Elsie Janis

Elsie Janis (born Elsie Bierbower, March 16, 1889 – February 26, 1956) was an American actress of stage and screen, singer, songwriter, screenwriter and radio announcer. Entertaining the troops during World War I immortalized her as "the sweetheart of the AEF" (American Expeditionary Force).

Early life

Elsie Bierbower was born in Marion, Ohio, the daughter of Josephine Janis and John Eleazer Bierbower. She had a brother, Percy John.Template:Citation needed

Stage

Bierbower debuted on stage in 1896 in a production of East Lynne at Columbus's Southern Theatre.<ref>Template:Cite web</ref> By age 11, she was a headliner on the vaudeville circuit, performing under the name Little Elsie. As she matured, using the stage name Elsie Janis, she began perfecting her comedic skills.Template:Citation needed

Acclaimed by American and British critics,Template:Citation needed Janis was a headliner on Broadway and London. On Broadway, she starred in a number of successful shows, including The Vanderbilt Cup (1906), The Hoyden (1907), The Slim Princess (1911), and The Century Girl (1916).

Elsie performed at the grand opening of the Brown Theatre in Louisville, Kentucky on October 5, 1925.

Film, screenwriting and music

Janis also enjoyed a career as a Hollywood actress, screenwriter, production manager and composer. She was co-credited alongside Gene Markey for writing the original story for Close Harmony (1929) and as composer and production manager for Paramount on Parade (1930). She and director Edmund Goulding wrote the song "Love, Your Magic Spell Is Everywhere" for Gloria Swanson for her talkie debut film The Trespasser (1929). Janis's song "Oh, Give Me Time for Tenderness" was featured in the Bette Davis movie Dark Victory (1939), also directed by Goulding.

Life with Basil Hallam

Before he entered service for World War I, English actor-singer Basil Hallam fell in love with Janis, with whom he had starred in The Passing Show of 1915.<ref>Howard, William F. "The Sweetheart of the A.E.F." Template:Webarchive, New York Archives magazine, Winter 2005, Volume 4, Number 3, accessed 1 November 2012</ref> They set up home in the city of Liverpool, England.<ref>"Echoes of the Day", Liverpool Echo, 25 August 1916, p. 3</ref> The couple never married; Hallam was killed in the Battle of the Somme in August 1916 while serving with the Royal Flying Corps.<ref>Pollard, A. C. The Royal Air Force London 1938 p.106</ref><ref>Template:Cite web</ref>

World War I

File:Elsiejanis1.jpg

Elsie Janis, 17 years old, in The Vanderbilt Cup 1906. She is dressed in early automobile attire; in the play, she drives a car on stage<ref>Great Stars of the American Stage by Daniel Blum c. 1952 Profile #69 (has full length version of 1906 photo)</ref>

File:Elsie Janis by Manuel Rosenberg, 1926.jpg

Signed drawing of Elsie Janis by Manuel Rosenberg, 1926

Janis advocated for British and American soldiers fighting in World War I. She raised funds for Liberty Bonds. Accompanied by her mother, Janis also took her act on the road, entertaining troops stationed near the front lines – one of the first popular American artists to do so in a war fought on foreign soil. Ten days after the armistice, she recorded for His Master's Voiceseveral numbers from her revue Hullo, America, including "Give Me the Moonlight, Give Me the Girl".<ref>Rust, Brian, introduction to facsimile reprint of HMV catalogues 1914-18, David & Charles, Newton Abbot, Template:ISBN</ref> She wrote about her wartime experiences in The Big Show: My Six Months with the American Expeditionary Forces (published in 1919), and recreated these in Behind the Lines, a 1926 Vitaphone musical short.

A musical about this period of her life called Elsie Janis and the Boys, written by Carol J. Crittenden and composer John T. Prestianni, premiered under the direction of Charles A. Wallace as part of the Rotunda Theatre Series in the Wortley-Peabody Theater in Dallas, Texas on August 15, 2014.

Radio announcer

In 1934, Janis became the first female announcer on the NBC radio network.<ref>Template:Cite news</ref>

Children

Janis wanted to have children of her own.<ref>Template:Cite news</ref><ref>Template:Cite news</ref> She became a foster mother to a 14-year-old Italian war veteran and orphan, Michael Cardi, in 1919.<ref>Template:Cite news</ref><ref>Template:Cite news</ref>

Later life

Janis maintained her private home “ElJan” on the east side of High Street in Columbus, Ohio. The home was across the street from what was Ohio State University's Ohio Field, the precursor to Ohio Stadium. Janis sold the house following her mother's death.

In 1932, Janis married Gilbert Wilson, who was 16 years her junior, which caused some scandal.<ref>Template:Cite news</ref> There is some evidence it might have been a bearded relationship.<ref>Template:Cite journal</ref><ref>Template:Cite book</ref> The couple lived in the Phillipse Manor section of Sleepy Hollow, New York, formerly named North Tarrytown, until Janis moved to the Los Angeles area of California where she lived until her death. Her final film was the 1940 Women in War.

Elsie Janis died in 1956 at her home in Beverly Hills, California, aged 66, and was interred in the Forest Lawn Memorial Park Cemetery in Glendale, California.

Legacy

For her contribution to the motion picture industry, Elsie Janis has a star on the Hollywood Walk of Fame at 6776 Hollywood Blvd.

File:Elsiejanis.jpg

Janis in Theatre Magazine (March 1917)

Partial filmography

• The Caprices of Kitty (1915)
• Betty in Search of a Thrill (1915)
• Nearly a Lady (1915)
• 'Twas Ever Thus (1915)
• The Imp (1919)
• A Regular Girl (1919)
• Bobbed Hair (1925)
• Elsie Janis in a Vaudeville Act, “Behind the Lines,” Assisted by Men’s Chorus of the 107th Regiment (1926)
• Close Harmony (1929) (screenplay)
• Paramount on Parade (1930) (production supervisor)
• Madam Satan (1930) (music)
• The Squaw Man (1931) (screenplay)
• Women in War (1940)

External links

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• Template:IBDB name
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• Extensive biographical site at Ohio State University
• Elsie Janis collection: SPEC.TRI.EJ  Thompson Library Jerome Lawrence & Robert E. Lee Theatre Research Institute
• Elsie Janis diaries, 1920-1928, held by the Billy Rose Theatre Division, New York Public Library for the Performing Arts
• Elsie Janis, images held by the Billy Rose Theatre Division, New York Public Library for the Performing Arts
• selected recordings by Elsie Janis at Internetarchive.org
• portrait of Elsie Janis from a play or early silent movie(moviecard)
• Elsie Janis: Broadway Photographs(Univ. of South Carolina)
• Elsie Janis with Willys Overland motorcar 1917