Jan Jelinek

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Template:Short descriptionTemplate:Use dmy datesTemplate:About Template:Infobox musical artist

Jan Jelinek is a German electronic musician who also operates under the names Farben, Gramm and The Exposures, among others.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> His music is usually categorized as minimal techno, glitch or microhouse, and is characterized by deep basslines, extensive use of samples from earlier jazz and rock recordings,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and clicks & cuts effects. He is the founder of the German record label Faitiche.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Discography

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Albums

  • Template:Vanchor (as Gramm; Source, 1999)
  • Loop-Finding-Jazz-Records (~scape, 2001)
  • Improvisations and Edits Tokyo 09/26/2001 (with Computer Soup; Soup-Disk, 2002)
  • Template:Vanchor (as Farben; Klang Elektronik, 2002)
  • 1+3+1 (with Triosk; ~scape, 2003)
  • Template:Vanchor (as The Exposures; ~scape, 2003)
  • Template:Vanchor (~scape, 2005)
  • Lost Recordings 2000–2004 (as The Exposures; Eastern Developments, 2005)
  • Template:Vanchor (~scape, 2006)
  • Bird, Lake, Objects (with Masayoshi Fujita; Faitiche, 2010)
  • Schaum (with Masayoshi Fujita; Faitiche, 2016)
  • Zwischen (Faitiche, 2018)
  • Puls-Plus-Puls (with Sven-Åke Johansson; Ni-Vu-Ni-Connu, 2019)
  • Signals Bulletin (with Asuna; Faitiche, 2019)
  • The Raw and the Cooked (Faitiche, 2021)
  • Soundtrack for SEASCAPE – polyptych (Faitiche, 2023)
  • Social Engineering (Faitiche, 2024)

Extended plays

  • Tendency (~scape, 2000)
  • Music for Fragments / Music & Birds (Faitiche, 2012)
  • PrimeTime (Faitiche, 2012)
  • Do You Know Otahiti? (with Masayoshi Fujita; Faitiche, 2013)
  • Temple (split with Gesellschaft zur Emanzipation des Samples; Faitiche, 2013)
  • Ice Compositions / Miami (with Sarah Morris; En/Of, 2021)

Singles

  • "If's, And's and But's" (as The Exposures; ~scape, 2002)

References

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