John Van Druten

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Template:Short description Template:EngvarB Template:Use dmy dates Template:Infobox person John William Van Druten (1 June 1901Template:Spaced ndash19 December 1957) was an English playwright and theatre director.<ref>Template:Cite book</ref> He began his career in London, and later moved to America, becoming a U.S. citizen. He was known for his plays of witty and urbane observations of contemporary life and society.<ref name="Vineberg">Vineberg, Steve. “John Van Druten and the Remnants of a Lost Era.” The Threepenny Review, no. 165, 2021, pp. 25–26. JSTOR, [1] Accessed 8 Mar. 2023.</ref>

Biography

Van Druten was born in London in 1901, son of a Dutch father named Wilhelmus van Druten and his English wife Eva. He was educated at University College School and read law at the University of London. Before commencing his career as a writer, he practised law for a while as a solicitor and university lecturer in Wales.<ref name="Vineberg"/> He first came to prominence with Young Woodley, a slight but charming study of adolescence, produced in New York in 1925. However, it was banned in London by the Lord Chamberlain's office owing to its then-controversial portrayal of a schoolboy falling in love with his headmaster's wife. In Britain, it was first produced privately (by Phyllis Whitworth's Three Hundred Club) and then at the Arts Theatre in 1928. When the ban was lifted, it had a successful run at the Savoy Theatre in the West End with a cast including Frank Lawton, Derrick De Marney, and Jack Hawkins. The play was filmed twice. It was revived at the Finborough Theatre, London, in 2006.<ref name="Vineberg"/>

Van Druten was one of the more successful playwrights of the early 1930s in London, with star-studded West End productions of his work, including Diversion (1927), After All (1929), London Wall (1931) with Frank Lawton and John Mills, There's Always Juliet (1931), Somebody Knows (1932), Behold, We Live (1932) with Gertrude Lawrence and Gerald du Maurier, The Distaff Side (1933), and Flowers of the Forest (1934).

He later emigrated to America, where he wrote Leave Her to Heaven (February 1940), a drama set in London and Westcliff-on-Sea in Essex, which was shortly followed by major successes with Old Acquaintance (NY December 1940 – May 1941 and London with Edith Evans) and The Voice of the Turtle (1943), which ran for three seasons in New York and was filmed with Ronald Reagan. His subsequent play, I Remember Mama (1944), ran for 713 performances. It was later made into a movie and a television series. In 1944, he became a naturalized citizen of the United States. His play Make Way for Lucia (1948), based on the Mapp and Lucia novels of E. F. Benson, was premiered in New York, but did not have its first professional British production until 1995.<ref>Make Way for Lucia, Samuel French edition 1999</ref>

His 1951 play I Am a Camera, together with Christopher Isherwood's short stories, Goodbye to Berlin (1939), formed the basis of Joe Masteroff's book for the Kander and Ebb musical Cabaret (1966).<ref name="Vineberg"/><ref name="jstor.org">Blades, Joe. “The Evolution of ‘Cabaret.’” Literature/Film Quarterly, vol. 1, no. 3, 1973, pp. 226–38. JSTOR, [2] Accessed 9 Mar. 2023.</ref> When I Am a Camera opened on Broadway in 1951, drama critic Walter Kerr gave the play a largely positive review in New York Herald Tribune. However, he was later erroneously attributed to have made a two-word review of "No Leica". This quip about the play was made by Goodman Ace and reported by gossip columnist Walter Winchell in his syndicated newspaper column.<ref>Template:Cite web</ref>

On 26 April 1921, Van Druten married Paula Cinquevalli, daughter of the music hall artist Paul Cinquevalli.<ref>Template:Cite news</ref> The marriage ended in divorce a few years later. In the late 1930s and early 1940s, he was in a relationship with Carter Lodge (died 1995), who was the manager of the AJC Ranch that Van Druten, British actress Auriol Lee and Lodge bought together in Coachella Valley. When the relationship ended, Lodge continued to live on the ranch with his new partner, Dick Foote. When Van Druten died in 1957, he left the entire property of the ranch to Lodge and the rights in his work, including "I Am a Camera", which entitled Lodge to earn a percentage from the movie Cabaret (1972).<ref>Template:Cite book</ref><ref name="jstor.org"/>

He died at Indio, California on 19 December 1957 of undisclosed causes. He is buried in the Coachella Valley Public Cemetery.<ref>Template:Cite book</ref><ref name="Vineberg"/>

Association with Vedanta

John Van Druten's friend and colleague, Christopher Isherwood had fled Europe just before WWII broke out. Isherwood settled in the Los Angeles area and began a life-long association with his guru, Swami Prabhavananda. It was Isherwood who wrote The Berlin Stories, on which Van Druten based his play, I Am A Camera. Through Isherwood Van Druten became involved with the Vedanta Society of Southern California in Hollywood, which was founded in 1930 by Swami Prabhavananda.<ref>History of Vedanta in Southern California</ref>

From 1951 until his death in 1957, Van Druten was an Editorial Advisor, along with Gerald Heard, Aldous Huxley, and Christopher Isherwood, for the bi-monthly journal Vedanta and the West, published by the Vedanta Society of Southern California. During that time, the journal published 10 essays by Van Druten.<ref name="ReferenceA">From the Index of the publication history of Vedanta and the West</ref><ref>“Front Matter.” The Virginia Quarterly Review, vol. 28, no. 4, 1952. JSTOR, http://www.jstor.org/stable/26439659. Accessed 9 Mar. 2023</ref>

Plays

Other work

Van Druten directed the last nine productions of his own plays (see above).

At the St. James Theatre, New York in March 1951, he directed the first production of the musical The King and I (1,246 performances) with Gertrude Lawrence and Yul Brynner. He also restaged this production at the Theatre Royal Drury Lane, in London, October 1953 (946 performances).

At the Theatre Royal, Brighton in November 1954, he staged a production of The Duchess and the Smugs.

Van Druten wrote two autobiographies:

  • The Way to the Present (1938)
  • The Widening Circle: Personal Search, Charles Scribner's Sons, New York (1957)

He also published two novels: a version of Young Woodley (1928), and The Vicarious Years in 1955.

He also published a book on his work, Playwright at Work, just after the Second World War.

Filmography

Screenwriter

Articles published in Vedanta and the West

John Van Druten contributed articles to Vedanta and the West, the bi-monthly journal published by Vedanta Society of Southern California from March 1943 until March 1958. From January 1951 to January 1958, John Van Druten was the Editorial Advisor to the journal, together with Christopher Isherwood, Aldous Huxley, and Gerald Heard.<ref name="ReferenceA"/><ref>“Front Matter.” The Virginia Quarterly Review, vol. 28, no. 4, 1952. JSTOR, [3] Accessed 9 Mar. 2023</ref><ref>“Brief Comments.” The American Scholar, vol. 21, no. 1, 1951, pp. 125–28. JSTOR, [4] Accessed 9 Mar. 2023.</ref>

  • I am Where I Have Always Been - March - April, 1943
  • Maya and Mortal Mind - January - February, 1944
  • Prayer - March - April, 1944
  • A Letter - March - April, 1945
  • One Element - July - August, 1950
  • Vivekananda - January - February, 1952
  • What Vedanta Means to Me - March - April, 1952
  • Waste Its Sweetness - November - December, 1954
  • Religion and the Drama - September - October, 1955
  • The Final Unbandaging - March - April, 1958

Sources

References

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