Five Live Yardbirds

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Five Live Yardbirds is the live debut album by the English rock band the Yardbirds. It features the group's interpretations of ten American blues and rhythm and blues songs, including their most popular live number, Howlin' Wolf's "Smokestack Lightning". The album contains some of the earliest recordings with guitarist Eric Clapton.

Recorded at the Marquee Club in London on 20 March 1964, it was released in the United Kingdom by Columbia Records nine months later.Template:Sfn Despite several favourable retrospective reviews, the album did not reach the UK albums chart. It was not issued in the United States; however, four songs were included on the Yardbirds' second American album, Having a Rave Up.

Background and recording

In October 1963, the Yardbirds took over the Rolling Stones' position at the Crawdaddy Club and had signed a management contract with club owner Giorgio Gomelsky. After touring with Sonny Boy Williamson II, the band signed a contract with Columbia Records. In 1964, they recorded two singles, "I Wish You Would" and "Good Morning Little Schoolgirl".Template:Sfn These had limited success and Gomelsky was able to persuade Columbia to release a live album as the Yardbirds' debut album.Template:Sfn

The Yardbirds were a popular live attraction at music clubs.Template:Sfn Much of their reputation was built on their use of a "rave up" musical arrangement, an instrumental interlude that builds to a climax.Template:Sfn Clapton credits the rave up to bassist Paul Samwell-Smith and explains: "While most other bands were playing three-minute songs, we were taking three-minute numbers and stretching them out to five or six minutes, during which time the audience would go crazy".Template:Sfn It was at such performances that Clapton often broke a guitar string. While he was putting on a new one, the audience would slowly clap their hands (slow handclapping). This led manager Gomelsky to nickname him "Eric 'Slowhand' Clapton".Template:Sfn

Five Live Yardbirds was recorded at the Marquee Club in London. Yardbirds' biographer Gregg Russo describes the conditions and equipment for recording at the club as less than ideal, but they were able to capitalise on their greater popularity compared to the Crawdaddy.Template:Sfn He adds:

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The recording date for the album has been previously listed as Tuesday, 10 March 1964, but Gomelsky distinctly remembers the show taking place at Wardour Street. On 10 March, the club was still at Oxford Street, and combined with the fact that the Yardbirds played on Fridays at the Wardour Street location, the 20 March 1964 recording date seems much more likely.Template:Sfn{{#if:|

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Composition and musical style

All of the songs that appear on Five Live Yardbirds were written by American blues and rhythm and blues artistsTemplate:Sfn and several of the original recordings appeared on the American record charts. The band's early material reflects the repertoires of the early British rhythm and blues groups, such as the Rolling Stones and the Animals.Template:Sfn Clapton biographer David Bowling described the album as "a lot of straight electric blues, but at times they come close to a rock sound."Template:Sfn Their version of Chuck Berry's "Too Much Monkey Business", which is the album opener, is the most rock-oriented song on the album.Template:Sfn

Several songs feature extended instrumental improvisation.Template:Sfn Bo Diddley's "Here 'Tis" and the Isley Brothers' "Respectable" are high-energy tunes, which represent the use of the double-time feature of the rave up for the entire songs.Template:Sfn AllMusic critic Matthew Greenwald describes "Here 'Tis" as "driven by a furious "Bo Diddley" beat and rhythm ... Clapton's interplay with bassist Paul Samwell-Smith is one of the great moments in the band's recorded history".<ref name="Greenwald"> {{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The instrumental spotlight was also shared with singer and blues harmonica player Keith Relf.Template:Sfn Clapton and Relf trading riffs is one of the highlights of "Smokestack Lightning". The Howlin' Wolf song was the Yardbirds' most popular live number and a regular in their sets.Template:Sfn Performances of the song could last up to 30 minutes.Template:Sfn Howlin' Wolf reportedly referred to the group's 5:35 album version as "the definitive version of his song".Template:Sfn

The slow blues standard, "Five Long Years", features extended guitar soloing by Clapton in a style he further developed with John Mayall & the Bluesbreakers. Clapton and Samwell-Smith share the lead vocals on "Good Morning Little Schoolgirl",Template:Sfn which is based on the version by the American R&B duo Don and Bob.<ref name="O'Neal"> Template:Citation</ref> Bo Diddley's "I'm a Man" (which became a hit when the Yardbirds later recorded it with Jeff Beck) and songs by Slim Harpo and John Lee Hooker round out the album.

Release and critical reception

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Columbia Graphophone Company issued Five Live Yardbirds in the UK on 4 DecemberTemplate:Nbsp1964.Template:Sfn Clapton biographer Christopher Sandford writes that when the album was released "to generally favourable reviews ('Raucous interplay ... great guitar ... feral energy of the ensemble') it, too, failed to materially benefit the group."Template:Sfn The album did not appear in the British record chart.Template:Sfn Subsequently, it was not issued in the US, but in November 1965 Epic Records (their American label) included four of the tracks on Having a Rave Up with the Yardbirds.Template:Sfn In 1966, Epic planned to release the album in the US with the same tracks as the UK album (although with different cover art), but did not follow through.Template:Sfn

Later critics have given favourable reviews. AllMusic's Eder awarded it four and a half out of five stars and described it as "the first importantTemplate:Sndindeed, essentialTemplate:Sndlive album to come out of the 1960s British rock & roll boom. In terms of the performance captured and the recording quality, it was also the best such live record of the entire middle of the decade".<ref name="Eder"/> In a separate review for AllMusic, Rick Clark noted "Smokestack Lightning" [and other songs] were open-ended improvisations that helped lay the groundwork for groups like Cream and the Jimi Hendrix Experience."Template:Sfn Bowling calls the material "raw and powerful"Template:Sfn and Russo adds that it is "a completely faithful reproduction" of the group's early shows.Template:Sfn Ultimate Classic Rock included the album in its list of "Top 100 Live Albums", calling it an "explosive document of a British blues band fueling a decidedly American music with power, fireworks and amped-up resourcefulness".<ref> {{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Aerosmith's Joe Perry described himself as "a huge fan of Clapton's work on Five Live Yardbirds. Their version of Chuck Berry's 'Too Much Monkey Business' was such a blueprint for a lot of what Aerosmith tried to do. The 'Rave Ups' [instrumental interludes] which were backing up Eric, the solosTemplate:Sndit was like the band was a slingshot and, as soon as it hit that pocket, he went sailing. Those parts of the songs still give me goosebumps."<ref>Template:Cite magazine</ref>

Track listing

Template:Track listing Template:Track listing

Personnel

The Yardbirds

Production

  • Giorgio Gomelsky – producer, liner notes
  • Phillip Wood – engineer, sound effects engineer
  • Bill Inglot – digital remastering
  • Richard Rosser – photography

Footnotes

Template:Notelist

References

Template:Reflist

Bibliography

Template:The Yardbirds

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