Jean-Baptiste Isabey

File:GERARD Francois Jean Baptist Isabey Miniaturist With His Daughter.jpg

Isabey and his daughter depicted in a 1795 portrait by François Gérard

File:Jean-Baptiste Isabey 001.jpg

A miniature of Christine Boyer by Isabey in the beginning of the 19th century

Jean-Baptiste Isabey (Template:IPA; 11 April 1767 – 18 April 1855) was a French artist during both the First Empire and the Restoration.

Early life and education

Isabey was born in Nancy, France on 11 April 1767.Template:Sfn At the age of 19, following some lessons from Francois Dumont, the miniature painter to Marie Antoinette, Isabey became a pupil of Jacques-Louis David.Template:Sfn

Career

Isabey was hired by the Palace of Versailles to paint portraits of the dukes of Angoulême and Berry. He was commissioned by the queen, the first of several commissions he was awarded by successive French rulers until his death in 1855.

Patronized by Josephine and Napoleon Bonaparte, he arranged the ceremonies of their coronation and prepared drawings for the publication intended as its official commemoration. He was paid for this work by Louis XVIII after the Restoration, and he also painted a portrait of Louis XVIII (engraved by Philibert-Louis Debucourt), which was completed in 1814. Although Isabey did homage to Napoleon on his return from Elba, he continued to enjoy the favour of the Restoration, and took part in arrangements for the coronation of Charles X.Template:Sfn

The July Monarchy conferred on him an important post in connection with the royal collections, and Napoleon III granted him a pension, and the cross of commander of the Legion of Honor. Review of Troops by the First Consul was one of his most important compositions.Template:Sfn

Isabey's Boat, which was engraved by Charles Paul Landon, is a drawing of Isabey and his family. Produced at a time when Isabey was occupied with lithography, Boat was a great success at the Salon of 1820. His portrait, Napoleon at Malmaison, is considered his best, and his tiny head of the king of Rome, painted for a breast-pin, is distinguished by decision and breadth.Template:Sfn

A biography of Isabey was published by Edmond Taigny in 1859. Charles Lenormant's article, written for Joseph-François Michaud's Biographie Universelle, was based on facts furnished by Isabey's family.Template:Sfn

His son, Eugène, also became a painter.

Sources

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• Basily-Callimaki, Eva de, Mme, J.B. Isabey: sa vie, son temps, 1767-1855: Suivi du Catalogue de l'oeuvre gravée par et d'apres Isabey
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