Hatful of Hollow

From Vero - Wikipedia
Jump to navigation Jump to search

Template:Multiple issues Template:Short description Template:EngvarB Template:Use dmy dates Template:Infobox album Template:Music ratings

Hatful of Hollow is a compilation album by the English rock band the Smiths, released on 2 November 1984 in the United Kingdom, by Rough Trade Records.<ref>Template:Cite news</ref> The album features tracks from BBC Radio 1 sessions, their first single "Hand in Glove" (a different mix of which had been included on the band's debut album released earlier in the year) and two new singles and their B-sides. It was eventually released in the United States on 9 November 1993 by Sire Records, which had initially declined to release the album in the country. Sire instead released Louder Than Bombs in the US in 1987, which is effectively a hybrid of Hatful of Hollow and a subsequent UK compilation album The World Won't Listen, along with additional songs that do not appear on either.

Hatful of Hollow reached No. 7 on the UK Albums Chart, remaining on the chart for 46 weeks.<ref name="David Roberts">David Roberts British Hit Singles and Albums, Guinness World Records Limited</ref> In 2000, Q magazine placed the album at No. 44 on its list of the "100 Greatest British Albums Ever".

Composition

The album consists mainly of songs recorded over several BBC Radio 1 sessions in 1983. Tracks shown in bold were included on the album.<ref name="Guide">Template:Cite web</ref>

  1. For John Peel on 18 May 1983 (broadcast 1 June): "What Difference Does It Make?", "Miserable Lie", "Reel Around the Fountain", "Handsome Devil" (all four songs were later released as the Peel Sessions EP)<ref name="Peel Guide">Template:Cite web</ref>
  2. For David Jensen on 26 June 1983 (broadcast 4 July): "These Things Take Time", "You've Got Everything Now", "Wonderful Woman"
  3. For Jensen on 25 August 1983 (broadcast 5 September): "Accept Yourself", "I Don't Owe You Anything", "Pretty Girls Make Graves", "Reel Around the Fountain"
  4. For Peel on 14 September 1983 (broadcast 21 September): "This Charming Man", "Back to the Old House", "This Night Has Opened My Eyes", "Still Ill"<ref name="Peel Guide"/>

When first broadcast, these radio sessions featured songs which were otherwise unavailable, with the exception of "Handsome Devil", a version of which had already appeared as the B-side to the "Hand in Glove" single.<ref name="Hann">Template:Cite news</ref> All were subsequently re-recorded for singles or for the band's debut album the following year. "This Night Has Opened My Eyes" was recorded in the studio in June 1984,Template:Citation needed but the only version ever released was the September Peel session.<ref name="Guide"/>

"This Charming Man" was specifically written for the band's second Peel session.<ref name="Peel Guide"/><ref name="Hann"/> It was an attempt by Johnny Marr to emulate both the work of labelmates Aztec Camera and the Supremes' "You Can't Hurry Love".<ref name="Hann"/>

Hatful of Hollow also features the band's debut single "Hand in Glove", as well as their two most recent singles prior to the album's release, "Heaven Knows I'm Miserable Now" and "William, It Was Really Nothing", along with their respective B-sides, "Girl Afraid", "How Soon Is Now?" and "Please Please Please Let Me Get What I Want".<ref name="Guide"/>

"How Soon Is Now?" would receive a separate single release in 1985 in both the UK and the US. It reached No. 24 in the British charts, but failed to chart in the US. Morrissey and Marr lamented the lack of chart success of what they considered their strongest song thus far.

Song differences

The radio session versions of songs differ from other studio recordings. Some of the major differences include:

  • "These Things Take Time" is less streamlined than the version on the "What Difference Does It Make?" 12-inch single.<ref name="Guide"/>
  • "This Charming Man" lacks the guitar intro that would later appear on the single release.<ref name="Guide"/> The rhythm and beat features more of a Motown influence, and the song lacks the sudden dramatic pauses of the later studio version.<ref name="Hann"/>
  • "Still Ill" opens and closes with a harmonica solo, played by Marr, and is slightly slower than the version on The Smiths.<ref name="Guide"/>
  • "You've Got Everything Now" is more raw than the version on The Smiths and also does not feature any of the latter's keyboard parts.<ref name="Guide"/>
  • "Back to the Old House" is an acoustic performance, featuring just Morrissey and Marr, as opposed to the full band version on the "What Differences Does It Make?" single.<ref name="Guide"/>
  • "Reel Around the Fountain" lacks the keyboard parts played by Paul Carrack that are present on the album version of The Smiths.<ref name="Guide"/> Michael Hann of The Guardian opined that the Peel version is "a grave and stately thing, with Marr's spectral and sparse guitar-playing draped over the song like gauze," adding that that the later version on The Smiths was transformed into a "conventional country-pop song", and that the bassline was changed.<ref name="Hann"/>

In addition, the original single version of "Hand in Glove" is included, as opposed to the remixed version by John Porter that appears on The Smiths. It features a fade-in and fade-out and more prominent bass from Andy Rourke.<ref name="Guide"/>

Cover and artwork

The cover was photographed by Gilles Decroix and features model Fabrice Colette, adorned with a tattoo inspired by a drawing by Jean Cocteau.<ref name="Artworks">Template:Cite web</ref> The photograph was taken from a July 1983 special edition of the French newspaper Libération.<ref>Template:Cite web</ref>Template:Better source needed In 1987, the album cover was redesigned and the photograph was cropped, which removed the tattoo.<ref name="Artworks"/>

Additionally, the old cover had a large sky-blue frame with the legends "The Smiths" and "Hatful of Hollow" above and striking through the picture. Editions after 1987 feature the cropped version with the text superimposed, although the 2011 vinyl re-issue reinstated the original sleeve.

"THE IMPOTENCE OF ERNEST" is etched into the runout groove of side A. As well as being a pun on Oscar Wilde's The Importance of Being Earnest, it is an allusion to the impotence that Ernest Hemingway suffered in his final years. "Ian (EIRE)", etched on side B, refers to Marr's younger brother.

Track listing

Track source information adapted from Dig!.<ref name="Guide"/>

Template:Track listing Template:Track listing

Personnel

Credits adapted from LP liner notes,<ref>Template:Cite AV media notes</ref> except where otherwise noted.

The Smiths

Additional musicians

Technical

  • Roger Pusey – producer (2, 4, 6, 8, 10, 14, 15)
  • Dale Griffin – producer (3, 11)
  • John Porter – producer (1, 5, 9, 12, 13, 16)
  • The Smiths – producers (7)
  • Morrissey – sleeve
  • Caryn Gough – layout
  • Martin Colley – engineer (3, 11)<ref name="2011 Liners">Template:Cite AV media notes</ref>
  • Mike Robinson – engineer (12)<ref name="2011 Liners"/>
  • Gilles Decroix – cover photographer<ref name="Artworks"/>
  • Fabrice Colette – cover model<ref name="Artworks"/>

Charts

Template:Album chartTemplate:Album chartTemplate:Album chart
Chart performance for Hatful of Hollow
Chart (1984–1985) Peak
position
UK Albums Chart<ref name=UKchart>Template:Cite web</ref> 7

Certifications and sales

Template:Certification Table Top Template:Certification Table Entry Template:Certification Table Entry Template:Certification Table Bottom

See also

References

Template:Reflist

Template:The Smiths Template:Authority control