John Wootton

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Template:Short description Template:Use dmy dates Template:Use British English Template:Infobox artist

File:John Wootton (c.1682-1764) - George II at the Battle of Dettingen, with the Duke of Cumberland and Robert, 4th Earl of Holderness, 27 June 1743 - NAM. 1961-07-116 - National Army Museum.jpg
George II at the Battle of Dettingen, 1743
File:John Wootton (c. 1682-1764) - A View of Henley-on-Thames - RCIN 400507 - Royal Collection.jpg
A View of Henley-on-Thames, 1743
File:John Wootton - The Duke of Hamilton's Grey Racehorse, 'Victorious,' at Newmarket - Google Art Project.jpg
The Duke of Hamilton's Grey Racehorse, 'Victorious,' at Newmarket, c. 1725

John Wootton (Template:Circa – 13 November 1764)<ref name="Deuchar">Deuchar, S. (2003). "Wootton, John". Grove Art Online.</ref> was an English painter of sporting subjects, battle scenes and landscapes, and illustrator.

Life

Born in Snitterfield, Warwickshire (near Stratford-upon-Avon), he is best remembered as a pioneer in the painting of sporting subjects – together with Peter Tillemans and James Seymour<ref>Waterhouse, 297–298</ref> – and was considered the finest practitioner of the genre in his day.<ref name="Deuchar"/> As such, his paintings were very fashionable and were sought after by those among the highest strata of the British society. These included figures such as George II of Great Britain, Frederick, Prince of Wales, and the Duke of Marlborough.

It is likely that he received artistic training from Jan Wyck before 1700.<ref name="Deuchar"/> Wootton may have begun life as a page to the family of the Dukes of Beaufort. His earliest surviving dated work is the equine portrait Bonny Black (1711).<ref name="Deuchar"/> He remained active until his death in 1764, based in the capital of English horse racing at Newmarket, and producing large numbers of portraits of horses and also conversation pieces with a hunting or riding setting. He acquired a classicising landscape style based on that of Gaspard Dughet, which he used in some pure landscape paintings, as well as views of country houses and equine subjects.<ref name="Deuchar"/> This introduced an alternative to the various Dutch and Flemish artists who had previously set the prevailing landscape style in Britain, and through intermediary artists such as George Lambert, the first British painter to base a career on landscape subjects, was to greatly influence other British artists such as Gainsborough.<ref>Waterhouse, 155–156</ref>

He is now somewhat eclipsed in the field of animal paintings by the later George Stubbs (1724–1806), who is considered technically superior. John Wootton died in London on 13 November 1764. Examples of his animal painting can be found in the Tate Gallery, London, the Virginia Museum of Fine Arts, Richmond, the Yale Center for British Art, in the Elizabethan Great Hall at Longleat and in The Portland Collection at the Harley Gallery and Foundation.

File:John Wootton (c. 1682-1764) - Frederick, Prince of Wales (1707-1751) in the Hunting Field - RCIN 401000 - Royal Collection.jpg
Frederick, Prince of Wales in the Hunting Field, 1734
File:John Wootton (c. 1682-1764) - The Siege of Lille - RCIN 407182 - Royal Collection.jpg
The Siege of Lille, 1742

See also

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Further reading

Arline J. Meyer, 'Wootton, John (1681/2–1764)’, Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Jan 2008 [1]

Notes

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References

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