Harry Carney

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Harry Howell Carney (April 1, 1910 – October 8, 1974) was a jazz saxophonist and clarinettist who spent over four decades as a member of the Duke Ellington Orchestra. He played a variety of instruments, but primarily used the baritone saxophone, being a critical influence on the instrument in jazz.

Early life

Carney was born on April 1, 1910, in Boston, Massachusetts.<ref name="Grove">Template:Citation</ref> In Boston, he grew up close to future bandmate Johnny Hodges.<ref name="Gioia2nd">Template:Cite book</ref> Carney began by playing the piano at age seven, moved to the clarinet at 14, and added the alto saxophone a year later.<ref name="Grove" /> He first played professionally in clubs in Boston.<ref name="Grove" />

Early influences on Carney's playing included Buster Bailey, Sidney Bechet, and Don Murray.<ref name="AM">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Carney also reported that, for his baritone saxophone playing, he "tried to make the upper register sound like Coleman Hawkins and the lower register like Adrian Rollini".<ref>Template:Cite book</ref>

Later life and career

After playing a variety of gigs in New York City at the age of 17, Carney was invited to join the Duke Ellington band for its performances in Boston in 1927.<ref name="Lorre">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>Template:Refn He soon recorded with Ellington too, with a first session in October that year.<ref name="Lorre" /> Having established himself in the Ellington band, he stayed with it for the rest of his life.<ref name="Grove" /> The band began a residency at the Cotton Club in New York at the end of the year.<ref name="Lorre" />

After Ellington added more personnel in 1928, Carney's main instrument became the baritone saxophone.<ref name="Lorre" /> He was a dominant figure on the baritone in jazz, with no serious rivals on the instrument until the advent of bebop in the mid-1940s.<ref name="Berendt">Template:Cite book</ref> Within the overall sound of the Ellington band, Carney's baritone was often employed to play parts of harmonies that were above the obvious low pitching of the instrument; this altered the textures of the band's sound.<ref name="Williams">Template:Cite book</ref>

In January 1938, Carney was invited to play with Benny Goodman's band at Carnegie Hall.<ref name="Berish">Template:Cite book</ref> Recordings from this event were released as The Famous 1938 Carnegie Hall Jazz Concert. Carney also took up the bass clarinet around 1944.<ref name="AM" /> He "co-composed "Rockin' in Rhythm" and was usually responsible for executing the bubbling clarinet solo on this tune".<ref name="AM" />

In 1957, Carney was part of a band led by pianist Billy Taylor that recorded the album Taylor Made Jazz.<ref name="Taylor">Template:Cite book</ref>

Carney was the longest serving player in Ellington's orchestra.<ref name="AM" /> On occasions when Ellington was absent or wished to make a stage entrance after the band had begun playing the first piece of a performance, Carney would serve as the band's conductor.Template:Citation needed The Ellington orchestra typically travelled on a tour bus, but Ellington himself did not; he was driven separately by Carney, a "quiet, calm presence".<ref name="James">Template:Cite book</ref>

Ellington wrote many showpiece features for Carney throughout their time together.Template:Citation needed In 1973 Ellington built the Third Sacred Concert around Carney's baritone saxophone.<ref name="Cottrell">Template:Cite book</ref>

After Ellington's 1974 death, Carney said: "Without Duke, I have nothing to live for".<ref name="Lorre" /> Carney's final recording may have been under Mercer Ellington's leadership, for the album Continuum.<ref name="AM" /> Four months after Ellington's death, Carney also died, on October 8, 1974, in New York.<ref name="Grove" />

Influence and legacy

File:Jimmy Hamilton and Harry Carney, Aquarium NYC, Nov 1946 Gottlieb 03801.jpg

Jimmy Hamilton and Harry Carney, Aquarium NYC, c. November 1946. Photo by William P. Gottlieb.

Carney was an early jazz proponent of circular breathing.<ref name="Cottrell" /> He was also Hamiet Bluiett's favorite baritone player because he "never saw anybody else stop time" in reference to a concert Bluiett attended where Carney held a note during which all else went silent.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Two months after Carney's death, bassist Charles Mingus recorded Sy Johnson's elegy "For Harry Carney"; the track was released on the album Changes Two.<ref name="Santoro">Template:Cite book</ref>

Discography

As leader

Harry Carney with Strings (Clef, 1954;<ref name="Grove" /> reissued by Verve as Moods for Girl and Boy)
Rock Me Gently (Columbia Records, 1960; recorded as "Harry Carney and the Duke's Men")