Etaoin shrdlu

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Template:Short description Template:Redirect-distinguish-text Template:Multiple image Etaoin shrdlu (Template:IPAc-en,<ref name="Dict">Template:Cite encyclopedia</ref> Template:IPAc-en)<ref name="Farewell">Template:Cite web</ref> is a nonsense phrase that sometimes appeared by accident in print in the days of hot type publishing, resulting from a custom of type-casting machine operators filling out and discarding lines of type when an error was made. It appeared often enough to become part of newspaper lore – a documentary about the last issue of The New York Times composed using hot metal (July 2, 1978) was titled Farewell, Etaoin Shrdlu.<ref>Template:Cite AV media</ref> The phrase etaoin shrdlu is listed in the Oxford English Dictionary and in the Random House Webster's Unabridged Dictionary.

The letters in the string are, approximately, the twelve most commonly used letters in the English language; differing sources do give slightly different results but one well-known sequence is ETAOINS RHLDCUM, ordered by their frequency.<ref>Template:Cite web</ref>

History and appearances in print

The letters on type-casting machine keyboards (such as Linotype and Intertype) were arranged by descending letter frequency to speed up the mechanical operation of the machine, so lower-case e-t-a-o-i-n and s-h-r-d-l-u were the first two columns on the left side of the keyboard.<ref name=":0">Template:Cite AV media</ref>

Each key would cause a brass matrix (an individual letter mold) from the corresponding slot in a font magazine to drop and be added to a line mold. After a line had been cast, the constituent matrices of its mold were returned to the font magazine.

If a mistake was made, the line could theoretically be corrected by hand in the assembler area. However, manipulating the matrices by hand within the partially assembled line was time-consuming and presented the chance of disturbing important adjustments. It was much quicker to fill out the bad line and discard the resulting line of text.<ref name=":0" />

To make the line long enough to proceed through the machine, operators would finish it by running a finger down the first columns of the keyboard, which created a pattern that could be easily noticed by proofreaders. Occasionally such a line would be overlooked and make its way into print, most often in newspapers.

Appearances outside typography

A Linotype machine keyboard. It has the following alphabet arrangement twice, once for lower case (the black keys) and once for upper case (the white keys), with the keys in the middle for numbers and symbols: etaoin / shrdlu / cmfwyp / vbgkqj / xz
Close-up of keyboard, showing the etaoin / shrdlu pattern

The phrase has gained enough notability to appear outside typography, including:

Computing

Media

Music

  • Shrdlu (Norman Shrdlu) is listed as the composer of "Jam Blues", cut 1 on the 1951 Norman Granz–produced jazz album released in 1990 as Charlie Parker Jam Session. This appears to be a joke on Granz's part as Norman Shrdlu is credited in several Parker (and other) tunes that are jam sessions rather than compositions.
  • "Etaoin Shrdlu" is the title of the first song on Cul de Sac's 1999 album Crashes to Light, Minutes to Its Fall.
  • "Etaoin"<ref>Template:Cite web</ref> and "Shrdlu", written and performed by Dallas Roberts, are original musical pieces created for the soundtrack of the U.S. television series House of Cards, Season 2, Episode 10.<ref>Template:Cite web</ref>

See also

References

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