Elena Kats-Chernin
Template:Short description Template:Use dmy dates Template:Use Australian English Template:Infobox person Elena Davidovna Kats-Chernin Template:Post-nominals (born 4 November 1957) is an Australian composer and pianist, best known for her ballet Wild Swans.
Early life and education
Elena Kats-Chernin was born in Tashkent, Uzbek SSR (now the capital of independent Uzbekistan) and is Jewish.<ref>"Hard at the top: Fraser Beath McEwing meets composer Elena Kats-Chernin", J-Wire, 12 June 2017</ref> Her early life was spent in the Russian SSR after she moved to Yaroslavl at age 4, where she grew up and studied composition at the Sobinov Conservatory. At age 14, she was admitted to the Gnessin State Musical College, and subsequently moved to Moscow for her studies.<ref>Template:Cite web</ref> She later migrated to Australia in 1975, continuing her studies at the Sydney Conservatorium of Music, under Richard Toop (composition) and Gordon Watson (piano).<ref>Sydney Symphony Orchestra Template:Webarchive</ref> She graduated from the Conservatorium in 1980.<ref>Template:Cite web</ref> She also participated in the Darlinghurst underground theatre scene,<ref>Template:Cite web</ref> with groups such as Cabaret Conspiracy, Fifi Lamour, Boom Boom La Burn and others, often under the name Elena Kats.<ref>Template:Cite web</ref>
After graduating, Kats-Chernin moved to Germany to study under Helmut Lachenmann. She remained in Europe for thirteen years, and became active in theatre and ballet, composing for state theatres in Berlin, Vienna, Hamburg and Bochum.<ref>Template:Cite web</ref> In 1993 she wrote Clocks for the Ensemble Modern. It has since been performed around the world.
Career
Since returning to Australia in 1994, Kats-Chernin has written several operas, a ballet, two piano concertos and compositions for many performers and ensembles, including the Australian Chamber Orchestra, the Australian World Orchestra, the Sydney Symphony, the Melbourne Symphony, the Adelaide Symphony, the Tasmanian Symphony, and the Australian Brandenburg Orchestra.<ref>Template:Cite web</ref>
She was commissioned to write a piece, Page Turn, for the 2000 Sydney International Piano Competition. In 2009, Kats-Chernin was commissioned by the National Museum of Australia to write Garden of Dreams, an orchestral piece named for one of the architectural features of the museum, which premiered at the museum the same year.<ref>"Museum accepts a major Australian musical work" Template:Webarchive, National Museum of Australia media release, 10 May 2009</ref> Kats-Chernin's other works include Charleston Noir for solo piano, Rockhampton Garden Symphonies with Mark Svendsen for solo voices, mixed choirs and orchestra, and Wild Swans (ABC Classics) a collaboration with choreographer Meryl Tankard.
She has thrice collaborated with TV channels ZDF and Arte, writing soundtracks to accompany their restorations of classic silent films: the 1995 restoration of Victor Sjöström's The Phantom Carriage, the 1999 restoration of G. W. Pabst's The Devious Path, and the 2005 restoration of Billy Wilder and Robert Siodmak's People on Sunday.
Her music was featured at the opening ceremonies of the 2000 Sydney Olympic Games and the 2003 Rugby World Cup, and at the conclusion of the 2018 Commonwealth Games.
Kats-Chernin's "Eliza Aria" from Wild Swans was used in Lloyds TSB's 2007 television advertisements in Britain. One of Kats-Chernin's ragtime pieces for piano, "Russian Rag", is used as the New York theme in Adam Elliot's ACTAA-nominated animated feature, Mary and Max. Two ensemble arrangements of "Russian Rag" were used as the theme of ABC Radio National's Late Night Live program until 2010, when Wild Swans then became the program's theme until the end of 2015.
She has won numerous music composition prizes in Australia, and her pieces are regularly broadcast on ABC Classic. Her pieces have featured in ten of the station's annual Classic 100 Countdowns.<ref>Template:Cite web</ref> In 2025, Kats-Chernin was the most popular female composer listed in the countdown, with three entries: Eliza Aria at 24, Butterflying at 52 and Russian Rag at 58.<ref>Template:Cite web</ref>
A portrait of Kats-Chernin by Australian portrait artist Wendy Sharpe was acquired by the National Portrait Gallery (Australia) in 2019.<ref>Template:Cite web</ref>
Kats-Chernin is a represented composer of the Australian Music Centre.<ref>Elena Kats-Chernin, Australian Music Centre</ref>
Honours and awards
Elena Kats-Chernin was appointed an Officer of the Order of Australia (AO) in January 2019 "for distinguished service to the performing arts, particularly to music, as an orchestral, operatic and chamber music composer".<ref>Australian Honours Database. Retrieved 28 January 2019</ref>
ARIA Music Awards
The ARIA Music Awards is an annual awards ceremony held by the Australian Recording Industry Association. They commenced in 1987.
Template:Awards table
! Template:Abbr
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| 2005
| Wild Swans
|rowspan="2" | Best Classical Album
| Template:Nom
|rowspan="2" |<ref name="ARIAClassical">ARIA Award previous winners. Template:Cite web</ref>
|-
| 2008
| Slow Food
| Template:Nom
|-
| 2017
| A Piece of Quiet (The Hush Collection, Vol. 16)
(with Lior and The Idea of North)
| Best Children's Album
| Template:Nom
|
|-
Template:End
Australian Women in Music Awards
The Australian Women in Music Awards is an annual event that honours women for their contributions to the Australian music industry. They were first awarded in 2018.
Template:Awards table |- |rowspan="2"| 2022<ref>Template:Cite web</ref> |rowspan="2"| Elena Kats-Chernin | Artistic Excellence Award | Template:Won |- | Excellence in Classical Music Award | Template:Nom Template:End
Sidney Myer Performing Arts Awards
The Sidney Myer Performing Arts Awards commenced in 1984 and recognise outstanding achievements in dance, drama, comedy, music, opera, circus and puppetry.
Template:Awards table |- | 2013 || Elena Kats-Chernin || Individual Award || Template:Yes2 |- Template:End
Works
Operas
- Iphis, Sydney, 1997
- Matricide, the Musical, Melbourne, 1998
- Mr Barbeque, Lismore, New South Wales, 2002
- Rage of Life, Antwerp, 2010
- George, Hannover-Herrenhausen, 2014<ref>George, Boosey & Hawkes</ref>
- The Divorce, for ABC Television, 2015<ref>"The Divorce: Putting the Opera into the Soap" by Andrew Aronowicz, Limelight, 1 December 2015</ref>
- The Monteverdi Trilogy
- Whiteley, 2019<ref>Whiteley, Opera Australia, Retrieved 3 May 2019</ref>
- Jim Knopf und Lukas der Lokomotivführer, 2019<ref>Jim Knopf und Lukas der Lokomotivführer Template:Webarchive, Komische Oper Berlin, Retrieved 3 May 2019</ref>
- Template:Ill, Staatstheater Kassel 2021, adaptation of Kenneth Grahame's children's book The Wind in the Willows<ref>Der Wind in den Weiden, Boosey & Hawkes, Retrieved 3 May 2019</ref>
Ballets
- Wild Swans (including "Eliza Aria")
Vocal
- Land of Sweeping Plains, SA choir and piano (set to Dorothea Mackellar, My Country)
- Rockhampton Garden Symphonies, solo voices, mixed choirs and orchestra (with Mark Svendsen)
- The Uninvited Stranger, 2007, SATB choir (text by Sandy Jeffs)<ref>The Uninvited Stranger, Boosey & Hawkes</ref>
- Human Waves, 2020, SATB choir (text by Tamara Anna Cislowska)<ref>Human Waves, Boosey & Hawkes</ref>
Instrumental
- Butterflying (2007)
- Blue Silence (2006)
- Cadences, Deviations and Scarlatti
- Calliope Dreaming (2009))
- Chamber of Horrors, for harp
- Charleston Noir
- Clocks
- Cinema
- Frankenstein (incidental music, 2013)
- From Anna Magdalena's Notebook (six movements arranged for string quartet (Australian String Quartet) 2006, arranged for saxophone quartet (Nexas Quartet) 2016)<ref>"From Anna Magdalena's Notebook (2006)", Boosey & Hawkes Template:Retrieved; "From Anna Magdalena's Notebook: string ensemble", Australian Music Centre Template:Retrieved</ref>
- Gypsy Ramble, for viola, cello and piano
- In Tension
- Intermezzo Days
- Lullaby for Nick
- Meditations of Eric Satie: Unsent Love Letters
- Page Turn
- Peggy's Minute Rag
- Phoenix Story
- Purple Prelude
- Russian Rags
- Sand Waltz
- Schubert Blues
- Setting Out
- Slicked Back Tango
- Spirit and the Maiden
- Still Life, for viola and piano
- Stur in Dur
- Tast-en
- The Offering, Piano Quintet No. 1 (2016)
- Three Dancers (2015)
- Tremors, dreams, memories (2003, written for the Indonesian pianist Ananda Sukarlan and dedicated to the victims of the Bali bombings 2002)
- Trio Grandios
- Variations in a Serious Black Dress
- Velvet Revolution, for horn, violin and piano
- Wild Rice, for cello (1996)
- Zoom and Zip
Orchestral/concertante
- Deep Sea Dreaming
- Garden of Dreams
- Harpsichord Concerto ("Ancient Letters"), for Mahan Esfahani
- Night and Now (for flute and orchestra)
- Ornamental Air (for clarinet and orchestra)
- Piano Concerto (Displaced Dances)
- 2nd Piano Concerto
- Prelude and Cube
- Retonica
- Singing Trees
- Stairs
- Symphonia Eluvium
- Transfer
- Violin Concerto
- The Witching Hour, concerto for 8 double basses and orchestra (2016), commissioned for the Australian World Orchestra<ref>"At the witching hour, it's all about the (double) bass" by Emily Ritchie, The Australian, 24 September 2016</ref>
- Inner Angels, commissioned for the Melbourne Youth Orchestra
Films
- The Widower
- Körkarlen (The Phantom Carriage)
- People on Sunday (Template:Lang)
- Abwege (The Devious Path)
- Varieté (Variety)
- Memoir of a Snail (2024)<ref>Template:Cite web</ref>
References
<references />
External links
- Elena Kats-Chernin at Boosey & Hawkes Music Publishing
- "Basically it's like cooking: Elena Kats-Chernin interview" by Robert Davidson, 2003, topologymusic.com
- "In the key of flat-out major" by Deborah Jones, The Australian, 24 April 2010
- "Love tokens performance and talk with Elena Kats-Chernin", audio and transcript (13 May 2010) of Kats-Chernin on convict love tokens, the subject of a movement in Garden of Dreams, National Museum of Australia
- "Kimberley points performance and talk with Elena Kats-Chernin"}, audio and [https://www.nma.gov.au/audio/uncategorised/kimberley-points-performance-and-talk-with-elena-kats-chernin/transcripts/kimberley-points-performance transcript (13 May 2010) of Kats-Chernin on "Kimberley points", the subject of a movement in Garden of Dreams], National Museum of Australia
- "Trees have roots, Jews have legs", peopleofthebarre.tumblr.com, 4 August 2016
- 1957 births
- Living people
- 20th-century Australian classical composers
- 20th-century Australian women composers
- 21st-century Australian classical composers
- 21st-century Australian women composers
- 21st-century Australian classical pianists
- Australian women classical composers
- Australian film score composers
- Australian opera composers
- Jewish Australian musicians
- Deutsche Grammophon artists
- Soviet emigrants to Australia
- Soviet Jews
- Uzbekistani emigrants to Australia
- Uzbekistani Jews
- Ballet composers
- Composers for carillon
- Ragtime composers
- Australian women film score composers
- Women opera composers
- Gnessin State Musical College alumni
- Helpmann Award winners
- Officers of the Order of Australia
- Musicians from Tashkent
- Australian women classical pianists
- 20th-century Australian women pianists
- 21st-century Australian women pianists