Joan Blondell
Template:Short description Template:Use American English Template:Use mdy dates Template:Infobox person
Rose Joan Blondell (August 30, 1906 – December 25, 1979)Template:Efn was an American actress<ref>Template:Cite news</ref> who performed in film and television for 50 years.
Blondell began her career in vaudeville. After winning a beauty pageant, she embarked on a film career, establishing herself as a Pre-Code staple of Warner Bros. Pictures in wisecracking, sexy roles, appearing in more than 100 films and television productions. She was described as a "brassy blonde with a heart of gold."<ref>Template:Cite book</ref> Blondell was most active in film during the 1930s and early 1940s, and during that time co-starred with Glenda Farrell, a colleague and close friend, in nine films. Blondell continued acting on film and television for the rest of her life, often in small, supporting roles. She was nominated for an Academy Award for Best Supporting Actress for her performance in The Blue Veil (1951). In 1958, she was nominated for the Tony Award for Best Featured Actress in a Play for her performance as Mrs. Farrow in The Rope Dancers.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
Near the end of her life, Blondell was nominated for a Golden Globe for Best Supporting Actress for her performance in Opening Night (1977). She was featured in two more films, the blockbuster musical Grease (1978) and Franco Zeffirelli's The Champ (1979), which was released shortly before her death from leukemia.
Early life and education
Rose Joan Blondell was born in New York City to a vaudeville family; her birthdate was August 30, 1906, but was misrepresented as 1909 by Blondell earlier in her career and sometimes later conflated with the true year, including in her obituaries.<ref name="NYT Obit">Template:Cite news</ref> Her father, Levi Bluestein, a vaudeville comedian known as Ed Blondell,<ref>Template:Cite news</ref><ref>Template:Cite news</ref> was born in Poland to a Jewish family in 1866. He toured for many years starring in Blondell and Fennessy's stage version of The Katzenjammer Kids.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>Template:Cite magazine</ref><ref name="between">Template:Cite book</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Blondell's mother was Catherine (known as "Kathryn" or "Katie") Caine, born in Brooklyn, Kings County, New York (later Brooklyn, New York City), on April 13, 1884, to Irish-American parents. Joan's younger sister, Gloria Blondell, also an actress, was married to film producer Albert R. Broccoli. Joan also had a brother, Ed Blondell, Jr.<ref name="TBoRB">Template:Cite news</ref>
Joan's cradle was a property trunk as her parents moved from place to place. She made her first appearance on stage at the age of four months when she was carried on in a cradle as the daughter of Peggy Astaire in The Greatest Love. Her family comprised a vaudeville troupe, the Bouncing Blondells.<ref>Template:Cite news</ref>
Joan had spent a year in Honolulu (1914–1915), where she attended Punahou School,<ref>Template:Cite book</ref> and six months in Australia and had seen much of the world by the time her family stopped touring and settled in Dallas, Texas, when she was a teenager. Using the stage name "Rosebud" (acquired several years before, while a student at Chicago's Elmwood School, following her onstage portrayal of a rose during a show entitled In a Garden of Girls<ref name="TBoRB"/>), Blondell won the 1926 Miss Dallas pageant, was a finalist in an early version of the Miss Universe pageant in May 1926, and placed fourth for Miss America 1926 in Atlantic City, New Jersey in September of that year. She attended Santa Monica High School, where she acted in school plays and edited the school yearbook.<ref>Template:Cite book</ref> While there, she gave her name as Rosebud Blondell,<ref name="Yucca">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and when she attended North Texas State Teacher's College (now the University of North Texas) in Denton, Texas in 1926–1927, where her mother was a local stage actress.<ref name="UNT">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
Career
Early work and Broadway
Around 1927, she returned to New York, worked as a fashion model, a circus hand, a clerk in a store, joined a stock company to become an actress, and performed on Broadway. In 1930, she starred with James Cagney in Penny Arcade on Broadway.<ref>{{#if: 32322 {{#property:P1220}}
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}}</ref> Penny Arcade lasted only three weeks, but Al Jolson saw it and bought the rights to the play for $20,000. He then sold the rights to Warner Bros., with the proviso that Blondell and Cagney be cast in the film version, named Sinners' Holiday (1930). Placed under contract by Warner Bros., she moved to Hollywood, where studio boss Jack L. Warner wanted her to change her name to "Inez Holmes", but Blondell refused.<ref>Template:Cite book</ref><ref name="between" />Template:Rp She began to appear in short subjects and was named as one of the WAMPAS Baby Stars in 1931.<ref>Template:Cite news</ref>
1930s film success
Blondell was paired several more times with James Cagney in films, including The Public Enemy (1931) and Footlight Parade (1933), and was one-half of a gold-digging duo with Glenda Farrell in nine films. During the Great Depression, Blondell was one of the highest-paid individuals in the United States. Her stirring rendition of "Remember My Forgotten Man" in the Busby Berkeley production of Gold Diggers of 1933, in which she co-starred with Dick Powell and Ruby Keeler, became an anthem for the frustrations of unemployed people and the government's failed economic policies.<ref>Template:Cite book</ref> In 1937, she starred opposite Errol Flynn in The Perfect Specimen. By the end of the decade, she had made nearly 50 films. She left Warner Bros. in 1939.
Mid-career and stage return
In 1943, Blondell returned to Broadway as the star of Mike Todd's short-lived production of The Naked Genius, a comedy written by Gypsy Rose Lee.<ref name="NYT Obit"/> She was well received in her later films, despite being relegated to character and supporting roles after 1945, when she was billed below the title for the first time in 14 years in Adventure, which starred Clark Gable and Greer Garson. She was also featured prominently in A Tree Grows in Brooklyn (1945) and Nightmare Alley (1947). In 1948, she left the screen for three years and concentrated on theater, performing in summer stock and touring with Cole Porter's musical Something for the Boys.<ref name="NYT Obit"/> She later reprised her role of Aunt Sissy in the musical version of A Tree Grows in Brooklyn for the national tour and played the nagging mother Mae Peterson in the national tour of Bye Bye Birdie.
Later film work
Blondell returned to Hollywood in 1950. Her performance in her next film, The Blue Veil (1951), earned her an Academy Award nomination for Best Actress in a Supporting Role.<ref name="NYT Obit"/> She played supporting roles in The Opposite Sex (1956), Desk Set (1957), and Will Success Spoil Rock Hunter? (1957). She received considerable acclaim for her performance as Lady Fingers in Norman Jewison's The Cincinnati Kid (1965), garnering a Golden Globe nomination and National Board of Review win for Best Supporting Actress. John Cassavetes cast her as a cynical, aging playwright in his film Opening Night (1977). Blondell was widely seen in two films released not long before her death – Grease (1978), and the remake of The Champ (1979) with Jon Voight and Rick Schroder. She also appeared in two films released after her death – The Glove (1979), and The Woman Inside (1981).
Television work
Blondell also guest-starred in various television programs, including three 1963 episodes as the character Aunt Win in the sitcom The Real McCoys.
Also in 1963, Blondell was cast as the widowed Lucy Tutaine in the episode "The Train and Lucy Tutaine" on the series Death Valley Days, hosted by Stanley Andrews.
In March 1964, she appeared with William Demarest in The Twilight Zone episode "What's in the Box".<ref>Template:Cite news</ref> The following month Blondell, Joe E. Brown and Buster Keaton guest-starred in "You're All Right, Ivy", the final episode of the short-lived circus drama The Greatest Show on Earth, as well as the directorial debut of its star Jack Palance.<ref>Template:Cite news</ref><ref>Template:Cite book</ref> In 1965, she was in the running to replace Vivian Vance as Lucille Ball's sidekick on the hit CBS television comedy series The Lucy Show. After filming her second guest appearance as Joan Brenner (Lucy's new friend from California), Blondell walked off the set right after the episode had completed filming when Ball humiliated her by harshly criticizing her performance in front of the studio audience and technicians.<ref>Template:Cite book</ref>
Final years and legacy
Blondell continued working on television. In 1968, she guest-starred on the CBS sitcom Family Affair, starring Brian Keith.<ref>Template:Cite news</ref> She replaced Bea Benaderet, who was ill, for one episode on the CBS series Petticoat Junction. In that installment, Blondell played FloraBelle Campbell, a lady visitor to Hooterville, who had once dated Uncle Joe (Edgar Buchanan) and Sam Drucker (Frank Cady).<ref>Template:Cite news</ref> The same year, Blondell co-starred in all 52 episodes of the ABC series Here Come the Brides. Blondell received two consecutive Emmy nominations for outstanding continued performance by an actress in a dramatic series for her role as Lottie Hatfield.<ref>Template:Cite news</ref><ref>Template:Cite news</ref>
In 1971, she followed Sada Thompson in the off-Broadway hit The Effect of Gamma Rays on Man-in-the-Moon Marigolds, with a young Swoosie Kurtz playing one of her daughters.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
In 1972, she had an ongoing supporting role in the series Banyon as Peggy Revere, who operated a secretarial school in the same building as Banyon's detective agency. This was a 1930s period action drama starring Robert Forster in the title role. Her students worked in Banyon's office, providing fresh faces for the show weekly. The series was replaced midseason.<ref>Template:Cite book</ref>
Blondell has a motion pictures star on the Hollywood Walk of Fame for her contributions to the film industry. Her star is located at 6311 Hollywood Boulevard.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In December 2007, the Museum of Modern Art in New York City mounted a retrospective of Blondell's films in connection with a new biography by film professor Matthew Kennedy.<ref>Template:Cite news</ref> More recently her films have been screened by revival houses such as Film Forum in Manhattan, the UCLA Film and Television Archive in Los Angeles, the Hippodrome Cinema in Bo'ness, Scotland,<ref>Template:Cite news</ref><ref>Template:Cite news</ref><ref>Template:Cite news</ref><ref>Template:Cite news</ref> and at the 2019 Lumière Film Festival in Grand Lyon, France.<ref>Template:Cite news</ref>
She wrote a novel titled Center Door Fancy (New York: Delacorte Press, 1972), which was a thinly disguised autobiography with veiled references to June Allyson and Dick Powell.<ref name= between />Template:Rp
Personal life

Blondell was married three times, first to cinematographer George Barnes in a private wedding ceremony on January 4, 1933, at the First Presbyterian Church in Phoenix, Arizona.<ref>Template:Cite news</ref> They had one child, Norman Scott Barnes.<ref name="MSreNSP=NSB">Template:Cite magazine</ref> Blondell and Barnes divorced in 1936.<ref>Template:Cite news</ref>
On September 19, 1936, she married actor Dick Powell.<ref>Template:Cite news</ref> They had a daughter, Ellen, who later became a studio hair stylist.<ref>Template:Cite book</ref> Powell legally adopted Blondell's son Norman,<ref name="MSreNSP=NSB" /> who later became a producer, director, and television executive.<ref>Template:Cite news</ref> Blondell and Powell divorced on July 14, 1944.<ref>Template:Cite news</ref>
Clark Gable proposed marriage to her in 1945 but she declined.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
On July 5, 1947, Blondell married producer Mike Todd. Her marriage to Todd was an emotional and financial disaster that ended in divorce in 1950. She once accused him of holding her outside a hotel window by her ankles.<ref name= between /> He was also a heavy spender who lost hundreds of thousands of dollars gambling (high-stakes bridge was one of his weaknesses) and went through a controversial bankruptcy during their marriage. An often-repeated myth is that Mike Todd left Blondell for Elizabeth Taylor, when in fact, she had left Todd of her own accord years before he met Taylor.<ref>Template:Cite news</ref><ref>Template:Cite news</ref>
Death
Blondell died of leukemia in Santa Monica, California, on Christmas Day 1979, with her children and her sister at her bedside.<ref name="NYT Obit" /> She was cremated and her ashes interred in a columbarium at the Forest Lawn Memorial Park Cemetery in Glendale, California.<ref>Template:Cite book</ref> She was 73 years old.
Filmography
Feature films
| Year | Title | Role | Notes | |
|---|---|---|---|---|
| 1930 | The Office Wife | Katherine Mudcock | citation | CitationClass=web
}}</ref> |
| 1930 | Sinners' Holiday | Myrtle | <ref name="AFI"/> | |
| 1931 | Other Men's Women | Marie | <ref name="AFI"/> | |
| 1931 | Millie | Angie Wickerstaff | <ref name="AFI"/> | |
| 1931 | Illicit | Helen Dukie Childers | <ref name="AFI"/> | |
| 1931 | God's Gift to Women | Fifi | <ref name="AFI"/> | |
| 1931 | The Public Enemy | Mamie | <ref name="AFI"/> | |
| 1931 | My Past | Marian Moore | <ref name="AFI"/> | |
| 1931 | Big Business Girl | Pearl | <ref name="AFI"/> | |
| 1931 | Night Nurse | B. Maloney | <ref name="AFI"/> | |
| 1931 | The Reckless Hour | Myrtle Nichols | <ref name="AFI"/> | |
| 1931 | Blonde Crazy | Ann Roberts | <ref name="AFI"/> | |
| 1932 | Union Depot | Ruth Collins | <ref name="AFI"/> | |
| 1932 | The Greeks Had a Word for Them | Schatze Citroux | <ref name="AFI"/> | |
| 1932 | The Crowd Roars | Anne Scott | <ref name="AFI"/> | |
| 1932 | The Famous Ferguson Case | Maizie Dickson | <ref name="AFI"/> | |
| 1932 | Make Me a Star | Flips Montague | <ref name="AFI"/> | |
| 1932 | Miss Pinkerton | Miss Adams | <ref name="AFI"/> | |
| 1932 | Big City Blues | Vida Fleet | <ref name="AFI"/> | |
| 1932 | Three on a Match | Mary Keaton | <ref name="AFI"/> | |
| 1932 | Central Park | Dot | <ref name="AFI"/> | |
| 1933 | Lawyer Man | Olga Michaels | <ref name="AFI"/> | |
| 1933 | Broadway Bad | Tony Landers | <ref name="AFI"/> | |
| 1933 | Blondie Johnson | Blondie Johnson | <ref name="AFI"/> | |
| 1933 | Gold Diggers of 1933 | Carol King | <ref name="AFI"/> | |
| 1933 | Goodbye Again | Anne Rogers | <ref name="AFI"/> | |
| 1933 | Footlight Parade | Nan Prescott | <ref name="AFI"/> | |
| 1933 | Havana Widows | Mae Knight | <ref name="AFI"/> | |
| 1933 | Convention City | Nancy Lorraine | Lost film<ref name="AFI"/> | |
| 1934 | I've Got Your Number | Marie Lawson | <ref name="AFI"/> | |
| 1934 | He Was Her Man | Rose Lawrence | <ref name="AFI"/> | |
| 1934 | Smarty | Vickie Wallace | <ref name="AFI"/> | |
| 1934 | Dames | Mabel Anderson | <ref name="AFI"/> | |
| 1934 | Kansas City Princess | Rosie Sturges | <ref name="AFI"/> | |
| 1935 | Traveling Saleslady | Angela Twitchell | <ref name="AFI"/> | |
| 1935 | Broadway Gondolier | Alice Hughes | <ref name="AFI"/> | |
| 1935 | We're in the Money | Ginger Stewart | <ref name="AFI"/> | |
| 1935 | Miss Pacific Fleet | Gloria Fay | <ref name="AFI"/> | |
| 1936 | Colleen | Minnie Hawkins | <ref name="AFI"/> | |
| 1936 | Sons O' Guns | Yvonne | <ref name="AFI"/> | |
| 1936 | Bullets or Ballots | Lee Morgan | <ref name="AFI"/> | |
| 1936 | Stage Struck | Peggy Revere | <ref name="AFI"/> | |
| 1936 | Three Men on a Horse | Mabel | <ref name="AFI"/> | |
| 1936 | Gold Diggers of 1937 | Norma Perry | <ref name="AFI"/> | |
| 1937 | The King and the Chorus Girl | Dorothy Ellis | <ref name="AFI"/> | |
| 1937 | Back in Circulation | Timmy Blake | <ref name="AFI"/> | |
| 1937 | The Perfect Specimen | Mona Carter | <ref name="AFI"/> | |
| 1937 | Stand-In | Lester Plum | <ref name="AFI"/> | |
| 1938 | There's Always a Woman | Sally Reardon | <ref name="AFI"/> | |
| 1939 | Off the Record | Jane Morgan | <ref name="AFI"/> | |
| 1939 | East Side of Heaven | Mary Wilson | <ref name="AFI"/> | |
| 1939 | The Kid from Kokomo | Doris Harvey | <ref name="AFI"/> | |
| 1939 | Good Girls Go to Paris | Jenny Swanson | <ref name="AFI"/> | |
| 1939 | The Amazing Mr. Williams | Maxine Carroll | <ref name="AFI"/> | |
| 1940 | Two Girls on Broadway | Molly Mahoney | <ref name="AFI"/> | |
| 1940 | I Want a Divorce | Geraldine Brokaw | <ref name="AFI"/> | |
| 1941 | Topper Returns | Gail Richards | <ref name="AFI"/> | |
| 1941 | Model Wife | Joan Keathing Chambers | <ref name="AFI"/> | |
| 1941 | Three Girls About Town | Hope Banner | <ref name="AFI"/> | |
| 1942 | Lady for a Night | Jenny Blake | <ref name="AFI"/> | |
| 1942 | Cry 'Havoc' | Grace Lambert | <ref name="AFI"/> | |
| 1945 | A Tree Grows in Brooklyn | Aunt Sissy | <ref name="AFI"/> | |
| 1945 | Don Juan Quilligan | Margie Mossrock | <ref name="AFI"/> | |
| 1945 | Adventure | Helen Melohn | <ref name="AFI"/> | |
| 1947 | The Corpse Came C.O.D. | Rosemary Durant | <ref name="AFI"/> | |
| 1947 | Nightmare Alley | Zeena | <ref name="AFI"/> | |
| 1947 | Christmas Eve | Ann Nelson | <ref name="AFI"/> | |
| 1950 | For Heaven's Sake | Daphne | <ref name="AFI"/> | |
| 1951 | The Blue Veil | Annie Rawlins | Nominated—Academy Award for Best Supporting Actress<ref name="AFI"/> | |
| 1956 | The Opposite Sex | Edith Potter | <ref name="AFI"/> | |
| 1957 | Lizzie | Aunt Morgan | <ref name="AFI"/> | |
| 1957 | Desk Set | Peg Costello | <ref name="AFI"/> | |
| 1957 | This Could Be the Night | Crystal | <ref name="AFI"/> | |
| 1957 | Will Success Spoil Rock Hunter? | Violet | <ref name="AFI"/> | |
| 1961 | Angel Baby | Mollie Hays | <ref name="AFI"/> | |
| 1964 | Advance to the Rear | Easy Jenny | <ref name="AFI"/> | |
| 1965 | The Cincinnati Kid | Lady Fingers | National Board of Review Award for Best Supporting Actress Nominated—Golden Globe Award for Best Supporting Actress – Motion Picture<ref name="AFI"/> | |
| 1966 | Ride Beyond Vengeance | Mrs. Lavender | <ref name="AFI"/> | |
| 1967 | Waterhole#3 | Lavinia | <ref name="AFI"/> | |
| 1967 | Winchester '73 | Larouge | TV movie | |
| 1967 | The Spy in the Green Hat | Mrs. "Fingers" Steletto | ||
| 1968 | Stay Away, Joe | Glenda Callahan | <ref name="AFI"/> | |
| 1968 | Kona Coast | Kittibelle Lightfoot | <ref name="AFI"/> | |
| 1969 | Big Daddy | <ref name="AFI"/> | ||
| 1970 | The Phynx | Ruby | <ref name="AFI"/> | |
| 1971 | Support Your Local Gunfighter! | Jenny | <ref name="AFI"/> | |
| 1975 | The Dead Don't Die | Levinia | TV movie | |
| 1976 | Won Ton Ton, the Dog Who Saved Hollywood | Landlady | <ref name="AFI"/> | |
| 1976 | Death at Love House | Marcella Geffenhart | ||
| 1977 | The Baron | |||
| 1977 | Opening Night | Sarah Goode | Nominated—Golden Globe Award for Best Supporting Actress – Motion Picture<ref name="AFI"/> | |
| 1978 | Grease | Vi | <ref name="AFI"/> | |
| 1979 | Battered | Edna Thompson | NBC TV movie | |
| 1979 | The Champ | Dolly Kenyon | <ref name="AFI"/> | |
| 1979 | The Glove | Mrs. Fitzgerald | ||
| 1981 | The Woman Inside | Aunt Coll | posthumous release; filmed in 1978 |
Short films
| Year | Title | Notes |
|---|---|---|
| 1929 | Broadway's Like That | Vitaphone Varieties release 960 (December 1929) Cast: Ruth Etting, Humphrey Bogart, Mary Philips<ref name="Vitaphone">Template:Cite book</ref>Template:Rp |
| 1930 | The Devil's Parade | Vitaphone Varieties release 992 (February 1930) Cast: Sidney Toler<ref name="Vitaphone"/>Template:Rp |
| 1930 | The Heart Breaker | Vitaphone Varieties release 1012–1013 (March 1930) Cast: Eddie Foy, Jr.<ref name="Vitaphone"/>Template:Rp |
| 1930 | An Intimate Dinner in Celebration of Warner Bros. Silver Jubilee | |
| 1931 | How I Play Golf, number 10, "Trouble Shots" | Vitaphone release 4801 Cast: Bobby Jones, Joe E. Brown, Edward G. Robinson, Douglas Fairbanks, Jr.<ref name="Vitaphone"/>Template:Rp |
| 1933 | Just Around the Corner | |
| 1934 | Hollywood Newsreel | |
| 1941 | Meet the Stars #2: Baby Stars | |
| 1965 | The Cincinnati Kid Plays According to Hoyle |
Television
| Year | Title | Role | Notes |
|---|---|---|---|
| 1961 | The Untouchables | Hannah 'Lucy' Wagnall | Episode: "The Underground Court" |
| 1963 | The Virginian | Rosanna Dobie | Episode: "To Make This Place Remember" |
| 1963 | Wagon Train | Ma Bleecker | Episode: "The Bleecker Story" |
| 1963 | The Real McCoys | Aunt Winn | Season 6, Episodes 21 & 22 |
| 1964 | The Twilight Zone | Phyllis Britt | Episode: "What's in the Box" |
| 1964 | Bonanza | Lillian Manfred | Episode: "The Pressure Game" |
| 1965 | Petticoat Junction | Florabelle Campbell | Season 5, Episode 22 |
| 1965 | The Lucy Show | Joan Brenner | Episodes: "Lucy and Joan" & "Lucy the Stunt Man" |
| 1965 | My Three Sons | Harriet Blanchard | Episode: "Office Mother" |
| 1968 | Family Affair | Laura London | Episode: "Somebody Upstairs" |
| 1968–1970 | Here Come the Brides | Lottie Hatfield | 52 episodes<ref>Here Come the Brides - 'The Complete 2nd Season': Shout!'s Street Date, Cost, Packaging Template:Webarchive TVShowsonDVD.com November 7, 2001</ref><ref>Here Come the Brides - Official Press Release, Plus Rear Box Art & Revised Front Art Template:Webarchive TVShowsonDVD.com March 7, 2006</ref> Nominated—Primetime Emmy Award for Outstanding Lead Actress in a Drama Series (1969–70) |
| 1971 | McCloud | Ernestine White | Episode: "Top of the World, Ma" |
| 1971 | Love American Style | Episode: "Love and the Love Sick Sailor/Love and the Mistress/Love and the Reincarnation/Love and the Sexy Survey" | |
| 1972–1973 | Banyon | Peggy Revere | 8 episodes |
| 1973 | The Rookies | Mrs. Louise Darrin | Episode: "Cry Wolf" |
| 1976 | Starsky & Hutch | Mrs Pruitt | Episode "The Las Vegas Strangler" |
| 1978 | The Love Boat | Ramona Bevans | Episode: "Ship of Ghouls" |
| 1979 | The Rebels | Mrs. Brumple | TV movie |
| 1979 | Fantasy Island | Naomi Gittings | Episode: Bowling; Command Performance, —TV movie |
Radio broadcasts
| Year | Program | Episode/source |
|---|---|---|
| 1946 | Hollywood Star Time |
Awards and nominations
| Year | Organization | Work | Category | Result | Ref. | |
|---|---|---|---|---|---|---|
| 1952 | Academy Awards | The Blue Veil | Best Supporting Actress | Template:Nominated | citation | CitationClass=web
}}</ref> |
| 1958 | Tony Awards | The Rope Dancers | Tony Award for Best Featured Actress in a Play | Template:Nominated | citation | CitationClass=web
}}</ref> |
| 1960 | Hollywood Walk of Fame | Template:N/a | Star – Motion Pictures | Template:Won | citation | CitationClass=web
}}</ref> |
| 1965 | National Board of Review | The Cincinnati Kid | Best Supporting Actress | Template:Won | citation | CitationClass=web
}}</ref> |
| 1966 | Golden Globe Awards | Best Supporting Actress – Motion Picture | Template:Nominated | citation | CitationClass=web
}}</ref> | |
| 1969 | Primetime Emmy Awards | Here Come the Brides | Outstanding Lead Actress in a Drama Series | Template:Nominated | <ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
| 1970 | Template:Nominated | |||||
| 1978 | Golden Globe Awards | Opening Night | Best Supporting Actress – Motion Picture | Template:Nominated | <ref name=":0" /> |
Notes
References
Further reading
- Oderman, Stuart. Talking to the Piano Player 2. BearManor Media, 2009. Template:ISBN
- Grabman, Sandra. Plain Beautiful: The Life of Peggy Ann Garner. BearManor Media, 2005. Template:ISBN
External links
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