 1999, Macau has a diverse culture firmly rooted in Cantonese culture, with a mix of influences from East Asia and Western Europe. Macau is known for being the largest gambling center in the world.
People and languages
The two official languages of Macau are Chinese and Portuguese, although the latter is only spoken by a small minority. English is also widely spoken. Template:As of, 80.1% of the population speak Cantonese as their daily language.Template:Cn
In 2018 Reuters stated "there are signs that Chinese is being prioritized in government."<ref name=ReutersPortel>Template:Cite web</ref>
The Macanese language, generally known as Patuá, is a distinctive creole that is still spoken by several dozen members of the Macanese people, an ethnic group of mixed Asian and Portuguese ancestry that accounts for a small percentage of Macau's population.Template:Cn
Signs in Macau are displayed in both Traditional Chinese and Portuguese. In contrast to mainland China, Macau—along with Hong Kong and Taiwan—generally does not use Simplified Chinese characters.
Among the main migrants of the country are workers from the Philippines, hence Tagalog is one of the most-heard foreign languages.Template:Cn
Cultural identity
The worldwide popularity of Cantonese food and Chinese martial arts (kung fu or wu shu) has made them popular in Portugal as well.
In 1998, the first Festival da Lusofonia took place in Macau, a festival of Portuguese-speaking communities. In November 2013, the 16th edition of the festival took place over the duration of two and a half days with musical activities, kids programmes, traditional Portuguese games and food from Portuguese-speaking countries' cuisines.<ref>Template:Cite web</ref>
Mass media
Template:Main Most of the pop music that can be heard on the channel TDM Teledifusão de Macau (澳廣視)<ref>Template:Cite web</ref> is imported from Hong Kong or overseas (mainly Japan). However, more and more local songs are being recorded by locals. Some Brazilian TV stations are also broadcast in Macau.
Cuisine
Template:Main Macanese cuisine is a blend of southern Chinese (especially Cantonese cuisine) and Portuguese cuisines, with significant influences from Southeast Asia and the Lusophone world. The most famous snack is the Portuguese-style egg tart. It is widely popular in Southeast Asia, especially in Taiwan and Hong Kong. The most famous Macanese food is galinha à portuguesa, which is served in numerous varieties in Macau restaurants.
In 2018 Reuters stated that the cuisine was one of the few remaining Portuguese influences in Macau.<ref name=ReutersPortel/>
Religion
Template:Main The primary religion is Buddhism. Roman Catholicism has considerable influence in education and social welfare in Macau. However, adherents only count for about six percent of the population. Protestantism is spreading quickly, especially among the younger demographic groups.
Arts
Film
Template:See also category A few independent films have been produced since the late 1990s. Recent Macau film productions include:
- 窗前熗後 by Vincent Hui (2000)
- Love Is Not A Sin (Template:Lang) by Doug Chan (2003). Winner of Golden DV Award (27th HKIFF), Winner of The Best Original Screenplay Award (1st Downunder International Film Festival, Darwin).
- macau.xmas.2005 (Template:Lang)<ref>Template:Cite web</ref> by Sio (2005).<ref>Template:Cite web</ref>
- Macao 2525 (2021). Nominated for best digital animation at the Film & TV World Cup 2021 at the Lima Web Fest in Peru.
- The Edge Of Human by Johan Karlberg and Angela Lao (2022). First Macanese Cyberpunk movie, nominated for best experimental film at the Film & TV World Cup 2022 Pinewood Studios Lift Off Sessions in London UK. Finished 4th place of 42 in the network round.<ref>Template:Cite web </ref>
- Return To Earth - Macau Sci-fi (2023) by Johan Karlberg and Angela Lao. Finished Top 4 of 15 nominated finalists at BCT Cinema E Televisione festival in Italy (best feature film);. declared the best Asian feature film in the festival. <ref>Template:Cite web </ref><ref>Template:Cite web </ref>
Music
The Macau International Music Festival is conducted by the Cultural Affairs Bureau of the Macau SAR Government every autumn.<ref>Template:Cite web</ref> The 20th anniversary of the MIMF was celebrated in 2007 with performances of Jazz, classical music, electronica, Chinese folk-pop, rock and Fado.<ref>Template:Cite web</ref>
Other Lusophone music types popular in Macao are samba, bossa nova, and kizomba.<ref>Template:Cite web</ref>
In 2005, the Hush!! Full Band Festival got established, a government-sponsored modern music festival featuring pop rock and hard rock bands from all over Asia with a focus on Macau bands. The festival is free of charge and it's in its 9th edition in 2013.<ref>Template:Cite web</ref>
Literature
The literature of Macanese (i.e. those with Portuguese descent) is a multi-dimensional art.<ref>Template:Cite journal</ref> Their literature appeared as early as the 19th century. At the beginning of the 20th century, a group of well-known writers appeared:
- Anthology "Lonely Road": TancareiraBela, Tancareira Pensativa and CancāoDe Tancareira by Leanel Alves.
- Anthology "Blessed Garden, Macau" by Jose dos Santos Ferreira.
- Short fiction "The Gown" by Deolinda de Conceição<ref>Template:Cite web</ref>
- Long fiction: "Love and small toes" & "The Bewitching Braid" written by Henrique de Senna Fernandes<ref>Template:Cite web</ref>
- Anthology "Four Seasons in One Day" – Carlos Marreiros<ref>Template:Cite web</ref>
- Other:
- "Chinese Urheen" by Camilo Pessanha (1867–1926)
- "The Chart of Maritime Countries (Template:Lang)", "Listens to the Dulcimer & Song playing by a foreign lady in the Macau Garden (Template:Lang)" written by Wei Yuan (Template:Lang 1794–1857), displayed his personal feeling and understanding of classical music.
Cantonese opera
Template:Main Cantonese opera<ref>Template:Citation</ref> is quite popular, especially among elderly residents. In 2003, the Cultural Institute of the Macau S.A.R Government, in collaboration with the Leisure and Cultural Services Department of the Hong Kong SAR, organized the exhibition "Fong Yim Fun – The Life and Work of a Cantonese Opera Artiste".<ref>Template:Cite web</ref> As a well-known actress and opera artiste in Guangdong, Hong Kong and Macau, Fong Yim Fun performed in more than 150 operas and films. Part of her works was exhibited in the Museum of Macau at that time.
Facilities
The Macao Cultural Centre was established in 1999, for the purpose of offering unique venues for artistic events, international conferences and exhibitions, enhancing cultural exchange, and helping to expand culture horizons among Macau residents. Hundreds of programs and events take place there almost every day—e.g., martial arts performances, European traditional music, Chinese traditional music, foreign music, varies types of dancing, etc.
The Macau Ricci Institute is a recent foundation of the Jesuits in Macau. Its aim is to continue the process of friendly encounters between Chinese and European cultures and traditions, which was begun by Matteo Ricci 1552–1610 many years ago.<ref>Template:Cite web</ref>
See also
References
External links
- HUSH!! Full Band Festival, official CCM website
- Macau scene overview Template:Webarchive at RockinChina.com
Template:Macau topics Template:Languages of Macau Template:Culture of Asia