Dorothy Malone
Template:Short description Template:Use American English Template:Use mdy dates Template:Infobox person Dorothy Malone (born Mary Dorothy Maloney; January 29, 1924 – January 19, 2018) was an American actress. Her film career began in 1943, and in her early years, she played small roles, mainly in B-movies, with the exception of a supporting role in The Big Sleep (1946). After a decade, she changed her image, particularly after her role in Written on the Wind (1956), for which she won the Academy Award for Best Supporting Actress.
Her career reached its peak by the beginning of the 1960s, and she achieved later success with her television role as Constance MacKenzie on Peyton Place (1964–1968). Less active in her later years, Malone's last screen appearance was in Basic Instinct in 1992.<ref name="NYTobita">Template:Cite web</ref>
Early life
Malone was born Mary Dorothy Maloney<ref name=birthcertif>Template:Cite web</ref> on January 29, 1924<ref name=birthcertif/> in Chicago, one of five children born to Esther Emma "Eloise" Smith<ref name="GGoTSS">Template:Cite web</ref> and her husband Robert Ignatius Maloney, an auditor for AT&T Corporation.<ref name="GGoTSS"/><ref>Template:Cite bookTemplate:Self-published source</ref>Template:Self-published inline
When she was six months old, her family moved to Dallas, Texas.<ref name="GGoTSS"/><ref name=latimes2009>Template:Cite news</ref> There she modeled for Neiman Marcus and attended Ursuline Academy of Dallas, Highland Park High School, Hockaday Junior College, and later, Southern Methodist University (SMU). She originally considered becoming a nurse.<ref name="EveningIndependent"/><ref name="GGoTSS"/> While performing in a play at SMU,<ref>SMU Libraries, digitalcollections.smu.edu; accessed December 12, 2021.</ref> she was spotted by a talent scout, Eddie Rubin,<ref name="GGoTSS"/> who had been looking to find and cast a male actor. Malone recalled in 1981,Template:Block quote
Career
RKO – as Dorothy Maloney
Malone was signed by RKO at age 18 as Dorothy Maloney.<ref>Template:Cite news</ref><ref name=TCMbio>Template:Cite web</ref> She made her film debut in Gildersleeve on Broadway (1943).<ref>Template:Cite web</ref><ref name=LATimes>Template:Cite news</ref> She was credited as Dorothy Maloney in The Falcon and the Co-eds (1943), released shortly thereafter.<ref name=TCMbio/> She later recalled, "I was a bridesmaid at a wedding in one picture. In another film, I was the leader of an all-girl orchestra. The only thing I did at RKO of any note was lose my Texas accent."<ref name="Peary"/> Her RKO appearances included Higher and Higher (1943) with Frank Sinatra, Seven Days Ashore (1944), Show Business (1944) with Eddie Cantor, Step Lively (1944) again with Sinatra, and Youth Runs Wild (1944) for producer Val Lewton.<ref>Template:Cite news</ref> RKO elected not to renew her contract.<ref>Template:Cite news</ref> She made a brief uncredited appearance in One Mysterious Night (1944), a Boston Blackie film for Columbia.<ref>Template:Cite news</ref>
Warner Bros. – as Dorothy Malone
She then signed a contract with Warner Bros. The studio, she said in 1985, changed her surname "from Maloney to Malone. They placed my picture in the newspaper and they gave me a raise."<ref name="Peary"/>
Malone's early Warner movies included Hollywood Canteen (1944), Too Young to Know (1945), and Frontier Days (1945). She first achieved notice when Howard Hawks cast her as the bespectacled bookstore clerk in The Big Sleep (1946) with Humphrey Bogart. Warner gave her bigger parts in Janie Gets Married (1945), Night and Day (1946), and To the Victor (1946), with Dennis Morgan.<ref>Template:Cite newsTemplate:Subscription required</ref> Her first lead was Two Guys from Texas (1948) with Morgan and Jack Carson; this film, in her words, established her onscreen persona as "the all-American girl watching the all-American boy do all sorts of things."<ref name="hedda">Template:Cite news Template:Subscription required</ref>
She appeared in One Sunday Afternoon (1948) with Dennis Morgan and Janis Paige for director Raoul Walsh; this was a remake of The Strawberry Blonde (1941), with Malone playing the part played by Olivia de Havilland in the original. She was billed third in Flaxy Martin (1949) with Virginia Mayo and Zachary Scott, then played a good girl in a Western with Joel McCrea, South of St Louis (1949). McCrea and Mayo were re-teamed with Malone in support in Colorado Territory (1949), a remake of High Sierra (1941), also for Walsh, her last film before she left the studio.<ref>Template:Cite newsTemplate:Subscription required</ref>
Freelancer
Columbia used Malone to play Randolph Scott's leading lady in The Man from Nevada (1950). She stayed at that studio for Convicted (1950) and The Killer That Stalked New York (1950). She made Mrs. O'Malley and Mr. Malone (1951) at MGM and played Tim Holt's love interest in RKO's Saddle Legion (1951)<ref>Template:Cite news Template:Subscription required</ref> and John Ireland's love interest in The Bushwackers (1951). She began acting on television while continuing to appear in films, guest-starring on shows such as The Philco-Goodyear Television Playhouse ("Education of a Fullback", 1951), and Kraft Theatre ("The Golden Slate", 1951).<ref name="hedda"/>
She relocated to New York City for several months to study acting until producer Hal B. Wallis called her back to appear in Scared Stiff (1953) starring the comedy duo of Dean Martin and Jerry Lewis.<ref name="scott">Template:Cite news Template:Subscription required</ref> Malone appeared in a war film, Torpedo Alley (1952) for Allied Artists.<ref name="imdb"/> She was a love interest in Westerns with Ronald Reagan (Law and Order, 1953) and Mark Stevens (Jack Slade, 1953).<ref name="scott"/> She was also in the thriller Loophole (1954), billed second.<ref name="imdb"/> She did episodes of The Doctor ("The Runaways", 1953), Omnibus ("The Horn Blows at Midnight", 1953); Four Star Playhouse ("Moorings", 1953; "A Study in Panic", 1954), Fireside Theatre ("Afraid to Live", 1954; "Our Son", 1954; "Mr Onion" 1955), Lux Video Theatre ("The Hunted", 1955), The Christophers ("The World Starts with Jimmy", 1955), and General Electric Theatre ("The Clown" with Henry Fonda, 1955).<ref name="imdb"/>
Film roles included The Lone Gun (1954), a Western with George Montgomery; Pushover (1954), a thriller with Fred MacMurray and Kim Novak; and Private Hell 36 (1954) from director Don Siegel.<ref name="imdb"/> Malone was reunited with Sinatra in Young at Heart (1954), as a co-star. She had a leading part in Battle Cry (1955), playing a married woman who has an affair with a young soldier (Tab Hunter) during World War II, a box-office hit.<ref>'The Top Box-Office Hits of 1955', Variety Weekly, January 25, 1956.</ref> She again co-starred with Ireland in The Fast and the Furious (1955), directed by Ireland but perhaps best remembered for being the first film produced by Roger Corman, who would later recount that Malone "had left her agent and, having no work, accepted a part for next to nothing."<ref name="postif">"Corman Speaks", Positif, Issue 59, March 1964, pp. 15–28.</ref> He cast her as the female lead in his directorial debut, Five Guns West (1955). At Warner Bros., Malone made a Western with Randolph Scott, Tall Man Riding (1955), then was cast as Liberace's love interest in the unsuccessful film Sincerely Yours (1955). More successful was the Paramount musical comedy Artists and Models (1955), a reunion with Martin and Lewis, where she played the love interest of Martin's character. She then returned to Westerns: At Gunpoint (1955), with MacMurray; Tension at Table Rock (1956), with Richard Egan; and Pillars of the Sky (1956) with Jeff Chandler.<ref name="imdb"/>
Written on the Wind and stardom
Malone transformed herself into a blonde and shed her "good girl" image when she co-starred with Rock Hudson, Lauren Bacall, and Robert Stack in director Douglas Sirk's drama Written on the Wind (1956). Her portrayal of the dipso-nymphomaniac daughter of a Texas oil baron won her the Academy Award for Best Supporting Actress.<ref>Template:Cite web</ref>
As a result, she was offered more substantial roles in such films as Man of a Thousand Faces (1957), a biopic of Lon Chaney with James Cagney and Tip on a Dead Jockey (1957) with Robert Taylor. Quantez (1957) was another "girl in a Western" part, supporting Fred MacMurray, but The Tarnished Angels (1957) reunited her successfully with Hudson, Sirk, Stack, and producer Albert Zugsmith. Malone was given the important role of Diana Barrymore in the biopic Too Much, Too Soon (1958), but the film was not a success.<ref name="art">Template:Cite news (abstract; full article requires subscription)</ref> Malone appeared in Warlock (1959), but went back to guest starring on such television programs as Cimarron City ("A Respectable Girl", 1958) and Alcoa Theatre ("The Last Flight Out", 1960). Malone made a third film with Stack, The Last Voyage (1960), and a third with Hudson, The Last Sunset (1961).<ref>Template:Cite book</ref>
However, she was working more and more in television: Route 66 ("Fly Away Home", 1961), Checkmate ("The Heat of Passion", 1961), Death Valley Days ("The Watch", 1961), The Dick Powell Theatre ("Open Season", 1961), Dr Kildare ("The Administrator", 1962), General Electric Theatre ("Little White Lie", 1961, "Somebody Please Help Me", 1962), The Untouchables with Stack ("The Floyd Gibbons Story", 1962), and The Greatest Show on Earth ("Where the Wire Ends", 1963).<ref name="imdb"/> Malone was in the first Beach Party (1963) movie, doing most of her scenes with Robert Cummings.<ref name="beach">Template:Cite magazine</ref> She made an uncredited cameo appearance in Fate Is the Hunter (1964).<ref name="imdb"/>
Peyton Place
From 1964–1968, she played the lead role of Constance MacKenzie on the ABC primetime serial Peyton Place except for a brief stretch where she was absent due to surgery. Lola Albright filled in until her return. Malone agreed for $3,000 a week less than ABC's offer of $10,000 weekly, if she could be home nightly for 6 pm dinner with her two daughters and no shooting on weekends. "I never turned down a mother role," Malone explained. "I like playing mothers. I started out as a very young girl in Hollywood doing westerns portraying a mother with a couple of kids."<ref name="Peary">Template:Cite web</ref>
In 1968, she was written out of the show after complaining that she was given little to do. Malone sued 20th Century Fox for $1.6 million for breach of contract; it was settled out of court. She later returned to the role in the TV movies Murder in Peyton Place (1977) and Peyton Place: The Next Generation (1985).<ref name="DMalone">Template:Cite web Template:Subscription required</ref>
Later career
After leaving Peyton Place, Malone went to Italy to make a thriller The Insatiables (1969). In Hollywood, she made a TV movie with Sammy Davis Jr., The Pigeon (1969), then returned to guest-starring on TV series such as The Bold Ones: The New Doctors ("Is This Operation Necessary?", 1972), Ironside ("Confessions: From a Lady of the Night", 1973), and Ellery Queen ("The Adventure of the Eccentric Engineer" 1975).<ref name="imdb"/>
Malone had a supporting part in Abduction (1975). She featured in the miniseries Rich Man, Poor Man (1976) and guest-starred on Police Woman ("The Trick Book", 1976) and The Streets of San Francisco ("Child of Anger", 1977). She was in the TV movie Murder in Peyton Place (1977) and had a supporting role in Golden Rendezvous (1977).<ref name="imdb">Template:IMDb name</ref>
She was seen on television in The Hardy Boys/Nancy Drew Mysteries ("The House on Possessed Hill" 1978), Flying High ("A Hairy Yak Plays Musical Chairs Eagerly" 1978), Vega$ ("Love, Laugh and Die" 1978), and the TV movie Katie: Portrait of a Centerfold (1978).<ref name="imdb"/>
Malone was in the Canadian soap opera High Hopes (1978) and had supporting parts in Good Luck, Miss Wyckoff (1979), Winter Kills (1979), and The Day Time Ended (1980), and the miniseries Condominium (1980).<ref name="imdb"/>
In 1981, Malone made her stage debut in Butterflies Are Free in Winnipeg.<ref name="stage">Template:Cite news</ref> She was suffering financial troubles at the time due to two expensive divorces and a life-threatening pulmonary embolism.<ref>Template:Cite news</ref>
The producers of Dallas approached her to step into the role of Miss Ellie Ewing when Barbara Bel Geddes vacated the part in 1984 due to illness, but Malone declined. Her later appearances included The Littlest Hobo ("Guardian Angel" 1982), Matt Houston ("Shark Bait" 1983), The Being (1983), Peyton Place: The Next Generation (1985), and Rest in Pieces (1987).<ref name="imdb"/>
In her last screen appearance, she played a mother convicted of murdering her family in Basic Instinct (1992).<ref name="EveningIndependent">Template:Cite web</ref>
Personal life
Malone was a Democrat and campaigned for Adlai Stevenson during the 1952 presidential election.<ref>Motion Picture and Television Magazine, November 1952, page 33, Ideal Publishers</ref>
Malone, a Roman Catholic,<ref>Template:Cite book</ref> wed actor Jacques BergeracTemplate:Sfn on June 28, 1959, at a Catholic church in Hong Kong, where she was on location for her 1960 film The Last Voyage. They had two daughters, Mimi (born 1960)<ref name="GGoTSS"/> and Diane (born 1962),<ref name="GGoTSS"/> and divorced on December 8, 1964.<ref name="GGoTSS"/><ref name="Bergerac obit">Template:Cite news</ref>
Malone then married New York businessman and broker Robert Tomarkin on April 3, 1969, at the Silver Bells Wedding Chapel in Las Vegas, Nevada. Her second marriage was later annulled after Malone claimed that Tomarkin married her because of her money.<ref name="GGoTSS"/>
Malone married Dallas motel chain executive Charles Huston Bell on October 2, 1971, and they divorced after three years.<ref name="GGoTSS"/><ref name="Ireland and the Americas">Template:Cite book</ref>
Around 1971, Malone moved her daughters from Southern California to suburban Dallas, Texas, where she had been raised.<ref name="EveningIndependent"/><ref name="NYTobita"/>
Death
Malone died of natural causes on January 19, 2018, 10 days before her 94th birthday, at a nursing facility in Dallas.<ref name="GuardianObit">Template:Cite news</ref>Template:Sfn<ref>Dorothy Malone, ‘Peyton Place’ Star and Oscar Winner, Dies at 93, hollywoodreporter.com; accessed October 21, 2025.</ref> She is entombed at Calvary Hill Cemetery and Mausoleum in Dallas.Template:Citation needed
Recognition
Malone has a star on the Hollywood Walk of Fame at 1718 Vine in the Motion Pictures section. It was dedicated February 8, 1960.<ref>Template:Cite web</ref> Malone was one of the industry deaths regarded as missing from the "In Memoriam" segment at the 90th Academy Awards,<ref>Template:Cite web</ref> an omission made more prominent by the fact that she had won an Oscar for Best Supporting Actress at the 29th Academy Awards.
Filmography
| Year | Title | Role | Notes |
|---|---|---|---|
| 1943 | Gildersleeve on Broadway | Model | Uncredited<ref name="TCMfilm" /> |
| 1943 | The Falcon and the Co-eds | Dorothy Co-ed | as Dorothy Maloney<ref name="TVGuide">Template:Cite web</ref> |
| 1943 | Higher and Higher | Bridesmaid | Uncredited<ref name="TVGuide" /> |
| 1944 | Seven Days Ashore | Betty – Pianist | Uncredited<ref name="TVGuide" /> |
| 1944 | Show Business | Chorine | Uncredited<ref name="TVGuide" /> |
| 1944 | Step Lively | Telephone operator | Uncredited<ref name="TVGuide"/> |
| 1944 | Youth Runs Wild | Girl in Booth | Uncredited<ref name="TCMfilm">Template:Cite web</ref> |
| 1944 | One Mysterious Night | Eileen Daley | Uncredited<ref name="TVGuide"/> |
| 1944 | Hollywood Canteen | Junior Hostess | Uncredited<ref name="TVGuide"/> |
| 1945 | Too Young to Know | Mary<ref name="TVGuide"/> | |
| 1946 | Janie Gets Married | Sgt. Spud Lee<ref name="TVGuide"/> | |
| 1946 | Night and Day | Nancy<ref name="TVGuide"/> | |
| 1946 | The Big Sleep | Acme Book Shop Proprietress<ref name="TVGuide"/> | |
| 1948 | To the Victor | Miriam<ref name="TVGuide"/> | |
| 1948 | Two Guys from Texas | Joan Winston<ref name="TVGuide"/> | |
| 1948 | One Sunday Afternoon | Amy Lind<ref name="TVGuide"/> | |
| 1949 | Flaxy Martin | Nora Carson<ref name="TVGuide"/> | |
| 1949 | South of St. Louis | Deborah Miller<ref name="TVGuide"/> | |
| 1949 | Colorado Territory | Julie Ann Winslow<ref name="TVGuide"/> | |
| 1950 | The Nevadan | Karen Galt<ref name="TVGuide"/> | |
| 1950 | Convicted | Kay Knowland<ref name="TVGuide"/> | |
| 1950 | The Killer That Stalked New York | Alice Lorie<ref name="TVGuide"/> | |
| 1950 | Mrs. O'Malley and Mr. Malone | Lola Gillway<ref name="TVGuide"/> | |
| 1951 | Saddle Legion | Dr. Ann F. Rollins<ref name="TVGuide"/> | |
| 1951 | The Bushwackers | Cathy Sharpe<ref name="TVGuide"/> | |
| 1952 | Torpedo Alley | Lt. Susan Peabody<ref name="TVGuide"/> | |
| 1953 | Scared Stiff | Rosie<ref name="TVGuide"/> | |
| 1953 | Law & Order | Jeannie<ref name="TVGuide"/> | |
| 1953 | Jack Slade | Virginia Maria Dale<ref name="TVGuide"/> | |
| 1953 | Omnibus | Elizabeth | Episode: "The Horn Blows at Midnight"<ref name="TVGuide"/> |
| 1953 | Four Star Playhouse | Marie Roberts | Episode: "Moorings"<ref name="TVGuide"/> |
| 1954 | Young at Heart | Fran Tuttle<ref name="TCMfilm"/> | |
| 1954 | Loophole | Ruthie Donovan<ref name="TVGuide"/> | |
| 1954 | The Lone Gun | Charlotte Downing<ref name="TVGuide"/> | |
| 1954 | Pushover | Ann Stewart<ref name="TVGuide"/> | |
| 1954 | Private Hell 36 | Francey Farnham<ref name="TVGuide"/> | |
| 1954 | Security Risk | Donna Weeks<ref name="TVGuide"/> | |
| 1954 | Four Star Playhouse | Ella | Episode: "A Study in Panic"<ref name="TVGuide"/> |
| 1955 | Battle Cry | Mrs. Elaine Yarborough (USO Manager in San Diego)<ref name="TVGuide"/> | |
| 1955 | The Fast and the Furious | Connie Adair<ref name="TVGuide"/> | |
| 1955 | Five Guns West | Shalee<ref name="TVGuide"/> | |
| 1955 | Tall Man Riding | Corinna Ordway<ref name="TVGuide"/> | |
| 1955 | Sincerely Yours | Linda Curtis<ref name="TVGuide"/> | |
| 1955 | Artists and Models | Abigail 'Abby' Parker<ref name="TVGuide"/> | |
| 1955 | At Gunpoint | Martha Wright<ref name="TVGuide"/> | |
| 1955 | Fireside Theater | Marion Carney | Episode: Mr. Onion |
| 1955 | Lux Video Theatre | Intermission Guest | Episode: "The Hunted" |
| 1955 | G.E. True Theater | Eva Balto Kelly | Episode: "The Clown"<ref name="TVGuide"/> |
| 1956 | Tension at Table Rock | Lorna Miller<ref name="TVGuide"/> | |
| 1956 | Pillars of the Sky | Calla Gaxton<ref name="TVGuide"/> | |
| 1956 | Written on the Wind | Marylee Hadley | Academy Award for Best Supporting Actress Nominated—Golden Globe Award for Best Supporting Actress – Motion Picture<ref name="TVGuide"/> |
| 1956 | The Loretta Young Show | May Hadley | Episode: "A Ticket for May"<ref name="TVGuide"/> |
| 1957 | Quantez | Chaney<ref name="TVGuide"/> | |
| 1957 | Man of a Thousand Faces | Cleva Creighton Chaney<ref name="TVGuide"/> | |
| 1957 | Tip on a Dead Jockey | Phyllis Tredman<ref name="TVGuide"/> | |
| 1957 | The Tarnished Angels | LaVerne Shumann<ref name="TVGuide"/> | |
| 1958 | Too Much, Too Soon | Diana Barrymore<ref name="TVGuide"/> | |
| 1958 | Cimarron City | Nora Arkins | Episode: "A Respectable Girl"<ref name="TVGuide"/> |
| 1959 | Warlock | Lily Dollar<ref name="TVGuide"/> | |
| 1960 | The Last Voyage | Laurie Henderson<ref name="TVGuide"/> | |
| 1960 | Alcoa Theatre | Ann St. Martin | Episode: "The Last Flight Out"<ref name="TVGuide"/> |
| 1961 | The Last Sunset | Belle Breckenridge<ref name="TVGuide"/> | |
| 1961 | Route 66 | Christina Summers | Episode: "Fly Away Home"<ref name="TVGuide"/> |
| 1961 | Checkmate | Lorna Shay | Episode: "The Heat of Passion"<ref name="TVGuide"/> |
| 1961 | The Dick Powell Show | Elena Shay | Episode: "Open Season"<ref name="TVGuide"/> |
| 1961 | G.E. True Theater | Ellen Rogers | Episode: "A Little White Lye"<ref name="TVGuide"/> |
| 1962 | Dr. Kildare | Rena Ladovan | Episode: "The Administrator"<ref name="TVGuide"/> |
| 1962 | The Untouchables | Kitty Edmonds | Episode: "The Floyd Gibbons Story"<ref name="TVGuide"/> |
| 1962 | G.E. True Theater | Ruth Hammond | Episode: "Somebody Please Help Me!"<ref name="TVGuide"/> |
| 1963 | Beach Party | Marianne<ref name="TVGuide"/> | |
| 1964 | The Greatest Show on Earth | Jeannie Gilbert | Episode: "Where the Wire Ends"<ref name="TVGuide"/> |
| 1964 | Fate Is the Hunter | Lisa Bond | Uncredited<ref name="TVGuide"/> |
| 1964 | Arrest and Trial | Lois Janeway | Episode: "Modus Operandi"<ref name="TVGuide"/> |
| 1964–1968 | Peyton Place | Constance MacKenzie Constance MacKenzie Carson |
342 episodes Golden Apple Award for Most Cooperative Actress (1965) Photoplay Award for Most Popular Female Star (1965) Nominated—Golden Globe Award for Best TV Star – Female (1965–1966)<ref name="TVGuide"/> |
| 1967 | Insight | Edith Stein | Episode: "The Edith Stein Story"<ref name="TVGuide"/> |
| 1969 | Carnal Circuit | Vanessa Brighton | |
| 1969 | The Pigeon | Elaine Hagen | Television film |
| 1972 | The Bold Ones: The New Doctors | Ruth McLayne | Episode: "Is This Operation Necessary?"<ref name="TVGuide"/> |
| 1973 | Ironside | Agatha Mott | Episode: "Confessions: From a Lady of the Night"<ref name="TVGuide"/> |
| 1975 | The Man Who Would Not Die | Paula Stafford<ref name="TVGuide"/> | |
| 1975 | Abduction | Mrs. Prescott<ref name="TVGuide" /> | |
| 1976 | Ellery Queen | Carol Franklin | Episode: "The Adventure of the Electric Engineer"<ref name="TVGuide"/> |
| 1976 | Rich Man, Poor Man | Irene Goodwin | Episode: "Part VII: Chapters 10" Episode: "Part VIII: Chapters 11 and 12"<ref name="TVGuide"/> |
| 1976 | The Streets of San Francisco | Julia Desmond | Episode: "Child of Anger"<ref name="TVGuide" /> |
| 1977 | Golden Rendezvous | Mrs. Skinner<ref name="TVGuide"/> | |
| 1977 | Little Ladies of the Night | Maggie | Television film<ref name="TCMfilm"/> |
| 1977 | The November Plan | Dawn Archer | Television film<ref name="TCMfilm"/> |
| 1977 | Murder in Peyton Place | Constance MacKenzie | Television film<ref name="TCMfilm"/> |
| 1978 | The Hardy Boys/Nancy Drew Mysteries | Mrs. Blain | Episode: "The House on Possessed Hill"<ref name="TVGuide"/> |
| 1978 | High Hopes | Mrs. Herzog<ref name="TVGuide"/> | |
| 1978 | Vega$ | Mrs. Gardner | Episode: "Love, Laugh, and Die"<ref name="TVGuide"/> |
| 1978 | Flying High | Jane | Episode: "A Hairy Yak Plays Musical Chairs Eagerly"<ref name="TVGuide"/> |
| 1978 | Katie: Portrait of a Centrefold | Myrtle Cutler | Television film<ref name="TCMfilm"/> |
| 1979 | The Day Time Ended | Ana Williams<ref name="TVGuide"/> | |
| 1979 | Good Luck, Miss Wyckoff | Mildred<ref name="TVGuide"/> | |
| 1979 | Winter Kills | Emma Kegan<ref name="TVGuide"/> | |
| 1979 | The Greatest Heroes of the Bible | Nagar | Episode: "Sodom and Gomorrah"<ref name="TVGuide"/> |
| 1980 | The Littlest Hobo | Elena | Episode: "Guardian Angle"<ref name="TVGuide"/> |
| 1980 | Condominium | Molly Denniver | Television film<ref name="TVGuide"/> |
| 1982 | Off Your Rocker | Shelley Delaine<ref name="TVGuide"/> | |
| 1983 | The Being | Marge Smith<ref name="TVGuide"/> | |
| 1984 | He's Not Your Son | Dr. Sullivan | Television film<ref name="TCMfilm"/> |
| 1985 | Peyton Place: The Next Generation | Constance Carson<ref name="TCMfilm"/> | |
| 1987 | Rest in Pieces<ref>Template:Cite book</ref> | ||
| 1992 | Basic Instinct | Hazel Dobkins<ref name="TVGuide"/> |
References
External links
Template:Commons category Template:Portal
- Template:IMDb name
- Dorothy Malone Photo Gallery at Suspense-Movies
- Template:TCM name
- Pages with broken file links
- 1924 births
- 2018 deaths
- 20th-century American actresses
- Actresses from Chicago
- Actresses from Dallas
- American people of Irish descent
- American Roman Catholics
- American film actresses
- American television actresses
- Best Supporting Actress Academy Award winners
- California Democrats
- Hockaday School alumni
- Illinois Democrats
- RKO Pictures contract players
- Southern Methodist University alumni
- Texas Democrats
- Metro-Goldwyn-Mayer contract players
- Universal Pictures contract players
- Warner Bros. contract players
- 21st-century American women
- Catholics from California
- Catholics from Illinois
- Catholics from Texas