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Template:Channel Four Television Corporation
Film4 Productions is a British film production company and the feature film division of Channel 4 Television Corporation. Founded in 1982, the company develops and co-finances bold and original work from distinctive voices in UK and international cinema, supporting both emerging and established filmmakers. Film4 is widely recognised as a leading force in British independent filmmaking, with its productions collectively winning 43 Oscars® and 97 BAFTAs since its inception.
History
Film4 Productions originated in 1981 when producer David Rose left the BBC to join Channel 4 Television, where he was appointed Commissioning Editor for Fiction by the channel’s founding Chief Executive, Jeremy Isaacs. Rose became closely associated with Film on Four, Channel 4’s new feature film strand. With an initial annual budget of £6 million, the newly formed Channel Four Films aimed to invest in around twenty productions each year.<ref name="Rothschild2008">Template:Cite book</ref> The company’s first backed feature was Neil Jordan’s debut Angel (1982),<ref name="4at15">Template:Cite magazine</ref> while Stephen Frears’ Walter was the first to be broadcast on Channel 4’s launch day, 2 November 1982. The following day’s screening of P'tang, Yang, Kipperbang further established the strand’s early success.<ref name=BFI/>
Originally, Channel Four Films’ productions were intended solely for television broadcast, as the industry’s “holdback” system restricted TV companies from investing in theatrical films. However, an agreement with the Cinema Exhibitors Association soon allowed limited cinema releases for productions with budgets under £1.25 million.<ref name="BFI">{{#invoke:citation/CS1|citation
|CitationClass=web
}}</ref> Channel Four Films went on to collaborate with key British production entities such as the BFI Production Board, Goldcrest Films, and Merchant Ivory,<ref name="BFI" /> and by 1984 was investing in roughly one-third of all feature films made in the United Kingdom.<ref name="Emmanuel">Susan Emanuel "Channel Four - British Programming Service" Template:Webarchive, Museum of Broadcast Communications website; Susan Emmanuel "Channel Four — British Programming Service", in Horace Newcomb (ed) Encyclopedia of Television: Volume 1, A-C, New York: Fitzroy Dearborn, 2004, p487</ref>
The Business Development Department was established in 1983 to oversee TV and film sales,<ref name="element">Template:Cite magazine</ref> and the company began investing in international titles including Wim Wenders’ Paris, Texas (1984) and Jan Švankmajer’s Alice (1988).<ref name="BFI" /> In 1985, FilmFour International was founded as a separate sales arm to handle international distribution and co-financing, supporting projects such as Andrei Tarkovsky’s The Sacrifice (1986).<ref name="element" /><ref name="4at15" /><ref name="BFI" />
Channel Four Films achieved its first major critical and commercial success with Stephen Frears’s My Beautiful Laundrette (1985).<ref name="timeline" /> Originally shot in 16mm for television, it received international acclaim after screening at the Edinburgh Film Festival and was subsequently released theatrically by Orion Classics, becoming an international hit.<ref>{{#invoke:citation/CS1|citation
|CitationClass=web
}}</ref><ref>{{#invoke:citation/CS1|citation
|CitationClass=web
}}</ref><ref name="4at15" /> By 1987, the company had an interest in half of all films produced in the UK<ref>David Rose quoted by Dorothy Hobson in Channel 4: The Early Years and the Jeremy Isaacs Legacy, London: I.B Tauris, 2008, p.64</ref> and had secured a licensing deal with Orion Classics for US distribution of titles including Rita, Sue and Bob Too and A Month in the Country.
Throughout the 1980s, Rose and Channel Four Films were credited with revitalising British cinema, championing filmmakers such as Ken Loach, Mike Leigh, Stephen Frears, and Hanif Kureishi, and producing landmark films including Wish You Were Here, Dance with a Stranger, Mona Lisa, and Letter to Brezhnev. Leigh later described Film on Four as having “saved the British film industry”. "This is a non-negotiable, historical fact of life and anybody who suggests that this isn't the case is simply either suffering from some kind of ignorance or has got some terrible chip."<ref name="Rothschild2008" /> Rose remained in his role until 1990,<ref name="timeline">Template:Cite news</ref> approving the production of 136 films, half of which received theatrical releases.<ref>Template:Cite news</ref>
Following Rose’s departure, David Aukin became Head of Drama in 1990, later retitled Head of Film in 1997.<ref name="timeline" /> Under his leadership, the company enjoyed further international success with Neil Jordan’s The Crying Game (1992),<ref name="4at15" /> which was nominated for the Academy Award for Best Picture,<ref name="timeline" /> alongside Howards End and Damage that same year. Mike Leigh’s Naked and Ken Loach’s Raining Stones were both entered into competition at the 1993 Cannes Film Festival,<ref name="timeline" /> and subsequent releases such as Four Weddings and a Funeral (1994) - the highest-grossing UK film of all time - and Trainspotting (1996) became global box office hits, cementing Film4’s reputation for innovative and culturally resonant storytelling.<ref name="4at15" />
In the mid-1990s, Channel 4 entered a joint venture with The Samuel Goldwyn Company to distribute films in the UK, later forming Film Four Distributors in 1995 after Goldwyn withdrew.<ref>Template:Cite magazine</ref> Its first major successes included Secrets & Lies and Brassed Off (both 1996).<ref name="4at15" /><ref>Template:Cite magazine</ref><ref name="FFD">Template:Cite magazine</ref> In 1998, the company was rebranded as FilmFour, with an increased annual budget of £32 million for 8–10 films.<ref name="timeline" /> East Is East (1999) became its most successful self-funded production,<ref name="timeline" /> and a three-year deal with Warner Bros. followed in 2000, though its first collaboration, Charlotte Gray (2001), underperformed.
Mounting financial losses led to significant restructuring in 2002, with the company reintegrated into Channel 4’s drama department. The brand was relaunched as Film4 Productions in 2006 to coincide with the rebranding of the FilmFour channel as Film4.<ref>Template:Cite news</ref>
Leadership
From 2002 to 2014, Tessa Ross served as Head of Film4 and Channel 4 Drama, overseeing a new wave of critically acclaimed British films and establishing Film4 as a major force in UK and international independent cinema. Under her leadership, Film4 backed Oscar-winning titles including Slumdog Millionaire and 12 Years a Slave.<ref>Template:Cite news</ref><ref>Template:Cite news</ref>
David Kosse succeeded Ross as Director of Film4 in 2014. Previously serving as President of International at Universal Pictures, Kosse was a key figure behind major global releases including Mamma Mia!, the Bourne series, Les Misérables, and The Wolf of Wall Street. Before joining Universal, he ran Momentum Pictures, the UK distributor behind Lost in Translation and Amélie. At Film4, Kosse focused on expanding the company’s international partnerships and maintaining its reputation for championing innovative British filmmaking. During his tenure, Film4 supported productions such as Alex Garland’s Ex Machina, Kevin Macdonald’s Black Sea, and Todd Haynes’s Carol. Upon his appointment, Kosse stated:
“This is undeniably one of the best jobs in the British film industry. Tessa Ross and her team have done a fantastic job, and I hope my experience in international production, financing and distribution will see Film4 continue to flourish.” <ref>Template:Cite news</ref>
Daniel Battsek was appointed Director of Film4 in 2016, succeeding Kosse. Battsek brought over three decades of experience in the international independent film industry, having previously served as President of Miramax Films, where he oversaw acclaimed titles including The Queen, There Will Be Blood and No Country for Old Men. His earlier career included senior roles at Buena Vista International UK, National Geographic Films, Cohen Media Group, and Palace Pictures.
Ollie Madden joined Film4 in 2017 as Head of Creative, later becoming Director in 2022 when Battsek moved into the role of Chair.<ref>{{#invoke:citation/CS1|citation
|CitationClass=web
}}</ref> Madden brought more than 25 years of experience across both film and television, including positions at Warner Bros. Pictures, Miramax and Kudos. During his tenure, he oversaw a slate of award-winning and critically acclaimed films such as The Favourite, Poor Things, The Banshees of Inisherin, The Zone of Interest, Saint Maud, All of Us Strangers, Love Lies Bleeding, The Kitchen and How to Have Sex.
In early 2024, following Battsek’s departure, Madden also assumed oversight of Channel 4’s drama commissioning. He remained in this dual role until October 2025, when he left to join Netflix as Director of UK Film.
Farhana Bhula joined Film4 in 2022 as Senior Commissioning Executive and became Head of Creative in 2023 when Madden was promoted to Director. Bhula was appointed to Director of Film4 in late 2025 following an external recruitment process. Reflecting on her appointment, Bhula said:
“Film4 has long been the home of original, daring filmmaking that truly cuts through. Under the dynamic and inspiring leadership of Ollie Madden, and alongside the passionate Film4 team, I’ve had the privilege of working with some of the most exciting writers, directors, and producers in the world. It’s an honour to now lead Film4 into its next chapter.” <ref>{{#invoke:citation/CS1|citation
|CitationClass=web
}}</ref>
Recent films and production slate
Film4’s recent films include critically acclaimed and award-winning titles such as Poor Things (Yorgos Lanthimos), winner of the Oscar®, BAFTA, and Venice Golden Lion; The Zone of Interest (Jonathan Glazer), recipient of the Oscar®, BAFTA, and Cannes Grand Prix; Earth Mama (Savanah Leaf), winner of a BAFTA; How to Have Sex (Molly Manning Walker), awarded the Un Certain Regard prize at Cannes; and All of Us Strangers (Andrew Haigh), recipient of a BIFA. Other recent releases include commercially successful films such as We Live in Time (John Crowley), alongside Love Lies Bleeding (Rose Glass), Sister Midnight (Karan Kandhari), Hot Milk (Rebecca Lenkiewicz), and The Shadow Scholars (Eloise King).
Film4’s 2025–2026 production slate features highly anticipated debuts, including Animol (Ashley Walters) and Sweetsick (Alice Birch), as well as a new project from Martin McDonagh (Wild Horse Nine). Upcoming releases include The Voice of Hind Rajab (Kaouther Ben Hania), winner of the Silver Lion Grand Jury Prize at the 82nd Venice Film Festival; The Thing With Feathers (Dylan Southern); The History of Sound (Oliver Hermanus); H is for Hawk (Philippa Lowthorpe); Rose of Nevada (Mark Jenkin); Sacrifice (Romain Gavras); and Surviving Earth (Thea Gajic).
Awards and recognition
Film4 Productions has received wide recognition for its contribution to the UK film industry, both critically and commercially. In 2023, the company was honoured with the Special Recognition Award for Outstanding Contribution to UK Film at Screen International’s Big Screen Awards, acknowledging its significant impact on the reputation of British cinema locally and internationally. The award celebrates companies or individuals whose work has shaped the UK film industry and supported the development of filmmakers’ careers.
Beyond its productions, Film4 has fostered innovation and talent development through initiatives such as Film Four Lab and the digital strand Film4.0, providing opportunities for low-budget, experimental, and debut films to reach audiences. Its leaders have emphasized creating a supportive environment for filmmakers while balancing public service objectives with commercial considerations, helping British cinema thrive both domestically and internationally.
Notable productions
The following is a list of some of the most notable films produced or co-financed by Film4.
| Year
|
Title
|
Notes
|
| 2013
|
12 Years a Slave
|
Co-production with Regency Enterprises, River Road Entertainment and Plan B
|
| 2010
|
127 Hours
|
Co-production with Pathé, Fox Searchlight Pictures, Everest Entertainment, Cloud Eight Films, Darlow Smithson Productions and Warner Bros. Pictures
|
| 2014
|
20,000 Days on Earth
|
Co-production with British Film Institute
|
| 2002
|
24 Hour Party People
|
Co-production with United Artists, UK Film Council, Revolution Films and Baby Cow Productions
|
| 2015
|
45 Years
|
Co-production with British Film Institute
|
| 2014
|
'71
|
Co-production with British Film Institute, Screen Yorkshire, Creative Scotland and Warp Films
|
| 2008
|
A Complete History of My Sexual Failures
|
Co-production with Warp Films, Screen Yorkshire, EM Media, Madman Entertainment and UK Film Council
|
| 2013
|
A Field in England
|
|
| 1997
|
A Life Less Ordinary
|
Co-production with PolyGram Filmed Entertainment and 20th Century Fox
|
| 2014
|
A Most Wanted Man
|
Co-production with FilmNation Entertainment
|
| 1987
|
A Month in the Country
|
Co-production with Euston Films
|
| 1985
|
A Room with a View
|
Co-production with Merchant Ivory Productions and Goldcrest Films
|
| 1985
|
A Zed and Two Noughts
|
Co-production with British Film Institute and Artificial Eye
|
| 2015
|
Amy
|
Co-production with Universal Music, Playmaker Films & Krishwerkz Entertainment
|
| 2018
|
American Animals
|
|
| 1996
|
American Buffalo
|
Co-production with Capitol Films
|
| 2016
|
American Honey
|
Co-production with Parts & Labor, Pulse Films, ManDown Pictures, British Film Institute, and Maven Pictures
|
| 2018
|
An Evening with Beverly Luff Linn
|
Co-production with British Film Institute
|
| 2007
|
And When Did You Last See Your Father?
|
Co-production with Sony Pictures Classics, UK Film Council, EM Media, Tiger Aspect, Bórd Scannán na hÉireann/Irish Film Board and European Development Fund
|
| 1982
|
Angel
|
|
| 1995
|
Angels & Insects
|
Co-production with The Samuel Goldwyn Company
|
| 2010
|
Another Year
|
Co-production with Thin Man Films
|
| 2011
|
Attack the Block
|
Co-production with Big Talk Productions, StudioCanal and UK Film Council
|
| 1994
|
Backbeat
|
Co-production with PolyGram Filmed Entertainment
|
| 1993
|
Bad Behaviour
|
|
| 1994
|
Bandit Queen
|
Co-production with Kaleidoscope Entertainment
|
| 2017
|
Beast
|
Co-production with British Film Institute
|
| 1996
|
Beautiful Thing
|
|
| 2018
|
Been So Long
|
Co-production with Netflix and British Film Institute
|
| 1997
|
Bent
|
Co-production with Arts Council of England
|
| 2012
|
Berberian Sound Studio
|
Co-production with Warp X Productions, Screen Yorkshire and UK Film Council
|
| 1993
|
Bhaji on the Beach
|
|
| 2016
|
Billy Lynn's Long Halftime Walk
|
Co-production with TriStar Pictures
|
| 2001
|
Birthday Girl
|
Co-production with Miramax Films, Mirage Enterprises and HAL Films
|
| 2014
|
Black Sea
|
Co-production with Focus Features
|
| 1993
|
Blue
|
Co-production with BBC Radio 3 and Arts Council of Great Britain
|
| 1995
|
Blue Juice
|
|
| 1991
|
Blonde Fist
|
|
| 2021
|
Boxing Day
|
Co-production with British Film Institute, Rocket Science, DJ Films, Studio 113 and Warner Bros. Pictures
|
| 1996
|
Brassed Off
|
Co-production with Miramax Films and Prominent Features
|
| 2000
|
Bread and Roses
|
|
| 2022
|
Brian and Charles
|
Co-production with British Film Institute and Mr Box Productions
|
| 2005
|
Brothers of the Head
|
Co-production with Screen East and EM Media
|
| 1999
|
Buena Vista Social Club
|
Co-production with Road Movies Filmproduktion and Arte
|
| 2001
|
Buffalo Soldiers
|
Co-production with Good Machine and Miramax Films
|
| 2009
|
Bunny and the Bull
|
Co-production with Warp X Productions, Wild Bunch, Optimum Releasing, Screen Yorkshire and UK Film Council
|
| 1997
|
Career Girls
|
|
| 1996
|
Carla's Song
|
Co-production with Glasgow Film Office and Televisión Española
|
| 2015
|
Carol
|
Co-production with Number 9 Films and Killer Films
|
| 2014
|
Catch Me Daddy
|
Co-production with British Film Institute and Screen Yorkshire
|
| 2001
|
Charlotte Gray
|
Co-production with Ecosse Films and Warner Bros.
|
| 2001
|
Christmas Carol: The Movie
|
Co-production with UK Film Council
|
| 2018
|
Cold War
|
Co-production with British Film Institute and MK2
|
| 1986
|
Comrades
|
Co-production with now-defunct National Film Finance Corporation
|
| 1998
|
Croupier
|
Co-production with Arte and Westdeutscher Rundfunk
|
| 2014
|
Cuban Fury
|
Co-production with British Film Institute
|
| 1992
|
Damage
|
Co-production with Le Studio Canal+ and Canal+
|
| 1985
|
Dance with a Stranger
|
|
| 2000
|
Dancer in the Dark
|
Co-production with Canal+, France 3 Cinéma, Zentropa and Fine Line Features
|
| 1998
|
Dancing at Lughnasa
|
Co-production with Sony Pictures Classics, Bórd Scannán na hÉireann/Irish Film Board, Raidió Teilifís Éireann and Capitol Films
|
| 2004
|
Dead Man's Shoes
|
|
| 1994
|
Death and the Maiden
|
Co-production with Capitol Films, Canal+, TF1 and Fine Line Features
|
| 2002
|
Death to Smoochy
|
Co-production with Senator Film and Warner Bros.
|
| 2006
|
Deep Water
|
|
| 2019
|
Dirt Music
|
Co-production with ScreenWest
|
| 2017
|
Disobedience
|
Co-production with FilmNation Entertainment and Element Pictures
|
| 2001
|
Dog Eat Dog
|
Co-production with Tiger Aspect Productions
|
| 1999
|
Dogma
|
Produced by View Askew
|
| 2008
|
Donkey Punch
|
Co-production with EM Media, Madman Entertainment, Screen Yorkshire, UK Film Council and Warp X Productions
|
| 2020
|
Dream Horse
|
Co-production with Cornerstone Films, Ingenious Media, Raw, Topic Studios, FFilm Cymru Wales, Bleecker Street, Sony Pictures Worldwide Acquisitions and Warner Bros. Pictures
|
| 1988
|
Drowning by Numbers
|
|
| 1992
|
Dust Devil
|
Co-production with Miramax Films
|
| 1999
|
East Is East
|
|
| 1987
|
Eat the Rich
|
Co-production with Michael White
|
| 1998
|
Elizabeth
|
Co-production with PolyGram Filmed Entertainment, Meridian and Working Title Films
|
| 2004
|
Enduring Love
|
Co-production with Pathé, UK Film Council and Ingenious Film Partners
|
| 2014
|
Ex Machina
|
Co-production with Universal Pictures and DNA Films
|
| 1982
|
Experience Preferred... But Not Essential
|
|
| 2021
|
Everybody's Talking About Jamie
|
Co-production with New Regency Pictures, 20th Century Fox and Warp Films
|
| 1997
|
Fever Pitch
|
|
| 2019
|
Fighting with My Family
|
Co-production with Metro-Goldwyn-Mayer, WWE Studios and Seven Bucks Productions
|
| 2013
|
For Those in Peril
|
Co-production with Warp X Productions
|
| 2010
|
Four Lions
|
Co-production with Warp Films, Wild Bunch and Optimum Releasing
|
| 1994
|
Four Weddings and a Funeral
|
Co-production with PolyGram Filmed Entertainment and Working Title Films
|
| 2014
|
Frank
|
|
| 2008
|
Franklyn
|
Co-production with Recorded Picture Company, HanWay Films and UK Film Council
|
| 2016
|
Free Fire
|
Co-production with British Film Institute
|
| 2007
|
Funny Games
|
Co-production with Warner Independent Pictures and Tartan Films
|
| 2001
|
Gabriel and Me
|
Co-production with Pathé, Isle of Man Film and UK Film Council
|
| 2000
|
Gangster No. 1
|
Co-production with Medienboard Berlin-Brandenburg, Road Movies Filmproduktion and BSkyB
|
| 1982
|
Giro City
|
|
| 1990
|
God on the Rocks
|
|
| 1999
|
Gregory's Two Girls
|
|
| 2019
|
Greed
|
Co-production with Columbia Pictures and Revolution Films
|
| 2007
|
Hallam Foe
|
Co-production with Ingenious Film Partners, Glasgow Film Office, Scottish Screen and Sigma Films
|
| 2008
|
Happy-Go-Lucky
|
Co-production with Ingenious Film Partners and Summit Entertainment
|
| 1991
|
Hear My Song
|
|
| 1982
|
Hero
|
|
| 1987
|
Hidden City
|
|
| 1988
|
High Hopes
|
|
| 2015
|
High-Rise
|
Co-production with Recorded Picture Company, HanWay Films and the British Film Institute
|
| 1998
|
Hilary and Jackie
|
|
| 1999
|
Holy Smoke!
|
Co-production with Miramax Films
|
| 2013
|
How I Live Now
|
Co-production with British Film Institute, Magnolia Pictures and Passion Pictures
|
| 2008
|
How to Lose Friends & Alienate People
|
Co-production with UK Film Council
|
| 2017
|
How to Talk to Girls at Parties
|
Co-production with HanWay Films, See-Saw Films and Little Punk
|
| 2019
|
How to Build a Girl
|
Co-production with Tango Entertainment, British Film Institute, Monumental Pictures, Protagonist Pictures
|
| 1992
|
Howards End
|
|
| 2008
|
Hunger
|
|
| 2009
|
Hush
|
Co-production with Warp X, Pathé, Screen Yorkshire, UK Film Council and Optimum Releasing
|
| 2012
|
Hyde Park on Hudson
|
Co-production with Daybreak Pictures and Focus Features
|
| 2008
|
In Bruges
|
Co-production with Focus Features
|
| 2007
|
In the Shadow of the Moon
|
Co-production with Discovery Films and Passion Pictures
|
| 1995
|
Institute Benjamenta
|
Co-production with Pandora Film
|
| 2001
|
Invincible
|
Co-production with Fine Line Features
|
| 2014
|
Jimmy's Hall
|
|
| 2007
|
Joe Strummer: The Future Is Unwritten
|
|
| 2017
|
Journeyman
|
|
| 2001
|
K-PAX
|
Co-production with Universal Pictures and Intermedia Films
|
| 2011
|
Kill List
|
Co-production with UK Film Council, Warp X, Screen Yorkshire and Rook Films
|
| 2024
|
Kinds of Kindness
|
Co-production with Searchlight Pictures, Element Pictures and TSG Entertainment
|
| 1994
|
Ladybird, Ladybird
|
|
| 2021
|
Last Night in Soho
|
Co-production with Focus Features and Working Title Films
|
| 2001
|
Late Night Shopping
|
Co-production with Scottish Screen and Glasgow Film Office
|
| 2013
|
Le Week-End
|
|
| 2017
|
Lean on Pete
|
Co-production with British Film Institute
|
| 2014
|
Life
|
Co-production with See-Saw Films, Telefilm Canada and Screen Australia
|
| 1990
|
Life Is Sweet
|
|
| 1991
|
London Kills Me
|
Co-production with PolyGram Filmed Entertainment and Working Title Films
|
| 2009
|
Looking for Eric
|
Co-production with Icon Entertainment International and Wild Bunch
|
| 2001
|
Lucky Break
|
Co-production with Paramount Pictures and Miramax Films
|
| 2015
|
Macbeth
|
Co-production with StudioCanal, DMC Film, Anton Capital Entertainment, Creative Scotland and See-Saw Films
|
| 1998
|
Martha, Meet Frank, Daniel and Laurence
|
|
| 2018
|
Mary Magdalene
|
Co-production with Universal Pictures, Porchlight Films, Affirm Films, Columbia Pictures and See-Saw Films<ref>{{#invoke:citation/CS1|citation
|
CitationClass=web
}}</ref>)
|
| 2005
|
Me and You and Everyone We Know
|
|
| 2007
|
Mister Lonely
|
Co-production with Recorded Picture Company
|
| 1982
|
Moonlighting
|
|
| 2014
|
Mr. Turner
|
Co-production with British Film Institute, Focus Features International and Thin Man Films
|
| 1985
|
My Beautiful Laundrette
|
Co-production with SAF Productions and Working Title Films
|
| 1998
|
My Name Is Joe
|
|
| 2010
|
Neds
|
Co-production with Scottish Screen, UK Film Council and Wild Bunch
|
| 2010
|
Never Let Me Go
|
Co-production with DNA Films and Fox Searchlight Pictures
|
| 1991
|
Night on Earth
|
Co-production with JVC Entertainment, Victor Music Industries, Le Studio Canal + and Pandora Film
|
| 1995
|
Nothing Personal
|
Co-production with Bórd Scannán na hÉireann/Irish Film Board
|
| 2009
|
Nowhere Boy
|
Co-production with UK Film Council, Ecosse Films and The Weinstein Company
|
| 2012
|
On the Road
|
Co-production with American Zoetrope, MK2, France Télévisions, Canal+, Ciné+, France 2 Cinéma and Vanguard Films
|
| 2002
|
Once Upon a Time in the Midlands
|
Co-production with UK Film Council
|
| 2011
|
One Day
|
Co-production with Focus Features, Random House Films and Color Force
|
| 1998
|
Orphans
|
Co-production with Scottish Arts Council and Glasgow Film Office
|
| 1982
|
P'tang, Yang, Kipperbang
|
|
| 1984
|
Paris, Texas
|
Co-production with Westdeutscher Rundfunk
|
| 1992
|
Peter's Friends
|
Co-production with The Samuel Goldwyn Company
|
| 2018
|
Peterloo
|
Co-production with British Film Institute, Amazon Studios and Thin Man Films
|
| 2023
|
Poor Things
|
Co-production with Searchlight Pictures, Element Pictures and TSG Entertainment
|
| 1991
|
Prospero's Books
|
Co-production with Canal+, Eurimages, VPRO, NHK, Cineplex Odeon Films and Palace Pictures
|
| 2000
|
Purely Belter
|
|
| 1989
|
Queen of Hearts
|
Co-production with Nelson Entertainment, TVS Television and Cinecom
|
| 1993
|
Raining Stones
|
|
| 1983
|
Red Monarch
|
Co-production with Goldcrest Films and Enigma Productions
|
| 1982
|
Remembrance
|
|
| 1991
|
Riff-Raff
|
|
| 1987
|
Rita, Sue and Bob Too
|
|
| 2019
|
Rocks
|
|
| 2015
|
Room
|
Co-production with Element Pictures and No Trace Camping
|
| 2019
|
Saint Maud
|
Co-production with British Film Institute, Escape Plan Productions and StudioCanal
|
| 1987
|
Sammy and Rosie Get Laid
|
Co-production with Working Title Films
|
| 1996
|
Secrets & Lies
|
Co-production with Ciby 2000
|
| 2001
|
Series 7: The Contenders
|
Co-production with USA Films
|
| 2012
|
Seven Psychopaths
|
Co-production with British Film Institute, HanWay Films and CBS Films
|
| 2000
|
Sexy Beast
|
Co-production with Kanzaman, Fox Searchlight Pictures and Recorded Picture Company
|
| 1994
|
Shallow Grave
|
|
| 2011
|
Shame
|
Co-production with Fox Searchlight Pictures, UK Film Council, See-Saw Films, HanWay Films and Momentum Pictures/Alliance Films
|
| 2004
|
Shaun of the Dead
|
Co-production with Big Talk Productions, Working Title Films, StudioCanal, Universal Pictures and Rogue Pictures
|
| 1985
|
She'll Be Wearing Pink Pyjamas
|
|
| 1994
|
Shopping
|
Co-production with Kuzui Enterprises and PolyGram Filmed Entertainment
|
| 2012
|
Sightseers
|
Co-production with Big Talk Pictures
|
| 1994
|
Sister My Sister
|
|
| 2015
|
Slow West
|
Co-production with the New Zealand Film Commission and See-Saw Films
|
| 2008
|
Slumdog Millionaire
|
Co-production with Celador Films
|
| 2013
|
Starred Up
|
Co-production with Creative Scotland, Northern Ireland Screen and Sigma Films
|
| 1988
|
Stormy Monday
|
Co-production with Atlantic Entertainment Group
|
| 2007
|
Straightheads
|
Co-production with Ingenious Film Partners and UK Film Council
|
| 2010
|
Submarine
|
Co-production with Red Hour Films and Warp Films
|
| 2015
|
Suffragette
|
Co-production with 20th Century Fox, Pathé, BFI, Ingenious Media, Canal+, Cine+ and Ruby Films
|
| 1999
|
Sunshine
|
Co-production with Alliance Atlantis, Eurimages, Telefilm Canada, The Movie Network, Kinowelt, TV2, ORF and Paramount Classics
|
| 1994
|
The Acid House
|
|
| 2003
|
The Actors
|
Co-production with Miramax Films and Bórd Scannán na hÉireann/Irish Film Board
|
| 1993
|
The Baby of Mâcon
|
Co-production with UGC and Canal+
|
| 1987
|
The Belly of an Architect
|
Co-production with Hemdale Film Corporation
|
| 1992
|
The Crying Game
|
Co-production with British Screen, Eurotrustees, Nippon Film Development and Finance and Palace Pictures
|
| 1999
|
The Debt Collector
|
|
| 2011
|
The Deep Blue Sea
|
Co-production with UK Film Council and Artificial Eye
|
| 2013
|
The Double
|
Co-production with Alcove Entertainment and British Film Institute
|
| 1982
|
The Draughtsman's Contract
|
Co-production with British Film Institute
|
| 2011
|
The Eagle
|
Co-production with Focus Features
|
| 2011
|
The Emperor's New Clothes
|
|
| 2018
|
The Favourite
|
Co-production with Fox Searchlight Pictures and Element Pictures
|
| 2018
|
The Festival
|
Co-production with Entertainment Film Distributors
|
| 2000
|
The Filth and the Fury
|
Co-production with Jersey Films
|
| 2011
|
The Future
|
Co-production with Medienboard Berlin-Brandenburg
|
| 2011
|
The Great Bear
|
|
| 2000
|
The House of Mirth
|
Co-production with Granada Productions, Kinowelt, Arts Council of England, Showtime Networks and The Scottish Arts Council
|
| 2011
|
The Inbetweeners Movie
|
Co-production with Bwark Productions, Young Films and Entertainment Film Distributors
|
| 2014
|
The Inbetweeners 2
|
Co-production with Bwark Productions
|
| 2011
|
The Iron Lady
|
Co-production with Pathé, UK Film Council and The Weinstein Company
|
| 2005
|
The King
|
|
| 2017
|
The Killing of a Sacred Deer
|
Co-production with Element Pictures, Newsparta Films & A24
|
| 1998
|
The Land Girls
|
Co-production with PolyGram Filmed Entertainment, Gramercy Pictures, Intermedia Films and Canal+
|
| 2006
|
The Last King of Scotland
|
Co-production with DNA Films and Fox Searchlight Pictures
|
| 2005
|
The League of Gentlemen's Apocalypse
|
Co-production with Universal Pictures and Tiger Aspect
|
| 2018
|
The Little Stranger
|
Co-production with Pathé, Canal+ and Element Pictures
|
| 2015
|
The Lobster
|
Co-production with Irish Film Board, Eurimages, Netherlands Film Fund, British Film Institute, Canal+, Ciné+, CNC, Institut Français, Greek Film Centre, Element Pictures, Scarlet Films, Faliro House, Haut et Court and Lemming Films
|
| 2013
|
The Look of Love
|
Co-production with StudioCanal UK, Revolution Films and Baby Cow Productions
|
| 2009
|
The Lovely Bones
|
Co-production with DreamWorks Pictures and Paramount Pictures
|
| 2001
|
The Low Down
|
Co-production with British Screen, Oil Factory and Sleeper Films
|
| 1994
|
The Madness of King George
|
Co-production with The Samuel Goldwyn Company
|
| 1991
|
The Miracle
|
|
| 2004
|
The Motorcycle Diaries
|
|
| 2001
|
The Navigators
|
Co-production with Road Movies Filmproduktion, Westdeutscher Rundfunk and Arte
|
| 1995
|
The Neon Bible
|
Co-production with Artificial Eye
|
| 2019
|
The Personal History of David Copperfield
|
Co-production with FilmNation Entertainment
|
| 1996
|
The Pillow Book
|
Co-production with Canal+
|
| 1994
|
A Pin for the Butterfly
|
|
| 1983
|
The Ploughman's Lunch
|
Co-production with Goldcrest Films and Michael White
|
| 1991
|
The Pope Must Die
|
Co production with Miramax Films, Palace Pictures and Michael White
|
| 1998
|
The Red Violin
|
Co-production with New Line Cinema, Lionsgate, Telefilm Canada and CITY-TV
|
| 2014
|
The Riot Club
|
Co-production with Universal Pictures, British Film Institute, HanWay Films and Pinewood Pictures
|
| 2013
|
The Selfish Giant
|
Co-production with British Film Institute
|
| 2009
|
The Scouting Book for Boys
|
Co-production with Celador Films, Screen East and Pathé
|
| 2013
|
The Spirit of '45
|
|
| 2013
|
The Stone Roses: Made of Stone
|
Co-production with Warp Films
|
| 1999
|
The Straight Story
|
Co-production with StudioCanal and Walt Disney Pictures
|
| 1985
|
The Supergrass
|
Co-production with The Comic Strip and Michael White
|
| 2011
|
The Woman in the Fifth
|
Co-production with UK Film Council, Canal+, Orange Cinéma Séries and Artificial Eye
|
| 1997
|
The Woodlanders
|
Co-production with Pathé Productions and Arts Council of England
|
| 2006
|
This Is England
|
Co-production with UK Film Council, Optimum Releasing, Screen Yorkshire and Warp Films
|
| 2017
|
Three Billboards Outside Ebbing, Missouri
|
Co-production with Fox Searchlight Pictures and Blueprint Pictures
|
| 2003
|
To Kill a King
|
Co-production with Natural Nylon and HanWay Films
|
| 2003
|
Touching the Void
|
Co-production with Channel 4, UK Film Council, Darlow Smithson Productions and PBS
|
| 1996
|
Trainspotting
|
|
| 2017
|
T2 Trainspotting
|
Co-production with TriStar Pictures, Cloud Eight Films and DNA Films
|
| 2013
|
Trance
|
Co-production with Pathé, Fox Searchlight Pictures and Cloud Eight Films and Indian Paintbrush
|
| 2016
|
Trespass Against Us
|
Co-production with Potboiler Productions
|
| 1996
|
Trojan Eddie
|
Co-production with Bórd Scannán na hÉireann/Irish Film Board
|
| 1996
|
True Blue
|
|
| 2019
|
True History of the Kelly Gang
|
Co-production with Film Victoria and Screen Australia
|
| 2011
|
Tyrannosaur
|
Co-production with Warp X, Inflammable Films, UK Film Council, Screen Yorkshire, EM Media, and Optimum Releasing (as StudioCanal UK)
|
| 2013
|
Under the Skin
|
Co-production with British Film Institute, FilmNation Entertainment, Scottish Screen, Nick Wechsler Productions and A24 Films
|
| 2016
|
Una
|
Co-production with Bron Studios, Jean Doumanian Productions, and WestEnd Films
|
| 1998
|
Velvet Goldmine
|
Co-production with Newmarket Capital Group, Miramax Films, Killer Films and Zenith Entertainment
|
| 2006
|
Venus
|
Co-production with UK Film Council and Miramax Films
|
| 2001
|
Very Annie Mary
|
Co-production with Canal+
|
| 1996
|
Walking and Talking
|
Co-production with Miramax Films, Zenith Productions, Pandora Film, Mikado Films (France), Electric, TEAM Communications Group, PolyGram Filmed Entertainment and Good Machine
|
| 1982
|
Walter
|
|
| 1992
|
Waterland
|
|
| 1997
|
Welcome to Sarajevo
|
Co-production with Miramax Films
|
| 1986
|
When the Wind Blows
|
Co-production with Kings Road Entertainment
|
| 2018
|
Widows
|
Co-production with 20th Century Fox, Regency Enterprises and See-Saw Films
|
| 1992
|
Wild West
|
|
| 1987
|
Wish You Were Here
|
|
| 1999
|
With or Without You
|
Co-production with Miramax Films and Revolution Films
|
| 1993
|
Wittgenstein
|
Co-production with the British Film Institute
|
| 2011
|
Wuthering Heights
|
Co-production with HanWay Films, Ecosse Films, UK Film Council, Goldcrest Films and Screen Yorkshire
|
| 2017
|
You Were Never Really Here
|
Co-production with Why Not Productions, British Film Institute and Page 114
|
| 1986
|
Zastrozzi, A Romance
|
|
| 2023
|
Zone of Interest
|
| 2023
|
All of Us Strangers
|
| 2022
|
The Banshees of Inisherin
|
References
Template:Reflist
Template:Authority control
External links
Template:Channel Four Television Corporation
Template:Cinema of the United Kingdom
Template:BAFTA Outstanding British Contribution to Cinema Award