Drugstore Cowboy

From Vero - Wikipedia
Jump to navigation Jump to search

Template:Short description Template:Use American English Template:Use mdy dates Template:Infobox film Drugstore Cowboy is a 1989 American black comedy film<ref name=chicagotribune/><ref name=lat>Template:Cite news</ref> directed by Gus Van Sant. Written by Van Sant and Daniel Yost and based on an autobiographical novel by James Fogle, the film stars Matt Dillon, Kelly Lynch, James LeGros, and Heather Graham. It features supporting performances from James Remar, Max Perlich, Grace Zabriskie, and William S. Burroughs. Based on the then-unpublished novel of the same name by James Fogle, it follows a group of nomadic drug addicts in 1971 Portland, Oregon. It was Van Sant's second film as director, following his 1988 debut Mala Noche.

Principal photography of Drugstore Cowboy took place in Portland in the fall of 1988. The film was theatrically released in the United States on October 6, 1989. It received significant acclaim from film critics, with praise for its performances, realistic portrayal of drug addiction, and its dark humor. It received numerous accolades from film critic associations, including three nominations and four wins at the Independent Spirit Awards. In the years since its original release, the film has developed a cult following.<ref>Template:Cite web</ref><ref>Template:Cite web</ref>

Plot

In 1971 Portland, Oregon, 26-year-old Bob Hughes leads a nomadic group of drug addicts—his wife Dianne, his best friend Rick, and Rick's teenage girlfriend Nadine—who travel across the Pacific Northwest robbing pharmacies and hospitals to support their habits.

After stealing from a neighborhood pharmacy, they drive home to get high, and are visited by David, a local low-life seeking hard-to-find Dilaudid. Bob claims they have none, but offers to trade him morphine for speed. Initially reluctant, David is persuaded to trade and leaves. Later, police officers led by Detective Gentry, who correctly assumes the group is responsible for the pharmacy robbery, raid and wreck their apartment in an unsuccessful search for the stolen drugs, which Dianne has buried outside.

After moving to another apartment, Bob realizes that Gentry has the group under surveillance. Bob proceeds to devise an elaborate ruse which results in one of the policemen, Trousinski, being mistaken for a peeper by a neighbor who shoots and injures him. The next day, a furious Gentry assaults Bob. Believing a hex has been brought upon them, the group goes "crossroading" and robs a drugstore via an open transom. They find their haul includes vials of pure powdered Dilaudid worth thousands of dollars each. Declaring that "when you're hot, you're hot", Bob convinces Dianne that he should rob a hospital.

During the robbery, Bob is almost captured, and the group returns to their motel to find Nadine has fatally overdosed on a stolen bottle of Dilaudid. According to Bob, she has also put "the worst of all hexes" on them by leaving a hat on her bed. After temporarily storing Nadine's body in the motel's attic, they are alerted by the motel manager that their room was previously booked for a sheriffs' convention, and they must check out. Bob, suffering tremendous anxiety and stress-induced visions of handcuffs and prison, sneaks the body out of the motel in a garment bag. Before burying Nadine in the woods, Bob tells Dianne that he is going to get clean and begin a 21-day methadone treatment program. Shocked by Bob's decision, Dianne refuses to join him.

Bob moves into a long-stay motel in Portland and gets a low-level manufacturing job. At the methadone clinic, he encounters an elderly, drug-addicted priest named Tom, whom Bob remembers from his days as an altar boy. Gentry pays a visit to the motel and says that Trousinski has been making threats against Bob, whom Gentry encourages staying sober. Bob later witnesses David bullying a young man who supposedly owes him money. Bob intervenes and lets the man escape, much to David's frustration.

One night, Dianne arrives at the motel and reveals that she is now in a relationship with Rick, the group's new leader. Dianne asks Bob what happened on the road to make him change his life, and he answers that Nadine's death, the hex she put on them, and the possibility of serious prison time contributed to his decision. He reveals a deal he made with a higher power: if he could get Nadine's body out of the motel, past the cops, and into the ground, he would straighten out his life. Bob suggests Dianne stay the night with him, but she declines, and gives Bob a package of drugs before leaving. Bob gives the drugs to Tom (who rejects all of them except for a bottle of Dilaudid). Returning to his room, Bob is attacked by two masked figures, one of whom is David, who thinks he has drugs. Bob tells them that he is clean, but David does not believe this and shoots him. A neighbor phones for help, and Bob is loaded onto a stretcher. Asked who shot him, Bob tells Gentry it was "the hat".

While riding in the ambulance, Bob concludes via a voice-over that he has "paid his debt to the hat" and so can return to his former lifestyle without breaking his commitment. He is amused by the perceived irony of the police driving him to a hospital — "the fattest pharmacy in town".

Cast

Template:Cast list

Production

Casting

Tom Waits was Van Sant's first choice to play the lead, although the finance company would not support Van Sant if he had cast him. Officially the reason given was that Waits was appearing in another movie they were financing, although Van Sant has said he suspected the Oscar win of Kiss of the Spider Woman, a film they had also financed, had made them want a lead who could win an Oscar.<ref name="Indiewire">Template:Cite web</ref> Dillon was ultimately cast in the role of Bob Hughes.<ref name=Rabbits>Template:Cite web</ref> To prepare for his role, Dillon met with active and recovered drug addicts.<ref name=AFI/>

Kelly Lynch was cast opposite Dillon as Bob's wife, Dianne.<ref name=Rabbits/> Lynch drew on her experience of becoming addicted to opioids after she suffered a serious head-on collision road accident at age twenty, which broke both of her legs (nearly necessitating the amputation of both) and resulted in her being hospitalized for a year.<ref name=Rabbits/> "Instead of stepping me down, [the doctors] completely took me off of them, and I went through a screaming withdrawal that lasted about three days—it was like going into the bowels of hell," Lynch recalled. "So I told my agent that I did know what being a junkie was like, and I’m absolutely right for this part. I went into the audition and got the part the very same day."<ref name=Rabbits/>

Heather Graham and James LeGros, who portray lovers Rick and Nadine, respectively, auditioned for the roles and were cast by Van Sant based on Polaroid photos he took of them.<ref name=Rabbits/> Producer Nick Wechsler recalled: "It was a Warhol-type thing. He would pin them up on the wall, and the energy they were giving him helped him decide who to cast in the movie. When Heather Graham pulled up—her Polaroid just popped."<ref name=Rabbits/>

Filming

Drugstore Cowboy was filmed mainly around Portland, Oregon, including an area in the Pearl District that used to be a railyard, with a viaduct going over it.<ref>Template:Cite web</ref> The Lovejoy Columns, which formerly held up the viaduct and feature outsider artwork, are featured in the movie.<ref name="ODKA">Template:Cite web</ref> The initial drugstore scene was filmed at the Nob Hill Pharmacy on NW Glisan Street.<ref>Template:Cite web</ref> Prior to filming, Van Sant and the principal actors spent time together doing rehearsals and visiting the filming locations together.<ref name=Rabbits/> Lynch said of the rehearsals: "What Gus wanted from those rehearsals was for us to become a family, so that when we got to shooting 19 year-old Heather Graham wouldn’t be starstruck around Matt Dillon. We had gotten over those things, and we became a coven of actors who were hanging out and saying these lines and playing around together. That I thought was genius."<ref name=Rabbits/>

Principal photography began on September 26, 1988,<ref name=AFI>Template:Cite web</ref> with a shooting schedule of approximately six weeks.<ref>Template:Cite news</ref>

Music

Template:Infobox album The soundtrack includes songs that are contemporaneous with the film's setting, along with original music by Elliot Goldenthal. It is one of his earliest works; in it, he does not use an orchestra, but a whole range of instruments treated in a synthesizer.<ref>Template:Cite web</ref> The score and soundtrack were also the first that Goldenthal worked on with Richard Martinez, a music producer whose "computer expertise and sound production assistance" became the basis for frequent subsequent collaborations.<ref>Template:Cite web</ref> AllMusic rated this soundtrack three stars out of five.<ref name="allmu">Template:Cite web</ref>

Template:Div col

Side one<ref name="allmu" />
  1. "For All We Know" (4:58) – Abbey Lincoln
  2. "Little Things" (2:25) – Bobby Goldsboro
  3. "Put a Little Love in Your Heart" (2:38) – Jackie DeShannon
  4. "Psychotic Reaction" (3:06) – Count Five
  5. "Judy in Disguise" (2:56) – John Fred & His Playboy Band
  6. "The Israelites" (2:47) – Desmond Dekker & The Aces
Side two<ref name="allmu" />
  1. "Yesterday's Jones" (0:45)
  2. "Morpheus Ascending" (1:17)
  3. "Monkey Frenzy" (2:20)
  4. "Wonder Waltz" (1:19)
  5. "White Gardenia" (1:54)
  6. "The Floating Hex" (1:37)
  7. "Mr. F. Wadd" (1:02)
  8. "Elegy Mirror" (0:48)
  9. "Panda the Dog" (0:51)
  10. "Heist and Hat" (1:36)
  11. "Strategy Song" (2:04)
  12. "Bob's New Life" (2:48)
  13. "Clockworks" (0:32)
  14. "Cage Iron" (1:03)
  15. "Goodnight Nadine" (1:28)

Template:Div col end

Release

Drugstore Cowboy opened at the Toronto International Film Festival on September 11, 1989.<ref>Template:Cite news</ref> It was released theatrically in the United States on October 6, 1989.<ref name=AFI/>

Home media

IVE Entertainment released the film on VHS and LaserDisc in 1990.<ref>Template:Cite AV media</ref><ref>Template:Cite AV media</ref> Artisan Entertainment released the film on DVD in 2000.<ref>Template:Cite web</ref> The Criterion Collection released the film on 4K UHD Blu-ray in February 2025.<ref>Template:Cite web</ref>

Reception

Box office

Drugstore Cowboy grossed $4,729,352 at the United States box office against its $2.5 million budget.<ref name=BOM/>

Critical response

Drugstore Cowboy received significant acclaim from film critics.<ref name=chicagotribune/> Template:Rotten Tomatoes prose Template:Metacritic film prose

In his print review for the Chicago Sun-Times, Roger Ebert gave the film 4 stars out of a possible 4. He described Dillon as offering "one of the great recent American movie performances" and highlighted how the film was successful by portraying the characters not as "bad people [but] sick people" who formed an unorthodox family to cope with "the desperation in their lives". Ebert also singled out Burroughs's cameo as "a guest appearance by Death".<ref>Template:Cite web</ref> Sheila Benson of the Los Angeles Times uniformly praised the film's "hauntingly beautiful performances" and praised its dark humor as "laconic" and "macabre," likening the screenplay to that of Straight Time (1978).<ref>Template:Cite news</ref> Hal Hinson of The Washington Post also commented on the film's humor, writing that the screenplay "is steeped in a kind of narcotic hilarity. There's a lag time built into the jokes, a holding period, that's keyed to the reactions of the characters' slowed-down responses. Watching it, you feel witness to a real-life, slow-motion farce-farce in a world without time."<ref name=Hinson>Template:Cite news</ref> He also praised the performances for "their affectlessness expressive[ness]."<ref name=Hinson/>

Stephen Holden of The New York Times noted the film's visceral tone, writing, "The way of life portrayed in the film is jarring in its abrupt changes of rhythms, as the somnolent lulls of consumption are broken by ferocious spasms of violence and paranoia," but also highlighted its subtle dark humor: "Because the characters are so self-absorbed and their lives so totally unproductive, there is an element of comic absurdity in their continual desperation. After Nadine dies, their motel happens to become the site of a convention of state policemen. With the place aswarm with overweight law officers in uniform, the urgent problem of removing the body is treated as deadpan black comedy."<ref>Template:Cite news</ref> Variety similarly praised the film's realistic portrayal of drug addiction, noting that "no previous drug-themed film has [such] honesty or originality."<ref>Template:Cite web</ref>

The film was listed on the Top Ten lists of both Gene Siskel<ref>Template:Cite news</ref> and Roger Ebert for 1989.<ref>Template:Cite web</ref>

Accolades

Institution Year Category Recipient(s) Result Template:Abbr
Berlin International Film Festival 1990 Forum of New Cinema Gus Van Sant Template:Won <ref>Template:Cite web</ref>
Chicago Film Critics Association Awards 1990 Best Film Drugstore Cowboy Template:Nom <ref name=chicagotribune>Template:Cite web</ref>
Independent Spirit Awards 1990 Best Feature Drugstore Cowboy Template:Nom <ref>Template:Cite web</ref>
<ref>Template:Cite news</ref>
Best Director Gus Van Sant Template:Nom
Best Cinematography Robert Yeoman Template:Won
Best Screenplay Template:Hlist Template:Won
Best Female Lead Kelly Lynch Template:Nom
Best Male Lead Matt Dillon Template:Won
Best Supporting Female Heather Graham Template:Nom
Best Supporting Male Max Perlich Template:Won
Los Angeles Film Critics Association 1989 Best Screenplay Template:Hlist Template:Won <ref>Template:Cite web</ref>
Best Film Drugstore Cowboy Template:Nom
Best Music Elliot Goldenthal Template:Nom
National Society of Film Critics 1989 Best Director Gus Van Sant Template:Won <ref>Template:Cite news</ref>
Best Film Drugstore Cowboy Template:Won
Best Screenplay Template:Hlist Template:Nom
New York Film Critics Circle 1989 Best Screenplay Template:Hlist Template:Won <ref>Template:Cite news</ref>
PEN Center USA Literary Awards 1990 Best Screenplay Adaptation Gus Van Sant Template:Won <ref>Template:Cite web</ref>

See also

References

Template:Reflist

Template:Wikiquote

Template:Gus Van Sant Template:National Society of Film Critics Award for Best Film