Head over Heels (Cocteau Twins album)

Head over Heels is the second studio album by Scottish rock band Cocteau Twins. The album was released on 24 October 1983 through the label 4AD. It featured the band's signature sound of "Guthrie's lush guitars under Fraser's mostly wordless vocals" and is considered an archetype of early ethereal wave music.<ref name="MTV News Staff">MTV News Staff: "In 1983, Heggie left the band, and the group recorded Head Over Heels as a duo. The album was highly improvised and is the first recording to feature the Twins' signature sound — Guthrie's lush guitars under Fraser's mostly wordless vocals. The group became a trio again when bassist Simon Raymonde joined in 1984. Later that year, they released Treasure, an album that hit No. 29 on the UK charts and cemented the band's ethereal sound.", Cocteau Twins short biography, January 4, 1998</ref>

Background

Following their 1982 debut album Garlands, two EPs and a European tour supporting Orchestral Manoeuvres in the Dark, Cocteau Twins parted ways with bassist and founder member Will Heggie in mid-1983, leaving Robin Guthrie and Elizabeth Fraser unsure how they would continue.<ref name="zigzag">Template:Cite magazine</ref> They returned to Scotland to write new songs as a duo and record a new album. Most of the album was written in the studio over a short period of time; Guthrie explained the process as "little of it was really planned, the songs just came together very naturally."<ref name="zigzag" />

Content

Robin Guthrie described the songs on the album as love songs, explaining: "Whereas Garlands contained a lot of 'religious' imagery (Liz's own impressions) the new LP is more concerned with love imagery."<ref name="zigzag" /> Writing for ZigZag, Jonh Wilde wrote that Head over Heels "finds the two remaining Twins willing to explore their sound with more adventure and faith in chance. Piano, sax, and various effects scatter themselves about (with purpose), adding new twists and turns to their enigma. The entrancing atmosphere that dominated their material up to now remains (indeed more potent now) but it is part of a more coherent overall song structure. 'Head over Heels' has a cutting edge, angular and intensely oblique."<ref name="zigzag" />

Ned Raggett in The Guardian wrote that Fraser's singing was more direct in the mix than it had been on the band's first album, Garlands, and although her lyrics were still often understandable, she "began to shift away from conventional vocabulary towards enigmatic, emotional sound" on Head over Heels.<ref>Template:Cite web</ref> Writing for The Quietus, journalist Julian Marszalek said that with this album, "Fraser's voice became just as much an instrument" as those played by the musicians, including Guthrie's "multi-layered and heavily reverberated guitars".<ref name=quiet>Template:Cite web</ref> He also remarked: "'In Our Angelhood' probably fits the bill best and it's a track that wouldn't have sounded out of place on Siouxsie and the Banshees' Kaleidoscope". "The Tinderbox (Of a Heart)" conveys a sense of menace and danger, while the closing track "Musette and Drums" features sweeping guitars and chimes.<ref name=quiet /> Cam Lindsay of Exclaim! wrote that Template:"'Multifoiled' has a phlegmatic rockabilly lean to it, 'In Our Angelhood' is both post-punk and proto-shoegaze, and the dizzying 'Sugar Hiccup' could singlehandedly be the conception of dream pop."<ref name="exclaim">Template:Cite web</ref>

Release

Head over Heels was released on 24 October 1983 by 4AD.<ref name=FitOct83>Template:Cite news</ref><ref name=MwOct83>Template:Cite news</ref> The original United Kingdom and Canadian cassette and CD of Head over Heels, and the Brazilian CD versions, also included the Sunburst and Snowblind EP. The 2003 CD, remastered by Guthrie, did not include the EP.

In March 2018, the album was repressed on 180g vinyl using new masters created from high definition files transferred from the original analogue tapes.<ref>Template:Cite web</ref>

Critical reception

The album was well-received by John Peel, who played the entire record on his radio show.<ref name="exclaim"/>

In the British music press the album received mixed reviews. It was given an 8 out of 10 rating in Smash Hits, while Record Mirror and NME were less favourable. NME reviewer Barney Hoskins praised Elizabeth Fraser's singing and the final track "Musette and Drums", but found most of the album "hollow and vaporous" and that Cocteau Twins overall appeared as a lesser version of Siouxsie and the Banshees.<ref>Hoskins, Barney Head over Heels review, New Musical Express 5 November 1983</ref>

Head over Heels was ranked at No. 7 in Sounds magazine's End of Year List for 1983.<ref>Template:Cite web</ref>

In 2003, the album was named one of the most eccentric British albums of all time by Mojo magazine.<ref>Template:Cite web</ref>

In popular culture

The song "Sugar Hiccup" was played during the end titles of the fifth episode of series five titled "Doughnuts", of Scottish sitcom Two Doors Down in July 2022.<ref>Template:Cite web</ref>

Personnel

Cocteau Twins

• Elizabeth Fraser – vocals
• Robin Guthrie – guitar, bass guitar, keyboards, drum machine

Additional personnel

• Jon Turner – engineering
• 23 Envelope – sleeve art design
• Ally Gibb – saxophone on "Five Ten Fiftyfold" (is thanked in credits as "Ally")

Charts

Template:Album chart

Chart performance for Head over Heels

Chart (1983)	Peak position

External links

• Template:Discogs master