Ghost (1990 film)
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Ghost is a 1990 American supernatural romance film directed by Jerry Zucker, written by Bruce Joel Rubin, and starring Patrick Swayze, Demi Moore, Whoopi Goldberg, and Tony Goldwyn.<ref name=lat13Jul>Template:Cite news</ref> It focuses on Sam Wheat (Swayze), a murdered banker, whose ghost sets out to save his girlfriend, Molly Jensen (Moore), from the person who arranged his murder (Goldwyn) – through the help of the psychic Oda Mae Brown (Goldberg).
Ghost was theatrically released on July 13, 1990, to commercial success, grossing $505 million against a budget of $22–23 million and emerging as the highest-grossing film of 1990 and at the time of its release, was the third-highest-grossing film of all time. The film was a sleeper hit, which unexpectedly outperformed several blockbuster action films released during that summer.<ref>Template:Cite news</ref> Its success extended to the home video market, and it was the most rented film of 1991 in the United States. The film initially received mixed reviews from critics,<ref>Template:Cite magazine</ref> with praise going towards the score and performances of the cast.
Ghost earned five nominations at the 63rd Academy Awards: Best Picture, Best Original Score, Best Film Editing, and winning Best Supporting Actress for Goldberg and Best Original Screenplay for Rubin.
Plot
Banker Sam Wheat and his artist girlfriend Molly Jensen move into a Tribeca loft with the help of Sam's best friend and co-worker Carl Bruner. One night, the couple is attacked on the street by a mugger, and though Sam appears to chase him away, he returns to a devastated Molly cradling his bloodied corpse and realizes he has died. A bright beam of light shines down on Sam, but he stays with Molly, and the light disappears. As a ghost, a despondent Sam remains by Molly's side. He is unable to interact with the physical world, and the other ghosts he encounters are unhelpful. Sometime later, the mugger breaks into Molly's apartment. Molly returns unexpectedly, and Sam scares her cat, which can see him. The cat attacks the mugger, who flees. While pursuing the mugger, Sam is attacked by a hostile ghost on the subway train who can touch physical objects. Sam follows the mugger back to his apartment; he learns that the mugger's name is Willie Lopez and that he deliberately targeted Sam.
Sam later encounters Oda Mae Brown, a charlatan psychic medium, but he realizes she can hear him and demands that she help him warn Molly that she is in danger. Though reluctant to help, Oda Mae agrees after Sam keeps her awake with his singing. Despite her intimate knowledge of Sam's and Molly's relationship, Oda Mae struggles to convince Molly that the afterlife is real until Sam tells Oda Mae to say "ditto" (Sam's response whenever Molly said she loved him). Molly tells the police and Carl about Willie Lopez, but the police dismiss the story and disclose Oda Mae's extensive history of fraud, leaving Molly disheartened. Meanwhile, Sam follows Carl and learns that he hired Willie to rob Sam of his book of bank passwords. Carl needs the passwords to launder $4Template:Spacesmillion in drug money through an account held by the fictional "Rita Miller" for his criminal employers. He breaks into Molly's apartment, steals the book of bank passwords, and later attempts to seduce Molly until an enraged Sam inadvertently knocks over a picture frame. Sam returns to the subway and convinces the hostile ghost to teach him to focus his emotions and reliably interact with the physical world.
Sam visits Oda Mae, who has become popular with ghosts trying to contact the living. He convinces her to pose as Rita Miller to withdraw the drug money, which she reluctantly donates to charity. Molly sees the transaction occur during a visit to the bank. As Carl panics over the missing money, Sam uses his abilities to torment him. Carl visits Molly to discuss the haunting, and she unwittingly reveals that Oda Mae withdrew the money. While Molly is upstairs, Sam attacks Carl until he threatens to kill Molly if the money is not returned that night. Carl and Willie travel to confront Oda Mae, but Sam warns her to hide. He then terrorizes Willie, causing him to run into the road and be struck by a car. Shadowy figures appear and drag Willie's screaming ghost away.
Oda Mae and Sam return to Molly's apartment, where Sam levitates a penny to convince Molly he is truly present. After Molly calls the police, Oda Mae allows Sam to possess her so he can dance with Molly. However, the possession leaves him weakened and unable to help when Carl breaks into the apartment. Carl takes Molly hostage and demands the drug money, but Sam recovers in time to attack him. In a panic, Carl swings a suspended metal hook towards Sam and tries to escape through a window. The hook swings back and shatters the window pane, causing a large shard of glass to impale and kill him. Sam watches a group of shadowy figures appear and drag Carl's ghost away. As Sam checks on Molly and Oda Mae, the beam of light returns, allowing them both to see and hear him. Sam thanks Oda Mae for all her help and shares a kiss with Molly, telling her he loves her. She responds, "Ditto", and Sam walks into the light.
Cast
- Patrick Swayze as Sam Wheat, a banker who is murdered and, as a ghost, desperately tries to warn Molly of an impending danger.
- Demi Moore as Molly Jensen, Sam's girlfriend, and an artist, who is left grieving after his death.
- Whoopi Goldberg as Oda Mae Brown, a medium who is initially unable to actually communicate with the dead, but can hear Sam and agrees to help him save Molly.
- Tony Goldwyn as Carl Bruner, a corrupt banker who initially appears to be Sam's friend but is revealed to be responsible for his death.
- Rick Aviles as Willie Lopez, Carl's accomplice
- Vincent Schiavelli as Subway Ghost
- Armelia McQueen as Oda Mae's Sister, Clara Brown
- Gail Boggs as Oda Mae's Sister, Louise Brown
- Phil Leeds as Emergency Room Ghost
- Augie Blunt as Orlando
- Stephen Root as Police Sergeant
- Bruce Jarchow as Lyle Ferguson
Production
Background and filming
Ghost was the first film Jerry Zucker directed on his own, as well as his first dramatic film. He had previously been part of the Zucker, Abrahams and Zucker directing team, known for their parody films. Zucker stated that his decision to direct Ghost was not made to distance himself from comedies or to mark a new chapter in his career, but he was merely "just looking for a good film to direct." The film had previously been pitched to both Frank Oz and Miloš Forman, who both accepted to direct it, but Oz left due to budget concerns not meeting his vision, while Forman was dismissed by Paramount when the studio and screenwriter Bruce Joel Rubin disliked his ideas. When Rubin learned that Zucker was to direct the film and wanted to make changes to his script, he was apprehensive, as he feared Zucker would turn his script into a comedy. However, Rubin changed his mind and warmed up after dining with Zucker and being impressed by how "deeply philosophical" he was.<ref name=lat13Jul/><ref>Harrison Ford Turned Down ‘Ghost,’ Frank Oz Almost Directed, and More Behind-the-Scenes Stories</ref>
Harrison Ford, Michael J. Fox, Paul Hogan, Tom Hanks, Kevin Bacon, Kevin Kline, Alec Baldwin and Tom Cruise were considered for the role of Sam Wheat.<ref>Template:Cite magazine</ref><ref name=swayze>Template:Cite book</ref> Bruce Willis turned the role of Sam Wheat down as he did not understand the script and later called himself a "knucklehead" for declining and later stating he wished he had worked with Moore again.<ref>Template:Cite magazine</ref><ref>Template:Cite web</ref> Similarly, Fox thought the film wouldn't work, and, in hindsight, regretted turning the role down.<ref>Michael J. Fox Tells Whoopi Goldberg He Regrets Turning Down ‘Ghost’ Role & The Chance To Work With Her</ref> Zucker initially refused to consider Swayze for Sam, though Rubin pitched the project to Swayze behind Zucker's back after seeing him talk about his late father in an interview with Barbara Walters. Zucker then changed his mind after Swayze auditioned.<ref>Harrison Ford Turned Down ‘Ghost,’ Frank Oz Almost Directed, and More Behind-the-Scenes Stories</ref> Michelle Pfeiffer, Molly Ringwald,<ref name=swayze/> Meg Ryan,<ref name=swayze/> Julia Roberts and Nicole Kidman were considered for the role of Molly Jensen before Moore was hired who was Zucker and Rubin's preferred choice.<ref>Harrison Ford Turned Down ‘Ghost,’ Frank Oz Almost Directed, and More Behind-the-Scenes Stories</ref> Tina Turner, Patti LaBelle, and Oprah Winfrey were either considered or auditioned for the role of Oda Mae Brown.<ref>Template:Cite news</ref><ref>Template:Cite news</ref><ref>Template:Cite web</ref><ref>Template:Cite news</ref><ref name=":0" /> Both Zucker and Rubin initially were not interested in casting Whoopi Goldberg as Oda Mae, but Swayze advocated for her to be cast.<ref>Template:Cite web</ref><ref name=":0">Template:Cite web</ref><ref>Harrison Ford Turned Down ‘Ghost,’ Frank Oz Almost Directed, and More Behind-the-Scenes Stories</ref>
Zucker credited arguments from radio host Dennis Prager with deciding to "lighten" Rubin's original script with a moral message.<ref>Template:Cite news</ref> Rubin noted that he "wanted to tell a ghost story from the ghost's perspective": "One day, I was watching a production of Hamlet, which begins with the ghost of Hamlet's father saying, ‘Revenge my death,’" he recalled. "I thought, ‘Wow, let's transpose that into the 20th century; it'd be an interesting story.’ And the idea hit me."<ref>Template:Cite news</ref>
Filming for Ghost began in July 1989. Many of the interior scenes were shot at Paramount in Los Angeles. The interior of Sam and Molly's loft is a reproduction of the home and studio of artist Michele Oka Doner, built from plans she provided because she declined to allow filming in her loft. It was reconstructed in an unused loft nearby in her Soho neighborhood<ref>Template:Citation</ref> and featured many of the same details as the actual loft, such as radiators around columns, open stairs and a house-shaped enclosure for the refrigerator. Filming of the apartment took place at 102 Prince Street, Lower Manhattan.<ref>Template:Cite web</ref><ref>Template:Cite web</ref> The exterior scenes were shot in New York City, particularly in Bedford–Stuyvesant, Soho, and Wall Street, for about five weeks. The film features about 100 special effects shots.<ref name=Scapperotti>Template:Cite journal</ref> Demi Moore's famous 'boy cut' in the movie was designed by Manhattan hair stylist John Sahag;<ref>Template:Cite web</ref> Us Weekly declared Moore "the only woman since Audrey Hepburn who has been able to carry off such a hairdo and still look like a woman."<ref>Template:Cite magazine</ref>
The final scene used digital video effects. Originally, it was meant to show Patrick Swayze kissing Demi Moore before walking up a mylar platform toward a bluescreen with grips in the shot. VFX supervisor Richard Edlund didn't think the audience would buy it, and used Quantel’s “Harry” video-compositing system to combine the workprint with Swayze with elements that had been shot on an Oxberry animation stand and things like an endoscope of Christmas tinsel.<ref>Masters of FX: Behind the Scenes with Geniuses of Visual and Special Effects</ref>
Music
Template:See also The music for Ghost was written by veteran French composer Maurice Jarre, whose work was nominated for the 1990 Academy Award for Best Original Score (won by John Barry for Dances with Wolves).<ref>Template:Cite web</ref> The soundtrack also featured the 1955 song "Unchained Melody", composed by Alex North with lyrics by Hy Zaret. In Ghost, the song appears both in instrumental and vocal form, the latter being the version recorded by Bobby Hatfield of The Righteous Brothers in 1965.<ref>Template:Cite magazine</ref>
The soundtrack album was issued worldwide on Milan Records, but licensed to Varèse Sarabande in North America. It was reissued with two extra tracks in 1995, and later as part of Milan's Silver Screen Edition series with the extra tracks and an interview with Maurice Jarre.<ref>Template:Cite web</ref>
Release
Ghost was originally scheduled to be released on July 27, 1990, but its release date was brought forward two weeks early to July 13, 1990.<ref>Template:Cite news</ref> The film became an unexpected box-office success,<ref>Template:Cite news</ref><ref>Template:Cite news</ref><ref>Template:Cite news</ref><ref>Template:Cite news</ref> grossing $505.7 million on a budget of between $22–23 million.<ref name="BOM">Template:Cite Box Office Mojo</ref><ref>Template:Cite web</ref> The film debuted at number 2 behind Die Hard 2 during its first weekend, before topping the box office during its second weekend.<ref name=boxofficeghost>Template:Cite web</ref> The film would routinely hold the number 2 and number 1 box office spots for two months, and would also remain in the top five until November 1990.<ref name=boxofficeghost />
It was the highest-grossing film of the year 1990.<ref name="1990 Worldwide Grosses">Template:Cite web</ref> Box Office Mojo estimates that the film sold over 51.46 million tickets in the US.<ref>Template:Cite web</ref> It spent eight consecutive weeks at number one at the UK box office<ref>Template:Cite book</ref> and became the highest-grossing film of all time in the UK surpassing E.T. the Extra-Terrestrial with a gross of £23.3 million. That record would last for three years before getting surpassed by Jurassic Park in 1993.<ref>Template:Cite magazine</ref><ref>Template:Cite book</ref> It also spent six consecutive weeks atop the Australian box office.<ref>Template:Cite magazine</ref> It was also the highest-grossing film in Indonesia at the time with a gross of $3.6 million<ref>Template:Cite magazine</ref> and the highest-grossing foreign film in the Philippines.<ref>Template:Cite magazine</ref> Then-married couple Demi Moore, who starred in Ghost, and Bruce Willis, who starred in Die Hard 2, therefore had films which they respectively starred-in in occupy the number 1 and number 2 spots at the box office, a feat which would not be accomplished again for such couples until Deadpool & Wolverine and It Ends with Us in 2024.<ref>Template:Cite news</ref><ref>Template:Cite news</ref>
Home media
Ghost was released on VHS and LaserDisc in the United States on March 21, 1991, and sold a record 646,000 VHS rentals, breaking the record set by Die Hard 2,<ref name="rentals">Template:Cite magazine</ref> and a record 66,040 LaserDiscs.<ref>Template:Cite magazine</ref> It was the top video rental of 1991 in the United States,<ref>Template:Cite web</ref> and generated a gross of $40 million for Paramount. The video went on sale in the fall and generated sales of $25 million.<ref name="rentals" />
The film was released on DVD in 2001, Blu-ray in 2008, and Ultra HD Blu-ray in 2024.<ref>Template:Cite web</ref>
Reception
Critical response
Template:Quote box Ghost initially received mixed reviews from critics upon release.<ref>Template:Cite news</ref><ref>Template:Cite news</ref> Ghost has an approval rating of Template:RT data based on Template:RT data professional reviews on the review aggregator website Rotten Tomatoes, with an average rating of Template:RT data. Its critical consensus reads, "Ghost offers viewers a poignant romance while blending elements of comedy, horror, and mystery, all adding up to one of the more enduringly watchable hits of its era."<ref>Template:Cite Rotten TomatoesTemplate:RT data</ref> Metacritic (which uses a weighted average) assigned Ghost a score of 52 out of 100 based on 17 critics, indicating "mixed or average" reviews.<ref>Template:Cite Metacritic</ref> Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.<ref>Template:Cite web</ref>
Roger Ebert gave Ghost two-and-a-half out of four stars in his review for the Chicago Sun-Times, regarding the film as "no worse an offender than most ghost movies, I suppose. It assumes that even after death we devote most of our attention to unfinished business here on Earth, and that danger to a loved one is more important to a ghost than the infinity it now inhabits." He was also critical of the film's "obligatory action climax", the "ridiculous visitation from the demons of hell", the "slow study" of the Molly character, and the "single best scene" in which Sam overtakes Oda Mae's body to caress Molly: "In strict logic, this should involve us seeing Goldberg kissing Moore, but of course the movie compromises and shows us Swayze holding her - too bad, because the logical version would actually have been more spiritual and moving."<ref>Template:Cite news</ref>
David Ansen of Newsweek, despite finding the ending too sentimental, praised the film as "a zippy pastiche that somehow manages to seem fresh even though it's built entirely out of borrowed parts."<ref>Template:Cite news</ref> Variety magazine called the film "an odd creation – at times nearly smothering in arty somberness, at others veering into good, wacky fun."<ref>Template:Cite news</ref> Goldberg received considerable praise for her performance. In a review for The New York Times, Janet Maslin comments "Ms. Goldberg plays the character's amazement, irritation and great gift for back talk to the hilt. This is one of those rare occasions on which the uncategorizable Ms. Goldberg has found a film role that really suits her, and she makes the most of it."<ref>Template:Cite news</ref> Even some critics who gave negative reviews of Ghost extended praise to Goldberg's work in the film.<ref>Template:Cite magazine</ref>
Accolades
- In 2002, the film ranked #19 on AFI's 100 Years... 100 Passions.<ref>Template:Cite web</ref><ref>Template:Cite web</ref>
Legacy
The pottery wheel scene became widely known,<ref name="Cox-Mar2009" /><ref name="Premiere-Dec2015">Template:Cite web</ref> and has been cited as "one of the most iconic moments of '90s cinema."<ref name="Hood-Mar2014">Template:Cite news</ref> It has also been parodied frequently,<ref name="Premiere-Dec2015" /> such as in The Naked Gun 2½: The Smell of Fear (of which Jerry Zucker served as an executive producer; it was directed by his brother David Zucker), the short British animated film Wallace and Gromit: A Matter of Loaf and Death<ref name="Simon-Dec2008">Template:Cite web</ref> and US TV series Two and a Half Men.<ref name="Hood-Mar2014" />
The film inspired a musical stage version, Ghost: The Musical. The show had its world premiere in Manchester, UK, in March 2011<ref>Template:Cite web</ref> before transferring to London from June 2011 and having its premiere on July 19, 2011.<ref>Template:Cite news</ref> On November 13, 2010, Paramount and Shochiku released a Japanese remake of Ghost, titled Template:Nihongo.<ref>Template:Cite web</ref> The remake stars Nanako Matsushima, South Korean actor Song Seung-heon, and veteran actress Kirin Kiki.<ref>Template:Cite web</ref> In this film, the ghost is a woman, played by Matsushima.
On January 17, 2023, it was revealed by Vanity Fair that Channing Tatum and his company, Free Association, acquired the rights to the film from Paramount. Tatum announced plans to produce and star in a remake of the film, with himself cast in Swayze's role.<ref>Template:Cite web</ref>
The 2023 BET+ original film The Reading pays tribute with an Easter egg, naming a minor character Oda M. Brown.
See also
References
External links
- Template:IMDb title
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- Pages with broken file links
- 1990 films
- 1990 romantic drama films
- 1990s American films
- 1990s English-language films
- 1990s fantasy drama films
- 1990s ghost films
- 1990s romantic fantasy films
- American fantasy drama films
- American films about revenge
- American ghost films
- American romantic drama films
- American romantic fantasy films
- American supernatural drama films
- American supernatural romance films
- Demons in film
- Films about banking
- Films about grief
- Films about invisibility
- Films about murder
- Films about psychic powers
- Films about spirit possession
- Films about the afterlife
- Films adapted into plays
- Films directed by Jerry Zucker
- Films featuring a Best Supporting Actress Academy Award–winning performance
- Films featuring a Best Supporting Actress Golden Globe–winning performance
- Films scored by Maurice Jarre
- Films set in Manhattan
- Films shot in New York City
- Films whose writer won the Best Original Screenplay Academy Award
- Films with screenplays by Bruce Joel Rubin
- Limbo
- Paramount Pictures films
- English-language romantic drama films
- English-language romantic fantasy films
- English-language fantasy drama films
- Saturn Award–winning films