Deerhoof

Deerhoof is an American musical group formed in San Francisco in 1994. It consists of founding drummer Greg Saunier, bassist and singer Satomi Matsuzaki, and guitarists John Dieterich and Ed Rodriguez. Beginning as an improvised noise punk band, Deerhoof became widely renowned and influential in the 2000s through its self-produced albums.<ref name="allmusic-bio">Template:Cite web</ref>

Deerhoof has released 20 studio albums since 1997. Its most recent, Noble and Godlike in Ruin, was released on April 25, 2025.<ref name="Our new album is out today!">Template:Cite web</ref>

History

Formation

Deerhoof was formed in San Francisco in 1994 as Rob Fisk's improvisational bass/harmonica solo project. Greg Saunier joined on drums a week later.<ref>Template:Cite webTemplate:Cbignore</ref><ref name="huliq">Template:Cite web</ref> They were quickly signed to record a single for Kill Rock Stars after owner Slim Moon witnessed their performance at the 1994 Yoyo A Go Go festival.<ref name="Pilchak">Template:Cite journal</ref> Satomi Matsuzaki joined Deerhoof within a week of moving to the United States from Japan in May 1995, with no prior experience playing in a band, and went on tour as Deerhoof's singer only a week later, opening for Caroliner.<ref>Template:Cite web</ref> Deerhoof's 1997 debut album, The Man, the King, the Girl, was recorded on a 4-track tape.

Deerhoof had a music practice space at the Art Explosion Studios at 2425 17th Street in the Mission District; other bands in this space included Creeper Lagoon, Beulah, Zmrzlina, Don't Mean Maybe, and S-- S-- Band Band.<ref>Template:Cite web</ref>

Breakthrough

Chris Cohen joined Deerhoof on guitar in 2002, between ReveilleTemplate:'s completion and release.<ref name="huliq"/>

In contrast to ReveilleTemplate:'s digital production process, 2003's Apple O' was played almost entirely live to tape in one nine-hour session with Jay Pellicci engineering.<ref name="huliq"/> Extinction, nuclear holocaust, invasive species, and the Greek god of music all figure prominently in the album's themes.<ref>Template:Cite web</ref>Template:Failed verification Karen O chose Apple OTemplate:' in the Rolling Stone 2003 Music Awards, Artists' Top Albums,<ref name="killrockstars.com">Template:Cite web</ref> and the album received some critical praise, notably in the New York Times.<ref>Template:Cite web</ref> But in what became a pattern for Deerhoof, the album's critical appraisal improved with time, and Pitchfork later listed Apple O' as one of the top albums of the 2000s.<ref>Staff Lists: The Top 200 Albums of the 2000s: 200–151 Template:Webarchive. Pitchfork (September 28, 2009). Retrieved November 26, 2010.</ref> The record's antiwar themes were underscored by Deerhoof's outspoken opposition to the Iraq War.<ref>Template:Cite web</ref>

By 2003 Deerhoof had become the longest-running band on Kill Rock Stars.<ref name="killrockstars.com"/> Matsuzaki was editing a Bay Area Japanese magazine, Cohen was waiting tables at a Thai restaurant, and Dieterich and Saunier were doing data entry for legal and consulting firms,<ref name="huliq" /> but that year they all quit their jobs simultaneously to focus on touring.<ref name="huliq" /> That year they contributed to Azadi! A Benefit Compilation for the Revolutionary Association of the Women of Afghanistan.<ref>Template:Citation</ref> Saunier also released Nervous Cop, a collaboration album with Zach Hill and Joanna Newsom.<ref>Template:Cite web</ref><ref>Template:Cite web</ref>

File:Deerhoof2.jpg

Deerhoof performing in 2004

Deerhoof's next record was inspired by a crudely drawn character created by the Japanese artist Ken Kagami.<ref name="huliq" /> 2004's Milk Man featured an opulent, campy sound inspired by Broadway and Igor Stravinsky.<ref name="huliq" /><ref>Template:Cite web</ref> It was nominated for "Outstanding Alternative Album" in the California Music Awards,<ref name="killrockstars.com"/> and stayed at No. 1 on the Dusted Radio Chart for six consecutive weeks, and reached No. 1 on the CMJ Core Chart.<ref name="killrockstars.com" /> Also in 2004 Deerhoof received the Editor's Choice Award from 7x7 magazine, and was voted "Best Local Rock Band" by readers of SF Weekly.<ref name="killrockstars.com"/> In 2006 Milk Man was adapted to a children's ballet.<ref>Template:Cite web</ref>

Deerhoof's next release was its first to be sung in Matsuzaki's native language of Japanese.<ref name="huliq" /> 2005's mini-album Green Cosmos combined an orchestral sound with dance music styles.<ref>Template:Cite web</ref>

Deerhoof spent several months in 2005 in a rented rehearsal space in Oakland, writing and recording daily as a full band.<ref>Template:Cite web</ref> When the result was released that fall, the double album The Runners Four featured each band member taking turns as vocalist, singing unusually wordy lyrics in which Arks and time capsules recur, as though foretelling that this would be this lineup's final recording.<ref name=":0">Template:Cite web</ref> Instrumental roles were reversed for Matsuzaki (now on guitar) and Cohen (now on bass).<ref name=":0" />

In 2006, Danielson released the critically acclaimed Ships, which featured Deerhoof as the backing band on many of the tracks.<ref>Template:Cite web</ref> Later that year, after an extensive world tour that ended at Coachella, Deerhoof composed and performed a live soundtrack to Harry Smith's hour-long animated film Heaven and Earth Magic at the San Francisco International Film Festival.<ref>Template:Cite web</ref> This was Cohen's last activity with Deerhoof.<ref>Template:Cite web</ref> The split was amicable. Commemorating Cohen, Deerhoof posted a free EP on its website, one of several it has posted over the years.<ref name="huliq"/> Chris Cohen now records and tours as a solo act.<ref>Template:Cite web</ref>

Reconfiguration

Matsuzaki, Saunier, and Dieterich began a new recording as a trio. They recorded mostly in Dieterich's bedroom and mixed on the band's laptop in hotel rooms during tours with Radiohead, the Flaming Lips, and Beck.<ref name="huliq"/> Some material was from the "Heaven and Earth Magic" soundtrack, some was completely orchestral (without drums or guitars), and one song ("Matchbook Seeks Maniac") was specifically created for a Hollywood film's end credits.<ref>Template:Cite web. Mp3.com (November 9, 2007). Retrieved November 26, 2010.</ref><ref>Template:Cite web</ref> The album was highly praised in Pitchfork and Rolling Stone.<ref>Friend Opportunity Reviews, Ratings, Credits, and More at Metacritic Template:Webarchive. Metacritic.com (January 23, 2007). Retrieved November 26, 2010.</ref>

File:Deerhoofprospect.png

Deerhoof at Prospect Park in Brooklyn in 2008

By January 2008 Deerhoof became a quartet again with the addition of the Flying Luttenbachers/Gorge Trio/XBXRX guitarist and longtime friend Ed Rodriguez. That summer Deerhoof released the song "Fresh Born" online as sheet music only, anticipating similar experiments by Beck and Blur by several years. Fans recorded and uploaded their own versions of the song to a website before anyone outside the band had heard Deerhoof's version.<ref>Template:Cite web</ref> The October 2008 album Offend Maggie was praised by VH1, NPR, Entertainment Weekly, Alternative Press, The Guardian, and Mojo.<ref>Offend Maggie Reviews, Ratings, Credits, and More at Metacritic Template:Webarchive. Metacritic.com (October 7, 2008). Retrieved November 26, 2010.</ref>

File:Deerhoof on stage.jpg

Deerhoof performing in 2009

In April 2010 Deerhoof curated the Belgian music festival Sonic City, inviting an eclectic array of European acts including The Go! Team, Paolo Pandolfo, and sitting in with the Belgian punk band the Kids. In April and July 2010, Deerhoof and Xiu Xiu joined to perform Joy Division's album Unknown Pleasures live at the Donaufestival in Austria and at Brooklyn's Williamsburg Waterfront.

Format experimentation

Building on "I Did Crimes For You", during this time Deerhoof continued to record in a rented rehearsal space in Oakland. Musical influences from the Beach Boys, new romanticism, tropicalia, and the Congotronics series found their way onto 2011's Deerhoof vs. Evil. The band released the album one track at a time via different media outlets online, with a full map and schedule available on its website.<ref>Template:Cite web</ref> The album was acclaimed by Entertainment Weekly, MOJO, and Paste.<ref>Template:Cite web</ref> Matt Goldman's design was the second Deerhoof album cover to feature a mushroom cloud. Shugo Tokumaru remixed "Behold a Marvel in the Darkness".<ref>Template:Cite webTemplate:Cbignore</ref> Deerhoof immediately initiated a 7-inch series wherein guest vocalists (including Jeff Tweedy of Wilco, Kevin Barnes of Of Montreal, singer-songwriter David Bazan, rapper Busdriver, and others) sang new lyrics over an instrumental of a Deerhoof vs. Evil song of their choice.

Deerhoof was The Wire magazine's January 2011 cover story.<ref>Template:Cite web</ref> It contributed to Polyvinyl's benefit compilation Japan 3.11.11, joining the relief efforts for March's earthquake and tsunami.<ref>Template:Cite web</ref> Over the summer of 2011, Deerhoof toured with Congotronics Vs. Rockers, an international supergroup, alongside Konono N°1, Juana Molina, Kasai Allstars, and others. Its onstage repertoire included the Deerhoof song "Super Duper Rescue Heads" from Deerhoof Vs. Evil.<ref>Template:Cite web</ref> In April 2012 Deerhoof collaborated with Questlove, Reggie Watts, Sasha Grey, and others in a conceptual concert event called Shuffle Culture at Brooklyn Academy of Music.<ref>Template:Cite magazine</ref> In April 2012 a young adult fiction book, Rules to Rock By, by Josh Farrar was published; it is about a 12-year-old girl who is inspired by Deerhoof to form her own band. Deerhoof's version of LiLiPUT's "Hitchhike" appears on the soundtrack.<ref>Template:Cite web</ref> In June 2012 at a Deerhoof performance in Chicago's Millennium Park, contemporary classical music ensemble Dal Niente performed Marcos Balter's arrangement of Deerhoof's "Eaguru Guru".<ref name="YouTube">Template:Cite webTemplate:Cbignore</ref> The same month, Deerhoof and The Flaming Lips performed songs by King Crimson, Canned Heat, and Deerhoof onstage together.<ref>Template:Cite webTemplate:Cbignore</ref>

In 2012 Deerhoof also began home-recording the record Breakup Song. The band said the album was a response to the tradition of breakup songs, which it felt included too many sad songs and too few empowering ones. After a long final mixing session at Saunier's apartment, Matsuzaki took the front cover photo of a garbage truck in the early morning.<ref>Template:Cite web</ref> The Polyvinyl Records release was also released on Joyful Noise Recordings in "flexi-book" format, allowing listeners to flip from song to song as if each track were a page in a storybook.<ref>Template:Cite web</ref> Deerhoof hero Simeon of Silver Apples remixed "Mario's Flaming Whiskers III".<ref>Template:Cite web</ref> Revealing some of Deerhoof's working methods and group chemistry, a rare full-band interview, with former MTV VJ John Norris, appeared in the fall 2012 Interview magazine.<ref>Template:Cite magazine</ref>

In October, Deerhoof released a single, "Sexy, but Sparkly", produced by Fear of a Black Planet co-producer Chris Shaw, the first time Deerhoof worked with a producer.<ref>Template:Cite web</ref> It was recorded as part of the series of short documentaries Masters From Their Day, which chronicles the efforts of a band and a record producer as they attempt to record and mix a new single in one day.<ref>Template:Cite web</ref> The song then appeared in the LAMC split-7" series, in which a well-known artist chooses a lesser-known one (Deerhoof chose Half Waif) to make their recorded debut, with proceeds going to the Ariel Panero Memorial Fund at VH1 Save the Music.<ref>Template:Cite web</ref>

Deerhoof's 12th album, 2014's La Isla Bonita, was self-recorded live in guitarist Ed Rodriguez's basement during a "weeklong sleepover arguing over whether to try and sound like Joan Jett or Janet Jackson". The recordings were meant as demos to be rerecorded with former music journalist and Mr. Dream drummer Nick Sylvester, but the band liked the raw DIY versions so much it just kept them and recorded the vocals with Sylvester. The lyrics were heavily influenced by Columbia professor Jonathan Crary's book 24/7.<ref>Template:Cite web</ref> The album art is by Sara Cwynar.<ref>Template:Cite web</ref> The video for "Exit Only" featured Michael Shannon playing two roles, with a cameo by Rodriguez.<ref>Template:Cite webTemplate:Cbignore</ref> The Guardian, on its exclusive preview stream of La Isla Bonita, collected testimonials about Deerhoof from various notable musicians and artists, including Radiohead's Jonny Greenwood, Henry Rollins, Blur's Graham Coxon, Adam Green, the Yeah Yeah Yeahs' Brian Chase, and David Shrigley.<ref name="theguardian.com">Template:Cite web</ref> The album received high praise from NPR, A.V. Club, Alternative Press, and The Wire,<ref>Template:Cite web</ref> and was reviewed by Tune-Yards' Merril Garbus for Talkhouse.<ref name="talkhouse.com">Template:Cite web</ref>

20-year anniversary

For Deerhoof and Lightning Bolt's mutual 20-year anniversary, Matt Conboy directed a Pitchfork-premiered documentary, "Checking in at 20", about their respective drummers.<ref>Template:Cite webTemplate:Cbignore</ref> 2014 also saw the release of Deerhoof's contribution to the BOATS compilation, an international arts project featuring and supporting Dalit "untouchable" children in south-east India and featuring samples of the Light of Love Children's Choir.<ref>Template:Cite web</ref>

During the world tour for La Isla Bonita, three complete-performance live videos were shot: their November 4 record release show in Brooklyn,<ref>Template:Cite webTemplate:Cbignore</ref> a nine-song Boiler Room session recorded in London while both Rodriguez and Matsuzaki were ill with fevers and Saunier had a black eye,<ref>Template:Cite webTemplate:Cbignore</ref> and a December 16 performance recorded at a tiny Tokyo rock club called Fever, resulting in a live album, Fever 121614. The 2015 release included a downloadable video of the entire show, edited by longtime friend and collaborator Noriko Oishi. The LP/CD artwork included a massive collage of fan-contributed drawings of the band in manga style.<ref>Template:Cite web</ref> Also in 2015 Deerhoof contributed a track in support of gay and transgender Hoosiers on the Joyful Noise compilation 50 Bands & a Cat for Indiana Equality.<ref>Template:Cite web</ref>

In August 2015, the band was the first act invited to perform improvisational site-specific noise music at CERN's Large Hadron Collider, as part of the Ex/Noise/CERN project,<ref>Template:Cite web</ref> founded by particle physicist James Beacham, who stated, "Musical curiosity is similar to scientific curiosity and, on a personal level, Deerhoof has inspired me as much as Einstein".<ref>Template:Cite web</ref> The resulting film<ref>Template:Cite web</ref><ref>Template:Cite web</ref><ref>Template:Cite webTemplate:Cbignore</ref> of the project quickly became one of the top ten most-watched videos ever produced by CERN and received wide coverage in the music, art, and science press,<ref>Template:Cite web</ref><ref>Template:Cite web</ref><ref>Template:Cite web</ref><ref>Template:Cite web</ref><ref>Template:Cite web</ref><ref>Template:Cite web</ref> as well as positive responses from notable artists, musicians, and writers.

In 2016 Deerhoof released The Magic. The album blends glam metal, punk, and noise, but also includes a cover of "I Don't Want to Set the World on Fire" by The Ink Spots. The cover art was by Matsuzaki.<ref>Template:Cite web</ref> Joseph Baughman created the stop-motion music video for the album's "The Devil and his Anarchic Surrealist Retinue". Baughman described his style as a slow-motion improvisation. The clay animated video features chessboard pieces and multicolored minotaurs.<ref>Template:Cite web</ref>

The Magic was the first Deerhoof album to hit No. 1 on CMJ, and was highly praised by NPR, A.V. Club and Exclaim.<ref>Template:Cite web</ref> A.V. Club invited them to participate in A.V. Undercover, where bands choose from an ever-dwindling list of songs to cover on video. They ended up with "Goody Two Shoes" by Adam Ant but included an excerpt of "Hot for Teacher" by Van Halen.<ref>Template:Cite web</ref> Those who pre-ordered The Magic from Polyvinyl were treated to a surprise cassette that included Deerhoof doing covers of Def Leppard, Van Halen, David Bowie, Madonna, Sonic Youth, Malaria!, and Public Enemy. Their cover of "Fight the Power" appears on the Planned Parenthood benefit compilation Cover Your Ass.<ref>Template:Cite web</ref> They contributed a cover of Xiu Xiu's "Hi", played in the style of White Reaper, to the Polyvinyl Plays Polyvinyl compilation.<ref>Template:Cite web</ref>

After a long world tour for The Magic, Deerhoof was invited by Red Hot Chili Peppers to open their concerts in northern European arenas in November 2016.<ref>Template:Cite web</ref> Deerhoof is confirmed to open for Red Hot Chili Peppers again in summer 2017. They were one of the headliners of 2017's Big Ears Festival.<ref>Template:Cite web</ref>

Joyful Noise Recordings

In 2017 Deerhoof was chosen as Joyful Noise Recordings' Artist in Residence. Deerhoof and several Deerhoof-related collaborative projects will be releasing five new LPs in 2017. Proceeds will be donated to a variety of causes, the first of which will be Brand New Congress. On June 28 Deerhoof announced a new album titled Mountain Moves and premiered the first single "I Will Spite Survive" (featuring Jenn Wasner on guest vocals) on Democracy Now!.<ref>Template:Cite web</ref> A second single "Your Dystopic Creation Does Not Fear You" (featuring rapper Awkwafina) was premiered on the Adult Swim Singles Series.<ref>Template:Cite web</ref> Mountain Moves was released on September 8, 2017.

On May 29, 2020, the band released their fifteenth album, Future Teenage Cave Artists. They had previously released three singles from it: the title track, "The Loved One", and "Farewell Symphony".<ref>Template:Cite web</ref> Future Teenage Cave Artists is notable in that it is Deerhoof's first overt concept record.<ref>Template:Cite web</ref>

Greg Saunier said in an August 2020 interview that a "sort of a sequel" to Future Teenage Cave Artists would be "coming out in a couple months".<ref>Template:Cite web</ref> On September 28 they released Love-Lore.

On October 22, 2021, the band released the studio album Actually, You Can.<ref>Template:Cite web</ref>

On December 21, 2021, the band released the live album Devil Kids.<ref>Template:Cite web</ref>

The band released Miracle-Level on March 31, 2023. It is notable in that it is their first to be produced in a recording studio (rather than ad hoc spaces) and to have its lyrics entirely in Japanese.<ref>Template:Cite web</ref>

On April 8, 2024, Saunier announced his solo debut album We Sang, Therefore We Were, which was released on April 26 by Joyful Noise.<ref name="Stereogum ann">Template:Cite news</ref>

On April 25, 2025, Deerhoof released the studio album Noble and Godlike in Ruin.<ref>Template:Cite web</ref>

On June 30, 2025, Deerhoof announced that they would pull their music from Spotify following reports that the platform's founder, Daniel Ek, had invested in the AI weapons development company Helsing.<ref>Template:Cite web</ref>

Musical style and legacy

Deerhoof's style has been described as indie rock,<ref>Template:Cite web</ref><ref name="allmusic-bio" /> noise pop,<ref name="allmusic-bio" /><ref name="diffuser magic">Template:Cite web</ref> punk rock,<ref>Template:Cite web</ref><ref name="chicago">Template:Cite magazine</ref><ref name="maine">Template:Cite web</ref> and "experimental pop mired in a pure punk sense of adventure".<ref>Template:Cite news</ref> AllMusic characterizes them as "highly revered indie rockers ... who play fractured, whimsical noise pop with an avant-garde edge",<ref name="allmusic-bio" /> while MaineToday describes them as "the beloved punk band whose erratic style veers between pop, noise, and classic rock and roll".<ref name="maine"/>

According to Noisey, Deerhoof formed as a "minimal noise improv" act before shifting to "pop-infused noise-punk".<ref>Template:Cite web</ref> According to AllMusic, their early releases "had a more traditionally harsh, no wave-inspired sound, though they also included the quirky tendencies that dominated their later efforts ... [which] mix noise, sugary melodies, and an experimental spirit into utterly distinctive music that made them one of the most acclaimed acts of the 2000s and 2010s."<ref name="allmusic-bio" /> Impose wrote that since its "beginnings as a noise punk band ... [Deerhoof has] taken leaps and bounds artistically and stylistically, experimenting with pop and punk in ways we could've never imagined ... [and] ultimately [proving] that punk can fit into an artistic world."<ref>Template:Cite web</ref> According to the Los Angeles Philharmonic, it made "some of the most difficult and unclassifiable noise of the mid-'90s [before] unexpectedly [rising] to international prominence as one of indie rock's most renowned and influential groups ... too 'pop' for 'noise,' and too 'noise' for 'pop.'"<ref name="LAP">Template:Cite web</ref> For The Guardian, its breakthrough after many albums of "elliptical art-pop" came with Friend Opportunity, which showcased "a band playing a constantly shifting mixture of psychedelia, post-punk, jazz and pop, which should have been difficult and forbidding, but was given an accessible focus by the sweet vocals and expressionist lyrics of bassist/chanteuse Satomi Matsuzaki. ... [The followup] Offend Maggie is head-spinning bliss from beginning to end, and proves that the quartet are the best prog-rock post-punk Afro-Oriental art-pop folk-jazz band in the world.<ref>Template:Cite news</ref> Deerhoof also experiments with contemporary classical music.<ref name="chicago"/>

In 2005, Nick Sylvester wrote in Pitchfork that it was "the best band in the world".<ref>Template:Cite web</ref>

Deerhoof is known for its anti-capitalist, pro-social, and radical DIY approach to art and life as exemplified by its work with and homages to David Graeber (an organizer of Occupy Wall Street),<ref>Template:Cite web</ref><ref>Template:Cite web</ref><ref>Template:Cite web</ref> its anti-marketing campaigns,<ref name=":1">Template:Cite web</ref> trenchant published commentary,<ref>Template:Cite web</ref><ref>Template:Cite web</ref><ref>Template:Citation</ref> and use of a low-budget and eco-friendly style of production and touring (for example, when it went on tour with the Red Hot Chili Peppers, they all rode together with all their gear to arena gigs in a Prius minivan behind the Chili Peppers' fleet of busses and semi-trailers.)<ref name=":1" />

The band has been appreciated by and/or influential to other artists, notably David Bowie,<ref>Template:Cite magazine</ref> Radiohead,<ref name="theguardian.com"/> Questlove,<ref>Template:Cite web</ref><ref>Template:Cite news</ref><ref>Template:Cite magazine</ref> St. Vincent,<ref>St. Vincent Interview on Kevchino Template:Webarchive. Retrieved November 26, 2010.</ref> Foo Fighters,<ref>Template:Cite webTemplate:Cbignore</ref> Dirty Projectors,<ref>Album Reviews: Dirty Projectors: Rise Above. Pitchfork (September 7, 2007). Retrieved November 26, 2010.</ref> Tune-Yards,<ref name="talkhouse.com"/> Stereolab,<ref>Template:Cite web</ref> Henry Rollins,<ref name="theguardian.com"/> Sleigh Bells,<ref>RA: Breaking through: Sleigh Bells - Interview Template:Webarchive. Residentadvisor.net (November 16, 2009). Retrieved November 26, 2010.</ref> and of Montreal.<ref>Of Montreal's Kevin Barnes on Hissing Fauna, Are You the Destroyer? | Remix interview with Of Montreal's Kevin Barnes Template:Webarchive. Emusician.com. Retrieved November 26, 2010.</ref> Deerhoof's songs are covered often by other artists (notably Phil Lesh,<ref>Template:Cite web</ref> Los Campesinos!,<ref>Template:Cite web</ref> Marco Benevento,<ref>Template:Cite webTemplate:Cbignore</ref> David Bazan, and classical composer Marcos Balter<ref name="YouTube"/>).

Members

Current

• Greg Saunier – drums, vocals (1994–present)
• Satomi Matsuzaki – vocals, bass (1995–present), guitar (1995–1997, 2005–2006)
• John Dieterich – guitar (1999–present)
• Ed Rodríguez – guitar (2008–present)

Former

• Rob Fisk – guitar (1994–1999), bass (1994–1997), harmonica (1994)
• Kelly Goode – keyboards (1997–1999)
• Chris Cohen – guitar (2002–2006), bass (2005–2006)

Timeline

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bar:Cohen        from:01/01/2005 till:04/01/2006 color:Bass
bar:Saunier      from:03/01/1994 till:end        color:Vocals

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bar:Fisk         from:start      till:10/01/1999  color:Guitar
bar:Dieterich    from:11/01/1999 till:end         color:Guitar
bar:Cohen        from:03/01/2002 till:04/01/2006  color:Guitar
bar:Rodríguez    from:01/01/2008 till:end         color:Guitar
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bar:Matsuzaki    from:01/01/2005 till:04/01/2006 color:Guitar

</timeline>

Discography

Studio albums

• Dirt Pirate Creed (1996)<ref>Template:Cite web</ref><ref>Template:Cite web</ref>
• The Man, the King, the Girl (1997)
• Holdypaws (1999)
• Halfbird (2001)
• Reveille (2002)
• Apple O' (2003)
• Milk Man (2004)
• The Runners Four (2005)
• Friend Opportunity (2007)
• Offend Maggie (2008)
• Deerhoof vs. Evil (2011)
• Breakup Song (2012)
• La Isla Bonita (2014)
• The Magic (2016)
• Mountain Moves (2017)
• Future Teenage Cave Artists (2020)
• Love-Lore (2020) (medley covers album)
• Actually, You Can (2021)
• Miracle-Level (2023)
• Noble and Godlike in Ruin (2025)

EPs

• Green Cosmos (2005)
• Untitled (2006)
• Deerhoof Plays the Music of The Shining (2018)

Live albums

• Koalamagic (2001)
• Bibidi Babidi Boo (2004)
• 99% upset feeling (2011)
• Fever 121614 (2015)
• To Be Surrounded By Beautiful, Curious, Breathing, Laughing Flesh Is Enough (2020) (with Wadada Leo Smith)<ref>Template:Cite magazine</ref>
• Devil Kids (2021)

Collaborations

• Nervous Cop (2003)
• Balter/Saunier (2016)

Deerhoof has also released a large number of 7-inch singles, split releases with other artists, tracks on compilations, and free downloadable EPs.

External links

• Template:Official website
• Template:AllMusic
• Template:Discogs artist
• Template:MusicBrainz artist
• Deerhoof at Polyvinyl Records
• Template:YouTube