James MacMillan

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Template:Short description Template:Other people5 Template:Use dmy dates Template:Infobox person Sir James Loy MacMillan, Template:Post-nominals TOSD (born 16 July 1959) is a Scottish classical composer and conductor.

Early life

MacMillan was born at Kilwinning, in North Ayrshire, but lived in the East Ayrshire town of Cumnock until 1977. His father is James MacMillan, a carpenter,<ref name=DID>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and his mother is Ellen MacMillan (née Loy).<ref name=":0">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

He studied musical composition at the University of Edinburgh with Rita McAllister and Kenneth Leighton,Template:Sfn and at Durham University with John Casken, where he gained an undergraduate degree and then a PhD degree in 1987. At Durham he was a member of the College of St Hild and St Bede as an undergraduate student<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}Template:Failed verification</ref> and the Graduate Society while studying for his PhD.<ref>Template:Cite journal</ref> He was a lecturer in music at the Victoria University of Manchester from 1986 to 1988. After his studies, MacMillan returned to Scotland, composing prolifically, and becoming Associate Composer with the Scottish Chamber Orchestra, often working on education projects. As a young man he was briefly a member of the Young Communist League.<ref name=DID />

Rising success

He came to the attention of the classical establishment with the BBC Scottish Symphony Orchestra's premiere of The Confession of Isobel Gowdie at the BBC Proms in 1990. Isobel Gowdie was one of many women executed for witchcraft in 17th-century Scotland. According to the composer, "On behalf of the Scottish people the work craves absolution and offers Isobel Gowdie the mercy and humanity that was denied her in the last days of her life."<ref>"The Confession of Isobel Gowdie (1990)", work details and composer's notes, Boosey & Hawkes. Template:Retrieved</ref>

The work's international acclaim spurred more high-profile commissions, including a percussion concerto for fellow Scot Evelyn Glennie: Veni, Veni, Emmanuel. It was premiered in 1992 and has become MacMillan's most performed work. He was also asked by Mstislav Rostropovich to compose his Cello Concerto, which Rostropovich premiered in 1997.

Further successes have included his second opera The Sacrifice, commissioned by Welsh National Opera in 2007, which won a Royal Philharmonic Society Award, and the St John Passion jointly commissioned by the London Symphony Orchestra and Boston Symphony Orchestra<ref name="lso-bso">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and conducted by Sir Colin Davis at its world premiere in 2008. Also in 2008 he received the British Composer Award for Liturgical Music for his Strathclyde Motets.

In 2019, The Guardian ranked MacMillan's Stabat Mater the 23rd greatest work of art music since 2000.<ref>Template:Cite news</ref>

In 2024, he was became a Fellow of The Ivors Academy, the 26th person to be so honoured.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

In October 2025 he was nominated for two Ivor Novello Awards for his piece Concerto for Orchestra and Timotheus, Bacchus and Cecilia.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Influences

MacMillan's music is infused with the spiritual and the political. His Catholic faith has inspired many of his sacred works, including a Magnificat (1999) and several Masses. This central strand of his life and compositions was marked by the BBC Symphony Orchestra in 2005, with a survey of his music titled From Darkness into Light. MacMillan and his wife are lay Dominicans, and he has collaborated with Michael Symmons Roberts, a Catholic poet.

MacMillan has also collaborated with Rowan Williams, then the Anglican Archbishop of Canterbury.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Perhaps his most political work is Cantos Sagrados (1990), a setting of Latin American poetry by Ariel Dorfman and Ana Maria Mendoza, combining elements of liberation theology with more conventional religious texts. MacMillan said that his aim in writing this work was to emphasise 'a deeper solidarity with the poor of that subcontinent' in the context of political repression.<ref>Sam Laughton, notes to Signum Records CD SIGCD507 (2004).</ref>

Scottish traditional music has also had a profound musical influence, and is frequently discernible in his works. When the Scottish Parliament reconvened in 1999 after 292 years, a fanfare by MacMillan accompanied Elizabeth II into the parliamentary chamber. Weeks after the opening ceremony, MacMillan launched a vigorous attack on sectarianism in Scotland, particularly anti-Catholicism, in a speech titled "Scotland's Shame".<ref name="bbc-shame">Template:Cite news</ref>

His choral work Mass (2000) was commissioned by Westminster Cathedral and contains sections which the congregation may join in singing.<ref name="boosey-mass">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Similarly, the St Anne's Mass and Galloway Mass do not require advanced musicianship, being designed to be taught to a congregation.

One of his most important commissions (by the Catholic Bishops' Conference of England & Wales and of Scotland) was for a new Mass setting for choir and congregation to be sung at two of the three Masses Pope Benedict XVI celebrated during his apostolic and state visit to Great Britain in 2010. First sung at Mass at Bellahouston Park, Glasgow, on 16 September, it was sung again at the Mass and beatification of John Henry Newman at Cofton Park, Birmingham, on 19 September. MacMillan was also commissioned to write a setting of the text {{#invoke:Lang|lang}} (Matthew 16:18) for the Pope's entry at Mass at Westminster Cathedral on 18 September.

BBC Radio 4 broadcast in 2020–2021 Faith in Music, Macmillan's examination of religious faith in the work of seven composers from Thomas Tallis to Leonard Bernstein.<ref>"Faith in Music programme listing, BBC Radio 4</ref>

Appointments and collaborations

MacMillan was composer and conductor with the BBC Philharmonic from 2000 to 2009, following which he took up a position as principal guest conductor with the Netherlands Radio Chamber Philharmonic.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> His collaboration with Michael Symmons Roberts continued with his second opera, The Sacrifice (based on the ancient Welsh tales of the Mabinogion), premiered by Welsh National Opera in 2007. Sundogs, a large-scale work for a cappella choir, also using text by Symmons Roberts, was premiered by the Indiana University Contemporary Vocal Ensemble in 2006.

He is an honorary fellow of Blackfriars Hall, University of Oxford, and Professor of Theology, Imagination, and the Arts at St Mary's College, St Andrews. He is one of the patrons of St Mary's Music School in Edinburgh, the London Oratory School Schola, The British Art Music Series,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and of the Schola Cantorum of the Cardinal Vaughan Memorial School.

He was appointed a Commander of the Order of the British Empire (CBE) in 2004, and a Knight Bachelor in 2015.<ref>"Queen’s birthday honours: Here’s the full list" by Amy Willis, Metro, 13 June 2015. Retrieved 21 October 2023</ref>

In 2008, he became honorary patron of London Chamber Orchestra's LCO New: Explore project, which explores links between music and other art forms and fosters emerging creative talent in composition.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Personal life

MacMillan married Lynne Frew in 1983; they have three children.<ref name=":0" /><ref name="MacMillanInChurch">Template:Cite news</ref> He also had a grandchild who had Dandy–Walker syndrome.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Key works

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Bibliography

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Articles

Books

Critical studies and reviews

References

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Further reading

  • Denis, Joe. Review of St John Passion, Manchester Salon, April 2011
  • Hallam, Mandy. 2008. "Conversation with James MacMillan". Tempo 62, no. 245 (July) 17–29.
  • Johnson, Stephen. 2001. "MacMillan, James (Loy)". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan.
  • Reich, Wieland. 2005. Neuigkeiten eines Nazareners? Zur Musik von James MacMillan. Fragmen: Beiträge, Meinungen und Analysen zur neuen Musik 47. Saarbrücken: Pfau-Verlag. Template:ISBN.
  • Smith, Rowena. 2007. "Celtic Parallels". Opera (UK) 58, no. 9 (September): 1038–1043.
  • Whittall, Arnold, and Alison Latham. 2002. "MacMillan, James (Loy)". The Oxford Companion to Music, 2nd edition, Alison Latham (ed.). Oxford and New York: Oxford University Press. Template:ISBN.
  • York, John. 2002. "The Makings of a Cycle? James MacMillan's Cello and Piano Sonatas". Tempo, no. 221 (July): 24–28.

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Reviews of world première of the Violin Concerto

Review of Seven Last Words from the Cross

Personal life

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